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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3EAA14 it is the complementary color #C155EB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3EAA14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3EAA14 shade: #43AA0F, #54BC22, #65CE35, #76E048 and #87F25B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3EAA14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3EAA14 shade: #3EAA14, #2D9801, #1C8600, #0B7400 and #006200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3EAA14 shade: #3EA914, #66A914, #8EA914, #A99C14 and #A97314

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3EAA14 shade: #3EA914, #15A914, #14A93A, #14A963 and #14A98B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3EAA14 shade matches the following richer shades: #3EA914 and #37B805

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3EAA14 shade: #3EA914, #449A23, #4B8A32, #527B42 and #586C51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3EAA14 shade: #8EA914, #66A914, #3EA914, #16A914 and #14A939

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3EAA14 shade: #235F0B, #30840F, #3EA914, #4BCE18 and #5EE629

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3EAA14 shade: #3EAA14, #14A99C and #A9147A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3EAA14 shade: #3EAA14, #143EA9 and #A9143E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3EAA14 shade: #3EAA14, #14A99C, #7F14A9 and #A91420

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3EAA14 shade: #3EAA14, #1489A9, #7F14A9 and #A93414

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 88 / 33

HEX #3EAA14

RGB 62 170 20

HSL 103.2, 0.79%, 0.37%

LAB 61.5, -55.21, 59.47

 

Complementary color

CMYK 18 / 64 / 0 / 8

HEX #C155EB

RGB 193 85 235

HSL 283.2, 0.79%, 0.63%

LAB 55.92, 65.43, -57.28

 

CMYK 61 / 0 / 91 / 33

HEX #43AA0F

RGB 67 170 15

HSL 99.87, 0.84%, 0.36%

LAB 61.63, -54.16, 60.58

 

CMYK 55 / 0 / 82 / 26

HEX #54BC22

RGB 84 188 34

HSL 100.52, 0.69%, 0.44%

LAB 68, -55.39, 62.16

 

CMYK 51 / 0 / 74 / 19

HEX #65CE35

RGB 101 206 53

HSL 101.18, 0.61%, 0.51%

LAB 74.3, -56.2, 62.56

 

CMYK 47 / 0 / 68 / 12

HEX #76E048

RGB 118 224 72

HSL 101.84, 0.71%, 0.58%

LAB 80.53, -56.7, 62.25

 

CMYK 44 / 0 / 62 / 5

HEX #87F25B

RGB 135 242 91

HSL 102.52, 0.85%, 0.65%

LAB 86.71, -56.99, 61.54

 

CMYK 64 / 0 / 88 / 33

HEX #3EAA14

RGB 62 170 20

HSL 103.2, 0.79%, 0.37%

LAB 61.5, -55.21, 59.47

 

CMYK 70 / 0 / 99 / 40

HEX #2D9801

RGB 45 152 1

HSL 102.52, 0.99%, 0.3%

LAB 55.09, -53.4, 57.08

 

CMYK 79 / 0 / 100 / 47

HEX #1C8600

RGB 28 134 0

HSL 107.46, 1%, 0.26%

LAB 48.63, -50.66, 51.95

 

CMYK 91 / 0 / 100 / 55

HEX #0B7400

RGB 11 116 0

HSL 114.31, 1%, 0.23%

LAB 42.1, -47.17, 46.63

 

CMYK 100 / 0 / 100 / 62

HEX #006200

RGB 0 98 0

HSL 120, 1%, 0.19%

LAB 35.47, -42.76, 41.27

 

CMYK 63 / 0 / 88 / 34

HEX #3EA914

RGB 62 169 20

HSL 103.09, 0.79%, 0.37%

LAB 61.18, -54.86, 59.19

 

CMYK 40 / 0 / 88 / 34

HEX #66A914

RGB 102 169 20

HSL 86.98, 0.79%, 0.37%

LAB 62.72, -42.94, 61.12

 

