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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E8596 it is the complementary color #C17A69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E8596. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E8596 shade: #438591, #5497A4, #65A9B7, #76BBCA and #87CDDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E8596. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E8596 shade: #3E8596, #2D7383, #1C6170, #0B4F5D and #003D4A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E8596 shade: #3E8698, #3E6E98, #3E5698, #3E3E98 and #563E98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E8596 shade: #3E8698, #3E6E98, #3E5698 and #3E3E98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E8596 shade matches the following richer shades: #3E8698, #2C91A9, #1B9BBA and #0AA6CC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E8596 shade: #3E8698, #4F7C86, #607175, #726664 and #835C52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E8596 shade: #3E9878, #3E9890, #3E8798, #3E6F98 and #3E5798

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E8596 shade: #26525D, #326C7A, #3E8698, #4AA0B5 and #67AFC1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E8596 shade: #3E8596, #603E98 and #98843E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E8596 shade: #3E8596, #983E87 and #87983E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E8596 shade: #3E8596, #603E98, #984E3E and #75983E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E8596 shade: #3E8596, #7B3E98, #984E3E and #5A983E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 11 / 0 / 41

HEX #3E8596

RGB 62 133 150

HSL 191.59, 0.42%, 0.42%

LAB 51.84, -17.03, -15.84

 

Complementary color

CMYK 0 / 37 / 46 / 24

HEX #C17A69

RGB 193 122 105

HSL 11.59, 0.42%, 0.58%

LAB 58.3, 25.77, 20.88

 

CMYK 54 / 8 / 0 / 43

HEX #438591

RGB 67 133 145

HSL 189.23, 0.37%, 0.42%

LAB 51.85, -17.47, -12.89

 

CMYK 49 / 8 / 0 / 36

HEX #5497A4

RGB 84 151 164

HSL 189.75, 0.32%, 0.49%

LAB 58.69, -17.67, -13.43

 

CMYK 45 / 8 / 0 / 28

HEX #65A9B7

RGB 101 169 183

HSL 190.24, 0.36%, 0.56%

LAB 65.41, -17.79, -13.93

 

CMYK 42 / 7 / 0 / 21

HEX #76BBCA

RGB 118 187 202

HSL 190.71, 0.44%, 0.63%

LAB 72, -17.87, -14.42

 

CMYK 39 / 7 / 0 / 13

HEX #87CDDD

RGB 135 205 221

HSL 191.16, 0.56%, 0.7%

LAB 78.48, -17.91, -14.88

 

CMYK 59 / 11 / 0 / 41

HEX #3E8596

RGB 62 133 150

HSL 191.59, 0.42%, 0.42%

LAB 51.84, -17.03, -15.84

 

CMYK 66 / 12 / 0 / 49

HEX #2D7383

RGB 45 115 131

HSL 191.16, 0.49%, 0.35%

LAB 44.88, -16.5, -15.28

 

CMYK 75 / 13 / 0 / 56

HEX #1C6170

RGB 28 97 112

HSL 190.71, 0.6%, 0.27%

LAB 37.78, -15.67, -14.65

 

CMYK 88 / 15 / 0 / 64

HEX #0B4F5D

RGB 11 79 93

HSL 190.24, 0.79%, 0.2%

LAB 30.53, -14.34, -13.88

 

CMYK 100 / 18 / 0 / 71

HEX #003D4A

RGB 0 61 74

HSL 190.54, 1%, 0.15%

LAB 23.11, -12.24, -12.94

 

CMYK 59 / 12 / 0 / 40

HEX #3E8698

RGB 62 134 152

HSL 192, 0.42%, 0.42%

LAB 52.22, -16.95, -16.42

 

CMYK 59 / 28 / 0 / 40

HEX #3E6E98

RGB 62 110 152

HSL 208, 0.42%, 0.42%

LAB 44.86, -3.21, -27.76

 

