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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3EADC5 it is the complementary color #C1523A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3EADC5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3EADC5 shade: #43ADC0, #54BFD3, #65D1E6, #76E3F9 and #87F5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3EADC5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3EADC5 shade: #3EADC5, #2D9BB2, #1C899F, #0B778C and #006579

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3EADC5 shade: #3EADC5, #3E89C5, #3E64C5, #3E40C5 and #613EC5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3EADC5 shade: #3EADC5, #3E89C5, #3E64C5, #3E40C5 and #3E3EC5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3EADC5 shade matches the following richer shades: #3EADC5, #2ABAD9 and #16C7ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3EADC5 shade: #3EADC5, #52A0B1, #67939D, #7B8688 and #8F7974

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3EADC5 shade: #3EC594, #3EC5B8, #3EAFC5, #3E8BC5 and #3E67C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3EADC5 shade: #287788, #3293A8, #3EADC5, #5EBACF and #7EC8D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3EADC5 shade: #3EADC5, #703EC5 and #C5A63E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3EADC5 shade: #3EADC5, #C53EAF and #AFC53E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3EADC5 shade: #3EADC5, #703EC5, #C5553E and #94C53E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3EADC5 shade: #3EADC5, #983EC5, #C5553E and #6BC53E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 12 / 0 / 23

HEX #3EADC5

RGB 62 173 197

HSL 190.67, 0.54%, 0.51%

LAB 65.7, -23.45, -21.39

 

Complementary color

CMYK 0 / 58 / 70 / 24

HEX #C1523A

RGB 193 82 58

HSL 10.67, 0.54%, 0.49%

LAB 49.1, 43.01, 35.9

 

CMYK 65 / 10 / 0 / 25

HEX #43ADC0

RGB 67 173 192

HSL 189.12, 0.5%, 0.51%

LAB 65.66, -24.22, -18.67

 

CMYK 60 / 9 / 0 / 17

HEX #54BFD3

RGB 84 191 211

HSL 189.45, 0.59%, 0.58%

LAB 72.13, -24.77, -19.26

 

CMYK 56 / 9 / 0 / 10

HEX #65D1E6

RGB 101 209 230

HSL 189.77, 0.72%, 0.65%

LAB 78.51, -25.17, -19.8

 

CMYK 53 / 9 / 0 / 2

HEX #76E3F9

RGB 118 227 249

HSL 190.08, 0.92%, 0.72%

LAB 84.81, -25.47, -20.31

 

CMYK 47 / 4 / 0 / 0

HEX #87F5FF

RGB 135 245 255

HSL 185, 1%, 0.76%

LAB 90.63, -29.05, -14.62

 

CMYK 69 / 12 / 0 / 23

HEX #3EADC5

RGB 62 173 197

HSL 190.67, 0.54%, 0.51%

LAB 65.7, -23.45, -21.39

 

CMYK 75 / 13 / 0 / 30

HEX #2D9BB2

RGB 45 155 178

HSL 190.38, 0.6%, 0.44%

LAB 59.17, -22.52, -20.76

 

CMYK 82 / 14 / 0 / 38

HEX #1C899F

RGB 28 137 159

HSL 190.08, 0.7%, 0.37%

LAB 52.55, -21.26, -20.05

 

CMYK 92 / 15 / 0 / 45

HEX #0B778C

RGB 11 119 140

HSL 189.77, 0.85%, 0.3%

LAB 45.85, -19.52, -19.22

 

CMYK 100 / 17 / 0 / 53

HEX #006579

RGB 0 101 121

HSL 189.92, 1%, 0.24%

LAB 39.05, -17.21, -18.25

 

CMYK 69 / 12 / 0 / 23

HEX #3EADC5

RGB 62 173 197

HSL 190.67, 0.54%, 0.51%

LAB 65.7, -23.45, -21.39

 

CMYK 69 / 30 / 0 / 23

HEX #3E89C5

RGB 62 137 197

HSL 206.67, 0.54%, 0.51%

LAB 55.02, -3.79, -37.94

 

