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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E996D it is the complementary color #C16692. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E996D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E996D shade: #439968, #54AB7B, #65BD8E, #76CFA1 and #87E1B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E996D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E996D shade: #3E996D, #2D875A, #1C7547, #0B6334 and #005121

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E996D shade: #3E986D, #3E9854, #40983E, #58983E and #71983E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E996D shade: #3E986D, #3E9885, #3E9398, #3E7B98 and #3E6398

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E996D shade matches the following richer shades: #3E986D, #2DA96D, #1BBB6E and #0ACC6E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E996D shade: #3E986D, #4F876C, #61756B, #72646B and #83536A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E996D shade: #41983E, #3E9853, #3E986B, #3E9883 and #3E9598

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E996D shade: #265D43, #327B58, #3E986D, #4AB581 and #68C196

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E996D shade: #3E996D, #3E5998 and #98473E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E996D shade: #3E996D, #6B3E98 and #986B3E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E996D shade: #3E996D, #3E5998, #983E6B and #987D3E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E996D shade: #3E996D, #3E3E98, #983E6B and #98983E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 29 / 40

HEX #3E996D

RGB 62 153 109

HSL 150.99, 0.42%, 0.42%

LAB 56.99, -37.74, 15.22

 

Complementary color

CMYK 0 / 47 / 24 / 24

HEX #C16692

RGB 193 102 146

HSL 330.99, 0.42%, 0.58%

LAB 54.99, 41.62, -7.66

 

CMYK 56 / 0 / 32 / 40

HEX #439968

RGB 67 153 104

HSL 145.81, 0.39%, 0.43%

LAB 57.05, -37.63, 18.12

 

CMYK 51 / 0 / 28 / 33

HEX #54AB7B

RGB 84 171 123

HSL 146.9, 0.34%, 0.5%

LAB 63.71, -37.52, 16.86

 

CMYK 47 / 0 / 25 / 26

HEX #65BD8E

RGB 101 189 142

HSL 147.95, 0.4%, 0.57%

LAB 70.26, -37.34, 15.71

 

CMYK 43 / 0 / 22 / 19

HEX #76CFA1

RGB 118 207 161

HSL 148.99, 0.48%, 0.64%

LAB 76.71, -37.12, 14.65

 

CMYK 40 / 0 / 20 / 12

HEX #87E1B4

RGB 135 225 180

HSL 150, 0.6%, 0.71%

LAB 83.07, -36.88, 13.66

 

CMYK 59 / 0 / 29 / 40

HEX #3E996D

RGB 62 153 109

HSL 150.99, 0.42%, 0.42%

LAB 56.99, -37.74, 15.22

 

CMYK 67 / 0 / 33 / 47

HEX #2D875A

RGB 45 135 90

HSL 150, 0.5%, 0.35%

LAB 50.24, -37.58, 16.61

 

CMYK 76 / 0 / 39 / 54

HEX #1C7547

RGB 28 117 71

HSL 148.99, 0.61%, 0.28%

LAB 43.4, -37.1, 18.18

 

CMYK 89 / 0 / 47 / 61

HEX #0B6334

RGB 11 99 52

HSL 147.95, 0.8%, 0.22%

LAB 36.45, -36.02, 19.98

 

CMYK 100 / 0 / 59 / 68

HEX #005121

RGB 0 81 33

HSL 144.44, 1%, 0.16%

LAB 29.4, -33.95, 21.99

 

CMYK 59 / 0 / 28 / 40

HEX #3E986D

RGB 62 152 109

HSL 151.33, 0.42%, 0.42%

LAB 56.67, -37.29, 14.77

 

CMYK 59 / 0 / 45 / 40

HEX #3E9854

RGB 62 152 84

HSL 134.67, 0.42%, 0.42%

LAB 56.21, -42.16, 27.91

 

CMYK 58 / 0 / 59 / 40

HEX #40983E

RGB 64 152 62

HSL 118.67, 0.42%, 0.42%

LAB 55.98, -44.88, 38.9

 

