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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E9AD4 it is the complementary color #C1652B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E9AD4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E9AD4 shade: #439ACF, #54ACE2, #65BEF5, #76D0FF and #87E2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E9AD4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E9AD4 shade: #3E9AD4, #2D88C1, #1C76AE, #0B649B and #005288

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E9AD4 shade: #3E9AD4, #3E72D4, #3E49D4, #5C3ED4 and #843ED4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E9AD4 shade: #3E9AD4, #3E72D4, #3E49D4 and #3E3ED4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E9AD4 shade matches the following richer shades: #3E9AD4, #2B9FE7 and #18A3FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E9AD4 shade: #3E9AD4, #5196C1, #6492AE, #778D9B and #8A8988

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E9AD4 shade: #3ED4BE, #3EC3D4, #3E9BD4, #3E73D4 and #3E4BD4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E9AD4 shade: #226E9E, #2A86BF, #3E9AD4, #60ACDC and #82BDE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E9AD4 shade: #3E9AD4, #963ED4 and #D4D23E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E9AD4 shade: #3E9AD4, #D43E9B and #9BD43E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E9AD4 shade: #3E9AD4, #963ED4, #D4783E and #7DD43E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E9AD4 shade: #3E9AD4, #C33ED4, #D4783E and #50D43E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 27 / 0 / 17

HEX #3E9AD4

RGB 62 154 212

HSL 203.2, 0.64%, 0.54%

LAB 60.68, -8.36, -37.49

 

Complementary color

CMYK 0 / 48 / 78 / 24

HEX #C1652B

RGB 193 101 43

HSL 23.2, 0.64%, 0.46%

LAB 52.75, 32.68, 47.51

 

CMYK 68 / 26 / 0 / 19

HEX #439ACF

RGB 67 154 207

HSL 202.71, 0.59%, 0.54%

LAB 60.61, -9.3, -34.8

 

CMYK 63 / 24 / 0 / 11

HEX #54ACE2

RGB 84 172 226

HSL 202.82, 0.71%, 0.61%

LAB 67.19, -10.24, -35.05

 

CMYK 59 / 22 / 0 / 4

HEX #65BEF5

RGB 101 190 245

HSL 202.92, 0.88%, 0.68%

LAB 73.67, -10.98, -35.28

 

CMYK 54 / 18 / 0 / 0

HEX #76D0FF

RGB 118 208 255

HSL 200.58, 1%, 0.73%

LAB 79.72, -14.19, -31.25

 

CMYK 47 / 11 / 0 / 0

HEX #87E2FF

RGB 135 226 255

HSL 194.5, 1%, 0.76%

LAB 85.38, -19.75, -22.53

 

CMYK 71 / 27 / 0 / 17

HEX #3E9AD4

RGB 62 154 212

HSL 203.2, 0.64%, 0.54%

LAB 60.68, -8.36, -37.49

 

CMYK 77 / 30 / 0 / 24

HEX #2D88C1

RGB 45 136 193

HSL 203.11, 0.62%, 0.47%

LAB 54.04, -6.96, -37.22

 

CMYK 84 / 32 / 0 / 32

HEX #1C76AE

RGB 28 118 174

HSL 203.01, 0.72%, 0.4%

LAB 47.31, -5.14, -36.9

 

CMYK 93 / 35 / 0 / 39

HEX #0B649B

RGB 11 100 155

HSL 202.92, 0.87%, 0.33%

LAB 40.5, -2.75, -36.5

 

CMYK 100 / 40 / 0 / 47

HEX #005288

RGB 0 82 136

HSL 203.82, 1%, 0.27%

LAB 33.59, 0.34, -35.99

 

CMYK 71 / 27 / 0 / 17

HEX #3E9AD4

RGB 62 154 212

HSL 203.2, 0.64%, 0.54%

LAB 60.68, -8.36, -37.49

 

CMYK 71 / 46 / 0 / 17

HEX #3E72D4

RGB 62 114 212

HSL 219.2, 0.64%, 0.54%

LAB 49.27, 15.51, -55.59

 

