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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E88A8 it is the complementary color #C17757. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E88A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E88A8 shade: #4388A3, #549AB6, #65ACC9, #76BEDC and #87D0EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E88A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E88A8 shade: #3E88A8, #2D7695, #1C6482, #0B526F and #00405C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E88A8 shade: #3E88A8, #3E6BA8, #3E4FA8, #4A3EA8 and #663EA8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E88A8 shade: #3E88A8, #3E6BA8, #3E4FA8 and #3E3EA8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E88A8 shade matches the following richer shades: #3E88A8, #2B8FBA, #1996CD and #069EDF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E88A8 shade: #3E88A8, #518095, #637982, #767270 and #886A5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E88A8 shade: #3EA88F, #3EA4A8, #3E88A8, #3E6CA8 and #3E50A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E88A8 shade: #28576B, #336F89, #3E88A8, #509DBE and #6EAECA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E88A8 shade: #3E88A8, #733EA8 and #A89D3E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E88A8 shade: #3E88A8, #A83E88 and #88A83E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E88A8 shade: #3E88A8, #733EA8, #A85E3E and #73A83E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E88A8 shade: #3E88A8, #923EA8, #A85E3E and #53A83E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 19 / 0 / 34

HEX #3E88A8

RGB 62 136 168

HSL 198.11, 0.46%, 0.45%

LAB 53.45, -12.97, -23.79

 

Complementary color

CMYK 0 / 38 / 55 / 24

HEX #C17757

RGB 193 119 87

HSL 18.11, 0.46%, 0.55%

LAB 57.29, 25.7, 29.71

 

CMYK 59 / 17 / 0 / 36

HEX #4388A3

RGB 67 136 163

HSL 196.88, 0.42%, 0.45%

LAB 53.43, -13.6, -20.92

 

CMYK 54 / 15 / 0 / 29

HEX #549AB6

RGB 84 154 182

HSL 197.14, 0.4%, 0.52%

LAB 60.22, -14.05, -21.3

 

CMYK 50 / 14 / 0 / 21

HEX #65ACC9

RGB 101 172 201

HSL 197.4, 0.48%, 0.59%

LAB 66.89, -14.37, -21.67

 

CMYK 46 / 14 / 0 / 14

HEX #76BEDC

RGB 118 190 220

HSL 197.65, 0.59%, 0.66%

LAB 73.45, -14.62, -22.03

 

CMYK 44 / 13 / 0 / 6

HEX #87D0EF

RGB 135 208 239

HSL 197.88, 0.76%, 0.73%

LAB 79.89, -14.81, -22.38

 

CMYK 63 / 19 / 0 / 34

HEX #3E88A8

RGB 62 136 168

HSL 198.11, 0.46%, 0.45%

LAB 53.45, -12.97, -23.79

 

CMYK 70 / 21 / 0 / 42

HEX #2D7695

RGB 45 118 149

HSL 197.88, 0.54%, 0.38%

LAB 46.56, -12.13, -23.4

 

CMYK 78 / 23 / 0 / 49

HEX #1C6482

RGB 28 100 130

HSL 197.65, 0.65%, 0.31%

LAB 39.53, -10.93, -22.94

 

CMYK 90 / 26 / 0 / 56

HEX #0B526F

RGB 11 82 111

HSL 197.4, 0.82%, 0.24%

LAB 32.38, -9.16, -22.4

 

CMYK 100 / 30 / 0 / 64

HEX #00405C

RGB 0 64 92

HSL 198.26, 1%, 0.18%

LAB 25.07, -6.6, -21.72

 

CMYK 63 / 19 / 0 / 34

HEX #3E88A8

RGB 62 136 168

HSL 198.11, 0.46%, 0.45%

LAB 53.45, -12.97, -23.79

 

CMYK 63 / 36 / 0 / 34

HEX #3E6BA8

RGB 62 107 168

HSL 214.53, 0.46%, 0.45%

LAB 44.75, 4.13, -37.37

 

