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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E8DB6 it is the complementary color #C17249. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E8DB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E8DB6 shade: #438DB1, #549FC4, #65B1D7, #76C3EA and #87D5FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E8DB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E8DB6 shade: #3E8DB6, #2D7BA3, #1C6990, #0B577D and #00456A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E8DB6 shade: #3E8DB6, #3E6DB6, #3E4CB6, #503EB6 and #703EB6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E8DB6 shade: #3E8DB6, #3E6DB6, #3E4CB6 and #3E3EB6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E8DB6 shade matches the following richer shades: #3E8DB6, #2A93CA, #1699DD and #03A0F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E8DB6 shade: #3E8DB6, #5287A2, #66808E, #797A7A and #8D7467

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E8DB6 shade: #3EB69E, #3EAEB6, #3E8EB6, #3E6EB6 and #3E4EB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E8DB6 shade: #295D78, #337597, #3E8DB6, #58A0C5 and #76B1D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E8DB6 shade: #3E8DB6, #7E3EB6 and #B6AE3E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E8DB6 shade: #3E8DB6, #B63E8E and #8EB63E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E8DB6 shade: #3E8DB6, #7E3EB6, #B6663E and #76B63E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E8DB6 shade: #3E8DB6, #A23EB6, #B6663E and #52B63E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 23 / 0 / 29

HEX #3E8DB6

RGB 62 141 182

HSL 200.5, 0.49%, 0.48%

LAB 55.53, -11.17, -28.59

 

Complementary color

CMYK 0 / 41 / 62 / 24

HEX #C17249

RGB 193 114 73

HSL 20.5, 0.49%, 0.52%

LAB 55.94, 27.34, 35.74

 

CMYK 62 / 20 / 0 / 31

HEX #438DB1

RGB 67 141 177

HSL 199.64, 0.45%, 0.48%

LAB 55.5, -11.91, -25.78

 

CMYK 57 / 19 / 0 / 23

HEX #549FC4

RGB 84 159 196

HSL 199.82, 0.49%, 0.55%

LAB 62.23, -12.53, -26.1

 

CMYK 53 / 18 / 0 / 16

HEX #65B1D7

RGB 101 177 215

HSL 200, 0.59%, 0.62%

LAB 68.84, -13, -26.41

 

CMYK 50 / 17 / 0 / 8

HEX #76C3EA

RGB 118 195 234

HSL 200.17, 0.73%, 0.69%

LAB 75.34, -13.36, -26.71

 

CMYK 47 / 16 / 0 / 1

HEX #87D5FD

RGB 135 213 253

HSL 200.34, 0.97%, 0.76%

LAB 81.75, -13.66, -27.01

 

CMYK 66 / 23 / 0 / 29

HEX #3E8DB6

RGB 62 141 182

HSL 200.5, 0.49%, 0.48%

LAB 55.53, -11.17, -28.59

 

CMYK 72 / 25 / 0 / 36

HEX #2D7BA3

RGB 45 123 163

HSL 200.34, 0.57%, 0.41%

LAB 48.72, -10.12, -28.26

 

CMYK 81 / 27 / 0 / 44

HEX #1C6990

RGB 28 105 144

HSL 200.17, 0.67%, 0.34%

LAB 41.79, -8.68, -27.87

 

CMYK 91 / 30 / 0 / 51

HEX #0B577D

RGB 11 87 125

HSL 200, 0.84%, 0.27%

LAB 34.74, -6.67, -27.4

 

CMYK 100 / 35 / 0 / 58

HEX #00456A

RGB 0 69 106

HSL 200.94, 1%, 0.21%

LAB 27.56, -3.87, -26.81

 

CMYK 66 / 23 / 0 / 29

HEX #3E8DB6

RGB 62 141 182

HSL 200.5, 0.49%, 0.48%

LAB 55.53, -11.17, -28.59

 

CMYK 66 / 40 / 0 / 29

HEX #3E6DB6

RGB 62 109 182

HSL 216.5, 0.49%, 0.48%

LAB 46.09, 7.84, -43.42

 

