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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3EB033 it is the complementary color #C14FCC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3EB033. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3EB033 shade: #43B02E, #54C241, #65D454, #76E667 and #87F87A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3EB033. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3EB033 shade: #3EB033, #2D9E20, #1C8C0D, #0B7A00 and #006800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3EB033 shade: #3FB234, #61B234, #83B234, #A5B234 and #B29D34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3EB033 shade: #3FB234, #34B24B, #34B26D, #34B28F and #34B2B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3EB033 shade matches the following richer shades: #3FB234, #2FC421 and #20D70F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3EB033 shade: #3FB234, #4E9F46, #5D8D59, #6D7A6B and #7C687E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3EB033 shade: #84B234, #62B234, #40B234, #34B249 and #34B26A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3EB033 shade: #287221, #33922A, #3FB234, #51C946 and #6FD266

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3EB033 shade: #3EB033, #34A5B2 and #B23473

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3EB033 shade: #3EB033, #3440B2 and #B23440

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3EB033 shade: #3EB033, #34A5B2, #A534B2 and #B24034

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3EB033 shade: #3EB033, #347FB2, #A534B2 and #B26634

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 71 / 31

HEX #3EB033

RGB 62 176 51

HSL 114.72, 0.55%, 0.45%

LAB 63.6, -55.4, 52.05

 

Complementary color

CMYK 5 / 61 / 0 / 20

HEX #C14FCC

RGB 193 79 204

HSL 294.72, 0.55%, 0.55%

LAB 53.26, 62.16, -43.96

 

CMYK 62 / 0 / 74 / 31

HEX #43B02E

RGB 67 176 46

HSL 110.31, 0.59%, 0.44%

LAB 63.71, -54.67, 54.08

 

CMYK 57 / 0 / 66 / 24

HEX #54C241

RGB 84 194 65

HSL 111.16, 0.51%, 0.51%

LAB 70.07, -55.4, 53.51

 

CMYK 52 / 0 / 60 / 17

HEX #65D454

RGB 101 212 84

HSL 112.03, 0.6%, 0.58%

LAB 76.37, -55.8, 52.58

 

CMYK 49 / 0 / 55 / 10

HEX #76E667

RGB 118 230 103

HSL 112.91, 0.72%, 0.65%

LAB 82.61, -55.99, 51.47

 

CMYK 46 / 0 / 51 / 3

HEX #87F87A

RGB 135 248 122

HSL 113.81, 0.9%, 0.73%

LAB 88.78, -56.03, 50.28

 

CMYK 65 / 0 / 71 / 31

HEX #3EB033

RGB 62 176 51

HSL 114.72, 0.55%, 0.45%

LAB 63.6, -55.4, 52.05

 

CMYK 72 / 0 / 80 / 38

HEX #2D9E20

RGB 45 158 32

HSL 113.81, 0.66%, 0.37%

LAB 57.19, -54.14, 52.26

 

CMYK 80 / 0 / 91 / 45

HEX #1C8C0D

RGB 28 140 13

HSL 112.91, 0.83%, 0.3%

LAB 50.72, -52.12, 51.26

 

CMYK 91 / 0 / 100 / 52

HEX #0B7A00

RGB 11 122 0

HSL 114.59, 1%, 0.24%

LAB 44.22, -49.01, 48.33

 

CMYK 100 / 0 / 100 / 59

HEX #006800

RGB 0 104 0

HSL 120, 1%, 0.2%

LAB 37.66, -44.58, 43.03

 

CMYK 65 / 0 / 71 / 30

HEX #3FB234

RGB 63 178 52

HSL 114.76, 0.55%, 0.45%

LAB 64.28, -55.79, 52.38

 

CMYK 46 / 0 / 71 / 30

HEX #61B234

RGB 97 178 52

HSL 98.57, 0.55%, 0.45%

LAB 65.46, -46.61, 53.97

 