CMYK 63 / 53 / 0 / 34

HEX #3E4FA8

RGB 62 79 168

HSL 230.38, 0.46%, 0.45%

LAB 36.82, 22.1, -50.04

 

CMYK 56 / 63 / 0 / 34

HEX #4A3EA8

RGB 74 62 168

HSL 246.79, 0.46%, 0.45%

LAB 33.41, 35.14, -55.53

 

CMYK 39 / 63 / 0 / 34

HEX #663EA8

RGB 102 62 168

HSL 262.64, 0.46%, 0.45%

LAB 36.17, 40.87, -50.92

 

CMYK 63 / 19 / 0 / 34

HEX #3E88A8

RGB 62 136 168

HSL 198.11, 0.46%, 0.45%

LAB 53.45, -12.97, -23.79

 

CMYK 63 / 36 / 0 / 34

HEX #3E6BA8

RGB 62 107 168

HSL 214.53, 0.46%, 0.45%

LAB 44.75, 4.13, -37.37

 

CMYK 63 / 53 / 0 / 34

HEX #3E4FA8

RGB 62 79 168

HSL 230.38, 0.46%, 0.45%

LAB 36.82, 22.1, -50.04

 

CMYK 63 / 63 / 0 / 34

HEX #3E3EA8

RGB 62 62 168

HSL 240, 0.46%, 0.45%

LAB 32.47, 33.07, -57.1

 

CMYK 63 / 19 / 0 / 34

HEX #3E88A8

RGB 62 136 168

HSL 198.11, 0.46%, 0.45%

LAB 53.45, -12.97, -23.79

 

CMYK 77 / 23 / 0 / 27

HEX #2B8FBA

RGB 43 143 186

HSL 198.04, 0.62%, 0.45%

LAB 55.79, -13.63, -30.52

 

CMYK 88 / 27 / 0 / 20

HEX #1996CD

RGB 25 150 205

HSL 198.33, 0.78%, 0.45%

LAB 58.44, -12.36, -37.14

 

CMYK 97 / 29 / 0 / 13

HEX #069EDF

RGB 6 158 223

HSL 197.97, 0.95%, 0.45%

LAB 61.5, -11.06, -42.39

 

CMYK 63 / 19 / 0 / 34

HEX #3E88A8

RGB 62 136 168

HSL 198.11, 0.46%, 0.45%

LAB 53.45, -12.97, -23.79

 

CMYK 46 / 14 / 0 / 42

HEX #518095

RGB 81 128 149

HSL 198.53, 0.3%, 0.45%

LAB 51.1, -10.1, -16.3

 

CMYK 24 / 7 / 0 / 49

HEX #637982

RGB 99 121 130

HSL 197.42, 0.14%, 0.45%

LAB 49.42, -5.84, -7.57

 

CMYK 0 / 3 / 5 / 54

HEX #767270

RGB 118 114 112

HSL 20, 0.03%, 0.45%

LAB 48.33, 1.15, 1.65

 

CMYK 0 / 22 / 32 / 47

HEX #886A5D

RGB 136 106 93

HSL 18.14, 0.19%, 0.45%

LAB 47.41, 9.96, 11.87

 

CMYK 63 / 0 / 15 / 34

HEX #3EA88F

RGB 62 168 143

HSL 165.85, 0.46%, 0.45%

LAB 62.52, -36.42, 3.99

 

CMYK 63 / 2 / 0 / 34

HEX #3EA4A8

RGB 62 164 168

HSL 182.26, 0.46%, 0.45%

LAB 62, -27.68, -10.8

 

CMYK 63 / 19 / 0 / 34

HEX #3E88A8

RGB 62 136 168

HSL 198.11, 0.46%, 0.45%

LAB 53.45, -12.97, -23.79

 

CMYK 63 / 36 / 0 / 34

HEX #3E6CA8

RGB 62 108 168

HSL 213.96, 0.46%, 0.45%

LAB 45.05, 3.51, -36.9

 

