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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E86AC it is the complementary color #C17953. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E86AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E86AC shade: #4386A7, #5498BA, #65AACD, #76BCE0 and #87CEF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E86AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E86AC shade: #3E86AC, #2D7499, #1C6286, #0B5073 and #003E60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E86AC shade: #3E86AC, #3E69AC, #3E4BAC, #4F3EAC and #6D3EAC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E86AC shade: #3E86AC, #3E69AC, #3E4BAC and #3E3EAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E86AC shade matches the following richer shades: #3E86AC, #2B8CBF, #1892D2 and #0598E5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E86AC shade: #3E86AC, #518099, #647B86, #777573 and #8A6F61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E86AC shade: #3EAC96, #3EA5AC, #3E88AC, #3E6AAC and #3E4DAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E86AC shade: #285770, #336F8E, #3E86AC, #539BC1 and #71ADCC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E86AC shade: #3E86AC, #793EAC and #ACA53E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E86AC shade: #3E86AC, #AC3E88 and #88AC3E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E86AC shade: #3E86AC, #793EAC, #AC633E and #72AC3E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E86AC shade: #3E86AC, #9A3EAC, #AC633E and #51AC3E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 22 / 0 / 33

HEX #3E86AC

RGB 62 134 172

HSL 200.73, 0.47%, 0.46%

LAB 53.01, -10.54, -26.78

 

Complementary color

CMYK 0 / 37 / 57 / 24

HEX #C17953

RGB 193 121 83

HSL 20.73, 0.47%, 0.54%

LAB 57.69, 24.27, 32.43

 

CMYK 60 / 20 / 0 / 35

HEX #4386A7

RGB 67 134 167

HSL 199.8, 0.43%, 0.46%

LAB 52.99, -11.21, -23.92

 

CMYK 55 / 18 / 0 / 27

HEX #5498BA

RGB 84 152 186

HSL 200, 0.43%, 0.53%

LAB 59.79, -11.75, -24.23

 

CMYK 51 / 17 / 0 / 20

HEX #65AACD

RGB 101 170 205

HSL 200.19, 0.51%, 0.6%

LAB 66.46, -12.15, -24.54

 

CMYK 47 / 16 / 0 / 12

HEX #76BCE0

RGB 118 188 224

HSL 200.38, 0.63%, 0.67%

LAB 73.02, -12.46, -24.85

 

CMYK 44 / 15 / 0 / 5

HEX #87CEF3

RGB 135 206 243

HSL 200.56, 0.82%, 0.74%

LAB 79.48, -12.71, -25.15

 

CMYK 64 / 22 / 0 / 33

HEX #3E86AC

RGB 62 134 172

HSL 200.73, 0.47%, 0.46%

LAB 53.01, -10.54, -26.78

 

CMYK 71 / 24 / 0 / 40

HEX #2D7499

RGB 45 116 153

HSL 200.56, 0.55%, 0.39%

LAB 46.11, -9.58, -26.46

 

CMYK 79 / 27 / 0 / 47

HEX #1C6286

RGB 28 98 134

HSL 200.38, 0.65%, 0.32%

LAB 39.08, -8.25, -26.08

 

CMYK 90 / 30 / 0 / 55

HEX #0B5073

RGB 11 80 115

HSL 200.19, 0.83%, 0.25%

LAB 31.91, -6.32, -25.63

 

CMYK 100 / 35 / 0 / 62

HEX #003E60

RGB 0 62 96

HSL 201.25, 1%, 0.19%

LAB 24.61, -3.55, -25.05

 

CMYK 64 / 22 / 0 / 33

HEX #3E86AC

RGB 62 134 172

HSL 200.73, 0.47%, 0.46%

LAB 53.01, -10.54, -26.78

 

CMYK 64 / 39 / 0 / 33

HEX #3E69AC

RGB 62 105 172

HSL 216.55, 0.47%, 0.46%

LAB 44.38, 6.79, -40.3

 