CMYK 71 / 66 / 0 / 17

HEX #3E49D4

RGB 62 73 212

HSL 235.6, 0.64%, 0.54%

LAB 38.8, 41.32, -72.59

 

CMYK 57 / 71 / 0 / 17

HEX #5C3ED4

RGB 92 62 212

HSL 252, 0.64%, 0.54%

LAB 38.68, 51.55, -72.7

 

CMYK 38 / 71 / 0 / 17

HEX #843ED4

RGB 132 62 212

HSL 268, 0.64%, 0.54%

LAB 42.92, 58.16, -65.6

 

CMYK 71 / 27 / 0 / 17

HEX #3E9AD4

RGB 62 154 212

HSL 203.2, 0.64%, 0.54%

LAB 60.68, -8.36, -37.49

 

CMYK 71 / 46 / 0 / 17

HEX #3E72D4

RGB 62 114 212

HSL 219.2, 0.64%, 0.54%

LAB 49.27, 15.51, -55.59

 

CMYK 71 / 66 / 0 / 17

HEX #3E49D4

RGB 62 73 212

HSL 235.6, 0.64%, 0.54%

LAB 38.8, 41.32, -72.59

 

CMYK 71 / 71 / 0 / 17

HEX #3E3ED4

RGB 62 62 212

HSL 240, 0.64%, 0.54%

LAB 36.41, 47.81, -76.51

 

CMYK 71 / 27 / 0 / 17

HEX #3E9AD4

RGB 62 154 212

HSL 203.2, 0.64%, 0.54%

LAB 60.68, -8.36, -37.49

 

CMYK 81 / 31 / 0 / 9

HEX #2B9FE7

RGB 43 159 231

HSL 202.98, 0.8%, 0.54%

LAB 62.57, -6.71, -45.1

 

CMYK 90 / 35 / 0 / 2

HEX #18A3FA

RGB 24 163 250

HSL 203.1, 0.96%, 0.54%

LAB 64.4, -3.36, -52.66

 

CMYK 71 / 27 / 0 / 17

HEX #3E9AD4

RGB 62 154 212

HSL 203.2, 0.64%, 0.54%

LAB 60.68, -8.36, -37.49

 

CMYK 58 / 22 / 0 / 24

HEX #5196C1

RGB 81 150 193

HSL 203.04, 0.47%, 0.54%

LAB 59.35, -9.1, -28.86

 

CMYK 43 / 16 / 0 / 32

HEX #6492AE

RGB 100 146 174

HSL 202.7, 0.31%, 0.54%

LAB 58.34, -8.08, -19.58

 

CMYK 23 / 9 / 0 / 39

HEX #778D9B

RGB 119 141 155

HSL 203.33, 0.15%, 0.54%

LAB 57.4, -4.6, -10.04

 

CMYK 0 / 1 / 1 / 46

HEX #8A8988

RGB 138 137 136

HSL 30, 0.01%, 0.54%

LAB 57.15, 0.18, 0.66

 

CMYK 71 / 0 / 10 / 17

HEX #3ED4BE

RGB 62 212 190

HSL 171.2, 0.64%, 0.54%

LAB 77.18, -43.85, -0.43

 

CMYK 71 / 8 / 0 / 17

HEX #3EC3D4

RGB 62 195 212

HSL 186.8, 0.64%, 0.54%

LAB 72.77, -29.82, -18.89

 

CMYK 71 / 27 / 0 / 17

HEX #3E9BD4

RGB 62 155 212

HSL 202.8, 0.64%, 0.54%

LAB 60.98, -8.92, -37.04

 

CMYK 71 / 46 / 0 / 17

HEX #3E73D4

RGB 62 115 212

HSL 218.8, 0.64%, 0.54%

LAB 49.54, 14.89, -55.15

 

CMYK 71 / 65 / 0 / 17

HEX #3E4BD4

RGB 62 75 212

HSL 234.8, 0.64%, 0.54%

LAB 39.26, 40.1, -71.83

 

