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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E9926 it is the complementary color #C166D9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E9926. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E9926 shade: #439921, #54AB34, #65BD47, #76CF5A and #87E16D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E9926. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E9926 shade: #3E9926, #2D8713, #1C7500, #0B6300 and #005100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E9926 shade: #3D9726, #5C9726, #7A9726, #979526 and #977626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E9926 shade: #3D9726, #26972D, #26974B, #26976A and #269788

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E9926 shade matches the following richer shades: #3D9726, #34A616 and #2CB507

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E9926 shade: #3D9726, #468835, #4F7844, #586954 and #615A63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E9926 shade: #7B9726, #5C9726, #3E9726, #26972B and #26974A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E9926 shade: #235515, #30761D, #3D9726, #4BB82E and #5ECF40

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E9926 shade: #3E9926, #269795 and #97266C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E9926 shade: #3E9926, #263E97 and #97263E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E9926 shade: #3E9926, #269795, #7E2697 and #972628

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E9926 shade: #3E9926, #267797, #7E2697 and #974626

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 75 / 40

HEX #3E9926

RGB 62 153 38

HSL 107.48, 0.6%, 0.37%

LAB 56.03, -48.16, 49.24

 

Complementary color

CMYK 11 / 53 / 0 / 15

HEX #C166D9

RGB 193 102 217

HSL 287.48, 0.6%, 0.63%

LAB 57.89, 53.88, -44.02

 

CMYK 56 / 0 / 78 / 40

HEX #439921

RGB 67 153 33

HSL 103, 0.65%, 0.36%

LAB 56.17, -47.16, 51.18

 

CMYK 51 / 0 / 70 / 33

HEX #54AB34

RGB 84 171 52

HSL 103.87, 0.53%, 0.44%

LAB 62.73, -47.81, 50.97

 

CMYK 47 / 0 / 62 / 26

HEX #65BD47

RGB 101 189 71

HSL 104.75, 0.47%, 0.51%

LAB 69.2, -48.14, 50.19

 

CMYK 43 / 0 / 57 / 19

HEX #76CF5A

RGB 118 207 90

HSL 105.64, 0.55%, 0.58%

LAB 75.59, -48.28, 49.15

 

CMYK 40 / 0 / 52 / 12

HEX #87E16D

RGB 135 225 109

HSL 106.55, 0.66%, 0.65%

LAB 81.9, -48.28, 48.01

 

CMYK 59 / 0 / 75 / 40

HEX #3E9926

RGB 62 153 38

HSL 107.48, 0.6%, 0.37%

LAB 56.03, -48.16, 49.24

 

CMYK 67 / 0 / 86 / 47

HEX #2D8713

RGB 45 135 19

HSL 106.55, 0.75%, 0.3%

LAB 49.41, -46.99, 48.85

 

CMYK 76 / 0 / 100 / 54

HEX #1C7500

RGB 28 117 0

HSL 105.64, 1%, 0.23%

LAB 42.72, -45.12, 47.24

 

CMYK 89 / 0 / 100 / 61

HEX #0B6300

RGB 11 99 0

HSL 113.33, 1%, 0.19%

LAB 35.97, -41.82, 41.73

 

CMYK 100 / 0 / 100 / 68

HEX #005100

RGB 0 81 0

HSL 120, 1%, 0.16%

LAB 29.12, -37.49, 36.18

 

CMYK 60 / 0 / 75 / 41

HEX #3D9726

RGB 61 151 38

HSL 107.79, 0.6%, 0.37%

LAB 55.34, -47.67, 48.54

 

CMYK 39 / 0 / 75 / 41

HEX #5C9726

RGB 92 151 38

HSL 91.33, 0.6%, 0.37%

LAB 56.63, -37.98, 50.25

 

CMYK 19 / 0 / 75 / 41

HEX #7A9726

RGB 122 151 38

HSL 75.4, 0.6%, 0.37%

LAB 58.42, -26.19, 52.61

 

