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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E8F13 it is the complementary color #C170EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E8F13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E8F13 shade: #438F0E, #54A121, #65B334, #76C547 and #87D75A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E8F13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E8F13 shade: #3E8F13, #2D7D00, #1C6B00, #0B5900 and #004700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E8F13 shade: #3E9012, #609012, #829012, #907C12 and #905A12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E8F13 shade: #3E9012, #1C9012, #12902A, #12904C and #12906E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E8F13 shade matches the following richer shades: #3E9012 and #3A9D05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E8F13 shade: #3E9012, #42831F, #46762D, #4A683A and #4E5B47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E8F13 shade: #819012, #609012, #3E9012, #1D9012 and #129029

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E8F13 shade: #1E4709, #2E6B0E, #3E9012, #4EB417 and #5DD91C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E8F13 shade: #3E8F13, #12907D and #901271

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E8F13 shade: #3E8F13, #123E90 and #90123E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E8F13 shade: #3E8F13, #12907D, #641290 and #901225

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E8F13 shade: #3E8F13, #127D90, #641290 and #902512

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 87 / 44

HEX #3E8F13

RGB 62 143 19

HSL 99.19, 0.77%, 0.32%

LAB 52.64, -45.53, 51.93

 

Complementary color

CMYK 18 / 53 / 0 / 7

HEX #C170EC

RGB 193 112 236

HSL 279.19, 0.77%, 0.68%

LAB 60.77, 52.73, -50.12

 

CMYK 53 / 0 / 90 / 44

HEX #438F0E

RGB 67 143 14

HSL 95.35, 0.82%, 0.31%

LAB 52.81, -44.25, 53.27

 

CMYK 48 / 0 / 80 / 37

HEX #54A121

RGB 84 161 33

HSL 96.09, 0.66%, 0.38%

LAB 59.42, -45.18, 54.5

 

CMYK 44 / 0 / 71 / 30

HEX #65B334

RGB 101 179 52

HSL 96.85, 0.55%, 0.45%

LAB 65.95, -45.73, 54.53

 

CMYK 40 / 0 / 64 / 23

HEX #76C547

RGB 118 197 71

HSL 97.62, 0.52%, 0.53%

LAB 72.39, -46.03, 53.93

 

CMYK 37 / 0 / 58 / 16

HEX #87D75A

RGB 135 215 90

HSL 98.4, 0.61%, 0.6%

LAB 78.75, -46.17, 53.01

 

CMYK 57 / 0 / 87 / 44

HEX #3E8F13

RGB 62 143 19

HSL 99.19, 0.77%, 0.32%

LAB 52.64, -45.53, 51.93

 

CMYK 64 / 0 / 100 / 51

HEX #2D7D00

RGB 45 125 0

HSL 98.4, 1%, 0.25%

LAB 45.94, -44.13, 49.99

 

CMYK 74 / 0 / 100 / 58

HEX #1C6B00

RGB 28 107 0

HSL 104.3, 1%, 0.21%

LAB 39.18, -41.7, 44.42

 

CMYK 88 / 0 / 100 / 65

HEX #0B5900

RGB 11 89 0

HSL 112.58, 1%, 0.17%

LAB 32.29, -38.55, 38.79

 

CMYK 100 / 0 / 100 / 72

HEX #004700

RGB 0 71 0

HSL 120, 1%, 0.14%

LAB 25.28, -34.3, 32.84

 

CMYK 57 / 0 / 88 / 44

HEX #3E9012

RGB 62 144 18

HSL 99.05, 0.78%, 0.32%

LAB 52.97, -45.95, 52.46

 

CMYK 33 / 0 / 88 / 44

HEX #609012

RGB 96 144 18

HSL 82.86, 0.78%, 0.32%

LAB 54.53, -34.37, 54.43

 

CMYK 10 / 0 / 88 / 44

HEX #829012

RGB 130 144 18

HSL 66.67, 0.78%, 0.32%

LAB 56.82, -20.04, 57.28

 

CMYK 0 / 14 / 88 / 44

HEX #907C12

RGB 144 124 18

HSL 50.48, 0.78%, 0.32%

LAB 52.27, -2.86, 54.03

 

CMYK 0 / 38 / 88 / 44

HEX #905A12

RGB 144 90 18

HSL 34.29, 0.78%, 0.32%

LAB 43.19, 16.67, 46.51

 

CMYK 57 / 0 / 88 / 44

HEX #3E9012

RGB 62 144 18

HSL 99.05, 0.78%, 0.32%

LAB 52.97, -45.95, 52.46

 

CMYK 81 / 0 / 88 / 44

HEX #1C9012

RGB 28 144 18

HSL 115.24, 0.78%, 0.32%

LAB 52.1, -53.17, 51.37

 

CMYK 88 / 0 / 71 / 44

HEX #12902A

RGB 18 144 42

HSL 131.43, 0.78%, 0.32%

LAB 52.11, -52.6, 43.33

 

CMYK 88 / 0 / 47 / 44

HEX #12904C

RGB 18 144 76

HSL 147.62, 0.78%, 0.32%

LAB 52.51, -47.79, 27.26

 

CMYK 88 / 0 / 24 / 44

HEX #12906E

RGB 18 144 110

HSL 163.81, 0.78%, 0.32%

LAB 53.17, -40.28, 9.17

 

CMYK 57 / 0 / 88 / 44

HEX #3E9012

RGB 62 144 18

HSL 99.05, 0.78%, 0.32%

LAB 52.97, -45.95, 52.46

 

CMYK 63 / 0 / 97 / 38

HEX #3A9D05

RGB 58 157 5

HSL 99.08, 0.94%, 0.32%

LAB 57.1, -52.1, 58.22

 