CMYK 69 / 49 / 0 / 23

HEX #3E64C5

RGB 62 100 197

HSL 223.11, 0.54%, 0.51%

LAB 44.48, 18.94, -54.71

 

CMYK 69 / 68 / 0 / 23

HEX #3E40C5

RGB 62 64 197

HSL 239.11, 0.54%, 0.51%

LAB 35.44, 41.68, -69.39

 

CMYK 51 / 69 / 0 / 23

HEX #613EC5

RGB 97 62 197

HSL 255.56, 0.54%, 0.51%

LAB 37.87, 48, -65.3

 

CMYK 69 / 12 / 0 / 23

HEX #3EADC5

RGB 62 173 197

HSL 190.67, 0.54%, 0.51%

LAB 65.7, -23.45, -21.39

 

CMYK 69 / 30 / 0 / 23

HEX #3E89C5

RGB 62 137 197

HSL 206.67, 0.54%, 0.51%

LAB 55.02, -3.79, -37.94

 

CMYK 69 / 49 / 0 / 23

HEX #3E64C5

RGB 62 100 197

HSL 223.11, 0.54%, 0.51%

LAB 44.48, 18.94, -54.71

 

CMYK 69 / 68 / 0 / 23

HEX #3E40C5

RGB 62 64 197

HSL 239.11, 0.54%, 0.51%

LAB 35.44, 41.68, -69.39

 

CMYK 69 / 69 / 0 / 23

HEX #3E3EC5

RGB 62 62 197

HSL 240, 0.54%, 0.51%

LAB 35, 42.87, -70.11

 

CMYK 69 / 12 / 0 / 23

HEX #3EADC5

RGB 62 173 197

HSL 190.67, 0.54%, 0.51%

LAB 65.7, -23.45, -21.39

 

CMYK 81 / 14 / 0 / 15

HEX #2ABAD9

RGB 42 186 217

HSL 190.63, 0.7%, 0.51%

LAB 69.91, -25.98, -26

 

CMYK 91 / 16 / 0 / 7

HEX #16C7ED

RGB 22 199 237

HSL 190.6, 0.86%, 0.51%

LAB 74.27, -27.21, -30.17

 

CMYK 69 / 12 / 0 / 23

HEX #3EADC5

RGB 62 173 197

HSL 190.67, 0.54%, 0.51%

LAB 65.7, -23.45, -21.39

 

CMYK 54 / 10 / 0 / 31

HEX #52A0B1

RGB 82 160 177

HSL 190.74, 0.38%, 0.51%

LAB 61.75, -19.15, -16.18

 

CMYK 34 / 6 / 0 / 38

HEX #67939D

RGB 103 147 157

HSL 191.11, 0.22%, 0.51%

LAB 58.21, -12.36, -10.07

 

CMYK 10 / 1 / 0 / 47

HEX #7B8688

RGB 123 134 136

HSL 189.23, 0.05%, 0.51%

LAB 55.11, -3.59, -2.46

 

CMYK 0 / 15 / 19 / 44

HEX #8F7974

RGB 143 121 116

HSL 11.11, 0.11%, 0.51%

LAB 52.7, 7.65, 5.89

 

CMYK 69 / 0 / 25 / 23

HEX #3EC594

RGB 62 197 148

HSL 158.22, 0.54%, 0.51%

LAB 71.62, -47.78, 14.2

 

CMYK 69 / 0 / 7 / 23

HEX #3EC5B8

RGB 62 197 184

HSL 174.22, 0.54%, 0.51%

LAB 72.51, -38.79, -4.04

 

CMYK 69 / 11 / 0 / 23

HEX #3EAFC5

RGB 62 175 197

HSL 189.78, 0.54%, 0.51%

LAB 66.3, -24.47, -20.48

 

CMYK 69 / 29 / 0 / 23

HEX #3E8BC5

RGB 62 139 197

HSL 205.78, 0.54%, 0.51%

LAB 55.6, -4.95, -37.01

 

