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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E925B it is the complementary color #C16DA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E925B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E925B shade: #439256, #54A469, #65B67C, #76C88F and #87DAA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E925B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E925B shade: #3E925B, #2D8048, #1C6E35, #0B5C22 and #004A0F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E925B shade: #3E925B, #3E9245, #4E923E, #65923E and #7C923E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E925B shade: #3E925B, #3E9272, #3E9288, #3E8592 and #3E6E92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E925B shade matches the following richer shades: #3E925B, #2DA356, #1CB451 and #0BC54B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E925B shade: #3E925B, #4F8160, #607066, #715F6B and #824E70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E925B shade: #4F923E, #3E9244, #3E925A, #3E9270 and #3E9287

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E925B shade: #255837, #327549, #3E925B, #4BAF6D and #66BD84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E925B shade: #3E925B, #3E6592 and #923E44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E925B shade: #3E925B, #5A3E92 and #925A3E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E925B shade: #3E925B, #3E6592, #923E76 and #926B3E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E925B shade: #3E925B, #3E4C92, #923E76 and #92843E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 38 / 43

HEX #3E925B

RGB 62 146 91

HSL 140.71, 0.4%, 0.41%

LAB 54.38, -38.35, 21.71

 

Complementary color

CMYK 0 / 44 / 15 / 24

HEX #C16DA4

RGB 193 109 164

HSL 320.71, 0.4%, 0.59%

LAB 57.03, 40.71, -15.07

 

CMYK 54 / 0 / 41 / 43

HEX #439256

RGB 67 146 86

HSL 134.43, 0.37%, 0.42%

LAB 54.47, -38, 24.61

 

CMYK 49 / 0 / 36 / 36

HEX #54A469

RGB 84 164 105

HSL 135.75, 0.32%, 0.49%

LAB 61.18, -37.88, 23.26

 

CMYK 45 / 0 / 32 / 29

HEX #65B67C

RGB 101 182 124

HSL 137.04, 0.36%, 0.55%

LAB 67.78, -37.67, 22.01

 

CMYK 41 / 0 / 29 / 22

HEX #76C88F

RGB 118 200 143

HSL 138.29, 0.43%, 0.62%

LAB 74.28, -37.43, 20.85

 

CMYK 38 / 0 / 26 / 15

HEX #87DAA2

RGB 135 218 162

HSL 139.52, 0.53%, 0.69%

LAB 80.68, -37.16, 19.77

 

CMYK 58 / 0 / 38 / 43

HEX #3E925B

RGB 62 146 91

HSL 140.71, 0.4%, 0.41%

LAB 54.38, -38.35, 21.71

 

CMYK 65 / 0 / 44 / 50

HEX #2D8048

RGB 45 128 72

HSL 139.52, 0.48%, 0.34%

LAB 47.58, -38.23, 23.2

 

CMYK 75 / 0 / 52 / 57

HEX #1C6E35

RGB 28 110 53

HSL 138.29, 0.59%, 0.27%

LAB 40.66, -37.72, 24.83

 

CMYK 88 / 0 / 63 / 64

HEX #0B5C22

RGB 11 92 34

HSL 137.04, 0.79%, 0.2%

LAB 33.65, -36.48, 26.55

 

CMYK 100 / 0 / 80 / 71

HEX #004A0F

RGB 0 74 15

HSL 132.16, 1%, 0.15%

LAB 26.54, -33.97, 27.98

 

CMYK 58 / 0 / 38 / 43

HEX #3E925B

RGB 62 146 91

HSL 140.71, 0.4%, 0.41%

LAB 54.38, -38.35, 21.71

 

CMYK 58 / 0 / 53 / 43

HEX #3E9245

RGB 62 146 69

HSL 125, 0.4%, 0.41%

LAB 54.04, -42.05, 33.07

 

CMYK 47 / 0 / 58 / 43

HEX #4E923E

RGB 78 146 62

HSL 108.57, 0.4%, 0.41%

LAB 54.58, -38.35, 37.4

 

