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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E7CD200 it is the complementary color #C1832D00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E7CD200. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E7CD200 shade: #437CCD00, #548EE000, #65A0F300, #76B2FF00 and #87C4FF00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E7CD200. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E7CD200 shade: #3E7CD200, #2D6ABF00, #1C58AC00, #0B469900 and #00348600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E7CD200 shade: #3D7BD1, #3D53D1, #4F3DD1, #773DD1 and #9F3DD1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E7CD200 shade: #3D7BD1, #3D53D1 and #3D3DD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E7CD200 shade matches the following richer shades: #3D7BD1, #2978E5 and #1675F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E7CD200 shade: #3D7BD1, #507EBE, #6481AB, #778597 and #8A8884

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E7CD200 shade: #3DCDD1, #3DA5D1, #3D7DD1, #3D56D1 and #4C3DD1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E7CD200 shade: #245498, #2C67BA, #3D7BD1, #5E92D9 and #80A9E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E7CD200 shade: #3E7CD2, #AF3DD1 and #B9D13D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E7CD200 shade: #3E7CD2, #D13D7D and #7DD13D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E7CD200 shade: #3E7CD2, #AF3DD1, #D1913D and #60D13D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E7CD200 shade: #3E7CD2, #D13DC8, #D1913D and #3DD147

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #3E7CD200

RGBA 62 124 210 0

HSLA 214.86, 0.62%, 0.53%, 0

LABA 51.94, 8.59, -50.18, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #C1832D00

RGBA 193 131 45 0

HSLA 34.86, 0.62%, 0.47%, 0

LABA 59.67, 16.45, 53.4, 0

 

CMYK 0 / 0 / 0 / 0

HEX #437CCD00

RGBA 67 124 205 0

HSLA 215.22, 0.58%, 0.53%, 0

LABA 51.86, 7.58, -47.46, 0

 

CMYK 0 / 0 / 0 / 0

HEX #548EE000

RGBA 84 142 224 0

HSLA 215.14, 0.69%, 0.6%, 0

LABA 58.61, 6.19, -47.39, 0

 

CMYK 0 / 0 / 0 / 0

HEX #65A0F300

RGBA 101 160 243 0

HSLA 215.07, 0.86%, 0.67%, 0

LABA 65.26, 5.07, -47.33, 0

 

CMYK 0 / 0 / 0 / 0

HEX #76B2FF00

RGBA 118 178 255 0

HSLA 213.72, 1%, 0.73%, 0

LABA 71.5, 2.01, -44.01, 0

 

CMYK 0 / 0 / 0 / 0

HEX #87C4FF00

RGBA 135 196 255 0

HSLA 209.5, 1%, 0.76%, 0

LABA 77.19, -4.12, -35.08, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3E7CD200

RGBA 62 124 210 0

HSLA 214.86, 0.62%, 0.53%, 0

LABA 51.94, 8.59, -50.18, 0

 

CMYK 0 / 0 / 0 / 0

HEX #2D6ABF00

RGBA 45 106 191 0

HSLA 214.93, 0.62%, 0.46%, 0

LABA 45.12, 10.54, -50.24, 0

 

CMYK 0 / 0 / 0 / 0

HEX #1C58AC00

RGBA 28 88 172 0

HSLA 215, 0.72%, 0.39%, 0

LABA 38.21, 13.04, -50.25, 0

 

CMYK 0 / 0 / 0 / 0

HEX #0B469900

RGBA 11 70 153 0

HSLA 215.07, 0.87%, 0.32%, 0

LABA 31.23, 16.24, -50.15, 0

 

CMYK 0 / 0 / 0 / 0

HEX #00348600

RGBA 0 52 134 0

HSLA 216.72, 1%, 0.26%, 0

LABA 24.25, 20.27, -49.84, 0

 

CMYK 71 / 41 / 0 / 18

HEX #3D7BD1

RGB 61 123 209

HSL 214.86, 0.62%, 0.53%

LAB 51.57, 8.7, -50.21

 