CMYK 64 / 56 / 0 / 33

HEX #3E4BAC

RGB 62 75 172

HSL 232.91, 0.47%, 0.46%

LAB 36.05, 26.12, -53.67

 

CMYK 54 / 64 / 0 / 33

HEX #4F3EAC

RGB 79 62 172

HSL 249.27, 0.47%, 0.46%

LAB 34.16, 37.33, -56.68

 

CMYK 37 / 64 / 0 / 33

HEX #6D3EAC

RGB 109 62 172

HSL 265.64, 0.47%, 0.46%

LAB 37.25, 43.49, -51.52

 

CMYK 64 / 22 / 0 / 33

HEX #3E86AC

RGB 62 134 172

HSL 200.73, 0.47%, 0.46%

LAB 53.01, -10.54, -26.78

 

CMYK 64 / 39 / 0 / 33

HEX #3E69AC

RGB 62 105 172

HSL 216.55, 0.47%, 0.46%

LAB 44.38, 6.79, -40.3

 

CMYK 64 / 56 / 0 / 33

HEX #3E4BAC

RGB 62 75 172

HSL 232.91, 0.47%, 0.46%

LAB 36.05, 26.12, -53.67

 

CMYK 64 / 64 / 0 / 33

HEX #3E3EAC

RGB 62 62 172

HSL 240, 0.47%, 0.46%

LAB 32.81, 34.44, -58.95

 

CMYK 64 / 22 / 0 / 33

HEX #3E86AC

RGB 62 134 172

HSL 200.73, 0.47%, 0.46%

LAB 53.01, -10.54, -26.78

 

CMYK 77 / 27 / 0 / 25

HEX #2B8CBF

RGB 43 140 191

HSL 200.68, 0.63%, 0.46%

LAB 55.1, -10.19, -34.43

 

CMYK 89 / 30 / 0 / 18

HEX #1892D2

RGB 24 146 210

HSL 200.65, 0.79%, 0.46%

LAB 57.47, -8.34, -41.48

 

CMYK 98 / 34 / 0 / 10

HEX #0598E5

RGB 5 152 229

HSL 200.63, 0.96%, 0.46%

LAB 60.02, -5.47, -48.05

 

CMYK 64 / 22 / 0 / 33

HEX #3E86AC

RGB 62 134 172

HSL 200.73, 0.47%, 0.46%

LAB 53.01, -10.54, -26.78

 

CMYK 47 / 16 / 0 / 40

HEX #518099

RGB 81 128 153

HSL 200.83, 0.31%, 0.46%

LAB 51.25, -8.93, -18.4

 

CMYK 25 / 8 / 0 / 47

HEX #647B86

RGB 100 123 134

HSL 199.41, 0.15%, 0.46%

LAB 50.21, -5.68, -8.74

 

CMYK 0 / 2 / 3 / 53

HEX #777573

RGB 119 117 115

HSL 30, 0.02%, 0.46%

LAB 49.35, 0.37, 1.36

 

CMYK 0 / 20 / 30 / 46

HEX #8A6F61

RGB 138 111 97

HSL 20.49, 0.17%, 0.46%

LAB 49.05, 8.45, 11.82

 

CMYK 64 / 0 / 13 / 33

HEX #3EAC96

RGB 62 172 150

HSL 168, 0.47%, 0.46%

LAB 63.94, -36.45, 2.15

 

CMYK 64 / 4 / 0 / 33

HEX #3EA5AC

RGB 62 165 172

HSL 183.82, 0.47%, 0.46%

LAB 62.43, -27.01, -12.4

 

CMYK 64 / 21 / 0 / 33

HEX #3E88AC

RGB 62 136 172

HSL 199.64, 0.47%, 0.46%

LAB 53.61, -11.66, -25.84

 

CMYK 64 / 38 / 0 / 33

HEX #3E6AAC

RGB 62 106 172

HSL 216, 0.47%, 0.46%

LAB 44.68, 6.17, -39.84

 

CMYK 64 / 55 / 0 / 33

HEX #3E4DAC

RGB 62 77 172

HSL 231.82, 0.47%, 0.46%

LAB 36.58, 24.82, -52.82

 

