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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E7E29 it is the complementary color #C181D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E7E29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E7E29 shade: #437E24, #549037, #65A24A, #76B45D and #87C670

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E7E29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E7E29 shade: #3E7E29, #2D6C16, #1C5A03, #0B4800 and #003600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E7E29 shade: #3E7F29, #557F29, #6C7F29, #7F7A29 and #7F6329

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E7E29 shade: #3E7F29, #297F2B, #297F42, #297F59 and #297F70

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E7E29 shade matches the following richer shades: #3E7F29, #378C1B, #309A0E and #29A700

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E7E29 shade: #3E7F29, #457136, #4C6344, #535652 and #59485F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E7E29 shade: #6C7F29, #557F29, #3E7F29, #297F2A and #297F41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E7E29 shade: #1F4015, #2F5F1F, #3E7F29, #4D9E33 and #5DBD3D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E7E29 shade: #3E7E29, #297F7A and #7F2961

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E7E29 shade: #3E7E29, #293E7F and #7F293E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E7E29 shade: #3E7E29, #297F7A, #69297F and #7F292D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E7E29 shade: #3E7E29, #29697F, #69297F and #7F3E29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 67 / 51

HEX #3E7E29

RGB 62 126 41

HSL 105.18, 0.51%, 0.33%

LAB 47.11, -37.2, 38.72

 

Complementary color

CMYK 10 / 40 / 0 / 16

HEX #C181D6

RGB 193 129 214

HSL 285.18, 0.51%, 0.67%

LAB 63.25, 39.16, -33.94

 

CMYK 47 / 0 / 71 / 51

HEX #437E24

RGB 67 126 36

HSL 99.33, 0.56%, 0.32%

LAB 47.29, -36.03, 41.16

 

CMYK 42 / 0 / 62 / 44

HEX #549037

RGB 84 144 55

HSL 100.45, 0.45%, 0.39%

LAB 54.14, -36.28, 40.33

 

CMYK 38 / 0 / 54 / 36

HEX #65A24A

RGB 101 162 74

HSL 101.59, 0.37%, 0.46%

LAB 60.87, -36.33, 39.2

 

CMYK 34 / 0 / 48 / 29

HEX #76B45D

RGB 118 180 93

HSL 102.76, 0.37%, 0.54%

LAB 67.49, -36.26, 37.98

 

CMYK 32 / 0 / 43 / 22

HEX #87C670

RGB 135 198 112

HSL 103.95, 0.43%, 0.61%

LAB 74, -36.13, 36.76

 

CMYK 51 / 0 / 67 / 51

HEX #3E7E29

RGB 62 126 41

HSL 105.18, 0.51%, 0.33%

LAB 47.11, -37.2, 38.72

 

CMYK 58 / 0 / 80 / 58

HEX #2D6C16

RGB 45 108 22

HSL 103.95, 0.66%, 0.25%

LAB 40.15, -36.62, 39.21

 

CMYK 69 / 0 / 97 / 65

HEX #1C5A03

RGB 28 90 3

HSL 102.76, 0.94%, 0.18%

LAB 33.06, -35.39, 38.56

 

CMYK 85 / 0 / 100 / 72

HEX #0B4800

RGB 11 72 0

HSL 110.83, 1%, 0.14%

LAB 25.88, -32.71, 33.48

 

CMYK 100 / 0 / 100 / 79

HEX #003600

RGB 0 54 0

HSL 120, 1%, 0.11%

LAB 18.53, -28.69, 25.66

 

CMYK 51 / 0 / 68 / 50

HEX #3E7F29

RGB 62 127 41

HSL 105.35, 0.51%, 0.33%

LAB 47.45, -37.62, 39.08

 

CMYK 33 / 0 / 68 / 50

HEX #557F29

RGB 85 127 41

HSL 89.3, 0.51%, 0.33%

LAB 48.6, -29.46, 40.66

 

CMYK 15 / 0 / 68 / 50

HEX #6C7F29

RGB 108 127 41

HSL 73.26, 0.51%, 0.33%

LAB 50.13, -19.89, 42.75

 