CMYK 42 / 0 / 59 / 40

HEX #58983E

RGB 88 152 62

HSL 102.67, 0.42%, 0.42%

LAB 56.96, -37.69, 40.28

 

CMYK 26 / 0 / 59 / 40

HEX #71983E

RGB 113 152 62

HSL 86, 0.42%, 0.42%

LAB 58.33, -28.53, 42.22

 

CMYK 59 / 0 / 28 / 40

HEX #3E986D

RGB 62 152 109

HSL 151.33, 0.42%, 0.42%

LAB 56.67, -37.29, 14.77

 

CMYK 59 / 0 / 13 / 40

HEX #3E9885

RGB 62 152 133

HSL 167.33, 0.42%, 0.42%

LAB 57.24, -31.54, 2

 

CMYK 59 / 3 / 0 / 40

HEX #3E9398

RGB 62 147 152

HSL 183.33, 0.42%, 0.42%

LAB 56.25, -23.81, -10.34

 

CMYK 59 / 19 / 0 / 40

HEX #3E7B98

RGB 62 123 152

HSL 199.33, 0.42%, 0.42%

LAB 48.83, -10.83, -21.61

 

CMYK 59 / 35 / 0 / 40

HEX #3E6398

RGB 62 99 152

HSL 215.33, 0.42%, 0.42%

LAB 41.56, 3.55, -32.94

 

CMYK 59 / 0 / 28 / 40

HEX #3E986D

RGB 62 152 109

HSL 151.33, 0.42%, 0.42%

LAB 56.67, -37.29, 14.77

 

CMYK 73 / 0 / 36 / 34

HEX #2DA96D

RGB 45 169 109

HSL 150.97, 0.58%, 0.42%

LAB 61.69, -47.56, 21.57

 

CMYK 86 / 0 / 41 / 27

HEX #1BBB6E

RGB 27 187 110

HSL 151.13, 0.75%, 0.42%

LAB 67.2, -56.18, 28.33

 

CMYK 95 / 0 / 46 / 20

HEX #0ACC6E

RGB 10 204 110

HSL 150.93, 0.91%, 0.42%

LAB 72.48, -63.03, 35.15

 

CMYK 59 / 0 / 28 / 40

HEX #3E986D

RGB 62 152 109

HSL 151.33, 0.42%, 0.42%

LAB 56.67, -37.29, 14.77

 

CMYK 41 / 0 / 20 / 47

HEX #4F876C

RGB 79 135 108

HSL 151.07, 0.26%, 0.42%

LAB 51.92, -25.01, 8.79

 

CMYK 17 / 0 / 9 / 54

HEX #61756B

RGB 97 117 107

HSL 150, 0.09%, 0.42%

LAB 47.4, -9.56, 3.06

 

CMYK 0 / 12 / 6 / 55

HEX #72646B

RGB 114 100 107

HSL 330, 0.07%, 0.42%

LAB 43.88, 6.91, -1.9

 

CMYK 0 / 37 / 19 / 49

HEX #83536A

RGB 131 83 106

HSL 331.25, 0.22%, 0.42%

LAB 41.3, 23.55, -4.89

 

CMYK 57 / 0 / 59 / 40

HEX #41983E

RGB 65 152 62

HSL 118, 0.42%, 0.42%

LAB 56.02, -44.62, 38.95

 

CMYK 59 / 0 / 45 / 40

HEX #3E9853

RGB 62 152 83

HSL 134, 0.42%, 0.42%

LAB 56.19, -42.33, 28.43

 

CMYK 59 / 0 / 30 / 40

HEX #3E986B

RGB 62 152 107

HSL 150, 0.42%, 0.42%

LAB 56.63, -37.73, 15.84

 

CMYK 59 / 0 / 14 / 40

HEX #3E9883

RGB 62 152 131

HSL 166, 0.42%, 0.42%

LAB 57.19, -32.06, 3.06

 