CMYK 0 / 1 / 75 / 41

HEX #979526

RGB 151 149 38

HSL 58.94, 0.6%, 0.37%

LAB 60.08, -12.53, 54.97

 

CMYK 0 / 22 / 75 / 41

HEX #977626

RGB 151 118 38

HSL 42.48, 0.6%, 0.37%

LAB 51.47, 4.54, 46.67

 

CMYK 60 / 0 / 75 / 41

HEX #3D9726

RGB 61 151 38

HSL 107.79, 0.6%, 0.37%

LAB 55.34, -47.67, 48.54

 

CMYK 75 / 0 / 70 / 41

HEX #26972D

RGB 38 151 45

HSL 123.72, 0.6%, 0.37%

LAB 54.8, -51.99, 45.04

 

CMYK 75 / 0 / 50 / 41

HEX #26974B

RGB 38 151 75

HSL 139.65, 0.6%, 0.37%

LAB 55.13, -48.07, 31.17

 

CMYK 75 / 0 / 30 / 41

HEX #26976A

RGB 38 151 106

HSL 156.11, 0.6%, 0.37%

LAB 55.67, -41.96, 14.98

 

CMYK 75 / 0 / 10 / 41

HEX #269788

RGB 38 151 136

HSL 172.04, 0.6%, 0.37%

LAB 56.41, -34.26, -1

 

CMYK 60 / 0 / 75 / 41

HEX #3D9726

RGB 61 151 38

HSL 107.79, 0.6%, 0.37%

LAB 55.34, -47.67, 48.54

 

CMYK 69 / 0 / 87 / 35

HEX #34A616

RGB 52 166 22

HSL 107.5, 0.77%, 0.37%

LAB 59.94, -55.96, 57.57

 

CMYK 76 / 0 / 96 / 29

HEX #2CB507

RGB 44 181 7

HSL 107.24, 0.93%, 0.37%

LAB 64.64, -62.6, 63.97

 

CMYK 60 / 0 / 75 / 41

HEX #3D9726

RGB 61 151 38

HSL 107.79, 0.6%, 0.37%

LAB 55.34, -47.67, 48.54

 

CMYK 49 / 0 / 61 / 47

HEX #468835

RGB 70 136 53

HSL 107.71, 0.44%, 0.37%

LAB 50.88, -37.65, 37.4

 

CMYK 34 / 0 / 43 / 53

HEX #4F7844

RGB 79 120 68

HSL 107.31, 0.28%, 0.37%

LAB 46.33, -25.11, 24.1

 

CMYK 16 / 0 / 20 / 59

HEX #586954

RGB 88 105 84

HSL 108.57, 0.11%, 0.37%

LAB 42.49, -10.85, 9.72

 

CMYK 2 / 9 / 0 / 61

HEX #615A63

RGB 97 90 99

HSL 286.67, 0.05%, 0.37%

LAB 39.16, 4.68, -4.15

 

CMYK 19 / 0 / 75 / 41

HEX #7B9726

RGB 123 151 38

HSL 74.87, 0.6%, 0.37%

LAB 58.49, -25.77, 52.7

 

CMYK 39 / 0 / 75 / 41

HEX #5C9726

RGB 92 151 38

HSL 91.33, 0.6%, 0.37%

LAB 56.63, -37.98, 50.25

 

CMYK 59 / 0 / 75 / 41

HEX #3E9726

RGB 62 151 38

HSL 107.26, 0.6%, 0.37%

LAB 55.38, -47.41, 48.58

 

CMYK 75 / 0 / 72 / 41

HEX #26972B

RGB 38 151 43

HSL 122.65, 0.6%, 0.37%

LAB 54.78, -52.18, 45.84

 

CMYK 75 / 0 / 51 / 41

HEX #26974A

RGB 38 151 74

HSL 139.12, 0.6%, 0.37%

LAB 55.11, -48.24, 31.67

 

