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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E7F9C it is the complementary color #C18063. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E7F9C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E7F9C shade: #437F97, #5491AA, #65A3BD, #76B5D0 and #87C7E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E7F9C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E7F9C shade: #3E7F9C, #2D6D89, #1C5B76, #0B4963 and #003750

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E7F9C shade: #3F809D, #3F669D, #3F4D9D, #4A3F9D and #633F9D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E7F9C shade: #3F809D, #3F669D, #3F4D9D and #3F3F9D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E7F9C shade matches the following richer shades: #3F809D, #2D87AF, #1B8DC0 and #0994D2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E7F9C shade: #3F809D, #50798B, #627279, #746B68 and #856556

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E7F9C shade: #3F9D87, #3F9A9D, #3F819D, #3F679D and #3F4E9D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E7F9C shade: #275062, #33687F, #3F809D, #4D97B8 and #6AA8C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E7F9C shade: #3E7F9C, #6E3F9D and #9D933F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E7F9C shade: #3E7F9C, #9D3F81 and #819D3F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E7F9C shade: #3E7F9C, #6E3F9D, #9D5B3F and #6E9D3F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E7F9C shade: #3E7F9C, #8A3F9D, #9D5B3F and #519D3F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 19 / 0 / 39

HEX #3E7F9C

RGB 62 127 156

HSL 198.51, 0.43%, 0.43%

LAB 50.22, -11.81, -21.81

 

Complementary color

CMYK 0 / 34 / 49 / 24

HEX #C18063

RGB 193 128 99

HSL 18.51, 0.43%, 0.57%

LAB 59.6, 21.86, 25.99

 

CMYK 56 / 16 / 0 / 41

HEX #437F97

RGB 67 127 151

HSL 197.14, 0.39%, 0.43%

LAB 50.22, -12.33, -18.87

 

CMYK 51 / 15 / 0 / 33

HEX #5491AA

RGB 84 145 170

HSL 197.44, 0.34%, 0.5%

LAB 57.11, -12.69, -19.25

 

CMYK 47 / 14 / 0 / 26

HEX #65A3BD

RGB 101 163 189

HSL 197.73, 0.4%, 0.57%

LAB 63.86, -12.95, -19.62

 

CMYK 43 / 13 / 0 / 18

HEX #76B5D0

RGB 118 181 208

HSL 198, 0.49%, 0.64%

LAB 70.49, -13.14, -19.97

 

CMYK 41 / 12 / 0 / 11

HEX #87C7E3

RGB 135 199 227

HSL 198.26, 0.62%, 0.71%

LAB 77.01, -13.28, -20.33

 

CMYK 60 / 19 / 0 / 39

HEX #3E7F9C

RGB 62 127 156

HSL 198.51, 0.43%, 0.43%

LAB 50.22, -11.81, -21.81

 

CMYK 67 / 20 / 0 / 46

HEX #2D6D89

RGB 45 109 137

HSL 198.26, 0.51%, 0.36%

LAB 43.21, -11.08, -21.43

 

CMYK 76 / 23 / 0 / 54

HEX #1C5B76

RGB 28 91 118

HSL 198, 0.62%, 0.29%

LAB 36.06, -10.01, -21

 

CMYK 89 / 26 / 0 / 61

HEX #0B4963

RGB 11 73 99

HSL 197.73, 0.8%, 0.22%

LAB 28.74, -8.38, -20.48

 

CMYK 100 / 31 / 0 / 69

HEX #003750

RGB 0 55 80

HSL 198.75, 1%, 0.16%

LAB 21.25, -5.88, -19.82

 

CMYK 60 / 18 / 0 / 38

HEX #3F809D

RGB 63 128 157

HSL 198.51, 0.43%, 0.43%

LAB 50.6, -11.85, -21.8

 

CMYK 60 / 35 / 0 / 38

HEX #3F669D

RGB 63 102 157

HSL 215.11, 0.43%, 0.43%

LAB 42.75, 3.62, -34.02

 