CMYK 59 / 43 / 0 / 40

HEX #3E5698

RGB 62 86 152

HSL 224, 0.42%, 0.42%

LAB 37.75, 11.86, -38.97

 

CMYK 59 / 59 / 0 / 40

HEX #3E3E98

RGB 62 62 152

HSL 240, 0.42%, 0.42%

LAB 31.2, 27.59, -49.5

 

CMYK 43 / 59 / 0 / 40

HEX #563E98

RGB 86 62 152

HSL 256, 0.42%, 0.42%

LAB 33.33, 32.7, -45.95

 

CMYK 59 / 12 / 0 / 40

HEX #3E8698

RGB 62 134 152

HSL 192, 0.42%, 0.42%

LAB 52.22, -16.95, -16.42

 

CMYK 59 / 28 / 0 / 40

HEX #3E6E98

RGB 62 110 152

HSL 208, 0.42%, 0.42%

LAB 44.86, -3.21, -27.76

 

CMYK 59 / 43 / 0 / 40

HEX #3E5698

RGB 62 86 152

HSL 224, 0.42%, 0.42%

LAB 37.75, 11.86, -38.97

 

CMYK 59 / 59 / 0 / 40

HEX #3E3E98

RGB 62 62 152

HSL 240, 0.42%, 0.42%

LAB 31.2, 27.59, -49.5

 

CMYK 59 / 12 / 0 / 40

HEX #3E8698

RGB 62 134 152

HSL 192, 0.42%, 0.42%

LAB 52.22, -16.95, -16.42

 

CMYK 74 / 14 / 0 / 34

HEX #2C91A9

RGB 44 145 169

HSL 191.52, 0.59%, 0.42%

LAB 55.74, -20.36, -20.9

 

CMYK 85 / 17 / 0 / 27

HEX #1B9BBA

RGB 27 155 186

HSL 191.7, 0.75%, 0.42%

LAB 59.18, -21.6, -25.3

 

CMYK 95 / 19 / 0 / 20

HEX #0AA6CC

RGB 10 166 204

HSL 191.75, 0.91%, 0.42%

LAB 63.09, -22.01, -29.36

 

CMYK 59 / 12 / 0 / 40

HEX #3E8698

RGB 62 134 152

HSL 192, 0.42%, 0.42%

LAB 52.22, -16.95, -16.42

 

CMYK 41 / 7 / 0 / 47

HEX #4F7C86

RGB 79 124 134

HSL 190.91, 0.26%, 0.42%

LAB 49.25, -12.65, -10.31

 

CMYK 18 / 3 / 0 / 54

HEX #607175

RGB 96 113 117

HSL 191.43, 0.1%, 0.42%

LAB 46.42, -5.37, -4.34

 

CMYK 0 / 11 / 12 / 55

HEX #726664

RGB 114 102 100

HSL 8.57, 0.07%, 0.42%

LAB 44.23, 4.38, 2.85

 

CMYK 0 / 30 / 37 / 49

HEX #835C52

RGB 131 92 82

HSL 12.24, 0.23%, 0.42%

LAB 42.9, 14.58, 12.12

 

CMYK 59 / 0 / 21 / 40

HEX #3E9878

RGB 62 152 120

HSL 158.67, 0.42%, 0.42%

LAB 56.92, -34.78, 8.92

 

CMYK 59 / 0 / 5 / 40

HEX #3E9890

RGB 62 152 144

HSL 174.67, 0.42%, 0.42%

LAB 57.55, -28.59, -3.82

 

CMYK 59 / 11 / 0 / 40

HEX #3E8798

RGB 62 135 152

HSL 191.33, 0.42%, 0.42%

LAB 52.53, -17.49, -15.95

 

CMYK 59 / 27 / 0 / 40

HEX #3E6F98

RGB 62 111 152

HSL 207.33, 0.42%, 0.42%

LAB 45.16, -3.81, -27.28

 

CMYK 59 / 43 / 0 / 40

HEX #3E5798

RGB 62 87 152

HSL 223.33, 0.42%, 0.42%

LAB 38.03, 11.21, -38.51

 