CMYK 31 / 0 / 58 / 43

HEX #65923E

RGB 101 146 62

HSL 92.14, 0.4%, 0.41%

LAB 55.76, -30.29, 39.07

 

CMYK 15 / 0 / 58 / 43

HEX #7C923E

RGB 124 146 62

HSL 75.71, 0.4%, 0.41%

LAB 57.26, -21.08, 41.19

 

CMYK 58 / 0 / 38 / 43

HEX #3E925B

RGB 62 146 91

HSL 140.71, 0.4%, 0.41%

LAB 54.38, -38.35, 21.71

 

CMYK 58 / 0 / 22 / 43

HEX #3E9272

RGB 62 146 114

HSL 157.14, 0.4%, 0.41%

LAB 54.86, -33.43, 9.42

 

CMYK 58 / 0 / 7 / 43

HEX #3E9288

RGB 62 146 136

HSL 172.86, 0.4%, 0.41%

LAB 55.44, -27.84, -2.35

 

CMYK 58 / 9 / 0 / 43

HEX #3E8592

RGB 62 133 146

HSL 189.29, 0.4%, 0.41%

LAB 51.7, -18.25, -13.73

 

CMYK 58 / 25 / 0 / 43

HEX #3E6E92

RGB 62 110 146

HSL 205.71, 0.4%, 0.41%

LAB 44.59, -5.21, -24.61

 

CMYK 58 / 0 / 38 / 43

HEX #3E925B

RGB 62 146 91

HSL 140.71, 0.4%, 0.41%

LAB 54.38, -38.35, 21.71

 

CMYK 72 / 0 / 47 / 36

HEX #2DA356

RGB 45 163 86

HSL 140.85, 0.57%, 0.41%

LAB 59.36, -49.58, 30.8

 

CMYK 84 / 0 / 55 / 29

HEX #1CB451

RGB 28 180 81

HSL 140.92, 0.73%, 0.41%

LAB 64.55, -58.56, 39.69

 

CMYK 94 / 0 / 62 / 23

HEX #0BC54B

RGB 11 197 75

HSL 140.65, 0.89%, 0.41%

LAB 69.83, -65.91, 48.63

 

CMYK 58 / 0 / 38 / 43

HEX #3E925B

RGB 62 146 91

HSL 140.71, 0.4%, 0.41%

LAB 54.38, -38.35, 21.71

 

CMYK 39 / 0 / 26 / 49

HEX #4F8160

RGB 79 129 96

HSL 140.4, 0.24%, 0.41%

LAB 49.75, -24.55, 12.69

 

CMYK 14 / 0 / 9 / 56

HEX #607066

RGB 96 112 102

HSL 142.5, 0.08%, 0.41%

LAB 45.68, -8.14, 3.55

 

CMYK 0 / 16 / 5 / 56

HEX #715F6B

RGB 113 95 107

HSL 320, 0.09%, 0.41%

LAB 42.39, 9.54, -4.1

 

CMYK 0 / 40 / 14 / 49

HEX #824E70

RGB 130 78 112

HSL 320.77, 0.25%, 0.41%

LAB 40.19, 27.14, -10.27

 

CMYK 46 / 0 / 58 / 43

HEX #4F923E

RGB 79 146 62

HSL 107.86, 0.4%, 0.41%

LAB 54.62, -38.03, 37.46

 

CMYK 58 / 0 / 53 / 43

HEX #3E9244

RGB 62 146 68

HSL 124.29, 0.4%, 0.41%

LAB 54.03, -42.2, 33.57

 

CMYK 58 / 0 / 38 / 43

HEX #3E925A

RGB 62 146 90

HSL 140, 0.4%, 0.41%

LAB 54.36, -38.54, 22.24

 

CMYK 58 / 0 / 23 / 43

HEX #3E9270

RGB 62 146 112

HSL 155.71, 0.4%, 0.41%

LAB 54.82, -33.9, 10.49

 