CMYK 60 / 51 / 0 / 38

HEX #3F4D9D

RGB 63 77 157

HSL 231.06, 0.43%, 0.43%

LAB 35.59, 19.71, -45.43

 

CMYK 53 / 60 / 0 / 38

HEX #4A3F9D

RGB 74 63 157

HSL 247.02, 0.43%, 0.43%

LAB 32.8, 30.99, -49.9

 

CMYK 37 / 60 / 0 / 38

HEX #633F9D

RGB 99 63 157

HSL 262.98, 0.43%, 0.43%

LAB 35.29, 36.62, -45.76

 

CMYK 60 / 18 / 0 / 38

HEX #3F809D

RGB 63 128 157

HSL 198.51, 0.43%, 0.43%

LAB 50.6, -11.85, -21.8

 

CMYK 60 / 35 / 0 / 38

HEX #3F669D

RGB 63 102 157

HSL 215.11, 0.43%, 0.43%

LAB 42.75, 3.62, -34.02

 

CMYK 60 / 51 / 0 / 38

HEX #3F4D9D

RGB 63 77 157

HSL 231.06, 0.43%, 0.43%

LAB 35.59, 19.71, -45.43

 

CMYK 60 / 60 / 0 / 38

HEX #3F3F9D

RGB 63 63 157

HSL 240, 0.43%, 0.43%

LAB 31.91, 28.84, -51.38

 

CMYK 60 / 18 / 0 / 38

HEX #3F809D

RGB 63 128 157

HSL 198.51, 0.43%, 0.43%

LAB 50.6, -11.85, -21.8

 

CMYK 74 / 23 / 0 / 31

HEX #2D87AF

RGB 45 135 175

HSL 198.46, 0.59%, 0.43%

LAB 52.93, -12.74, -28.67

 

CMYK 86 / 27 / 0 / 25

HEX #1B8DC0

RGB 27 141 192

HSL 198.55, 0.75%, 0.43%

LAB 55.16, -11.89, -34.93

 

CMYK 96 / 30 / 0 / 18

HEX #0994D2

RGB 9 148 210

HSL 198.51, 0.92%, 0.43%

LAB 57.93, -10.13, -40.75

 

CMYK 60 / 18 / 0 / 38

HEX #3F809D

RGB 63 128 157

HSL 198.51, 0.43%, 0.43%

LAB 50.6, -11.85, -21.8

 

CMYK 42 / 13 / 0 / 45

HEX #50798B

RGB 80 121 139

HSL 198.31, 0.27%, 0.43%

LAB 48.57, -9.27, -14.29

 

CMYK 19 / 6 / 0 / 53

HEX #627279

RGB 98 114 121

HSL 198.26, 0.11%, 0.43%

LAB 46.99, -4.31, -5.87

 

CMYK 0 / 8 / 10 / 55

HEX #746B68

RGB 116 107 104

HSL 15, 0.05%, 0.43%

LAB 45.94, 2.95, 2.94

 

CMYK 0 / 24 / 35 / 48

HEX #856556

RGB 133 101 86

HSL 19.15, 0.21%, 0.43%

LAB 45.59, 10.65, 13.46

 

CMYK 60 / 0 / 14 / 38

HEX #3F9D87

RGB 63 157 135

HSL 165.96, 0.43%, 0.43%

LAB 58.9, -33.18, 3.27

 

CMYK 60 / 2 / 0 / 38

HEX #3F9A9D

RGB 63 154 157

HSL 181.91, 0.43%, 0.43%

LAB 58.6, -25.71, -9.66

 

CMYK 60 / 18 / 0 / 38

HEX #3F819D

RGB 63 129 157

HSL 197.87, 0.43%, 0.43%

LAB 50.91, -12.41, -21.33

 

CMYK 60 / 34 / 0 / 38

HEX #3F679D

RGB 63 103 157

HSL 214.47, 0.43%, 0.43%

LAB 43.05, 2.99, -33.56

 

CMYK 60 / 50 / 0 / 38

HEX #3F4E9D

RGB 63 78 157

HSL 230.43, 0.43%, 0.43%

LAB 35.87, 19.05, -44.98

 

