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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E8DFA it is the complementary color #C17205. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E8DFA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E8DFA shade: #438DF5, #549FFF, #65B1FF, #76C3FF and #87D5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E8DFA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E8DFA shade: #3E8DFA, #2D7BE7, #1C69D4, #0B57C1 and #0045AE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E8DFA shade: #3D8CFA, #3D5AFA, #543DFA, #873DFA and #B93DFA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E8DFA shade: #3D8CFA, #3D5AFA and #3D3DFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E8DFA shade matches the following richer shades: #3D8CFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E8DFA shade: #3D8CFA, #4D8FEA, #5D92DA, #6D94CA and #7D97BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E8DFA shade: #3DF4FA, #3DC1FA, #3D8FFA, #3D5DFA and #503DFA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E8DFA shade: #0661DF, #1575F9, #3D8CFA, #65A4FB and #8EBCFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E8DFA shade: #3E8DFA, #CE3DFA and #DBFA3D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E8DFA shade: #3E8DFA, #FA3D8F and #8FFA3D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E8DFA shade: #3E8DFA, #CE3DFA, #FAA83D and #69FA3D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E8DFA shade: #3E8DFA, #FA3DED, #FAA83D and #3DFA4A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 44 / 0 / 2

HEX #3E8DFA

RGB 62 141 250

HSL 214.79, 0.95%, 0.61%

LAB 58.95, 12.63, -61.3

 

Complementary color

CMYK 0 / 41 / 97 / 24

HEX #C17205

RGB 193 114 5

HSL 34.79, 0.95%, 0.39%

LAB 55.46, 24.8, 61.63

 

CMYK 73 / 42 / 0 / 4

HEX #438DF5

RGB 67 141 245

HSL 215.06, 0.9%, 0.61%

LAB 58.82, 11.45, -58.74

 

CMYK 67 / 38 / 0 / 0

HEX #549FFF

RGB 84 159 255

HSL 213.68, 1%, 0.66%

LAB 64.88, 6.66, -54.53

 

CMYK 60 / 31 / 0 / 0

HEX #65B1FF

RGB 101 177 255

HSL 210.39, 1%, 0.7%

LAB 70.48, -0.76, -45.66

 

CMYK 54 / 24 / 0 / 0

HEX #76C3FF

RGB 118 195 255

HSL 206.28, 1%, 0.73%

LAB 76.13, -7.32, -36.78

 

CMYK 47 / 16 / 0 / 0

HEX #87D5FF

RGB 135 213 255

HSL 201, 1%, 0.76%

LAB 81.82, -13.11, -27.97

 

CMYK 75 / 44 / 0 / 2

HEX #3E8DFA

RGB 62 141 250

HSL 214.79, 0.95%, 0.61%

LAB 58.95, 12.63, -61.3

 

CMYK 81 / 47 / 0 / 9

HEX #2D7BE7

RGB 45 123 231

HSL 214.84, 0.79%, 0.54%

LAB 52.39, 14.92, -61.32

 

CMYK 87 / 50 / 0 / 17

HEX #1C69D4

RGB 28 105 212

HSL 214.89, 0.77%, 0.47%

LAB 45.78, 17.71, -61.27

 

CMYK 94 / 55 / 0 / 24

HEX #0B57C1

RGB 11 87 193

HSL 214.95, 0.89%, 0.4%

LAB 39.14, 21.09, -61.1

 

CMYK 100 / 60 / 0 / 32

HEX #0045AE

RGB 0 69 174

HSL 216.21, 1%, 0.34%

LAB 32.51, 25.12, -60.72

 

CMYK 76 / 44 / 0 / 2

HEX #3D8CFA

RGB 61 140 250

HSL 214.92, 0.95%, 0.61%

LAB 58.65, 13.12, -61.79

 

CMYK 76 / 64 / 0 / 2

HEX #3D5AFA

RGB 61 90 250

HSL 230.79, 0.95%, 0.61%

LAB 45.92, 43.96, -82.44

 

CMYK 66 / 76 / 0 / 2

HEX #543DFA

RGB 84 61 250

HSL 247.3, 0.95%, 0.61%

LAB 41.41, 62.2, -89.81

 

CMYK 46 / 76 / 0 / 2

HEX #873DFA

RGB 135 61 250

HSL 263.49, 0.95%, 0.61%

LAB 46.16, 68.33, -81.82

 

CMYK 26 / 76 / 0 / 2

HEX #B93DFA

RGB 185 61 250

HSL 279.37, 0.95%, 0.61%

LAB 52.46, 76.25, -71.29

 

CMYK 76 / 44 / 0 / 2

HEX #3D8CFA

RGB 61 140 250

HSL 214.92, 0.95%, 0.61%

LAB 58.65, 13.12, -61.79

 

CMYK 76 / 64 / 0 / 2

HEX #3D5AFA

RGB 61 90 250

HSL 230.79, 0.95%, 0.61%

LAB 45.92, 43.96, -82.44

 

CMYK 76 / 76 / 0 / 2

HEX #3D3DFA

RGB 61 61 250

HSL 240, 0.95%, 0.61%

LAB 39.97, 60.3, -92.25

 

CMYK 76 / 44 / 0 / 2

HEX #3D8CFA

RGB 61 140 250

HSL 214.92, 0.95%, 0.61%

LAB 58.65, 13.12, -61.79

 

CMYK 76 / 44 / 0 / 2

HEX #3D8CFA

RGB 61 140 250

HSL 214.92, 0.95%, 0.61%

LAB 58.65, 13.12, -61.79

 