CMYK 66 / 58 / 0 / 29

HEX #3E4CB6

RGB 62 76 182

HSL 233, 0.49%, 0.48%

LAB 37.06, 29, -57.95

 

CMYK 56 / 66 / 0 / 29

HEX #503EB6

RGB 80 62 182

HSL 249, 0.49%, 0.48%

LAB 35.06, 40.63, -61.15

 

CMYK 38 / 66 / 0 / 29

HEX #703EB6

RGB 112 62 182

HSL 265, 0.49%, 0.48%

LAB 38.32, 46.74, -55.71

 

CMYK 66 / 23 / 0 / 29

HEX #3E8DB6

RGB 62 141 182

HSL 200.5, 0.49%, 0.48%

LAB 55.53, -11.17, -28.59

 

CMYK 66 / 40 / 0 / 29

HEX #3E6DB6

RGB 62 109 182

HSL 216.5, 0.49%, 0.48%

LAB 46.09, 7.84, -43.42

 

CMYK 66 / 58 / 0 / 29

HEX #3E4CB6

RGB 62 76 182

HSL 233, 0.49%, 0.48%

LAB 37.06, 29, -57.95

 

CMYK 66 / 66 / 0 / 29

HEX #3E3EB6

RGB 62 62 182

HSL 240, 0.49%, 0.48%

LAB 33.66, 37.83, -63.49

 

CMYK 66 / 23 / 0 / 29

HEX #3E8DB6

RGB 62 141 182

HSL 200.5, 0.49%, 0.48%

LAB 55.53, -11.17, -28.59

 

CMYK 79 / 27 / 0 / 21

HEX #2A93CA

RGB 42 147 202

HSL 200.63, 0.66%, 0.48%

LAB 57.68, -10.36, -36.63

 

CMYK 90 / 31 / 0 / 13

HEX #1699DD

RGB 22 153 221

HSL 200.5, 0.82%, 0.48%

LAB 60.05, -8.39, -43.56

 

CMYK 99 / 34 / 0 / 5

HEX #03A0F1

RGB 3 160 241

HSL 200.42, 0.98%, 0.48%

LAB 62.94, -5.64, -50.06

 

CMYK 66 / 23 / 0 / 29

HEX #3E8DB6

RGB 62 141 182

HSL 200.5, 0.49%, 0.48%

LAB 55.53, -11.17, -28.59

 

CMYK 49 / 17 / 0 / 36

HEX #5287A2

RGB 82 135 162

HSL 200.25, 0.33%, 0.48%

LAB 53.74, -9.98, -19.82

 

CMYK 28 / 10 / 0 / 44

HEX #66808E

RGB 102 128 142

HSL 201, 0.16%, 0.48%

LAB 52.08, -5.89, -10.62

 

CMYK 1 / 0 / 0 / 52

HEX #797A7A

RGB 121 122 122

HSL 180, 0%, 0.48%

LAB 51.14, -0.37, -0.14

 

CMYK 0 / 18 / 27 / 45

HEX #8D7467

RGB 141 116 103

HSL 20.53, 0.16%, 0.48%

LAB 50.84, 7.68, 10.84

 

CMYK 66 / 0 / 13 / 29

HEX #3EB69E

RGB 62 182 158

HSL 168, 0.49%, 0.48%

LAB 67.24, -38.91, 2.5

 

CMYK 66 / 4 / 0 / 29

HEX #3EAEB6

RGB 62 174 182

HSL 184, 0.49%, 0.48%

LAB 65.49, -28.51, -13.38

 

CMYK 66 / 22 / 0 / 29

HEX #3E8EB6

RGB 62 142 182

HSL 200, 0.49%, 0.48%

LAB 55.83, -11.72, -28.13

 

CMYK 66 / 40 / 0 / 29

HEX #3E6EB6

RGB 62 110 182

HSL 216, 0.49%, 0.48%

LAB 46.38, 7.22, -42.96

 