CMYK 59 / 2 / 0 / 40

HEX #3E9598

RGB 62 149 152

HSL 182, 0.42%, 0.42%

LAB 56.87, -24.83, -9.41

 

CMYK 59 / 0 / 28 / 64

HEX #265D43

RGB 38 93 67

HSL 151.64, 0.42%, 0.26%

LAB 35.29, -25.08, 9.57

 

CMYK 59 / 0 / 28 / 52

HEX #327B58

RGB 50 123 88

HSL 151.23, 0.42%, 0.34%

LAB 46.38, -31.57, 12.47

 

CMYK 59 / 0 / 28 / 40

HEX #3E986D

RGB 62 152 109

HSL 151.33, 0.42%, 0.42%

LAB 56.67, -37.29, 14.77

 

CMYK 59 / 0 / 29 / 29

HEX #4AB581

RGB 74 181 129

HSL 150.84, 0.42%, 0.5%

LAB 66.59, -43.01, 17.51

 

CMYK 46 / 0 / 22 / 24

HEX #68C196

RGB 104 193 150

HSL 151.01, 0.42%, 0.58%

LAB 71.75, -36.72, 13.49

 

CMYK 59 / 0 / 29 / 40

HEX #3E996D

RGB 62 153 109

HSL 150.99, 0.42%, 0.42%

LAB 56.99, -37.74, 15.22

 

CMYK 59 / 41 / 0 / 40

HEX #3E5998

RGB 62 89 152

HSL 222, 0.42%, 0.42%

LAB 38.61, 9.92, -37.59

 

CMYK 0 / 53 / 59 / 40

HEX #98473E

RGB 152 71 62

HSL 6, 0.42%, 0.42%

LAB 40.46, 33.13, 21.51

 

CMYK 59 / 0 / 29 / 40

HEX #3E996D

RGB 62 153 109

HSL 150.99, 0.42%, 0.42%

LAB 56.99, -37.74, 15.22

 

CMYK 30 / 59 / 0 / 40

HEX #6B3E98

RGB 107 62 152

HSL 270, 0.42%, 0.42%

LAB 35.67, 37.86, -42.06

 

CMYK 0 / 30 / 59 / 40

HEX #986B3E

RGB 152 107 62

HSL 30, 0.42%, 0.42%

LAB 48.93, 12.87, 32.07

 

CMYK 59 / 0 / 29 / 40

HEX #3E996D

RGB 62 153 109

HSL 150.99, 0.42%, 0.42%

LAB 56.99, -37.74, 15.22

 

CMYK 59 / 41 / 0 / 40

HEX #3E5998

RGB 62 89 152

HSL 222, 0.42%, 0.42%

LAB 38.61, 9.92, -37.59

 

CMYK 0 / 59 / 30 / 40

HEX #983E6B

RGB 152 62 107

HSL 330, 0.42%, 0.42%

LAB 39.89, 42.61, -7.29

 

CMYK 0 / 18 / 59 / 40

HEX #987D3E

RGB 152 125 62

HSL 42, 0.42%, 0.42%

LAB 53.7, 2.58, 37.71

 

CMYK 59 / 0 / 29 / 40

HEX #3E996D

RGB 62 153 109

HSL 150.99, 0.42%, 0.42%

LAB 56.99, -37.74, 15.22

 

CMYK 59 / 59 / 0 / 40

HEX #3E3E98

RGB 62 62 152

HSL 240, 0.42%, 0.42%

LAB 31.2, 27.59, -49.5

 

CMYK 0 / 59 / 30 / 40

HEX #983E6B

RGB 152 62 107

HSL 330, 0.42%, 0.42%

LAB 39.89, 42.61, -7.29

 

CMYK 0 / 0 / 59 / 40

HEX #98983E

RGB 152 152 62

HSL 60, 0.42%, 0.42%

LAB 61.2, -12.21, 46.22

 

Description

Color code: HEX #3E996D | qconv.com Color code: HEX #3E996D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 153 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 153 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 29 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 29% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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