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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E7BD5 it is the complementary color #C1842A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E7BD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E7BD5 shade: #437BD0, #548DE3, #659FF6, #76B1FF and #87C3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E7BD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E7BD5 shade: #3E7BD5, #2D69C2, #1C57AF, #0B459C and #003389

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E7BD5 shade: #3F7BD5, #3F53D5, #533FD5, #7B3FD5 and #A43FD5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E7BD5 shade: #3F7BD5, #3F53D5 and #3F3FD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E7BD5 shade matches the following richer shades: #3F7BD5, #2C78E8 and #1974FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E7BD5 shade: #3F7BD5, #527FC2, #6583AF, #78869C and #8B8A89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E7BD5 shade: #3FCDD5, #3FA5D5, #3F7DD5, #3F55D5 and #503FD5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E7BD5 shade: #23559E, #2A67C0, #3F7BD5, #6092DC and #82AAE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E7BD5 shade: #3E7BD5, #B43FD5 and #B9D53F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E7BD5 shade: #3E7BD5, #D53F7D and #7DD53F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E7BD5 shade: #3E7BD5, #B43FD5, #D5963F and #5FD53F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E7BD5 shade: #3E7BD5, #D53FC8, #D5963F and #3FD54B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 42 / 0 / 16

HEX #3E7BD5

RGB 62 123 213

HSL 215.76, 0.64%, 0.54%

LAB 51.83, 10.28, -52.05

 

Complementary color

CMYK 0 / 32 / 78 / 24

HEX #C1842A

RGB 193 132 42

HSL 35.76, 0.64%, 0.46%

LAB 59.9, 15.78, 54.83

 

CMYK 68 / 41 / 0 / 18

HEX #437BD0

RGB 67 123 208

HSL 216.17, 0.6%, 0.54%

LAB 51.74, 9.25, -49.36

 

CMYK 63 / 38 / 0 / 11

HEX #548DE3

RGB 84 141 227

HSL 216.08, 0.72%, 0.61%

LAB 58.49, 7.79, -49.26

 

CMYK 59 / 35 / 0 / 4

HEX #659FF6

RGB 101 159 246

HSL 216, 0.89%, 0.68%

LAB 65.13, 6.6, -49.18

 

CMYK 54 / 31 / 0 / 0

HEX #76B1FF

RGB 118 177 255

HSL 214.16, 1%, 0.73%

LAB 71.23, 2.57, -44.43

 

CMYK 47 / 24 / 0 / 0

HEX #87C3FF

RGB 135 195 255

HSL 210, 1%, 0.76%

LAB 76.92, -3.58, -35.5

 

CMYK 71 / 42 / 0 / 16

HEX #3E7BD5

RGB 62 123 213

HSL 215.76, 0.64%, 0.54%

LAB 51.83, 10.28, -52.05

 

CMYK 77 / 46 / 0 / 24

HEX #2D69C2

RGB 45 105 194

HSL 215.84, 0.62%, 0.47%

LAB 45.02, 12.32, -52.13

 

CMYK 84 / 50 / 0 / 31

HEX #1C57AF

RGB 28 87 175

HSL 215.92, 0.72%, 0.4%

LAB 38.13, 14.89, -52.16

 

CMYK 93 / 56 / 0 / 39

HEX #0B459C

RGB 11 69 156

HSL 216, 0.87%, 0.33%

LAB 31.18, 18.18, -52.06

 

CMYK 100 / 63 / 0 / 46

HEX #003389

RGB 0 51 137

HSL 217.66, 1%, 0.27%

LAB 24.24, 22.26, -51.73

 

CMYK 70 / 42 / 0 / 16

HEX #3F7BD5

RGB 63 123 213

HSL 216, 0.64%, 0.54%

LAB 51.87, 10.42, -51.99

 

CMYK 70 / 61 / 0 / 16

HEX #3F53D5

RGB 63 83 213

HSL 232, 0.64%, 0.54%

LAB 41.29, 35.61, -69.08

 

