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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3EAA3A it is the complementary color #C155C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3EAA3A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3EAA3A shade: #43AA35, #54BC48, #65CE5B, #76E06E and #87F281

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3EAA3A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3EAA3A shade: #3EAA3A, #2D9827, #1C8614, #0B7401 and #006200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3EAA3A shade: #3FAB3B, #5DAB3B, #7BAB3B, #9AAB3B and #AB9E3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3EAA3A shade: #3FAB3B, #3BAB55, #3BAB73, #3BAB91 and #3BA6AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3EAA3A shade matches the following richer shades: #3FAB3B, #2DBE28, #1CD015 and #0BE303

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3EAA3A shade: #3FAB3B, #50984D, #618660, #727372 and #846185

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3EAA3A shade: #7CAB3B, #5EAB3B, #40AB3B, #3BAB53 and #3BAB71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3EAA3A shade: #286E25, #338C30, #3FAB3B, #51C24D and #6FCD6C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3EAA3A shade: #3EAA3A, #3B9AAB and #AB3B6D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3EAA3A shade: #3EAA3A, #3B40AB and #AB3B40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3EAA3A shade: #3EAA3A, #3B9AAB, #A53BAB and #AB4B3B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3EAA3A shade: #3EAA3A, #3B78AB, #A53BAB and #AB6D3B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 66 / 33

HEX #3EAA3A

RGB 62 170 58

HSL 117.86, 0.49%, 0.45%

LAB 61.72, -52.61, 47.19

 

Complementary color

CMYK 2 / 57 / 0 / 23

HEX #C155C5

RGB 193 85 197

HSL 297.86, 0.49%, 0.55%

LAB 53.88, 58.24, -38.97

 

CMYK 61 / 0 / 69 / 33

HEX #43AA35

RGB 67 170 53

HSL 112.82, 0.52%, 0.44%

LAB 61.83, -51.92, 49.44

 

CMYK 55 / 0 / 62 / 26

HEX #54BC48

RGB 84 188 72

HSL 113.79, 0.46%, 0.51%

LAB 68.26, -52.46, 48.52

 

CMYK 51 / 0 / 56 / 19

HEX #65CE5B

RGB 101 206 91

HSL 114.78, 0.54%, 0.58%

LAB 74.61, -52.71, 47.38

 

CMYK 47 / 0 / 51 / 12

HEX #76E06E

RGB 118 224 110

HSL 115.79, 0.65%, 0.65%

LAB 80.9, -52.78, 46.16

 

CMYK 44 / 0 / 47 / 5

HEX #87F281

RGB 135 242 129

HSL 116.81, 0.81%, 0.73%

LAB 87.11, -52.73, 44.93

 

CMYK 64 / 0 / 66 / 33

HEX #3EAA3A

RGB 62 170 58

HSL 117.86, 0.49%, 0.45%

LAB 61.72, -52.61, 47.19

 

CMYK 70 / 0 / 74 / 40

HEX #2D9827

RGB 45 152 39

HSL 116.81, 0.59%, 0.37%

LAB 55.24, -51.6, 47.91

 

CMYK 79 / 0 / 85 / 47

HEX #1C8614

RGB 28 134 20

HSL 115.79, 0.74%, 0.3%

LAB 48.7, -49.87, 47.78

 

CMYK 91 / 0 / 99 / 55

HEX #0B7401

RGB 11 116 1

HSL 114.78, 0.98%, 0.23%

LAB 42.1, -47.13, 46.39

 

CMYK 100 / 0 / 100 / 62

HEX #006200

RGB 0 98 0

HSL 120, 1%, 0.19%

LAB 35.47, -42.76, 41.27

 

CMYK 63 / 0 / 65 / 33

HEX #3FAB3B

RGB 63 171 59

HSL 117.86, 0.49%, 0.45%

LAB 62.08, -52.64, 47.16

 

CMYK 46 / 0 / 65 / 33

HEX #5DAB3B

RGB 93 171 59

HSL 101.79, 0.49%, 0.45%

LAB 63.15, -44.44, 48.63

 

