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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E952C it is the complementary color #C16AD3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E952C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E952C shade: #439527, #54A73A, #65B94D, #76CB60 and #87DD73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E952C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E952C shade: #3E952C, #2D8319, #1C7106, #0B5F00 and #004D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E952C shade: #3E952C, #5A952C, #76952C, #93952C and #957B2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E952C shade: #3E952C, #2C9536, #2C9553, #2C956F and #2C958B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E952C shade matches the following richer shades: #3E952C, #34A41C and #29B40D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E952C shade: #3E952C, #48853C, #53754B, #5D665B and #67566B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E952C shade: #77952C, #5B952C, #3F952C, #2C9535 and #2C9551

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E952C shade: #235519, #317523, #3E952C, #4BB436 and #60C94B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E952C shade: #3E952C, #2C9395 and #952C69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E952C shade: #3E952C, #2C3F95 and #952C3F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E952C shade: #3E952C, #2C9395, #822C95 and #952E2C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E952C shade: #3E952C, #2C7495, #822C95 and #954D2C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 70 / 42

HEX #3E952C

RGB 62 149 44

HSL 109.71, 0.54%, 0.38%

LAB 54.76, -46.16, 45.6

 

Complementary color

CMYK 9 / 50 / 0 / 17

HEX #C16AD3

RGB 193 106 211

HSL 289.71, 0.54%, 0.62%

LAB 58.37, 50.7, -39.89

 

CMYK 55 / 0 / 74 / 42

HEX #439527

RGB 67 149 39

HSL 104.73, 0.59%, 0.37%

LAB 54.9, -45.2, 47.78

 

CMYK 50 / 0 / 65 / 35

HEX #54A73A

RGB 84 167 58

HSL 105.69, 0.48%, 0.44%

LAB 61.51, -45.68, 47.16

 

CMYK 45 / 0 / 58 / 27

HEX #65B94D

RGB 101 185 77

HSL 106.67, 0.44%, 0.51%

LAB 68.02, -45.89, 46.16

 

CMYK 42 / 0 / 53 / 20

HEX #76CB60

RGB 118 203 96

HSL 107.66, 0.51%, 0.59%

LAB 74.45, -45.92, 45

 

CMYK 39 / 0 / 48 / 13

HEX #87DD73

RGB 135 221 115

HSL 108.68, 0.61%, 0.66%

LAB 80.8, -45.86, 43.8

 

CMYK 58 / 0 / 70 / 42

HEX #3E952C

RGB 62 149 44

HSL 109.71, 0.54%, 0.38%

LAB 54.76, -46.16, 45.6

 

CMYK 66 / 0 / 81 / 49

HEX #2D8319

RGB 45 131 25

HSL 108.68, 0.68%, 0.31%

LAB 48.08, -45.21, 45.83

 

CMYK 75 / 0 / 95 / 56

HEX #1C7106

RGB 28 113 6

HSL 107.66, 0.9%, 0.23%

LAB 41.33, -43.51, 44.67

 

CMYK 88 / 0 / 100 / 63

HEX #0B5F00

RGB 11 95 0

HSL 113.05, 1%, 0.19%

LAB 34.51, -40.52, 40.56

 

CMYK 100 / 0 / 100 / 70

HEX #004D00

RGB 0 77 0

HSL 120, 1%, 0.15%

LAB 27.59, -36.22, 34.92

 

CMYK 58 / 0 / 70 / 42

HEX #3E952C

RGB 62 149 44

HSL 109.71, 0.54%, 0.38%

LAB 54.76, -46.16, 45.6

 

CMYK 40 / 0 / 70 / 42

HEX #5A952C

RGB 90 149 44

HSL 93.71, 0.54%, 0.38%

LAB 55.94, -37.38, 47.2

 

CMYK 21 / 0 / 70 / 42

HEX #76952C

RGB 118 149 44

HSL 77.71, 0.54%, 0.38%

LAB 57.59, -26.52, 49.41

 

