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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E8692 it is the complementary color #C1796D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E8692. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E8692 shade: #43868D, #5498A0, #65AAB3, #76BCC6 and #87CED9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E8692. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E8692 shade: #3E8692, #2D747F, #1C626C, #0B5059 and #003E46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E8692 shade: #3F8692, #3F7092, #3F5992, #3F4392 and #513F92

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E8692 shade: #3F8692, #3F7092, #3F5992, #3F4392 and #3F3F92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E8692 shade matches the following richer shades: #3F8692, #2E93A3, #1D9FB4 and #0CABC5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E8692 shade: #3F8692, #507A81, #616E71, #716260 and #82564F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E8692 shade: #3F9271, #3F9287, #3F8792, #3F7192 and #3F5B92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E8692 shade: #265159, #326C75, #3F8692, #4BA1AF and #66B1BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E8692 shade: #3E8692, #5B3F92 and #927C3F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E8692 shade: #3E8692, #923F87 and #87923F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E8692 shade: #3E8692, #5B3F92, #924A3F and #76923F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E8692 shade: #3E8692, #743F92, #924A3F and #5D923F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 8 / 0 / 43

HEX #3E8692

RGB 62 134 146

HSL 188.57, 0.4%, 0.41%

LAB 52.01, -18.79, -13.26

 

Complementary color

CMYK 0 / 37 / 44 / 24

HEX #C1796D

RGB 193 121 109

HSL 8.57, 0.4%, 0.59%

LAB 58.15, 26.74, 18.39

 

CMYK 52 / 5 / 0 / 45

HEX #43868D

RGB 67 134 141

HSL 185.68, 0.36%, 0.41%

LAB 52.03, -19.18, -10.3

 

CMYK 48 / 5 / 0 / 37

HEX #5498A0

RGB 84 152 160

HSL 186.32, 0.31%, 0.48%

LAB 58.86, -19.31, -10.9

 

CMYK 44 / 5 / 0 / 30

HEX #65AAB3

RGB 101 170 179

HSL 186.92, 0.34%, 0.55%

LAB 65.57, -19.38, -11.46

 

CMYK 40 / 5 / 0 / 22

HEX #76BCC6

RGB 118 188 198

HSL 187.5, 0.41%, 0.62%

LAB 72.16, -19.41, -11.99

 

CMYK 38 / 5 / 0 / 15

HEX #87CED9

RGB 135 206 217

HSL 188.05, 0.52%, 0.69%

LAB 78.64, -19.42, -12.5

 

CMYK 58 / 8 / 0 / 43

HEX #3E8692

RGB 62 134 146

HSL 188.57, 0.4%, 0.41%

LAB 52.01, -18.79, -13.26

 

CMYK 65 / 9 / 0 / 50

HEX #2D747F

RGB 45 116 127

HSL 188.05, 0.48%, 0.34%

LAB 45.05, -18.34, -12.63

 

CMYK 74 / 9 / 0 / 58

HEX #1C626C

RGB 28 98 108

HSL 187.5, 0.59%, 0.27%

LAB 37.96, -17.61, -11.91

 

CMYK 88 / 10 / 0 / 65

HEX #0B5059

RGB 11 80 89

HSL 186.92, 0.78%, 0.2%

LAB 30.71, -16.4, -11.06

 

CMYK 100 / 11 / 0 / 73

HEX #003E46

RGB 0 62 70

HSL 186.86, 1%, 0.14%

LAB 23.3, -14.44, -9.99

 

CMYK 57 / 8 / 0 / 43

HEX #3F8692

RGB 63 134 146

HSL 188.67, 0.4%, 0.41%

LAB 52.04, -18.58, -13.2

 

CMYK 57 / 23 / 0 / 43

HEX #3F7092

RGB 63 112 146

HSL 204.58, 0.4%, 0.41%

LAB 45.25, -6.17, -23.59

 

CMYK 57 / 39 / 0 / 43

HEX #3F5992

RGB 63 89 146

HSL 221.2, 0.4%, 0.41%

LAB 38.33, 8.05, -34.42

 