CMYK 28 / 0 / 65 / 33

HEX #7BAB3B

RGB 123 171 59

HSL 85.71, 0.49%, 0.45%

LAB 64.69, -33.87, 50.74

 

CMYK 10 / 0 / 65 / 33

HEX #9AAB3B

RGB 154 171 59

HSL 69.11, 0.49%, 0.45%

LAB 66.76, -21.35, 53.56

 

CMYK 0 / 8 / 65 / 33

HEX #AB9E3B

RGB 171 158 59

HSL 53.04, 0.49%, 0.45%

LAB 64.51, -7.29, 51.62

 

CMYK 63 / 0 / 65 / 33

HEX #3FAB3B

RGB 63 171 59

HSL 117.86, 0.49%, 0.45%

LAB 62.08, -52.64, 47.16

 

CMYK 65 / 0 / 50 / 33

HEX #3BAB55

RGB 59 171 85

HSL 133.93, 0.49%, 0.45%

LAB 62.26, -50.18, 35.03

 

CMYK 65 / 0 / 33 / 33

HEX #3BAB73

RGB 59 171 115

HSL 150, 0.49%, 0.45%

LAB 62.75, -44.76, 19.8

 

CMYK 65 / 0 / 15 / 33

HEX #3BAB91

RGB 59 171 145

HSL 166.07, 0.49%, 0.45%

LAB 63.43, -37.81, 4.17

 

CMYK 65 / 3 / 0 / 33

HEX #3BA6AB

RGB 59 166 171

HSL 182.68, 0.49%, 0.45%

LAB 62.63, -28.28, -11.55

 

CMYK 63 / 0 / 65 / 33

HEX #3FAB3B

RGB 63 171 59

HSL 117.86, 0.49%, 0.45%

LAB 62.08, -52.64, 47.16

 

CMYK 76 / 0 / 79 / 25

HEX #2DBE28

RGB 45 190 40

HSL 118, 0.65%, 0.45%

LAB 67.68, -63.89, 59.8

 

CMYK 87 / 0 / 90 / 18

HEX #1CD015

RGB 28 208 21

HSL 117.75, 0.82%, 0.45%

LAB 73.16, -71.98, 69.09

 

CMYK 95 / 0 / 99 / 11

HEX #0BE303

RGB 11 227 3

HSL 117.86, 0.97%, 0.45%

LAB 79.05, -78.51, 75.96

 

CMYK 63 / 0 / 65 / 33

HEX #3FAB3B

RGB 63 171 59

HSL 117.86, 0.49%, 0.45%

LAB 62.08, -52.64, 47.16

 

CMYK 47 / 0 / 49 / 40

HEX #50984D

RGB 80 152 77

HSL 117.6, 0.33%, 0.45%

LAB 56.78, -38.34, 32.47

 

CMYK 28 / 0 / 28 / 47

HEX #618660

RGB 97 134 96

HSL 118.42, 0.17%, 0.45%

LAB 52.33, -20.95, 16.4

 

CMYK 1 / 0 / 1 / 55

HEX #727372

RGB 114 115 114

HSL 120, 0%, 0.45%

LAB 48.33, -0.58, 0.41

 

CMYK 1 / 27 / 0 / 48

HEX #846185

RGB 132 97 133

HSL 298.33, 0.16%, 0.45%

LAB 45.84, 20.72, -14.47

 

CMYK 27 / 0 / 65 / 33

HEX #7CAB3B

RGB 124 171 59

HSL 85.18, 0.49%, 0.45%

LAB 64.75, -33.49, 50.82

 

CMYK 45 / 0 / 65 / 33

HEX #5EAB3B

RGB 94 171 59

HSL 101.25, 0.49%, 0.45%

LAB 63.19, -44.12, 48.69

 

CMYK 63 / 0 / 65 / 33

HEX #40AB3B

RGB 64 171 59

HSL 117.32, 0.49%, 0.45%

LAB 62.11, -52.41, 47.2

 

CMYK 65 / 0 / 51 / 33

HEX #3BAB53

RGB 59 171 83

HSL 132.86, 0.49%, 0.45%

LAB 62.24, -50.48, 36

 

