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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E8ECB it is the complementary color #C17134. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E8ECB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E8ECB shade: #438EC6, #54A0D9, #65B2EC, #76C4FF and #87D6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E8ECB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E8ECB shade: #3E8ECB, #2D7CB8, #1C6AA5, #0B5892 and #00467F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E8ECB shade: #3D8ECB, #3D67CB, #3D41CB, #5F3DCB and #863DCB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E8ECB shade: #3D8ECB, #3D67CB, #3D41CB and #3D3DCB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E8ECB shade matches the following richer shades: #3D8ECB, #2990DF and #1593F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E8ECB shade: #3D8ECB, #518BB7, #6588A3, #798690 and #8C837C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E8ECB shade: #3DCBBB, #3DB6CB, #3D90CB, #3D6ACB and #3D44CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E8ECB shade: #266290, #2F78B0, #3D8ECB, #5EA1D4 and #7EB4DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E8ECB shade: #3E8ECB, #953DCB and #C9CB3D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E8ECB shade: #3E8ECB, #CB3D90 and #90CB3D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E8ECB shade: #3E8ECB, #953DCB, #CB783D and #74CB3D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E8ECB shade: #3E8ECB, #BF3DCB, #CB783D and #49CB3D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 30 / 0 / 20

HEX #3E8ECB

RGB 62 142 203

HSL 205.96, 0.58%, 0.52%

LAB 56.76, -4.61, -38.59

 

Complementary color

CMYK 0 / 41 / 73 / 24

HEX #C17134

RGB 193 113 52

HSL 25.96, 0.58%, 0.48%

LAB 55.48, 26.64, 46.04

 

CMYK 66 / 28 / 0 / 22

HEX #438EC6

RGB 67 142 198

HSL 205.65, 0.53%, 0.52%

LAB 56.7, -5.53, -35.85

 

CMYK 61 / 26 / 0 / 15

HEX #54A0D9

RGB 84 160 217

HSL 205.71, 0.64%, 0.59%

LAB 63.37, -6.48, -36.02

 

CMYK 57 / 25 / 0 / 7

HEX #65B2EC

RGB 101 178 236

HSL 205.78, 0.78%, 0.66%

LAB 69.94, -7.24, -36.19

 

CMYK 54 / 23 / 0 / 0

HEX #76C4FF

RGB 118 196 255

HSL 205.84, 1%, 0.73%

LAB 76.41, -7.85, -36.36

 

CMYK 47 / 16 / 0 / 0

HEX #87D6FF

RGB 135 214 255

HSL 200.5, 1%, 0.76%

LAB 82.09, -13.63, -27.55

 

CMYK 69 / 30 / 0 / 20

HEX #3E8ECB

RGB 62 142 203

HSL 205.96, 0.58%, 0.52%

LAB 56.76, -4.61, -38.59

 

CMYK 76 / 33 / 0 / 28

HEX #2D7CB8

RGB 45 124 184

HSL 205.9, 0.61%, 0.45%

LAB 50.02, -3.17, -38.4

 

CMYK 83 / 36 / 0 / 35

HEX #1C6AA5

RGB 28 106 165

HSL 205.84, 0.71%, 0.38%

LAB 43.17, -1.29, -38.18

 

CMYK 92 / 40 / 0 / 43

HEX #0B5892

RGB 11 88 146

HSL 205.78, 0.86%, 0.31%

LAB 36.23, 1.22, -37.88

 

CMYK 100 / 45 / 0 / 50

HEX #00467F

RGB 0 70 127

HSL 206.93, 1%, 0.25%

LAB 29.19, 4.53, -37.46

 

CMYK 70 / 30 / 0 / 20

HEX #3D8ECB

RGB 61 142 203

HSL 205.77, 0.58%, 0.52%

LAB 56.73, -4.76, -38.64

 

CMYK 70 / 49 / 0 / 20

HEX #3D67CB

RGB 61 103 203

HSL 222.25, 0.58%, 0.52%

LAB 45.64, 19.05, -56.29

 