CMYK 60 / 18 / 0 / 62

HEX #275062

RGB 39 80 98

HSL 198.31, 0.43%, 0.27%

LAB 31.92, -8.47, -14.85

 

CMYK 60 / 18 / 0 / 50

HEX #33687F

RGB 51 104 127

HSL 198.16, 0.43%, 0.35%

LAB 41.43, -10.37, -18.14

 

CMYK 60 / 18 / 0 / 38

HEX #3F809D

RGB 63 128 157

HSL 198.51, 0.43%, 0.43%

LAB 50.6, -11.85, -21.8

 

CMYK 58 / 18 / 0 / 28

HEX #4D97B8

RGB 77 151 184

HSL 198.5, 0.43%, 0.51%

LAB 59.13, -13.27, -24.13

 

CMYK 46 / 14 / 0 / 23

HEX #6AA8C4

RGB 106 168 196

HSL 198.67, 0.43%, 0.59%

LAB 65.79, -12.46, -20.56

 

CMYK 60 / 19 / 0 / 39

HEX #3E7F9C

RGB 62 127 156

HSL 198.51, 0.43%, 0.43%

LAB 50.22, -11.81, -21.81

 

CMYK 30 / 60 / 0 / 38

HEX #6E3F9D

RGB 110 63 157

HSL 270, 0.43%, 0.43%

LAB 36.56, 39.32, -43.64

 

CMYK 0 / 6 / 60 / 38

HEX #9D933F

RGB 157 147 63

HSL 53.62, 0.43%, 0.43%

LAB 60.24, -7.27, 44.81

 

CMYK 60 / 19 / 0 / 39

HEX #3E7F9C

RGB 62 127 156

HSL 198.51, 0.43%, 0.43%

LAB 50.22, -11.81, -21.81

 

CMYK 0 / 60 / 18 / 38

HEX #9D3F81

RGB 157 63 129

HSL 317.87, 0.43%, 0.43%

LAB 41.7, 46.91, -18.07

 

CMYK 18 / 0 / 60 / 38

HEX #819D3F

RGB 129 157 63

HSL 77.87, 0.43%, 0.43%

LAB 60.9, -24.46, 44.94

 

CMYK 60 / 19 / 0 / 39

HEX #3E7F9C

RGB 62 127 156

HSL 198.51, 0.43%, 0.43%

LAB 50.22, -11.81, -21.81

 

CMYK 30 / 60 / 0 / 38

HEX #6E3F9D

RGB 110 63 157

HSL 270, 0.43%, 0.43%

LAB 36.56, 39.32, -43.64

 

CMYK 0 / 42 / 60 / 38

HEX #9D5B3F

RGB 157 91 63

HSL 17.87, 0.43%, 0.43%

LAB 45.65, 24.27, 27.63

 

CMYK 30 / 0 / 60 / 38

HEX #6E9D3F

RGB 110 157 63

HSL 90, 0.43%, 0.43%

LAB 59.7, -31.97, 43.25

 

CMYK 60 / 19 / 0 / 39

HEX #3E7F9C

RGB 62 127 156

HSL 198.51, 0.43%, 0.43%

LAB 50.22, -11.81, -21.81

 

CMYK 12 / 60 / 0 / 38

HEX #8A3F9D

RGB 138 63 157

HSL 287.87, 0.43%, 0.43%

LAB 40.23, 46.56, -37.56

 

CMYK 0 / 42 / 60 / 38

HEX #9D5B3F

RGB 157 91 63

HSL 17.87, 0.43%, 0.43%

LAB 45.65, 24.27, 27.63

 

CMYK 48 / 0 / 60 / 38

HEX #519D3F

RGB 81 157 63

HSL 108.51, 0.43%, 0.43%

LAB 58.25, -41.97, 41.21

 

Description

Color code: HEX #3E7F9C | qconv.com Color code: HEX #3E7F9C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 127 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 127 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 19 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 19% 0% 39% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

21% - 城市背景素材广告背景免费下载_格式:ps...
Link: http://www.58pic.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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