CMYK 78 / 30 / 0 / 38

HEX #226E9E

RGB 34 110 158

HSL 203.23, 0.65%, 0.38%

LAB 44.18, -5.74, -32.45

 

CMYK 78 / 30 / 0 / 25

HEX #2A86BF

RGB 42 134 191

HSL 202.95, 0.64%, 0.46%

LAB 53.28, -6.87, -37.29

 

CMYK 71 / 27 / 0 / 17

HEX #3E9AD4

RGB 62 154 212

HSL 203.2, 0.64%, 0.54%

LAB 60.68, -8.36, -37.49

 

CMYK 56 / 22 / 0 / 14

HEX #60ACDC

RGB 96 172 220

HSL 203.23, 0.64%, 0.62%

LAB 67.4, -9.85, -31.39

 

CMYK 43 / 17 / 0 / 11

HEX #82BDE3

RGB 130 189 227

HSL 203.51, 0.63%, 0.7%

LAB 73.99, -9.27, -24.95

 

CMYK 71 / 27 / 0 / 17

HEX #3E9AD4

RGB 62 154 212

HSL 203.2, 0.64%, 0.54%

LAB 60.68, -8.36, -37.49

 

CMYK 29 / 71 / 0 / 17

HEX #963ED4

RGB 150 62 212

HSL 275.2, 0.64%, 0.54%

LAB 45.2, 61.56, -61.8

 

CMYK 0 / 1 / 71 / 17

HEX #D4D23E

RGB 212 210 62

HSL 59.2, 0.64%, 0.54%

LAB 82.08, -16.26, 69.29

 

CMYK 71 / 27 / 0 / 17

HEX #3E9AD4

RGB 62 154 212

HSL 203.2, 0.64%, 0.54%

LAB 60.68, -8.36, -37.49

 

CMYK 0 / 71 / 27 / 17

HEX #D43E9B

RGB 212 62 155

HSL 322.8, 0.64%, 0.54%

LAB 51.62, 66.2, -17.76

 

CMYK 27 / 0 / 71 / 17

HEX #9BD43E

RGB 155 212 62

HSL 82.8, 0.64%, 0.54%

LAB 78.7, -40.06, 64.64

 

CMYK 71 / 27 / 0 / 17

HEX #3E9AD4

RGB 62 154 212

HSL 203.2, 0.64%, 0.54%

LAB 60.68, -8.36, -37.49

 

CMYK 29 / 71 / 0 / 17

HEX #963ED4

RGB 150 62 212

HSL 275.2, 0.64%, 0.54%

LAB 45.2, 61.56, -61.8

 

CMYK 0 / 43 / 71 / 17

HEX #D4783E

RGB 212 120 62

HSL 23.2, 0.64%, 0.54%

LAB 59.69, 31.24, 46.42

 

CMYK 41 / 0 / 71 / 17

HEX #7DD43E

RGB 125 212 62

HSL 94.8, 0.64%, 0.54%

LAB 77.16, -50.58, 62.59

 

CMYK 71 / 27 / 0 / 17

HEX #3E9AD4

RGB 62 154 212

HSL 203.2, 0.64%, 0.54%

LAB 60.68, -8.36, -37.49

 

CMYK 8 / 71 / 0 / 17

HEX #C33ED4

RGB 195 62 212

HSL 293.2, 0.64%, 0.54%

LAB 51.61, 70.71, -51.14

 

CMYK 0 / 43 / 71 / 17

HEX #D4783E

RGB 212 120 62

HSL 23.2, 0.64%, 0.54%

LAB 59.69, 31.24, 46.42

 

CMYK 62 / 0 / 71 / 17

HEX #50D43E

RGB 80 212 62

HSL 112.8, 0.64%, 0.54%

LAB 75.54, -62.98, 60.41

 

Description

Color code: HEX #3E9AD4 | qconv.com Color code: HEX #3E9AD4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 154 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 154 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 27 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 27% 0% 17% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

17% - Dalyan Real Estate
Link: http://dalyanrealestate.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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