CMYK 70 / 68 / 0 / 20

HEX #3D41CB

RGB 61 65 203

HSL 238.31, 0.58%, 0.52%

LAB 36.15, 42.97, -71.74

 

CMYK 53 / 70 / 0 / 20

HEX #5F3DCB

RGB 95 61 203

HSL 254.37, 0.58%, 0.52%

LAB 37.99, 49.92, -68.61

 

CMYK 34 / 70 / 0 / 20

HEX #863DCB

RGB 134 61 203

HSL 270.85, 0.58%, 0.52%

LAB 42.33, 56.85, -61.34

 

CMYK 70 / 30 / 0 / 20

HEX #3D8ECB

RGB 61 142 203

HSL 205.77, 0.58%, 0.52%

LAB 56.73, -4.76, -38.64

 

CMYK 70 / 49 / 0 / 20

HEX #3D67CB

RGB 61 103 203

HSL 222.25, 0.58%, 0.52%

LAB 45.64, 19.05, -56.29

 

CMYK 70 / 68 / 0 / 20

HEX #3D41CB

RGB 61 65 203

HSL 238.31, 0.58%, 0.52%

LAB 36.15, 42.97, -71.74

 

CMYK 70 / 70 / 0 / 20

HEX #3D3DCB

RGB 61 61 203

HSL 240, 0.58%, 0.52%

LAB 35.28, 45.33, -73.15

 

CMYK 70 / 30 / 0 / 20

HEX #3D8ECB

RGB 61 142 203

HSL 205.77, 0.58%, 0.52%

LAB 56.73, -4.76, -38.64

 

CMYK 82 / 35 / 0 / 13

HEX #2990DF

RGB 41 144 223

HSL 206.04, 0.74%, 0.52%

LAB 57.79, -1.15, -48.22

 

CMYK 91 / 40 / 0 / 5

HEX #1593F3

RGB 21 147 243

HSL 205.95, 0.9%, 0.52%

LAB 59.43, 3.22, -56.72

 

CMYK 70 / 30 / 0 / 20

HEX #3D8ECB

RGB 61 142 203

HSL 205.77, 0.58%, 0.52%

LAB 56.73, -4.76, -38.64

 

CMYK 56 / 24 / 0 / 28

HEX #518BB7

RGB 81 139 183

HSL 205.88, 0.41%, 0.52%

LAB 55.72, -6.03, -28.82

 

CMYK 38 / 17 / 0 / 36

HEX #6588A3

RGB 101 136 163

HSL 206.13, 0.25%, 0.52%

LAB 55.09, -5.21, -18.24

 

CMYK 16 / 7 / 0 / 44

HEX #798690

RGB 121 134 144

HSL 206.09, 0.09%, 0.52%

LAB 55.2, -2.53, -6.97

 

CMYK 0 / 6 / 11 / 45

HEX #8C837C

RGB 140 131 124

HSL 26.25, 0.07%, 0.52%

LAB 55.34, 2.11, 4.99

 

CMYK 70 / 0 / 8 / 20

HEX #3DCBBB

RGB 61 203 187

HSL 173.24, 0.58%, 0.52%

LAB 74.38, -40.81, -2.92

 

CMYK 70 / 10 / 0 / 20

HEX #3DB6CB

RGB 61 182 203

HSL 188.87, 0.58%, 0.52%

LAB 68.58, -26.29, -20.33

 

CMYK 70 / 29 / 0 / 20

HEX #3D90CB

RGB 61 144 203

HSL 204.93, 0.58%, 0.52%

LAB 57.32, -5.92, -37.72

 

CMYK 70 / 48 / 0 / 20

HEX #3D6ACB

RGB 61 106 203

HSL 220.99, 0.58%, 0.52%

LAB 46.46, 17.15, -54.97

 

CMYK 70 / 67 / 0 / 20

HEX #3D44CB

RGB 61 68 203

HSL 237.04, 0.58%, 0.52%

LAB 36.81, 41.17, -70.64

 