CMYK 57 / 54 / 0 / 43

HEX #3F4392

RGB 63 67 146

HSL 237.11, 0.4%, 0.41%

LAB 32.14, 22.46, -44.32

 

CMYK 45 / 57 / 0 / 43

HEX #513F92

RGB 81 63 146

HSL 253.01, 0.4%, 0.41%

LAB 32.66, 29.11, -43.4

 

CMYK 57 / 8 / 0 / 43

HEX #3F8692

RGB 63 134 146

HSL 188.67, 0.4%, 0.41%

LAB 52.04, -18.58, -13.2

 

CMYK 57 / 23 / 0 / 43

HEX #3F7092

RGB 63 112 146

HSL 204.58, 0.4%, 0.41%

LAB 45.25, -6.17, -23.59

 

CMYK 57 / 39 / 0 / 43

HEX #3F5992

RGB 63 89 146

HSL 221.2, 0.4%, 0.41%

LAB 38.33, 8.05, -34.42

 

CMYK 57 / 54 / 0 / 43

HEX #3F4392

RGB 63 67 146

HSL 237.11, 0.4%, 0.41%

LAB 32.14, 22.46, -44.32

 

CMYK 57 / 57 / 0 / 43

HEX #3F3F92

RGB 63 63 146

HSL 240, 0.4%, 0.41%

LAB 31.08, 25.08, -46.02

 

CMYK 57 / 8 / 0 / 43

HEX #3F8692

RGB 63 134 146

HSL 188.67, 0.4%, 0.41%

LAB 52.04, -18.58, -13.2

 

CMYK 72 / 10 / 0 / 36

HEX #2E93A3

RGB 46 147 163

HSL 188.21, 0.56%, 0.41%

LAB 56.18, -23.08, -16.78

 

CMYK 84 / 12 / 0 / 29

HEX #1D9FB4

RGB 29 159 180

HSL 188.34, 0.72%, 0.41%

LAB 60.21, -25.52, -20.34

 

CMYK 94 / 13 / 0 / 23

HEX #0CABC5

RGB 12 171 197

HSL 188.43, 0.89%, 0.41%

LAB 64.35, -26.87, -23.53

 

CMYK 57 / 8 / 0 / 43

HEX #3F8692

RGB 63 134 146

HSL 188.67, 0.4%, 0.41%

LAB 52.04, -18.58, -13.2

 

CMYK 38 / 5 / 0 / 49

HEX #507A81

RGB 80 122 129

HSL 188.57, 0.23%, 0.41%

LAB 48.52, -12.62, -8.45

 

CMYK 14 / 3 / 0 / 56

HEX #616E71

RGB 97 110 113

HSL 191.25, 0.08%, 0.41%

LAB 45.48, -4.2, -3.33

 

CMYK 0 / 13 / 15 / 56

HEX #716260

RGB 113 98 96

HSL 7.06, 0.08%, 0.41%

LAB 42.9, 5.63, 3.34

 

CMYK 0 / 34 / 39 / 49

HEX #82564F

RGB 130 86 79

HSL 8.24, 0.24%, 0.41%

LAB 41.16, 17.32, 11.52

 

CMYK 57 / 0 / 23 / 43

HEX #3F9271

RGB 63 146 113

HSL 156.14, 0.4%, 0.41%

LAB 54.87, -33.44, 10.01

 

CMYK 57 / 0 / 8 / 43

HEX #3F9287

RGB 63 146 135

HSL 172.05, 0.4%, 0.41%

LAB 55.45, -27.9, -1.77

 

CMYK 57 / 8 / 0 / 43

HEX #3F8792

RGB 63 135 146

HSL 187.95, 0.4%, 0.41%

LAB 52.35, -19.11, -12.73

 

CMYK 57 / 23 / 0 / 43

HEX #3F7192

RGB 63 113 146

HSL 203.86, 0.4%, 0.41%

LAB 45.56, -6.77, -23.12

 