CMYK 0 / 4 / 68 / 50

HEX #7F7A29

RGB 127 122 41

HSL 56.51, 0.51%, 0.33%

LAB 50.21, -8.65, 43.31

 

CMYK 0 / 22 / 68 / 50

HEX #7F6329

RGB 127 99 41

HSL 40.47, 0.51%, 0.33%

LAB 43.65, 4.51, 36.33

 

CMYK 51 / 0 / 68 / 50

HEX #3E7F29

RGB 62 127 41

HSL 105.35, 0.51%, 0.33%

LAB 47.45, -37.62, 39.08

 

CMYK 68 / 0 / 66 / 50

HEX #297F2B

RGB 41 127 43

HSL 121.4, 0.51%, 0.33%

LAB 46.74, -43.06, 37.19

 

CMYK 68 / 0 / 48 / 50

HEX #297F42

RGB 41 127 66

HSL 137.44, 0.51%, 0.33%

LAB 47.03, -39.75, 25.79

 

CMYK 68 / 0 / 30 / 50

HEX #297F59

RGB 41 127 89

HSL 153.49, 0.51%, 0.33%

LAB 47.46, -35.09, 13.34

 

CMYK 68 / 0 / 12 / 50

HEX #297F70

RGB 41 127 112

HSL 169.53, 0.51%, 0.33%

LAB 48.03, -29.22, 0.69

 

CMYK 51 / 0 / 68 / 50

HEX #3E7F29

RGB 62 127 41

HSL 105.35, 0.51%, 0.33%

LAB 47.45, -37.62, 39.08

 

CMYK 61 / 0 / 81 / 45

HEX #378C1B

RGB 55 140 27

HSL 105.13, 0.68%, 0.33%

LAB 51.44, -45.9, 48.47

 

CMYK 69 / 0 / 91 / 40

HEX #309A0E

RGB 48 154 14

HSL 105.43, 0.83%, 0.33%

LAB 55.86, -53.09, 55.65

 

CMYK 75 / 0 / 100 / 35

HEX #29A700

RGB 41 167 0

HSL 105.27, 1%, 0.33%

LAB 59.99, -58.94, 61.11

 

CMYK 51 / 0 / 68 / 50

HEX #3E7F29

RGB 62 127 41

HSL 105.35, 0.51%, 0.33%

LAB 47.45, -37.62, 39.08

 

CMYK 39 / 0 / 52 / 56

HEX #457136

RGB 69 113 54

HSL 104.75, 0.35%, 0.33%

LAB 43.27, -27.38, 27.87

 

CMYK 23 / 0 / 31 / 61

HEX #4C6344

RGB 76 99 68

HSL 104.52, 0.19%, 0.33%

LAB 39.37, -15.21, 14.89

 

CMYK 3 / 0 / 5 / 66

HEX #535652

RGB 83 86 82

HSL 105, 0.02%, 0.33%

LAB 36.18, -2.05, 1.9

 

CMYK 6 / 24 / 0 / 63

HEX #59485F

RGB 89 72 95

HSL 284.35, 0.14%, 0.33%

LAB 33.1, 11.97, -10.81

 

CMYK 15 / 0 / 68 / 50

HEX #6C7F29

RGB 108 127 41

HSL 73.26, 0.51%, 0.33%

LAB 50.13, -19.89, 42.75

 

CMYK 33 / 0 / 68 / 50

HEX #557F29

RGB 85 127 41

HSL 89.3, 0.51%, 0.33%

LAB 48.6, -29.46, 40.66

 

CMYK 51 / 0 / 68 / 50

HEX #3E7F29

RGB 62 127 41

HSL 105.35, 0.51%, 0.33%

LAB 47.45, -37.62, 39.08

 

CMYK 68 / 0 / 67 / 50

HEX #297F2A

RGB 41 127 42

HSL 120.7, 0.51%, 0.33%

LAB 46.73, -43.17, 37.64

 

