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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E95DB it is the complementary color #C16A24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E95DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E95DB shade: #4395D6, #54A7E9, #65B9FC, #76CBFF and #87DDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E95DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E95DB shade: #3E95DB, #2D83C8, #1C71B5, #0B5FA2 and #004D8F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E95DB shade: #3D95DB, #3D6ADB, #3D3FDB, #653DDB and #903DDB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E95DB shade: #3D95DB, #3D6ADB, #3D3FDB and #3D3DDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E95DB shade matches the following richer shades: #3D95DB and #2B97EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E95DB shade: #3D95DB, #5093C9, #6291B6, #758FA4 and #878D91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E95DB shade: #3DDBCC, #3DC1DB, #3D97DB, #3D6DDB and #3D42DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E95DB shade: #1F6AA7, #2581CA, #3D95DB, #60A8E2 and #83BBE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E95DB shade: #3E95DB, #A13DDB and #D6DB3D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E95DB shade: #3E95DB, #DB3D97 and #97DB3D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E95DB shade: #3E95DB, #A13DDB, #DB823D and #77DB3D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E95DB shade: #3E95DB, #D13DDB, #DB823D and #48DB3D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 32 / 0 / 14

HEX #3E95DB

RGB 62 149 219

HSL 206.75, 0.69%, 0.55%

LAB 59.56, -3.11, -43.17

 

Complementary color

CMYK 0 / 45 / 81 / 24

HEX #C16A24

RGB 193 106 36

HSL 26.75, 0.69%, 0.45%

LAB 53.79, 29.76, 51.56

 

CMYK 69 / 30 / 0 / 16

HEX #4395D6

RGB 67 149 214

HSL 206.53, 0.64%, 0.55%

LAB 59.47, -4.11, -40.5

 

CMYK 64 / 28 / 0 / 9

HEX #54A7E9

RGB 84 167 233

HSL 206.58, 0.77%, 0.62%

LAB 66.06, -5.22, -40.64

 

CMYK 60 / 27 / 0 / 1

HEX #65B9FC

RGB 101 185 252

HSL 206.62, 0.96%, 0.69%

LAB 72.56, -6.12, -40.78

 

CMYK 54 / 20 / 0 / 0

HEX #76CBFF

RGB 118 203 255

HSL 202.77, 1%, 0.73%

LAB 78.34, -11.57, -33.38

 

CMYK 47 / 13 / 0 / 0

HEX #87DDFF

RGB 135 221 255

HSL 197, 1%, 0.76%

LAB 84.01, -17.22, -24.62

 

CMYK 72 / 32 / 0 / 14

HEX #3E95DB

RGB 62 149 219

HSL 206.75, 0.69%, 0.55%

LAB 59.56, -3.11, -43.17

 

CMYK 78 / 35 / 0 / 22

HEX #2D83C8

RGB 45 131 200

HSL 206.71, 0.63%, 0.48%

LAB 52.91, -1.49, -43

 

CMYK 85 / 38 / 0 / 29

HEX #1C71B5

RGB 28 113 181

HSL 206.67, 0.73%, 0.41%

LAB 46.17, 0.57, -42.79

 

CMYK 93 / 41 / 0 / 36

HEX #0B5FA2

RGB 11 95 162

HSL 206.62, 0.87%, 0.34%

LAB 39.35, 3.23, -42.5

 

CMYK 100 / 46 / 0 / 44

HEX #004D8F

RGB 0 77 143

HSL 207.69, 1%, 0.28%

LAB 32.46, 6.64, -42.09

 

CMYK 72 / 32 / 0 / 14

HEX #3D95DB

RGB 61 149 219

HSL 206.58, 0.69%, 0.55%

LAB 59.53, -3.24, -43.22

 

CMYK 72 / 52 / 0 / 14

HEX #3D6ADB

RGB 61 106 219

HSL 222.91, 0.69%, 0.55%

LAB 47.51, 22.96, -62.4

 

CMYK 72 / 71 / 0 / 14

HEX #3D3FDB

RGB 61 63 219

HSL 239.24, 0.69%, 0.55%

LAB 37.23, 49.43, -79.19

 

CMYK 54 / 72 / 0 / 14

HEX #653DDB

RGB 101 61 219

HSL 255.19, 0.69%, 0.55%

LAB 39.95, 55.36, -74.61

 

CMYK 34 / 72 / 0 / 14

HEX #903DDB

RGB 144 61 219

HSL 271.52, 0.69%, 0.55%

LAB 44.77, 62.43, -66.53

 

CMYK 72 / 32 / 0 / 14

HEX #3D95DB

RGB 61 149 219

HSL 206.58, 0.69%, 0.55%

LAB 59.53, -3.24, -43.22

 

CMYK 72 / 52 / 0 / 14

HEX #3D6ADB

RGB 61 106 219

HSL 222.91, 0.69%, 0.55%

LAB 47.51, 22.96, -62.4

 

CMYK 72 / 71 / 0 / 14

HEX #3D3FDB

RGB 61 63 219

HSL 239.24, 0.69%, 0.55%

LAB 37.23, 49.43, -79.19

 

CMYK 72 / 72 / 0 / 14

HEX #3D3DDB

RGB 61 61 219

HSL 240, 0.69%, 0.55%

LAB 36.83, 50.55, -79.86

 

CMYK 72 / 32 / 0 / 14

HEX #3D95DB

RGB 61 149 219

HSL 206.58, 0.69%, 0.55%

LAB 59.53, -3.24, -43.22

 

CMYK 82 / 37 / 0 / 7

HEX #2B97EE

RGB 43 151 238

HSL 206.77, 0.85%, 0.55%

LAB 60.62, 0.41, -52.05

 