CMYK 16 / 0 / 88 / 34

HEX #8EA914

RGB 142 169 20

HSL 70.87, 0.79%, 0.37%

LAB 65.1, -27.23, 64.08

 

CMYK 0 / 8 / 88 / 34

HEX #A99C14

RGB 169 156 20

HSL 54.77, 0.79%, 0.37%

LAB 63.56, -8.75, 63.72

 

CMYK 0 / 32 / 88 / 34

HEX #A97314

RGB 169 115 20

HSL 38.26, 0.79%, 0.37%

LAB 52.67, 13.85, 54.96

 

CMYK 63 / 0 / 88 / 34

HEX #3EA914

RGB 62 169 20

HSL 103.09, 0.79%, 0.37%

LAB 61.18, -54.86, 59.19

 

CMYK 88 / 0 / 88 / 34

HEX #15A914

RGB 21 169 20

HSL 119.6, 0.79%, 0.37%

LAB 60.41, -61.45, 58.23

 

CMYK 88 / 0 / 66 / 34

HEX #14A93A

RGB 20 169 58

HSL 135.3, 0.79%, 0.37%

LAB 60.63, -58.67, 45.77

 

CMYK 88 / 0 / 41 / 34

HEX #14A963

RGB 20 169 99

HSL 151.81, 0.79%, 0.37%

LAB 61.16, -52.36, 26.18

 

CMYK 88 / 0 / 18 / 34

HEX #14A98B

RGB 20 169 139

HSL 167.92, 0.79%, 0.37%

LAB 61.99, -43.1, 5.37

 

CMYK 63 / 0 / 88 / 34

HEX #3EA914

RGB 62 169 20

HSL 103.09, 0.79%, 0.37%

LAB 61.18, -54.86, 59.19

 

CMYK 70 / 0 / 97 / 28

HEX #37B805

RGB 55 184 5

HSL 103.24, 0.95%, 0.37%

LAB 65.83, -61.68, 65.27

 

CMYK 63 / 0 / 88 / 34

HEX #3EA914

RGB 62 169 20

HSL 103.09, 0.79%, 0.37%

LAB 61.18, -54.86, 59.19

 

CMYK 56 / 0 / 77 / 40

HEX #449A23

RGB 68 154 35

HSL 103.36, 0.63%, 0.37%

LAB 56.55, -47.13, 50.88

 

CMYK 46 / 0 / 64 / 46

HEX #4B8A32

RGB 75 138 50

HSL 102.95, 0.47%, 0.37%

LAB 51.73, -37.21, 39.84

 

CMYK 33 / 0 / 46 / 52

HEX #527B42

RGB 82 123 66

HSL 103.16, 0.3%, 0.37%

LAB 47.43, -25.8, 26.66

 

CMYK 19 / 0 / 25 / 58

HEX #586C51

RGB 88 108 81

HSL 104.44, 0.14%, 0.37%

LAB 43.35, -13.11, 12.71

 

CMYK 16 / 0 / 88 / 34

HEX #8EA914

RGB 142 169 20

HSL 70.87, 0.79%, 0.37%

LAB 65.1, -27.23, 64.08

 

CMYK 40 / 0 / 88 / 34

HEX #66A914

RGB 102 169 20

HSL 86.98, 0.79%, 0.37%

LAB 62.72, -42.94, 61.12

 

CMYK 63 / 0 / 88 / 34

HEX #3EA914

RGB 62 169 20

HSL 103.09, 0.79%, 0.37%

LAB 61.18, -54.86, 59.19

 

CMYK 87 / 0 / 88 / 34

HEX #16A914

RGB 22 169 20

HSL 119.19, 0.79%, 0.37%

LAB 60.42, -61.36, 58.24

 

CMYK 88 / 0 / 66 / 34

HEX #14A939

RGB 20 169 57

HSL 134.9, 0.79%, 0.37%

LAB 60.62, -58.78, 46.19

 