CMYK 65 / 0 / 34 / 33

HEX #3BAB71

RGB 59 171 113

HSL 148.93, 0.49%, 0.45%

LAB 62.72, -45.17, 20.84

 

CMYK 64 / 0 / 66 / 57

HEX #286E25

RGB 40 110 37

HSL 117.53, 0.5%, 0.29%

LAB 40.79, -37.39, 33.39

 

CMYK 64 / 0 / 66 / 45

HEX #338C30

RGB 51 140 48

HSL 118.04, 0.49%, 0.37%

LAB 51.47, -45.11, 40.22

 

CMYK 63 / 0 / 65 / 33

HEX #3FAB3B

RGB 63 171 59

HSL 117.86, 0.49%, 0.45%

LAB 62.08, -52.64, 47.16

 

CMYK 58 / 0 / 60 / 24

HEX #51C24D

RGB 81 194 77

HSL 117.95, 0.49%, 0.53%

LAB 70.08, -54.91, 48.34

 

CMYK 46 / 0 / 47 / 20

HEX #6FCD6C

RGB 111 205 108

HSL 118.14, 0.49%, 0.61%

LAB 74.9, -47.31, 39.66

 

CMYK 64 / 0 / 66 / 33

HEX #3EAA3A

RGB 62 170 58

HSL 117.86, 0.49%, 0.45%

LAB 61.72, -52.61, 47.19

 

CMYK 65 / 10 / 0 / 33

HEX #3B9AAB

RGB 59 154 171

HSL 189.11, 0.49%, 0.45%

LAB 58.96, -22.22, -17.09

 

CMYK 0 / 65 / 36 / 33

HEX #AB3B6D

RGB 171 59 109

HSL 333.21, 0.49%, 0.45%

LAB 42.6, 50.27, -4.16

 

CMYK 64 / 0 / 66 / 33

HEX #3EAA3A

RGB 62 170 58

HSL 117.86, 0.49%, 0.45%

LAB 61.72, -52.61, 47.19

 

CMYK 65 / 63 / 0 / 33

HEX #3B40AB

RGB 59 64 171

HSL 237.32, 0.49%, 0.45%

LAB 33, 32.37, -58.04

 

CMYK 0 / 65 / 63 / 33

HEX #AB3B40

RGB 171 59 64

HSL 357.32, 0.49%, 0.45%

LAB 41.46, 46.12, 22.21

 

CMYK 64 / 0 / 66 / 33

HEX #3EAA3A

RGB 62 170 58

HSL 117.86, 0.49%, 0.45%

LAB 61.72, -52.61, 47.19

 

CMYK 65 / 10 / 0 / 33

HEX #3B9AAB

RGB 59 154 171

HSL 189.11, 0.49%, 0.45%

LAB 58.96, -22.22, -17.09

 

CMYK 4 / 65 / 0 / 33

HEX #A53BAB

RGB 165 59 171

HSL 296.79, 0.49%, 0.45%

LAB 44.33, 57.87, -39.17

 

CMYK 0 / 56 / 65 / 33

HEX #AB4B3B

RGB 171 75 59

HSL 8.57, 0.49%, 0.45%

LAB 44.24, 38.23, 28.69

 

CMYK 64 / 0 / 66 / 33

HEX #3EAA3A

RGB 62 170 58

HSL 117.86, 0.49%, 0.45%

LAB 61.72, -52.61, 47.19

 

CMYK 65 / 30 / 0 / 33

HEX #3B78AB

RGB 59 120 171

HSL 207.32, 0.49%, 0.45%

LAB 48.64, -3.29, -33.01

 

CMYK 4 / 65 / 0 / 33

HEX #A53BAB

RGB 165 59 171

HSL 296.79, 0.49%, 0.45%

LAB 44.33, 57.87, -39.17

 

CMYK 0 / 36 / 65 / 33

HEX #AB6D3B

RGB 171 109 59

HSL 26.79, 0.49%, 0.45%

LAB 51.74, 19.85, 37.57

 

Description

Color code: HEX #3EAA3A | qconv.com Color code: HEX #3EAA3A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 170 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 170 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 66 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 66% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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