CMYK 59 / 0 / 75 / 67

HEX #235515

RGB 35 85 21

HSL 106.88, 0.6%, 0.21%

LAB 31.6, -30.14, 30.85

 

CMYK 59 / 0 / 75 / 54

HEX #30761D

RGB 48 118 29

HSL 107.19, 0.61%, 0.29%

LAB 43.76, -39.21, 40.15

 

CMYK 60 / 0 / 75 / 41

HEX #3D9726

RGB 61 151 38

HSL 107.79, 0.6%, 0.37%

LAB 55.34, -47.67, 48.54

 

CMYK 59 / 0 / 75 / 28

HEX #4BB82E

RGB 75 184 46

HSL 107.39, 0.6%, 0.45%

LAB 66.5, -55.58, 56.95

 

CMYK 55 / 0 / 69 / 19

HEX #5ECF40

RGB 94 207 64

HSL 107.41, 0.6%, 0.53%

LAB 74.43, -57.67, 58.64

 

CMYK 59 / 0 / 75 / 40

HEX #3E9926

RGB 62 153 38

HSL 107.48, 0.6%, 0.37%

LAB 56.03, -48.16, 49.24

 

CMYK 75 / 0 / 1 / 41

HEX #269795

RGB 38 151 149

HSL 178.94, 0.6%, 0.37%

LAB 56.8, -30.47, -7.86

 

CMYK 0 / 75 / 28 / 41

HEX #97266C

RGB 151 38 108

HSL 322.83, 0.6%, 0.37%

LAB 36.08, 52.54, -13.69

 

CMYK 59 / 0 / 75 / 40

HEX #3E9926

RGB 62 153 38

HSL 107.48, 0.6%, 0.37%

LAB 56.03, -48.16, 49.24

 

CMYK 75 / 59 / 0 / 41

HEX #263E97

RGB 38 62 151

HSL 227.26, 0.6%, 0.37%

LAB 29.64, 23.37, -51.49

 

CMYK 0 / 75 / 59 / 41

HEX #97263E

RGB 151 38 62

HSL 347.26, 0.6%, 0.37%

LAB 34.63, 47.87, 13.78

 

CMYK 59 / 0 / 75 / 40

HEX #3E9926

RGB 62 153 38

HSL 107.48, 0.6%, 0.37%

LAB 56.03, -48.16, 49.24

 

CMYK 75 / 0 / 1 / 41

HEX #269795

RGB 38 151 149

HSL 178.94, 0.6%, 0.37%

LAB 56.8, -30.47, -7.86

 

CMYK 17 / 75 / 0 / 41

HEX #7E2697

RGB 126 38 151

HSL 286.73, 0.6%, 0.37%

LAB 34.1, 53.55, -43.83

 

CMYK 0 / 75 / 74 / 41

HEX #972628

RGB 151 38 40

HSL 358.94, 0.6%, 0.37%

LAB 34.23, 46.54, 27.25

 

CMYK 59 / 0 / 75 / 40

HEX #3E9926

RGB 62 153 38

HSL 107.48, 0.6%, 0.37%

LAB 56.03, -48.16, 49.24

 

CMYK 75 / 21 / 0 / 41

HEX #267797

RGB 38 119 151

HSL 196.99, 0.6%, 0.37%

LAB 46.76, -13.04, -24.27

 

CMYK 17 / 75 / 0 / 41

HEX #7E2697

RGB 126 38 151

HSL 286.73, 0.6%, 0.37%

LAB 34.1, 53.55, -43.83

 

CMYK 0 / 54 / 75 / 41

HEX #974626

RGB 151 70 38

HSL 16.99, 0.6%, 0.37%

LAB 39.75, 31.71, 34.59

 

Description

Color code: HEX #3E9926 | qconv.com Color code: HEX #3E9926 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 153 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 153 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 75 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 75% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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