CMYK 57 / 0 / 88 / 44

HEX #3E9012

RGB 62 144 18

HSL 99.05, 0.78%, 0.32%

LAB 52.97, -45.95, 52.46

 

CMYK 50 / 0 / 76 / 49

HEX #42831F

RGB 66 131 31

HSL 99, 0.62%, 0.32%

LAB 48.87, -38.87, 44.74

 

CMYK 41 / 0 / 62 / 54

HEX #46762D

RGB 70 118 45

HSL 99.45, 0.45%, 0.32%

LAB 44.87, -30.51, 34.43

 

CMYK 29 / 0 / 44 / 59

HEX #4A683A

RGB 74 104 58

HSL 99.13, 0.28%, 0.32%

LAB 40.67, -20.35, 22.44

 

CMYK 14 / 0 / 22 / 64

HEX #4E5B47

RGB 78 91 71

HSL 99, 0.12%, 0.32%

LAB 37.03, -9.29, 9.88

 

CMYK 10 / 0 / 88 / 44

HEX #819012

RGB 129 144 18

HSL 67.14, 0.78%, 0.32%

LAB 56.74, -20.49, 57.18

 

CMYK 33 / 0 / 88 / 44

HEX #609012

RGB 96 144 18

HSL 82.86, 0.78%, 0.32%

LAB 54.53, -34.37, 54.43

 

CMYK 57 / 0 / 88 / 44

HEX #3E9012

RGB 62 144 18

HSL 99.05, 0.78%, 0.32%

LAB 52.97, -45.95, 52.46

 

CMYK 80 / 0 / 88 / 44

HEX #1D9012

RGB 29 144 18

HSL 114.76, 0.78%, 0.32%

LAB 52.12, -53.03, 51.39

 

CMYK 88 / 0 / 72 / 44

HEX #129029

RGB 18 144 41

HSL 130.95, 0.78%, 0.32%

LAB 52.1, -52.7, 43.74

 

CMYK 58 / 0 / 87 / 72

HEX #1E4709

RGB 30 71 9

HSL 99.68, 0.78%, 0.16%

LAB 26.16, -26.62, 30.32

 

CMYK 57 / 0 / 87 / 58

HEX #2E6B0E

RGB 46 107 14

HSL 99.35, 0.77%, 0.24%

LAB 39.8, -36.41, 41.54

 

CMYK 57 / 0 / 88 / 44

HEX #3E9012

RGB 62 144 18

HSL 99.05, 0.78%, 0.32%

LAB 52.97, -45.95, 52.46

 

CMYK 57 / 0 / 87 / 29

HEX #4EB417

RGB 78 180 23

HSL 98.98, 0.77%, 0.4%

LAB 65.22, -54.59, 62.26

 

CMYK 57 / 0 / 87 / 15

HEX #5DD91C

RGB 93 217 28

HSL 99.37, 0.77%, 0.48%

LAB 77.3, -63.5, 71.89

 

CMYK 57 / 0 / 87 / 44

HEX #3E8F13

RGB 62 143 19

HSL 99.19, 0.77%, 0.32%

LAB 52.64, -45.53, 51.93

 

CMYK 88 / 0 / 13 / 44

HEX #12907D

RGB 18 144 125

HSL 170.95, 0.78%, 0.32%

LAB 53.55, -36.21, 1.1

 

CMYK 0 / 88 / 22 / 44

HEX #901271

RGB 144 18 113

HSL 314.76, 0.78%, 0.32%

LAB 33.04, 57.01, -21.66

 

CMYK 57 / 0 / 87 / 44

HEX #3E8F13

RGB 62 143 19

HSL 99.19, 0.77%, 0.32%

LAB 52.64, -45.53, 51.93

 

CMYK 88 / 57 / 0 / 44

HEX #123E90

RGB 18 62 144

HSL 219.05, 0.78%, 0.32%

LAB 28.35, 18.49, -49.34

 

CMYK 0 / 88 / 57 / 44

HEX #90123E

RGB 144 18 62

HSL 339.05, 0.78%, 0.32%

LAB 31.14, 51.69, 8.76

 

CMYK 57 / 0 / 87 / 44

HEX #3E8F13

RGB 62 143 19

HSL 99.19, 0.77%, 0.32%

LAB 52.64, -45.53, 51.93

 

CMYK 88 / 0 / 13 / 44

HEX #12907D

RGB 18 144 125

HSL 170.95, 0.78%, 0.32%

LAB 53.55, -36.21, 1.1

 

CMYK 31 / 88 / 0 / 44

HEX #641290

RGB 100 18 144

HSL 279.05, 0.78%, 0.32%

LAB 27.17, 53.87, -50.94

 

CMYK 0 / 88 / 74 / 44

HEX #901225

RGB 144 18 37

HSL 350.95, 0.78%, 0.32%

LAB 30.63, 50.2, 24.56

 

CMYK 57 / 0 / 87 / 44

HEX #3E8F13

RGB 62 143 19

HSL 99.19, 0.77%, 0.32%

LAB 52.64, -45.53, 51.93

 

CMYK 88 / 13 / 0 / 44

HEX #127D90

RGB 18 125 144

HSL 189.05, 0.78%, 0.32%

LAB 48.02, -20.88, -18.25

 

CMYK 31 / 88 / 0 / 44

HEX #641290

RGB 100 18 144

HSL 279.05, 0.78%, 0.32%

LAB 27.17, 53.87, -50.94

 

CMYK 0 / 74 / 88 / 44

HEX #902512

RGB 144 37 18

HSL 9.05, 0.78%, 0.32%

LAB 32.47, 43.79, 37.47

 

Description

Color code: HEX #3E8F13 | qconv.com Color code: HEX #3E8F13 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 143 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 143 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 87 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 87% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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