CMYK 71 / 60 / 0 / 18

HEX #3D53D1

RGB 61 83 209

HSL 231.08, 0.62%, 0.53%

LAB 40.87, 33.95, -67.48

 

CMYK 62 / 71 / 0 / 18

HEX #4F3DD1

RGB 79 61 209

HSL 247.3, 0.62%, 0.53%

LAB 37.12, 49.4, -73.57

 

CMYK 43 / 71 / 0 / 18

HEX #773DD1

RGB 119 61 209

HSL 263.51, 0.62%, 0.53%

LAB 41, 55.56, -67.07

 

CMYK 24 / 71 / 0 / 18

HEX #9F3DD1

RGB 159 61 209

HSL 279.73, 0.62%, 0.53%

LAB 46.06, 63.11, -58.62

 

CMYK 71 / 41 / 0 / 18

HEX #3D7BD1

RGB 61 123 209

HSL 214.86, 0.62%, 0.53%

LAB 51.57, 8.7, -50.21

 

CMYK 71 / 60 / 0 / 18

HEX #3D53D1

RGB 61 83 209

HSL 231.08, 0.62%, 0.53%

LAB 40.87, 33.95, -67.48

 

CMYK 71 / 71 / 0 / 18

HEX #3D3DD1

RGB 61 61 209

HSL 240, 0.62%, 0.53%

LAB 35.86, 47.3, -75.69

 

CMYK 71 / 41 / 0 / 18

HEX #3D7BD1

RGB 61 123 209

HSL 214.86, 0.62%, 0.53%

LAB 51.57, 8.7, -50.21

 

CMYK 82 / 48 / 0 / 10

HEX #2978E5

RGB 41 120 229

HSL 214.79, 0.78%, 0.53%

LAB 51.34, 15.69, -61.9

 

CMYK 91 / 53 / 0 / 3

HEX #1675F8

RGB 22 117 248

HSL 214.78, 0.94%, 0.53%

LAB 51.46, 23.63, -72.32

 

CMYK 71 / 41 / 0 / 18

HEX #3D7BD1

RGB 61 123 209

HSL 214.86, 0.62%, 0.53%

LAB 51.57, 8.7, -50.21

 

CMYK 58 / 34 / 0 / 25

HEX #507EBE

RGB 80 126 190

HSL 214.91, 0.46%, 0.53%

LAB 52.22, 3.64, -38.28

 

CMYK 42 / 25 / 0 / 33

HEX #6481AB

RGB 100 129 171

HSL 215.49, 0.3%, 0.53%

LAB 53.33, 0.8, -25.56

 

CMYK 21 / 12 / 0 / 41

HEX #778597

RGB 119 133 151

HSL 213.75, 0.13%, 0.53%

LAB 55, -1.01, -11.34

 

CMYK 0 / 1 / 4 / 46

HEX #8A8884

RGB 138 136 132

HSL 40, 0.02%, 0.53%

LAB 56.76, -0.02, 2.4

 

CMYK 71 / 2 / 0 / 18

HEX #3DCDD1

RGB 61 205 209

HSL 181.62, 0.62%, 0.53%

LAB 75.61, -35.6, -12.98

 

CMYK 71 / 21 / 0 / 18

HEX #3DA5D1

RGB 61 165 209

HSL 197.84, 0.62%, 0.53%

LAB 63.76, -15.56, -31.04

 

CMYK 71 / 40 / 0 / 18

HEX #3D7DD1

RGB 61 125 209

HSL 214.05, 0.62%, 0.53%

LAB 52.13, 7.47, -49.31

 

CMYK 71 / 59 / 0 / 18

HEX #3D56D1

RGB 61 86 209

HSL 229.86, 0.62%, 0.53%

LAB 41.61, 32.06, -66.26

 

CMYK 64 / 71 / 0 / 18

HEX #4C3DD1

RGB 76 61 209

HSL 246.08, 0.62%, 0.53%

LAB 36.89, 49.02, -73.96

 