CMYK 67 / 39 / 0 / 8

HEX #4D8FEA

RGB 77 143 234

HSL 214.78, 0.79%, 0.61%

LAB 59.13, 7.82, -52.16

 

CMYK 57 / 33 / 0 / 15

HEX #5D92DA

RGB 93 146 218

HSL 214.56, 0.63%, 0.61%

LAB 59.84, 3.59, -42.08

 

CMYK 46 / 27 / 0 / 21

HEX #6D94CA

RGB 109 148 202

HSL 214.84, 0.47%, 0.61%

LAB 60.51, 1.14, -32.02

 

CMYK 33 / 19 / 0 / 27

HEX #7D97BA

RGB 125 151 186

HSL 214.43, 0.31%, 0.61%

LAB 61.69, -0.64, -21.13

 

CMYK 76 / 2 / 0 / 2

HEX #3DF4FA

RGB 61 244 250

HSL 181.9, 0.95%, 0.61%

LAB 88.25, -41.67, -15.78

 

CMYK 76 / 23 / 0 / 2

HEX #3DC1FA

RGB 61 193 250

HSL 198.1, 0.95%, 0.61%

LAB 73.57, -16.92, -38.22

 

CMYK 76 / 43 / 0 / 2

HEX #3D8FFA

RGB 61 143 250

HSL 213.97, 0.95%, 0.61%

LAB 59.47, 11.31, -60.47

 

CMYK 76 / 63 / 0 / 2

HEX #3D5DFA

RGB 61 93 250

HSL 229.84, 0.95%, 0.61%

LAB 46.61, 42.14, -81.31

 

CMYK 68 / 76 / 0 / 2

HEX #503DFA

RGB 80 61 250

HSL 246.03, 0.95%, 0.61%

LAB 41.13, 61.83, -90.29

 

CMYK 97 / 57 / 0 / 13

HEX #0661DF

RGB 6 97 223

HSL 214.84, 0.95%, 0.45%

LAB 44.11, 26.26, -70.25

 

CMYK 92 / 53 / 0 / 2

HEX #1575F9

RGB 21 117 249

HSL 214.74, 0.95%, 0.53%

LAB 51.52, 23.98, -72.78

 

CMYK 76 / 44 / 0 / 2

HEX #3D8CFA

RGB 61 140 250

HSL 214.92, 0.95%, 0.61%

LAB 58.65, 13.12, -61.79

 

CMYK 60 / 35 / 0 / 2

HEX #65A4FB

RGB 101 164 251

HSL 214.8, 0.95%, 0.69%

LAB 66.74, 5.33, -49.38

 

CMYK 44 / 25 / 0 / 1

HEX #8EBCFC

RGB 142 188 252

HSL 214.91, 0.95%, 0.77%

LAB 75.29, 1.07, -36.38

 

CMYK 75 / 44 / 0 / 2

HEX #3E8DFA

RGB 62 141 250

HSL 214.79, 0.95%, 0.61%

LAB 58.95, 12.63, -61.3

 

CMYK 18 / 76 / 0 / 2

HEX #CE3DFA

RGB 206 61 250

HSL 286.03, 0.95%, 0.61%

LAB 55.44, 79.95, -66.32

 

CMYK 12 / 0 / 76 / 2

HEX #DBFA3D

RGB 219 250 61

HSL 69.84, 0.95%, 0.61%

LAB 93.35, -32.54, 80.42

 

CMYK 75 / 44 / 0 / 2

HEX #3E8DFA

RGB 62 141 250

HSL 214.79, 0.95%, 0.61%

LAB 58.95, 12.63, -61.3

 

CMYK 0 / 76 / 43 / 2

HEX #FA3D8F

RGB 250 61 143

HSL 333.97, 0.95%, 0.61%

LAB 57.7, 75.04, -0.88

 

CMYK 43 / 0 / 76 / 2

HEX #8FFA3D

RGB 143 250 61

HSL 93.97, 0.95%, 0.61%

LAB 89.18, -59.79, 75.02

 

CMYK 75 / 44 / 0 / 2

HEX #3E8DFA

RGB 62 141 250

HSL 214.79, 0.95%, 0.61%

LAB 58.95, 12.63, -61.3

 

CMYK 18 / 76 / 0 / 2

HEX #CE3DFA

RGB 206 61 250

HSL 286.03, 0.95%, 0.61%

LAB 55.44, 79.95, -66.32

 

CMYK 0 / 33 / 76 / 2

HEX #FAA83D

RGB 250 168 61

HSL 33.97, 0.95%, 0.61%

LAB 75.24, 21.51, 64.31

 

CMYK 58 / 0 / 76 / 2

HEX #69FA3D

RGB 105 250 61

HSL 106.03, 0.95%, 0.61%

LAB 87.83, -70.2, 73.25

 

CMYK 75 / 44 / 0 / 2

HEX #3E8DFA

RGB 62 141 250

HSL 214.79, 0.95%, 0.61%

LAB 58.95, 12.63, -61.3

 

CMYK 0 / 76 / 5 / 2

HEX #FA3DED

RGB 250 61 237

HSL 304.13, 0.95%, 0.61%

LAB 61.46, 86.23, -49.07

 

CMYK 0 / 33 / 76 / 2

HEX #FAA83D

RGB 250 168 61

HSL 33.97, 0.95%, 0.61%

LAB 75.24, 21.51, 64.31

 

CMYK 76 / 0 / 70 / 2

HEX #3DFA4A

RGB 61 250 74

HSL 124.13, 0.95%, 0.61%

LAB 86.93, -77.43, 67.71

 

Description

Color code: HEX #3E8DFA | qconv.com Color code: HEX #3E8DFA | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 141 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 141 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 44 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 44% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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