CMYK 58 / 0 / 8 / 43

HEX #3E9287

RGB 62 146 135

HSL 172.14, 0.4%, 0.41%

LAB 55.41, -28.11, -1.82

 

CMYK 58 / 0 / 38 / 65

HEX #255837

RGB 37 88 55

HSL 141.18, 0.41%, 0.25%

LAB 33.24, -25.62, 14.1

 

CMYK 57 / 0 / 38 / 54

HEX #327549

RGB 50 117 73

HSL 140.6, 0.4%, 0.33%

LAB 44.06, -32.02, 18.03

 

CMYK 58 / 0 / 38 / 43

HEX #3E925B

RGB 62 146 91

HSL 140.71, 0.4%, 0.41%

LAB 54.38, -38.35, 21.71

 

CMYK 57 / 0 / 38 / 31

HEX #4BAF6D

RGB 75 175 109

HSL 140.4, 0.4%, 0.49%

LAB 64.37, -44.19, 25.3

 

CMYK 46 / 0 / 30 / 26

HEX #66BD84

RGB 102 189 132

HSL 140.69, 0.4%, 0.57%

LAB 70.1, -39.04, 20.87

 

CMYK 58 / 0 / 38 / 43

HEX #3E925B

RGB 62 146 91

HSL 140.71, 0.4%, 0.41%

LAB 54.38, -38.35, 21.71

 

CMYK 58 / 31 / 0 / 43

HEX #3E6592

RGB 62 101 146

HSL 212.14, 0.4%, 0.41%

LAB 41.86, 0.26, -28.88

 

CMYK 0 / 58 / 53 / 43

HEX #923E44

RGB 146 62 68

HSL 355.71, 0.4%, 0.41%

LAB 37.8, 36.03, 14.09

 

CMYK 58 / 0 / 38 / 43

HEX #3E925B

RGB 62 146 91

HSL 140.71, 0.4%, 0.41%

LAB 54.38, -38.35, 21.71

 

CMYK 38 / 58 / 0 / 43

HEX #5A3E92

RGB 90 62 146

HSL 260, 0.4%, 0.41%

LAB 33.34, 31.94, -42.26

 

CMYK 0 / 38 / 58 / 43

HEX #925A3E

RGB 146 90 62

HSL 20, 0.4%, 0.41%

LAB 43.9, 20.04, 25.71

 

CMYK 58 / 0 / 38 / 43

HEX #3E925B

RGB 62 146 91

HSL 140.71, 0.4%, 0.41%

LAB 54.38, -38.35, 21.71

 

CMYK 58 / 31 / 0 / 43

HEX #3E6592

RGB 62 101 146

HSL 212.14, 0.4%, 0.41%

LAB 41.86, 0.26, -28.88

 

CMYK 0 / 58 / 19 / 43

HEX #923E76

RGB 146 62 118

HSL 320, 0.4%, 0.41%

LAB 39.35, 42.28, -15.04

 

CMYK 0 / 27 / 58 / 43

HEX #926B3E

RGB 146 107 62

HSL 32.14, 0.4%, 0.41%

LAB 48.23, 10.19, 31.05

 

CMYK 58 / 0 / 38 / 43

HEX #3E925B

RGB 62 146 91

HSL 140.71, 0.4%, 0.41%

LAB 54.38, -38.35, 21.71

 

CMYK 58 / 48 / 0 / 43

HEX #3E4C92

RGB 62 76 146

HSL 230, 0.4%, 0.41%

LAB 34.54, 16.31, -40.47

 

CMYK 0 / 58 / 19 / 43

HEX #923E76

RGB 146 62 118

HSL 320, 0.4%, 0.41%

LAB 39.35, 42.28, -15.04

 

CMYK 0 / 10 / 58 / 43

HEX #92843E

RGB 146 132 62

HSL 50, 0.4%, 0.41%

LAB 55.03, -4.02, 39.11

 

Description

Color code: HEX #3E925B | qconv.com Color code: HEX #3E925B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 146 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 146 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 38 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 38% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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