CMYK 63 / 0 / 88 / 63

HEX #235F0B

RGB 35 95 11

HSL 102.86, 0.79%, 0.21%

LAB 35.13, -35.01, 38.03

 

CMYK 64 / 0 / 89 / 48

HEX #30840F

RGB 48 132 15

HSL 103.08, 0.8%, 0.29%

LAB 48.47, -45.38, 49.04

 

CMYK 63 / 0 / 88 / 34

HEX #3EA914

RGB 62 169 20

HSL 103.09, 0.79%, 0.37%

LAB 61.18, -54.86, 59.19

 

CMYK 64 / 0 / 88 / 19

HEX #4BCE18

RGB 75 206 24

HSL 103.19, 0.79%, 0.45%

LAB 73.35, -64.2, 69.05

 

CMYK 59 / 0 / 82 / 10

HEX #5EE629

RGB 94 230 41

HSL 103.17, 0.79%, 0.53%

LAB 81.36, -67.15, 72.64

 

CMYK 64 / 0 / 88 / 33

HEX #3EAA14

RGB 62 170 20

HSL 103.2, 0.79%, 0.37%

LAB 61.5, -55.21, 59.47

 

CMYK 88 / 0 / 8 / 34

HEX #14A99C

RGB 20 169 156

HSL 174.77, 0.79%, 0.37%

LAB 62.44, -38.38, -3.48

 

CMYK 0 / 88 / 28 / 34

HEX #A9147A

RGB 169 20 122

HSL 318.93, 0.79%, 0.37%

LAB 38.45, 63.33, -18.57

 

CMYK 64 / 0 / 88 / 33

HEX #3EAA14

RGB 62 170 20

HSL 103.2, 0.79%, 0.37%

LAB 61.5, -55.21, 59.47

 

CMYK 88 / 63 / 0 / 34

HEX #143EA9

RGB 20 62 169

HSL 223.09, 0.79%, 0.37%

LAB 30.54, 28.74, -60.94

 

CMYK 0 / 88 / 63 / 34

HEX #A9143E

RGB 169 20 62

HSL 343.09, 0.79%, 0.37%

LAB 36.52, 57.95, 16.95

 

CMYK 64 / 0 / 88 / 33

HEX #3EAA14

RGB 62 170 20

HSL 103.2, 0.79%, 0.37%

LAB 61.5, -55.21, 59.47

 

CMYK 88 / 0 / 8 / 34

HEX #14A99C

RGB 20 169 156

HSL 174.77, 0.79%, 0.37%

LAB 62.44, -38.38, -3.48

 

CMYK 25 / 88 / 0 / 34

HEX #7F14A9

RGB 127 20 169

HSL 283.09, 0.79%, 0.37%

LAB 33.73, 62.68, -55.33

 

CMYK 0 / 88 / 81 / 34

HEX #A91420

RGB 169 20 32

HSL 355.17, 0.79%, 0.37%

LAB 36.06, 56.61, 35.1

 

CMYK 64 / 0 / 88 / 33

HEX #3EAA14

RGB 62 170 20

HSL 103.2, 0.79%, 0.37%

LAB 61.5, -55.21, 59.47

 

CMYK 88 / 19 / 0 / 34

HEX #1489A9

RGB 20 137 169

HSL 192.89, 0.79%, 0.37%

LAB 52.84, -18.41, -25.38

 

CMYK 25 / 88 / 0 / 34

HEX #7F14A9

RGB 127 20 169

HSL 283.09, 0.79%, 0.37%

LAB 33.73, 62.68, -55.33

 

CMYK 0 / 69 / 88 / 34

HEX #A93414

RGB 169 52 20

HSL 12.89, 0.79%, 0.37%

LAB 39.48, 46.47, 44.33

 

Description

Color code: HEX #3EAA14 | qconv.com Color code: HEX #3EAA14 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 170 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 170 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 88 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 88% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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