CMYK 72 / 32 / 0 / 14

HEX #3D95DB

RGB 61 149 219

HSL 206.58, 0.69%, 0.55%

LAB 59.53, -3.24, -43.22

 

CMYK 60 / 27 / 0 / 21

HEX #5093C9

RGB 80 147 201

HSL 206.78, 0.53%, 0.55%

LAB 58.78, -5.05, -34.26

 

CMYK 46 / 20 / 0 / 29

HEX #6291B6

RGB 98 145 182

HSL 206.43, 0.37%, 0.55%

LAB 58.25, -5.75, -24.28

 

CMYK 29 / 13 / 0 / 36

HEX #758FA4

RGB 117 143 164

HSL 206.81, 0.21%, 0.55%

LAB 58.14, -4.15, -14.09

 

CMYK 7 / 3 / 0 / 43

HEX #878D91

RGB 135 141 145

HSL 204, 0.04%, 0.55%

LAB 58.27, -1.36, -2.89

 

CMYK 72 / 0 / 7 / 14

HEX #3DDBCC

RGB 61 219 204

HSL 174.3, 0.69%, 0.55%

LAB 79.62, -43.32, -4.33

 

CMYK 72 / 12 / 0 / 14

HEX #3DC1DB

RGB 61 193 219

HSL 189.87, 0.69%, 0.55%

LAB 72.39, -26.83, -23.26

 

CMYK 72 / 31 / 0 / 14

HEX #3D97DB

RGB 61 151 219

HSL 205.82, 0.69%, 0.55%

LAB 60.1, -4.39, -42.31

 

CMYK 72 / 50 / 0 / 14

HEX #3D6DDB

RGB 61 109 219

HSL 221.77, 0.69%, 0.55%

LAB 48.32, 21.06, -61.1

 

CMYK 72 / 70 / 0 / 14

HEX #3D42DB

RGB 61 66 219

HSL 238.1, 0.69%, 0.55%

LAB 37.85, 47.71, -78.17

 

CMYK 81 / 37 / 0 / 35

HEX #1F6AA7

RGB 31 106 167

HSL 206.91, 0.69%, 0.39%

LAB 43.34, -0.21, -39.08

 

CMYK 82 / 36 / 0 / 21

HEX #2581CA

RGB 37 129 202

HSL 206.55, 0.69%, 0.47%

LAB 52.24, -0.39, -45.2

 

CMYK 72 / 32 / 0 / 14

HEX #3D95DB

RGB 61 149 219

HSL 206.58, 0.69%, 0.55%

LAB 59.53, -3.24, -43.22

 

CMYK 58 / 26 / 0 / 11

HEX #60A8E2

RGB 96 168 226

HSL 206.77, 0.69%, 0.63%

LAB 66.51, -5.8, -36.07

 

CMYK 44 / 19 / 0 / 9

HEX #83BBE8

RGB 131 187 232

HSL 206.73, 0.69%, 0.71%

LAB 73.67, -6.59, -28.14

 

CMYK 72 / 32 / 0 / 14

HEX #3E95DB

RGB 62 149 219

HSL 206.75, 0.69%, 0.55%

LAB 59.56, -3.11, -43.17

 

CMYK 26 / 72 / 0 / 14

HEX #A13DDB

RGB 161 61 219

HSL 277.97, 0.69%, 0.55%

LAB 47.01, 65.59, -62.79

 

CMYK 2 / 0 / 72 / 14

HEX #D6DB3D

RGB 214 219 61

HSL 61.9, 0.69%, 0.55%

LAB 84.64, -19.9, 72.14

 

CMYK 72 / 32 / 0 / 14

HEX #3E95DB

RGB 62 149 219

HSL 206.75, 0.69%, 0.55%

LAB 59.56, -3.11, -43.17

 

CMYK 0 / 72 / 31 / 14

HEX #DB3D97

RGB 219 61 151

HSL 325.82, 0.69%, 0.55%

LAB 52.54, 67.88, -13.87

 

CMYK 31 / 0 / 72 / 14

HEX #97DB3D

RGB 151 219 61

HSL 85.82, 0.69%, 0.55%

LAB 80.5, -44.62, 66.72

 

CMYK 72 / 32 / 0 / 14

HEX #3E95DB

RGB 62 149 219

HSL 206.75, 0.69%, 0.55%

LAB 59.56, -3.11, -43.17

 

CMYK 26 / 72 / 0 / 14

HEX #A13DDB

RGB 161 61 219

HSL 277.97, 0.69%, 0.55%

LAB 47.01, 65.59, -62.79

 

CMYK 0 / 41 / 72 / 14

HEX #DB823D

RGB 219 130 61

HSL 26.2, 0.69%, 0.55%

LAB 62.81, 28.76, 50.53

 

CMYK 46 / 0 / 72 / 14

HEX #77DB3D

RGB 119 219 61

HSL 97.97, 0.69%, 0.55%

LAB 79, -55.29, 64.71

 

CMYK 72 / 32 / 0 / 14

HEX #3E95DB

RGB 62 149 219

HSL 206.75, 0.69%, 0.55%

LAB 59.56, -3.11, -43.17

 

CMYK 5 / 72 / 0 / 14

HEX #D13DDB

RGB 209 61 219

HSL 296.2, 0.69%, 0.55%

LAB 54.03, 75.15, -51.14

 

CMYK 0 / 41 / 72 / 14

HEX #DB823D

RGB 219 130 61

HSL 26.2, 0.69%, 0.55%

LAB 62.81, 28.76, 50.53

 

CMYK 67 / 0 / 72 / 14

HEX #48DB3D

RGB 72 219 61

HSL 115.82, 0.69%, 0.55%

LAB 77.51, -67.03, 62.72

 

Description

Color code: HEX #3E95DB | qconv.com Color code: HEX #3E95DB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 149 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 149 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 32 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 32% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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