CMYK 57 / 38 / 0 / 43

HEX #3F5B92

RGB 63 91 146

HSL 219.76, 0.4%, 0.41%

LAB 38.92, 6.77, -33.49

 

CMYK 57 / 9 / 0 / 65

HEX #265159

RGB 38 81 89

HSL 189.41, 0.4%, 0.25%

LAB 31.85, -12.32, -9.26

 

CMYK 57 / 8 / 0 / 54

HEX #326C75

RGB 50 108 117

HSL 188.06, 0.4%, 0.33%

LAB 42.29, -16.08, -10.79

 

CMYK 57 / 8 / 0 / 43

HEX #3F8692

RGB 63 134 146

HSL 188.67, 0.4%, 0.41%

LAB 52.04, -18.58, -13.2

 

CMYK 57 / 8 / 0 / 31

HEX #4BA1AF

RGB 75 161 175

HSL 188.4, 0.4%, 0.49%

LAB 61.72, -21.71, -15.11

 

CMYK 46 / 6 / 0 / 26

HEX #66B1BD

RGB 102 177 189

HSL 188.28, 0.4%, 0.57%

LAB 67.98, -20.09, -13.39

 

CMYK 58 / 8 / 0 / 43

HEX #3E8692

RGB 62 134 146

HSL 188.57, 0.4%, 0.41%

LAB 52.01, -18.79, -13.26

 

CMYK 38 / 57 / 0 / 43

HEX #5B3F92

RGB 91 63 146

HSL 260.24, 0.4%, 0.41%

LAB 33.68, 31.58, -41.71

 

CMYK 0 / 15 / 57 / 43

HEX #927C3F

RGB 146 124 63

HSL 44.1, 0.4%, 0.41%

LAB 52.82, 0.54, 36.02

 

CMYK 58 / 8 / 0 / 43

HEX #3E8692

RGB 62 134 146

HSL 188.57, 0.4%, 0.41%

LAB 52.01, -18.79, -13.26

 

CMYK 0 / 57 / 8 / 43

HEX #923F87

RGB 146 63 135

HSL 307.95, 0.4%, 0.41%

LAB 40.27, 44.61, -24.09

 

CMYK 8 / 0 / 57 / 43

HEX #87923F

RGB 135 146 63

HSL 67.95, 0.4%, 0.41%

LAB 58.1, -16.33, 41.89

 

CMYK 58 / 8 / 0 / 43

HEX #3E8692

RGB 62 134 146

HSL 188.57, 0.4%, 0.41%

LAB 52.01, -18.79, -13.26

 

CMYK 38 / 57 / 0 / 43

HEX #5B3F92

RGB 91 63 146

HSL 260.24, 0.4%, 0.41%

LAB 33.68, 31.58, -41.71

 

CMYK 0 / 49 / 57 / 43

HEX #924A3F

RGB 146 74 63

HSL 7.95, 0.4%, 0.41%

LAB 40.19, 29.19, 20.37

 

CMYK 19 / 0 / 57 / 43

HEX #76923F

RGB 118 146 63

HSL 80.24, 0.4%, 0.41%

LAB 56.85, -23.47, 40.12

 

CMYK 58 / 8 / 0 / 43

HEX #3E8692

RGB 62 134 146

HSL 188.57, 0.4%, 0.41%

LAB 52.01, -18.79, -13.26

 

CMYK 21 / 57 / 0 / 43

HEX #743F92

RGB 116 63 146

HSL 278.31, 0.4%, 0.41%

LAB 36.64, 38.23, -36.81

 

CMYK 0 / 49 / 57 / 43

HEX #924A3F

RGB 146 74 63

HSL 7.95, 0.4%, 0.41%

LAB 40.19, 29.19, 20.37

 

CMYK 36 / 0 / 57 / 43

HEX #5D923F

RGB 93 146 63

HSL 98.31, 0.4%, 0.41%

LAB 55.32, -33.14, 37.96

 

Description

Color code: HEX #3E8692 | qconv.com Color code: HEX #3E8692 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 134 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 134 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 8 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 8% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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