CMYK 63 / 52 / 0 / 34

HEX #3E50A8

RGB 62 80 168

HSL 229.81, 0.46%, 0.45%

LAB 37.09, 21.44, -49.6

 

CMYK 63 / 19 / 0 / 58

HEX #28576B

RGB 40 87 107

HSL 197.91, 0.46%, 0.29%

LAB 34.66, -9.4, -16.3

 

CMYK 63 / 19 / 0 / 46

HEX #336F89

RGB 51 111 137

HSL 198.14, 0.46%, 0.37%

LAB 44.06, -11.11, -20.11

 

CMYK 63 / 19 / 0 / 34

HEX #3E88A8

RGB 62 136 168

HSL 198.11, 0.46%, 0.45%

LAB 53.45, -12.97, -23.79

 

CMYK 58 / 17 / 0 / 25

HEX #509DBE

RGB 80 157 190

HSL 198, 0.46%, 0.53%

LAB 61.25, -14.09, -24.25

 

CMYK 46 / 14 / 0 / 21

HEX #6EAECA

RGB 110 174 202

HSL 198.26, 0.46%, 0.61%

LAB 67.91, -13.03, -20.64

 

CMYK 63 / 19 / 0 / 34

HEX #3E88A8

RGB 62 136 168

HSL 198.11, 0.46%, 0.45%

LAB 53.45, -12.97, -23.79

 

CMYK 32 / 63 / 0 / 34

HEX #733EA8

RGB 115 62 168

HSL 270, 0.46%, 0.45%

LAB 37.69, 43.84, -48.39

 

CMYK 0 / 7 / 63 / 34

HEX #A89D3E

RGB 168 157 62

HSL 53.77, 0.46%, 0.45%

LAB 63.99, -7.88, 49.66

 

CMYK 63 / 19 / 0 / 34

HEX #3E88A8

RGB 62 136 168

HSL 198.11, 0.46%, 0.45%

LAB 53.45, -12.97, -23.79

 

CMYK 0 / 63 / 19 / 34

HEX #A83E88

RGB 168 62 136

HSL 318.11, 0.46%, 0.45%

LAB 43.58, 51.66, -19.31

 

CMYK 19 / 0 / 63 / 34

HEX #88A83E

RGB 136 168 62

HSL 78.11, 0.46%, 0.45%

LAB 64.63, -27.09, 49.63

 

CMYK 63 / 19 / 0 / 34

HEX #3E88A8

RGB 62 136 168

HSL 198.11, 0.46%, 0.45%

LAB 53.45, -12.97, -23.79

 

CMYK 32 / 63 / 0 / 34

HEX #733EA8

RGB 115 62 168

HSL 270, 0.46%, 0.45%

LAB 37.69, 43.84, -48.39

 

CMYK 0 / 44 / 63 / 34

HEX #A85E3E

RGB 168 94 62

HSL 18.11, 0.46%, 0.45%

LAB 47.85, 27.15, 31.25

 

CMYK 32 / 0 / 63 / 34

HEX #73A83E

RGB 115 168 62

HSL 90, 0.46%, 0.45%

LAB 63.34, -35.26, 47.85

 

CMYK 63 / 19 / 0 / 34

HEX #3E88A8

RGB 62 136 168

HSL 198.11, 0.46%, 0.45%

LAB 53.45, -12.97, -23.79

 

CMYK 13 / 63 / 0 / 34

HEX #923EA8

RGB 146 62 168

HSL 287.55, 0.46%, 0.45%

LAB 41.82, 51.34, -41.55

 

CMYK 0 / 44 / 63 / 34

HEX #A85E3E

RGB 168 94 62

HSL 18.11, 0.46%, 0.45%

LAB 47.85, 27.15, 31.25

 

CMYK 51 / 0 / 63 / 34

HEX #53A83E

RGB 83 168 62

HSL 108.11, 0.46%, 0.45%

LAB 61.82, -45.98, 45.74

 

Description

Color code: HEX #3E88A8 | qconv.com Color code: HEX #3E88A8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 136 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 136 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 19 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 19% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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