CMYK 1 / 0 / 70 / 42

HEX #93952C

RGB 147 149 44

HSL 61.14, 0.54%, 0.38%

LAB 59.78, -14, 52.33

 

CMYK 0 / 17 / 70 / 42

HEX #957B2C

RGB 149 123 44

HSL 45.14, 0.54%, 0.38%

LAB 52.66, 1.11, 45.2

 

CMYK 58 / 0 / 70 / 42

HEX #3E952C

RGB 62 149 44

HSL 109.71, 0.54%, 0.38%

LAB 54.76, -46.16, 45.6

 

CMYK 70 / 0 / 64 / 42

HEX #2C9536

RGB 44 149 54

HSL 125.71, 0.54%, 0.38%

LAB 54.34, -49.25, 40.64

 

CMYK 70 / 0 / 44 / 42

HEX #2C9553

RGB 44 149 83

HSL 142.29, 0.54%, 0.38%

LAB 54.72, -44.92, 26.43

 

CMYK 70 / 0 / 26 / 42

HEX #2C956F

RGB 44 149 111

HSL 158.29, 0.54%, 0.38%

LAB 55.26, -39.02, 11.6

 

CMYK 70 / 0 / 7 / 42

HEX #2C958B

RGB 44 149 139

HSL 174.29, 0.54%, 0.38%

LAB 55.98, -31.65, -3.34

 

CMYK 58 / 0 / 70 / 42

HEX #3E952C

RGB 62 149 44

HSL 109.71, 0.54%, 0.38%

LAB 54.76, -46.16, 45.6

 

CMYK 68 / 0 / 83 / 36

HEX #34A41C

RGB 52 164 28

HSL 109.41, 0.71%, 0.38%

LAB 59.31, -55.01, 55.49

 

CMYK 77 / 0 / 93 / 29

HEX #29B40D

RGB 41 180 13

HSL 109.94, 0.87%, 0.38%

LAB 64.28, -62.61, 62.87

 

CMYK 58 / 0 / 70 / 42

HEX #3E952C

RGB 62 149 44

HSL 109.71, 0.54%, 0.38%

LAB 54.76, -46.16, 45.6

 

CMYK 46 / 0 / 55 / 48

HEX #48853C

RGB 72 133 60

HSL 110.14, 0.38%, 0.38%

LAB 50.07, -34.83, 32.98

 

CMYK 29 / 0 / 36 / 54

HEX #53754B

RGB 83 117 75

HSL 108.57, 0.22%, 0.38%

LAB 45.73, -20.96, 19.39

 

CMYK 9 / 0 / 11 / 60

HEX #5D665B

RGB 93 102 91

HSL 109.09, 0.06%, 0.38%

LAB 42.13, -5.77, 5.04

 

CMYK 4 / 20 / 0 / 58

HEX #67566B

RGB 103 86 107

HSL 288.57, 0.11%, 0.38%

LAB 38.9, 11.2, -9.43

 

CMYK 20 / 0 / 70 / 42

HEX #77952C

RGB 119 149 44

HSL 77.14, 0.54%, 0.38%

LAB 57.65, -26.1, 49.5

 

CMYK 39 / 0 / 70 / 42

HEX #5B952C

RGB 91 149 44

HSL 93.14, 0.54%, 0.38%

LAB 55.99, -37.03, 47.26

 

CMYK 58 / 0 / 70 / 42

HEX #3F952C

RGB 63 149 44

HSL 109.14, 0.54%, 0.38%

LAB 54.8, -45.89, 45.65

 

CMYK 70 / 0 / 64 / 42

HEX #2C9535

RGB 44 149 53

HSL 125.14, 0.54%, 0.38%

LAB 54.33, -49.36, 41.08

 

CMYK 70 / 0 / 46 / 42

HEX #2C9551

RGB 44 149 81

HSL 141.14, 0.54%, 0.38%

LAB 54.68, -45.27, 27.46

 