CMYK 26 / 0 / 71 / 30

HEX #83B234

RGB 131 178 52

HSL 82.38, 0.55%, 0.45%

LAB 67.21, -34.51, 56.32

 

CMYK 7 / 0 / 71 / 30

HEX #A5B234

RGB 165 178 52

HSL 66.19, 0.55%, 0.45%

LAB 69.53, -20.63, 59.4

 

CMYK 0 / 12 / 71 / 30

HEX #B29D34

RGB 178 157 52

HSL 50, 0.55%, 0.45%

LAB 64.82, -4.07, 55.09

 

CMYK 65 / 0 / 71 / 30

HEX #3FB234

RGB 63 178 52

HSL 114.76, 0.55%, 0.45%

LAB 64.28, -55.79, 52.38

 

CMYK 71 / 0 / 58 / 30

HEX #34B24B

RGB 52 178 75

HSL 130.95, 0.55%, 0.45%

LAB 64.22, -55.47, 42.27

 

CMYK 71 / 0 / 39 / 30

HEX #34B26D

RGB 52 178 109

HSL 147.14, 0.55%, 0.45%

LAB 64.7, -49.99, 25.63

 

CMYK 71 / 0 / 20 / 30

HEX #34B28F

RGB 52 178 143

HSL 163.33, 0.55%, 0.45%

LAB 65.4, -42.5, 8.1

 

CMYK 71 / 0 / 1 / 30

HEX #34B2B1

RGB 52 178 177

HSL 179.52, 0.55%, 0.45%

LAB 66.32, -33.33, -9.39

 

CMYK 65 / 0 / 71 / 30

HEX #3FB234

RGB 63 178 52

HSL 114.76, 0.55%, 0.45%

LAB 64.28, -55.79, 52.38

 

CMYK 76 / 0 / 83 / 23

HEX #2FC421

RGB 47 196 33

HSL 114.85, 0.71%, 0.45%

LAB 69.61, -65.83, 63.55

 

CMYK 85 / 0 / 93 / 16

HEX #20D70F

RGB 32 215 15

HSL 114.9, 0.87%, 0.45%

LAB 75.42, -73.75, 71.86

 

CMYK 65 / 0 / 71 / 30

HEX #3FB234

RGB 63 178 52

HSL 114.76, 0.55%, 0.45%

LAB 64.28, -55.79, 52.38

 

CMYK 51 / 0 / 56 / 38

HEX #4E9F46

RGB 78 159 70

HSL 114.61, 0.39%, 0.45%

LAB 58.84, -42.86, 38.5

 

CMYK 34 / 0 / 37 / 45

HEX #5D8D59

RGB 93 141 89

HSL 115.38, 0.23%, 0.45%

LAB 54.13, -27.12, 22.73

 

CMYK 11 / 0 / 12 / 52

HEX #6D7A6B

RGB 109 122 107

HSL 112, 0.07%, 0.45%

LAB 49.78, -7.9, 6.59

 

CMYK 2 / 17 / 0 / 51

HEX #7C687E

RGB 124 104 126

HSL 294.55, 0.1%, 0.45%

LAB 46.57, 12.18, -9.25

 

CMYK 26 / 0 / 71 / 30

HEX #84B234

RGB 132 178 52

HSL 81.9, 0.55%, 0.45%

LAB 67.27, -34.13, 56.4

 

CMYK 45 / 0 / 71 / 30

HEX #62B234

RGB 98 178 52

HSL 98.1, 0.55%, 0.45%

LAB 65.5, -46.29, 54.03

 

CMYK 64 / 0 / 71 / 30

HEX #40B234

RGB 64 178 52

HSL 114.29, 0.55%, 0.45%

LAB 64.31, -55.57, 52.42

 

CMYK 71 / 0 / 59 / 30

HEX #34B249

RGB 52 178 73

HSL 130, 0.55%, 0.45%

LAB 64.2, -55.73, 43.18

 