CMYK 76 / 45 / 0 / 40

HEX #245498

RGB 36 84 152

HSL 215.17, 0.62%, 0.37%

LAB 35.95, 8.65, -41.91

 

CMYK 76 / 45 / 0 / 27

HEX #2C67BA

RGB 44 103 186

HSL 215.07, 0.62%, 0.45%

LAB 43.92, 10.44, -49.26

 

CMYK 71 / 41 / 0 / 18

HEX #3D7BD1

RGB 61 123 209

HSL 214.86, 0.62%, 0.53%

LAB 51.57, 8.7, -50.21

 

CMYK 57 / 33 / 0 / 15

HEX #5E92D9

RGB 94 146 217

HSL 214.63, 0.62%, 0.61%

LAB 59.84, 3.48, -41.52

 

CMYK 43 / 25 / 0 / 12

HEX #80A9E1

RGB 128 169 225

HSL 214.64, 0.62%, 0.69%

LAB 68.32, 0.6, -32.59

 

CMYK 70 / 41 / 0 / 18

HEX #3E7CD2

RGB 62 124 210

HSL 214.86, 0.62%, 0.53%

LAB 51.94, 8.59, -50.18

 

CMYK 16 / 71 / 0 / 18

HEX #AF3DD1

RGB 175 61 209

HSL 286.22, 0.62%, 0.53%

LAB 48.33, 66.36, -54.85

 

CMYK 11 / 0 / 71 / 18

HEX #B9D13D

RGB 185 209 61

HSL 69.73, 0.62%, 0.53%

LAB 79.76, -26.98, 66.69

 

CMYK 70 / 41 / 0 / 18

HEX #3E7CD2

RGB 62 124 210

HSL 214.86, 0.62%, 0.53%

LAB 51.94, 8.59, -50.18

 

CMYK 0 / 71 / 40 / 18

HEX #D13D7D

RGB 209 61 125

HSL 334.05, 0.62%, 0.53%

LAB 49.95, 62.37, -2.36

 

CMYK 40 / 0 / 71 / 18

HEX #7DD13D

RGB 125 209 61

HSL 94.05, 0.62%, 0.53%

LAB 76.25, -49.44, 62.03

 

CMYK 70 / 41 / 0 / 18

HEX #3E7CD2

RGB 62 124 210

HSL 214.86, 0.62%, 0.53%

LAB 51.94, 8.59, -50.18

 

CMYK 16 / 71 / 0 / 18

HEX #AF3DD1

RGB 175 61 209

HSL 286.22, 0.62%, 0.53%

LAB 48.33, 66.36, -54.85

 

CMYK 0 / 31 / 71 / 18

HEX #D1913D

RGB 209 145 61

HSL 34.05, 0.62%, 0.53%

LAB 65.08, 16.48, 52.53

 

CMYK 54 / 0 / 71 / 18

HEX #60D13D

RGB 96 209 61

HSL 105.81, 0.62%, 0.53%

LAB 75.09, -58.11, 60.47

 

CMYK 70 / 41 / 0 / 18

HEX #3E7CD2

RGB 62 124 210

HSL 214.86, 0.62%, 0.53%

LAB 51.94, 8.59, -50.18

 

CMYK 0 / 71 / 4 / 18

HEX #D13DC8

RGB 209 61 200

HSL 303.65, 0.62%, 0.53%

LAB 53.02, 72.1, -41.9

 

CMYK 0 / 31 / 71 / 18

HEX #D1913D

RGB 209 145 61

HSL 34.05, 0.62%, 0.53%

LAB 65.08, 16.48, 52.53

 

CMYK 71 / 0 / 66 / 18

HEX #3DD147

RGB 61 209 71

HSL 124.05, 0.62%, 0.53%

LAB 74.22, -64.88, 55.38

 

Description

Color code: HEX #3E7CD200 | qconv.com Color code: HEX #3E7CD200 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 124 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 124 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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