CMYK 61 / 70 / 0 / 16

HEX #533FD5

RGB 83 63 213

HSL 248, 0.64%, 0.54%

LAB 38.2, 50.06, -74.1

 

CMYK 42 / 70 / 0 / 16

HEX #7B3FD5

RGB 123 63 213

HSL 264, 0.64%, 0.54%

LAB 42.11, 56.32, -67.54

 

CMYK 23 / 70 / 0 / 16

HEX #A43FD5

RGB 164 63 213

HSL 280.4, 0.64%, 0.54%

LAB 47.3, 64.13, -58.87

 

CMYK 70 / 42 / 0 / 16

HEX #3F7BD5

RGB 63 123 213

HSL 216, 0.64%, 0.54%

LAB 51.87, 10.42, -51.99

 

CMYK 70 / 61 / 0 / 16

HEX #3F53D5

RGB 63 83 213

HSL 232, 0.64%, 0.54%

LAB 41.29, 35.61, -69.08

 

CMYK 70 / 70 / 0 / 16

HEX #3F3FD5

RGB 63 63 213

HSL 240, 0.64%, 0.54%

LAB 36.77, 47.67, -76.49

 

CMYK 70 / 42 / 0 / 16

HEX #3F7BD5

RGB 63 123 213

HSL 216, 0.64%, 0.54%

LAB 51.87, 10.42, -51.99

 

CMYK 81 / 48 / 0 / 9

HEX #2C78E8

RGB 44 120 232

HSL 215.74, 0.8%, 0.54%

LAB 51.6, 17.08, -63.15

 

CMYK 90 / 54 / 0 / 2

HEX #1974FB

RGB 25 116 251

HSL 215.84, 0.97%, 0.54%

LAB 51.45, 25.54, -74

 

CMYK 70 / 42 / 0 / 16

HEX #3F7BD5

RGB 63 123 213

HSL 216, 0.64%, 0.54%

LAB 51.87, 10.42, -51.99

 

CMYK 58 / 35 / 0 / 24

HEX #527FC2

RGB 82 127 194

HSL 215.89, 0.48%, 0.54%

LAB 52.8, 4.77, -39.65

 

CMYK 42 / 25 / 0 / 31

HEX #6583AF

RGB 101 131 175

HSL 215.68, 0.32%, 0.54%

LAB 54.13, 1.06, -26.62

 

CMYK 23 / 14 / 0 / 39

HEX #78869C

RGB 120 134 156

HSL 216.67, 0.15%, 0.54%

LAB 55.53, -0.05, -13.43

 

CMYK 0 / 1 / 1 / 45

HEX #8B8A89

RGB 139 138 137

HSL 30, 0.01%, 0.54%

LAB 57.53, 0.18, 0.66

 

CMYK 70 / 4 / 0 / 16

HEX #3FCDD5

RGB 63 205 213

HSL 183.2, 0.64%, 0.54%

LAB 75.78, -34.19, -14.89

 

CMYK 70 / 23 / 0 / 16

HEX #3FA5D5

RGB 63 165 213

HSL 199.2, 0.64%, 0.54%

LAB 63.98, -13.96, -32.92

 

CMYK 70 / 41 / 0 / 16

HEX #3F7DD5

RGB 63 125 213

HSL 215.2, 0.64%, 0.54%

LAB 52.43, 9.2, -51.1

 

CMYK 70 / 60 / 0 / 16

HEX #3F55D5

RGB 63 85 213

HSL 231.2, 0.64%, 0.54%

LAB 41.78, 34.36, -68.28

 

CMYK 62 / 70 / 0 / 16

HEX #503FD5

RGB 80 63 213

HSL 246.8, 0.64%, 0.54%

LAB 37.96, 49.66, -74.5

 