CMYK 74 / 32 / 0 / 44

HEX #266290

RGB 38 98 144

HSL 206.04, 0.58%, 0.36%

LAB 39.85, -3.12, -30.89

 

CMYK 73 / 32 / 0 / 31

HEX #2F78B0

RGB 47 120 176

HSL 206.05, 0.58%, 0.44%

LAB 48.48, -3.43, -36.2

 

CMYK 70 / 30 / 0 / 20

HEX #3D8ECB

RGB 61 142 203

HSL 205.77, 0.58%, 0.52%

LAB 56.73, -4.76, -38.64

 

CMYK 56 / 24 / 0 / 17

HEX #5EA1D4

RGB 94 161 212

HSL 205.93, 0.58%, 0.6%

LAB 63.85, -6.65, -32.47

 

CMYK 43 / 18 / 0 / 14

HEX #7EB4DC

RGB 126 180 220

HSL 205.53, 0.57%, 0.68%

LAB 71.04, -7.33, -25.67

 

CMYK 69 / 30 / 0 / 20

HEX #3E8ECB

RGB 62 142 203

HSL 205.96, 0.58%, 0.52%

LAB 56.76, -4.61, -38.59

 

CMYK 27 / 70 / 0 / 20

HEX #953DCB

RGB 149 61 203

HSL 277.18, 0.58%, 0.52%

LAB 44.29, 59.82, -58.09

 

CMYK 1 / 0 / 70 / 20

HEX #C9CB3D

RGB 201 203 61

HSL 60.85, 0.58%, 0.52%

LAB 79.31, -17.44, 66.65

 

CMYK 69 / 30 / 0 / 20

HEX #3E8ECB

RGB 62 142 203

HSL 205.96, 0.58%, 0.52%

LAB 56.76, -4.61, -38.59

 

CMYK 0 / 70 / 29 / 20

HEX #CB3D90

RGB 203 61 144

HSL 324.93, 0.58%, 0.52%

LAB 49.55, 62.84, -14.49

 

CMYK 29 / 0 / 70 / 20

HEX #90CB3D

RGB 144 203 61

HSL 84.93, 0.58%, 0.52%

LAB 75.44, -40.24, 61.52

 

CMYK 69 / 30 / 0 / 20

HEX #3E8ECB

RGB 62 142 203

HSL 205.96, 0.58%, 0.52%

LAB 56.76, -4.61, -38.59

 

CMYK 27 / 70 / 0 / 20

HEX #953DCB

RGB 149 61 203

HSL 277.18, 0.58%, 0.52%

LAB 44.29, 59.82, -58.09

 

CMYK 0 / 41 / 70 / 20

HEX #CB783D

RGB 203 120 61

HSL 24.93, 0.58%, 0.52%

LAB 58.48, 27.49, 45.25

 

CMYK 43 / 0 / 70 / 20

HEX #74CB3D

RGB 116 203 61

HSL 96.76, 0.58%, 0.52%

LAB 74.04, -49.94, 59.64

 

CMYK 69 / 30 / 0 / 20

HEX #3E8ECB

RGB 62 142 203

HSL 205.96, 0.58%, 0.52%

LAB 56.76, -4.61, -38.59

 

CMYK 6 / 70 / 0 / 20

HEX #BF3DCB

RGB 191 61 203

HSL 294.93, 0.58%, 0.52%

LAB 50.36, 68.65, -48.01

 

CMYK 0 / 41 / 70 / 20

HEX #CB783D

RGB 203 120 61

HSL 24.93, 0.58%, 0.52%

LAB 58.48, 27.49, 45.25

 

CMYK 64 / 0 / 70 / 20

HEX #49CB3D

RGB 73 203 61

HSL 114.93, 0.58%, 0.52%

LAB 72.54, -61.5, 57.62

 

Description

Color code: HEX #3E8ECB | qconv.com Color code: HEX #3E8ECB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 142 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 142 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 30 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 30% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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