CMYK 64 / 22 / 0 / 56

HEX #285770

RGB 40 87 112

HSL 200.83, 0.47%, 0.3%

LAB 34.88, -7.66, -19.08

 

CMYK 64 / 22 / 0 / 44

HEX #336F8E

RGB 51 111 142

HSL 200.44, 0.47%, 0.38%

LAB 44.27, -9.42, -22.77

 

CMYK 64 / 22 / 0 / 33

HEX #3E86AC

RGB 62 134 172

HSL 200.73, 0.47%, 0.46%

LAB 53.01, -10.54, -26.78

 

CMYK 57 / 20 / 0 / 24

HEX #539BC1

RGB 83 155 193

HSL 200.73, 0.47%, 0.54%

LAB 60.9, -11.46, -26.47

 

CMYK 45 / 15 / 0 / 20

HEX #71ADCC

RGB 113 173 204

HSL 200.44, 0.47%, 0.62%

LAB 67.84, -11.2, -21.83

 

CMYK 64 / 22 / 0 / 33

HEX #3E86AC

RGB 62 134 172

HSL 200.73, 0.47%, 0.46%

LAB 53.01, -10.54, -26.78

 

CMYK 30 / 64 / 0 / 33

HEX #793EAC

RGB 121 62 172

HSL 272.18, 0.47%, 0.46%

LAB 38.71, 46.21, -49.1

 

CMYK 0 / 4 / 64 / 33

HEX #ACA53E

RGB 172 165 62

HSL 56.18, 0.47%, 0.46%

LAB 66.54, -10.36, 52.5

 

CMYK 64 / 22 / 0 / 33

HEX #3E86AC

RGB 62 134 172

HSL 200.73, 0.47%, 0.46%

LAB 53.01, -10.54, -26.78

 

CMYK 0 / 64 / 21 / 33

HEX #AC3E88

RGB 172 62 136

HSL 319.64, 0.47%, 0.46%

LAB 44.22, 52.8, -18.26

 

CMYK 21 / 0 / 64 / 33

HEX #88AC3E

RGB 136 172 62

HSL 79.64, 0.47%, 0.46%

LAB 65.82, -29.02, 50.91

 

CMYK 64 / 22 / 0 / 33

HEX #3E86AC

RGB 62 134 172

HSL 200.73, 0.47%, 0.46%

LAB 53.01, -10.54, -26.78

 

CMYK 30 / 64 / 0 / 33

HEX #793EAC

RGB 121 62 172

HSL 272.18, 0.47%, 0.46%

LAB 38.71, 46.21, -49.1

 

CMYK 0 / 42 / 64 / 33

HEX #AC633E

RGB 172 99 62

HSL 20.18, 0.47%, 0.46%

LAB 49.55, 26.06, 33.42

 

CMYK 34 / 0 / 64 / 33

HEX #72AC3E

RGB 114 172 62

HSL 91.64, 0.47%, 0.46%

LAB 64.51, -37.43, 49.11

 

CMYK 64 / 22 / 0 / 33

HEX #3E86AC

RGB 62 134 172

HSL 200.73, 0.47%, 0.46%

LAB 53.01, -10.54, -26.78

 

CMYK 10 / 64 / 0 / 33

HEX #9A3EAC

RGB 154 62 172

HSL 290.18, 0.47%, 0.46%

LAB 43.2, 54.1, -41.65

 

CMYK 0 / 42 / 64 / 33

HEX #AC633E

RGB 172 99 62

HSL 20.18, 0.47%, 0.46%

LAB 49.55, 26.06, 33.42

 

CMYK 53 / 0 / 64 / 33

HEX #51AC3E

RGB 81 172 62

HSL 109.64, 0.47%, 0.46%

LAB 63.01, -48.14, 47.04

 

Description

Color code: HEX #3E86AC | qconv.com Color code: HEX #3E86AC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 134 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 134 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 22 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 22% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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