CMYK 68 / 0 / 49 / 50

HEX #297F41

RGB 41 127 65

HSL 136.74, 0.51%, 0.33%

LAB 47.02, -39.92, 26.31

 

CMYK 52 / 0 / 67 / 75

HEX #1F4015

RGB 31 64 21

HSL 106.05, 0.51%, 0.17%

LAB 23.71, -21.81, 22.17

 

CMYK 51 / 0 / 67 / 63

HEX #2F5F1F

RGB 47 95 31

HSL 105, 0.51%, 0.25%

LAB 35.77, -29.6, 30.78

 

CMYK 51 / 0 / 68 / 50

HEX #3E7F29

RGB 62 127 41

HSL 105.35, 0.51%, 0.33%

LAB 47.45, -37.62, 39.08

 

CMYK 51 / 0 / 68 / 38

HEX #4D9E33

RGB 77 158 51

HSL 105.42, 0.51%, 0.41%

LAB 58.29, -44.81, 46.6

 

CMYK 51 / 0 / 68 / 26

HEX #5DBD3D

RGB 93 189 61

HSL 105, 0.51%, 0.49%

LAB 68.79, -51.43, 53.87

 

CMYK 51 / 0 / 67 / 51

HEX #3E7E29

RGB 62 126 41

HSL 105.18, 0.51%, 0.33%

LAB 47.11, -37.2, 38.72

 

CMYK 68 / 0 / 4 / 50

HEX #297F7A

RGB 41 127 122

HSL 176.51, 0.51%, 0.33%

LAB 48.33, -26.33, -4.77

 

CMYK 0 / 68 / 24 / 50

HEX #7F2961

RGB 127 41 97

HSL 320.93, 0.51%, 0.33%

LAB 31.72, 43.07, -13.71

 

CMYK 51 / 0 / 67 / 51

HEX #3E7E29

RGB 62 126 41

HSL 105.18, 0.51%, 0.33%

LAB 47.11, -37.2, 38.72

 

CMYK 68 / 51 / 0 / 50

HEX #293E7F

RGB 41 62 127

HSL 225.35, 0.51%, 0.33%

LAB 27.98, 14.57, -39.34

 

CMYK 0 / 68 / 51 / 50

HEX #7F293E

RGB 127 41 62

HSL 345.35, 0.51%, 0.33%

LAB 30.51, 38.79, 7.38

 

CMYK 51 / 0 / 67 / 51

HEX #3E7E29

RGB 62 126 41

HSL 105.18, 0.51%, 0.33%

LAB 47.11, -37.2, 38.72

 

CMYK 68 / 0 / 4 / 50

HEX #297F7A

RGB 41 127 122

HSL 176.51, 0.51%, 0.33%

LAB 48.33, -26.33, -4.77

 

CMYK 17 / 68 / 0 / 50

HEX #69297F

RGB 105 41 127

HSL 284.65, 0.51%, 0.33%

LAB 29.72, 42.47, -36.2

 

CMYK 0 / 68 / 65 / 50

HEX #7F292D

RGB 127 41 45

HSL 357.21, 0.51%, 0.33%

LAB 30.13, 37.37, 18.01

 

CMYK 51 / 0 / 67 / 51

HEX #3E7E29

RGB 62 126 41

HSL 105.18, 0.51%, 0.33%

LAB 47.11, -37.2, 38.72

 

CMYK 68 / 17 / 0 / 50

HEX #29697F

RGB 41 105 127

HSL 195.35, 0.51%, 0.33%

LAB 41.39, -12.92, -18.24

 

CMYK 17 / 68 / 0 / 50

HEX #69297F

RGB 105 41 127

HSL 284.65, 0.51%, 0.33%

LAB 29.72, 42.47, -36.2

 

CMYK 0 / 51 / 68 / 50

HEX #7F3E29

RGB 127 62 41

HSL 14.65, 0.51%, 0.33%

LAB 34.23, 26.25, 25.58

 

Description

Color code: HEX #3E7E29 | qconv.com Color code: HEX #3E7E29 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 126 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 126 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 67 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 67% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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