CMYK 66 / 57 / 0 / 29

HEX #3E4EB6

RGB 62 78 182

HSL 232, 0.49%, 0.48%

LAB 37.57, 27.72, -57.12

 

CMYK 66 / 23 / 0 / 53

HEX #295D78

RGB 41 93 120

HSL 200.51, 0.49%, 0.32%

LAB 37.22, -8.28, -20.4

 

CMYK 66 / 23 / 0 / 41

HEX #337597

RGB 51 117 151

HSL 200.4, 0.5%, 0.4%

LAB 46.53, -9.85, -24.61

 

CMYK 66 / 23 / 0 / 29

HEX #3E8DB6

RGB 62 141 182

HSL 200.5, 0.49%, 0.48%

LAB 55.53, -11.17, -28.59

 

CMYK 55 / 19 / 0 / 23

HEX #58A0C5

RGB 88 160 197

HSL 200.37, 0.48%, 0.56%

LAB 62.72, -11.94, -25.89

 

CMYK 43 / 15 / 0 / 18

HEX #76B1D0

RGB 118 177 208

HSL 200.67, 0.49%, 0.64%

LAB 69.36, -11, -21.69

 

CMYK 66 / 23 / 0 / 29

HEX #3E8DB6

RGB 62 141 182

HSL 200.5, 0.49%, 0.48%

LAB 55.53, -11.17, -28.59

 

CMYK 31 / 66 / 0 / 29

HEX #7E3EB6

RGB 126 62 182

HSL 272, 0.49%, 0.48%

LAB 40.01, 49.74, -52.89

 

CMYK 0 / 4 / 66 / 29

HEX #B6AE3E

RGB 182 174 62

HSL 56, 0.49%, 0.48%

LAB 69.87, -10.74, 56.26

 

CMYK 66 / 23 / 0 / 29

HEX #3E8DB6

RGB 62 141 182

HSL 200.5, 0.49%, 0.48%

LAB 55.53, -11.17, -28.59

 

CMYK 0 / 66 / 22 / 29

HEX #B63E8E

RGB 182 62 142

HSL 320, 0.49%, 0.48%

LAB 46.1, 56.47, -18.87

 

CMYK 22 / 0 / 66 / 29

HEX #8EB63E

RGB 142 182 62

HSL 80, 0.49%, 0.48%

LAB 69.15, -31.38, 54.59

 

CMYK 66 / 23 / 0 / 29

HEX #3E8DB6

RGB 62 141 182

HSL 200.5, 0.49%, 0.48%

LAB 55.53, -11.17, -28.59

 

CMYK 31 / 66 / 0 / 29

HEX #7E3EB6

RGB 126 62 182

HSL 272, 0.49%, 0.48%

LAB 40.01, 49.74, -52.89

 

CMYK 0 / 44 / 66 / 29

HEX #B6663E

RGB 182 102 62

HSL 20, 0.49%, 0.48%

LAB 51.61, 28.58, 36.19

 

CMYK 35 / 0 / 66 / 29

HEX #76B63E

RGB 118 182 62

HSL 92, 0.49%, 0.48%

LAB 67.77, -40.41, 52.7

 

CMYK 66 / 23 / 0 / 29

HEX #3E8DB6

RGB 62 141 182

HSL 200.5, 0.49%, 0.48%

LAB 55.53, -11.17, -28.59

 

CMYK 11 / 66 / 0 / 29

HEX #A23EB6

RGB 162 62 182

HSL 290, 0.49%, 0.48%

LAB 44.95, 57.94, -44.7

 

CMYK 0 / 44 / 66 / 29

HEX #B6663E

RGB 182 102 62

HSL 20, 0.49%, 0.48%

LAB 51.61, 28.58, 36.19

 

CMYK 55 / 0 / 66 / 29

HEX #52B63E

RGB 82 182 62

HSL 110, 0.49%, 0.48%

LAB 66.21, -51.72, 50.56

 

Description

Color code: HEX #3E8DB6 | qconv.com Color code: HEX #3E8DB6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 141 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 141 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 23 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 23% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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