CMYK 78 / 46 / 0 / 38

HEX #23559E

RGB 35 85 158

HSL 215.61, 0.64%, 0.38%

LAB 36.6, 10.21, -44.48

 

CMYK 78 / 46 / 0 / 25

HEX #2A67C0

RGB 42 103 192

HSL 215.6, 0.64%, 0.46%

LAB 44.23, 12.49, -52.25

 

CMYK 70 / 42 / 0 / 16

HEX #3F7BD5

RGB 63 123 213

HSL 216, 0.64%, 0.54%

LAB 51.87, 10.42, -51.99

 

CMYK 56 / 34 / 0 / 14

HEX #6092DC

RGB 96 146 220

HSL 215.81, 0.64%, 0.62%

LAB 60.08, 4.85, -42.81

 

CMYK 43 / 25 / 0 / 11

HEX #82AAE4

RGB 130 170 228

HSL 215.51, 0.64%, 0.7%

LAB 68.82, 1.39, -33.44

 

CMYK 71 / 42 / 0 / 16

HEX #3E7BD5

RGB 62 123 213

HSL 215.76, 0.64%, 0.54%

LAB 51.83, 10.28, -52.05

 

CMYK 15 / 70 / 0 / 16

HEX #B43FD5

RGB 180 63 213

HSL 286.8, 0.64%, 0.54%

LAB 49.57, 67.4, -55.1

 

CMYK 13 / 0 / 70 / 16

HEX #B9D53F

RGB 185 213 63

HSL 71.2, 0.64%, 0.54%

LAB 80.88, -28.78, 67.09

 

CMYK 71 / 42 / 0 / 16

HEX #3E7BD5

RGB 62 123 213

HSL 215.76, 0.64%, 0.54%

LAB 51.83, 10.28, -52.05

 

CMYK 0 / 70 / 41 / 16

HEX #D53F7D

RGB 213 63 125

HSL 335.2, 0.64%, 0.54%

LAB 50.9, 62.78, -0.88

 

CMYK 41 / 0 / 70 / 16

HEX #7DD53F

RGB 125 213 63

HSL 95.2, 0.64%, 0.54%

LAB 77.46, -50.91, 62.53

 

CMYK 71 / 42 / 0 / 16

HEX #3E7BD5

RGB 62 123 213

HSL 215.76, 0.64%, 0.54%

LAB 51.83, 10.28, -52.05

 

CMYK 15 / 70 / 0 / 16

HEX #B43FD5

RGB 180 63 213

HSL 286.8, 0.64%, 0.54%

LAB 49.57, 67.4, -55.1

 

CMYK 0 / 30 / 70 / 16

HEX #D5963F

RGB 213 150 63

HSL 34.8, 0.64%, 0.54%

LAB 66.76, 15.59, 53.54

 

CMYK 55 / 0 / 70 / 16

HEX #5FD53F

RGB 95 213 63

HSL 107.2, 0.64%, 0.54%

LAB 76.3, -59.66, 60.97

 

CMYK 71 / 42 / 0 / 16

HEX #3E7BD5

RGB 62 123 213

HSL 215.76, 0.64%, 0.54%

LAB 51.83, 10.28, -52.05

 

CMYK 0 / 70 / 6 / 16

HEX #D53FC8

RGB 213 63 200

HSL 305.2, 0.64%, 0.54%

LAB 53.89, 72.33, -40.48

 

CMYK 0 / 30 / 70 / 16

HEX #D5963F

RGB 213 150 63

HSL 34.8, 0.64%, 0.54%

LAB 66.76, 15.59, 53.54

 

CMYK 70 / 0 / 65 / 16

HEX #3FD54B

RGB 63 213 75

HSL 124.8, 0.64%, 0.54%

LAB 75.55, -65.45, 55.2

 

Description

Color code: HEX #3E7BD5 | qconv.com Color code: HEX #3E7BD5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 123 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 123 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 42 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 42% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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