CMYK 59 / 0 / 71 / 67

HEX #235519

RGB 35 85 25

HSL 110, 0.55%, 0.22%

LAB 31.63, -29.72, 29.02

 

CMYK 58 / 0 / 70 / 54

HEX #317523

RGB 49 117 35

HSL 109.76, 0.54%, 0.3%

LAB 43.5, -37.98, 37.36

 

CMYK 58 / 0 / 70 / 42

HEX #3E952C

RGB 62 149 44

HSL 109.71, 0.54%, 0.38%

LAB 54.76, -46.16, 45.6

 

CMYK 58 / 0 / 70 / 29

HEX #4BB436

RGB 75 180 54

HSL 110, 0.54%, 0.46%

LAB 65.28, -53.51, 52.76

 

CMYK 52 / 0 / 63 / 21

HEX #60C94B

RGB 96 201 75

HSL 110, 0.54%, 0.54%

LAB 72.74, -53.89, 52.35

 

CMYK 58 / 0 / 70 / 42

HEX #3E952C

RGB 62 149 44

HSL 109.71, 0.54%, 0.38%

LAB 54.76, -46.16, 45.6

 

CMYK 70 / 1 / 0 / 42

HEX #2C9395

RGB 44 147 149

HSL 181.14, 0.54%, 0.38%

LAB 55.66, -27.72, -9.55

 

CMYK 0 / 70 / 30 / 42

HEX #952C69

RGB 149 44 105

HSL 325.14, 0.54%, 0.38%

LAB 36.39, 49.38, -11.36

 

CMYK 58 / 0 / 70 / 42

HEX #3E952C

RGB 62 149 44

HSL 109.71, 0.54%, 0.38%

LAB 54.76, -46.16, 45.6

 

CMYK 70 / 58 / 0 / 42

HEX #2C3F95

RGB 44 63 149

HSL 229.14, 0.54%, 0.38%

LAB 30.06, 22.77, -49.57

 

CMYK 0 / 70 / 58 / 42

HEX #952C3F

RGB 149 44 63

HSL 349.14, 0.54%, 0.38%

LAB 35.1, 44.99, 13.71

 

CMYK 58 / 0 / 70 / 42

HEX #3E952C

RGB 62 149 44

HSL 109.71, 0.54%, 0.38%

LAB 54.76, -46.16, 45.6

 

CMYK 70 / 1 / 0 / 42

HEX #2C9395

RGB 44 147 149

HSL 181.14, 0.54%, 0.38%

LAB 55.66, -27.72, -9.55

 

CMYK 13 / 70 / 0 / 42

HEX #822C95

RGB 130 44 149

HSL 289.14, 0.54%, 0.38%

LAB 35.43, 51.66, -40.44

 

CMYK 0 / 69 / 70 / 42

HEX #952E2C

RGB 149 46 44

HSL 1.14, 0.54%, 0.38%

LAB 35.05, 42.9, 25.67

 

CMYK 58 / 0 / 70 / 42

HEX #3E952C

RGB 62 149 44

HSL 109.71, 0.54%, 0.38%

LAB 54.76, -46.16, 45.6

 

CMYK 70 / 22 / 0 / 42

HEX #2C7495

RGB 44 116 149

HSL 198.86, 0.54%, 0.38%

LAB 45.9, -11.14, -24.42

 

CMYK 13 / 70 / 0 / 42

HEX #822C95

RGB 130 44 149

HSL 289.14, 0.54%, 0.38%

LAB 35.43, 51.66, -40.44

 

CMYK 0 / 48 / 70 / 42

HEX #954D2C

RGB 149 77 44

HSL 18.86, 0.54%, 0.38%

LAB 41.02, 27.4, 32.62

 

Description

Color code: HEX #3E952C | qconv.com Color code: HEX #3E952C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 149 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 149 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 70 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 70% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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