CMYK 69 / 48 / 0 / 23

HEX #3E67C5

RGB 62 103 197

HSL 221.78, 0.54%, 0.51%

LAB 45.3, 17.03, -53.38

 

CMYK 71 / 13 / 0 / 47

HEX #287788

RGB 40 119 136

HSL 190.63, 0.55%, 0.35%

LAB 46.21, -17.89, -16.25

 

CMYK 70 / 13 / 0 / 34

HEX #3293A8

RGB 50 147 168

HSL 190.68, 0.54%, 0.43%

LAB 56.46, -20.91, -19.21

 

CMYK 69 / 12 / 0 / 23

HEX #3EADC5

RGB 62 173 197

HSL 190.67, 0.54%, 0.51%

LAB 65.7, -23.45, -21.39

 

CMYK 55 / 10 / 0 / 19

HEX #5EBACF

RGB 94 186 207

HSL 191.15, 0.54%, 0.59%

LAB 70.87, -21.48, -18.95

 

CMYK 42 / 7 / 0 / 15

HEX #7EC8D8

RGB 126 200 216

HSL 190.67, 0.54%, 0.67%

LAB 76.5, -18.91, -15.21

 

CMYK 69 / 12 / 0 / 23

HEX #3EADC5

RGB 62 173 197

HSL 190.67, 0.54%, 0.51%

LAB 65.7, -23.45, -21.39

 

CMYK 43 / 69 / 0 / 23

HEX #703EC5

RGB 112 62 197

HSL 262.22, 0.54%, 0.51%

LAB 39.45, 50.68, -62.67

 

CMYK 0 / 16 / 69 / 23

HEX #C5A63E

RGB 197 166 62

HSL 46.22, 0.54%, 0.51%

LAB 69.11, -0.01, 55.89

 

CMYK 69 / 12 / 0 / 23

HEX #3EADC5

RGB 62 173 197

HSL 190.67, 0.54%, 0.51%

LAB 65.7, -23.45, -21.39

 

CMYK 0 / 69 / 11 / 23

HEX #C53EAF

RGB 197 62 175

HSL 309.78, 0.54%, 0.51%

LAB 49.99, 65.15, -32.27

 

CMYK 11 / 0 / 69 / 23

HEX #AFC53E

RGB 175 197 62

HSL 69.78, 0.54%, 0.51%

LAB 75.7, -25.24, 62.04

 

CMYK 69 / 12 / 0 / 23

HEX #3EADC5

RGB 62 173 197

HSL 190.67, 0.54%, 0.51%

LAB 65.7, -23.45, -21.39

 

CMYK 43 / 69 / 0 / 23

HEX #703EC5

RGB 112 62 197

HSL 262.22, 0.54%, 0.51%

LAB 39.45, 50.68, -62.67

 

CMYK 0 / 57 / 69 / 23

HEX #C5553E

RGB 197 85 62

HSL 10.22, 0.54%, 0.51%

LAB 50.35, 43.27, 35.29

 

CMYK 25 / 0 / 69 / 23

HEX #94C53E

RGB 148 197 62

HSL 81.78, 0.54%, 0.51%

LAB 73.92, -35.98, 59.66

 

CMYK 69 / 12 / 0 / 23

HEX #3EADC5

RGB 62 173 197

HSL 190.67, 0.54%, 0.51%

LAB 65.7, -23.45, -21.39

 

CMYK 23 / 69 / 0 / 23

HEX #983EC5

RGB 152 62 197

HSL 280, 0.54%, 0.51%

LAB 44.45, 58.73, -54.33

 

CMYK 0 / 57 / 69 / 23

HEX #C5553E

RGB 197 85 62

HSL 10.22, 0.54%, 0.51%

LAB 50.35, 43.27, 35.29

 

CMYK 46 / 0 / 69 / 23

HEX #6BC53E

RGB 107 197 62

HSL 100, 0.54%, 0.51%

LAB 71.83, -50.3, 56.84

 

Description

Color code: HEX #3EADC5 | qconv.com Color code: HEX #3EADC5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 173 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 173 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 12 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 12% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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