CMYK 71 / 0 / 40 / 30

HEX #34B26A

RGB 52 178 106

HSL 145.71, 0.55%, 0.45%

LAB 64.65, -50.55, 27.15

 

CMYK 65 / 0 / 71 / 55

HEX #287221

RGB 40 114 33

HSL 114.81, 0.55%, 0.29%

LAB 42.15, -39.4, 36.71

 

CMYK 65 / 0 / 71 / 43

HEX #33922A

RGB 51 146 42

HSL 114.81, 0.55%, 0.37%

LAB 53.42, -47.94, 44.9

 

CMYK 65 / 0 / 71 / 30

HEX #3FB234

RGB 63 178 52

HSL 114.76, 0.55%, 0.45%

LAB 64.28, -55.79, 52.38

 

CMYK 60 / 0 / 65 / 21

HEX #51C946

RGB 81 201 70

HSL 114.96, 0.55%, 0.53%

LAB 72.2, -58.2, 53.74

 

CMYK 47 / 0 / 51 / 18

HEX #6FD266

RGB 111 210 102

HSL 115, 0.55%, 0.61%

LAB 76.33, -50.15, 44.35

 

CMYK 65 / 0 / 71 / 31

HEX #3EB033

RGB 62 176 51

HSL 114.72, 0.55%, 0.45%

LAB 63.6, -55.4, 52.05

 

CMYK 71 / 7 / 0 / 30

HEX #34A5B2

RGB 52 165 178

HSL 186.19, 0.55%, 0.45%

LAB 62.38, -26.71, -15.86

 

CMYK 0 / 71 / 35 / 30

HEX #B23473

RGB 178 52 115

HSL 330, 0.55%, 0.45%

LAB 43, 55.82, -7.15

 

CMYK 65 / 0 / 71 / 31

HEX #3EB033

RGB 62 176 51

HSL 114.72, 0.55%, 0.45%

LAB 63.6, -55.4, 52.05

 

CMYK 71 / 64 / 0 / 30

HEX #3440B2

RGB 52 64 178

HSL 234.29, 0.55%, 0.45%

LAB 33.16, 33.86, -61.97

 

CMYK 0 / 71 / 64 / 30

HEX #B23440

RGB 178 52 64

HSL 354.29, 0.55%, 0.45%

LAB 41.68, 51.32, 22.74

 

CMYK 65 / 0 / 71 / 31

HEX #3EB033

RGB 62 176 51

HSL 114.72, 0.55%, 0.45%

LAB 63.6, -55.4, 52.05

 

CMYK 71 / 7 / 0 / 30

HEX #34A5B2

RGB 52 165 178

HSL 186.19, 0.55%, 0.45%

LAB 62.38, -26.71, -15.86

 

CMYK 7 / 71 / 0 / 30

HEX #A534B2

RGB 165 52 178

HSL 293.81, 0.55%, 0.45%

LAB 43.76, 61.85, -44.22

 

CMYK 0 / 64 / 71 / 30

HEX #B24034

RGB 178 64 52

HSL 5.71, 0.55%, 0.45%

LAB 43.33, 45.64, 31.96

 

CMYK 65 / 0 / 71 / 31

HEX #3EB033

RGB 62 176 51

HSL 114.72, 0.55%, 0.45%

LAB 63.6, -55.4, 52.05

 

CMYK 71 / 29 / 0 / 30

HEX #347FB2

RGB 52 127 178

HSL 204.29, 0.55%, 0.45%

LAB 50.83, -6.12, -33.65

 

CMYK 7 / 71 / 0 / 30

HEX #A534B2

RGB 165 52 178

HSL 293.81, 0.55%, 0.45%

LAB 43.76, 61.85, -44.22

 

CMYK 0 / 43 / 71 / 30

HEX #B26634

RGB 178 102 52

HSL 23.81, 0.55%, 0.45%

LAB 50.94, 26.32, 40.56

 

Description

Color code: HEX #3EB033 | qconv.com Color code: HEX #3EB033 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 176 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 176 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 71 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 71% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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