CMYK 59 / 12 / 0 / 64

HEX #26525D

RGB 38 82 93

HSL 192, 0.42%, 0.26%

LAB 32.34, -11.6, -11.05

 

CMYK 59 / 11 / 0 / 52

HEX #326C7A

RGB 50 108 122

HSL 191.67, 0.42%, 0.34%

LAB 42.47, -14.5, -13.53

 

CMYK 59 / 12 / 0 / 40

HEX #3E8698

RGB 62 134 152

HSL 192, 0.42%, 0.42%

LAB 52.22, -16.95, -16.42

 

CMYK 59 / 12 / 0 / 29

HEX #4AA0B5

RGB 74 160 181

HSL 191.78, 0.42%, 0.5%

LAB 61.6, -19.61, -18.68

 

CMYK 47 / 9 / 0 / 24

HEX #67AFC1

RGB 103 175 193

HSL 192, 0.42%, 0.58%

LAB 67.57, -17.72, -16.21

 

CMYK 59 / 11 / 0 / 41

HEX #3E8596

RGB 62 133 150

HSL 191.59, 0.42%, 0.42%

LAB 51.84, -17.03, -15.84

 

CMYK 37 / 59 / 0 / 40

HEX #603E98

RGB 96 62 152

HSL 262.67, 0.42%, 0.42%

LAB 34.39, 35.1, -44.18

 

CMYK 0 / 13 / 59 / 40

HEX #98843E

RGB 152 132 62

HSL 46.67, 0.42%, 0.42%

LAB 55.61, -1.34, 39.93

 

CMYK 59 / 11 / 0 / 41

HEX #3E8596

RGB 62 133 150

HSL 191.59, 0.42%, 0.42%

LAB 51.84, -17.03, -15.84

 

CMYK 0 / 59 / 11 / 40

HEX #983E87

RGB 152 62 135

HSL 311.33, 0.42%, 0.42%

LAB 41.01, 46.86, -22.87

 

CMYK 11 / 0 / 59 / 40

HEX #87983E

RGB 135 152 62

HSL 71.33, 0.42%, 0.42%

LAB 59.85, -19.52, 44.34

 

CMYK 59 / 11 / 0 / 41

HEX #3E8596

RGB 62 133 150

HSL 191.59, 0.42%, 0.42%

LAB 51.84, -17.03, -15.84

 

CMYK 37 / 59 / 0 / 40

HEX #603E98

RGB 96 62 152

HSL 262.67, 0.42%, 0.42%

LAB 34.39, 35.1, -44.18

 

CMYK 0 / 49 / 59 / 40

HEX #984E3E

RGB 152 78 62

HSL 10.67, 0.42%, 0.42%

LAB 41.96, 29.35, 23.43

 

CMYK 23 / 0 / 59 / 40

HEX #75983E

RGB 117 152 62

HSL 83.33, 0.42%, 0.42%

LAB 58.59, -26.94, 42.58

 

CMYK 59 / 11 / 0 / 41

HEX #3E8596

RGB 62 133 150

HSL 191.59, 0.42%, 0.42%

LAB 51.84, -17.03, -15.84

 

CMYK 19 / 59 / 0 / 40

HEX #7B3E98

RGB 123 62 152

HSL 280.67, 0.42%, 0.42%

LAB 37.7, 42.03, -38.7

 

CMYK 0 / 49 / 59 / 40

HEX #984E3E

RGB 152 78 62

HSL 10.67, 0.42%, 0.42%

LAB 41.96, 29.35, 23.43

 

CMYK 41 / 0 / 59 / 40

HEX #5A983E

RGB 90 152 62

HSL 101.33, 0.42%, 0.42%

LAB 57.05, -37.01, 40.41

 

Description

Color code: HEX #3E8596 | qconv.com Color code: HEX #3E8596 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 133 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 133 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 11 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 11% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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