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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E7A8F it is the complementary color #C18570. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E7A8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E7A8F shade: #437A8A, #548C9D, #659EB0, #76B0C3 and #87C2D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E7A8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E7A8F shade: #3E7A8F, #2D687C, #1C5669, #0B4456 and #003243

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E7A8F shade: #3D7A8F, #3D648F, #3D4E8F, #433D8F and #593D8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E7A8F shade: #3D7A8F, #3D648F, #3D4E8F and #3D3D8F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E7A8F shade matches the following richer shades: #3D7A8F, #2D829F, #1C8AB0 and #0C91C0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E7A8F shade: #3D7A8F, #4E727E, #5E6A6E, #6F625D and #7F5A4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E7A8F shade: #3D8F78, #3D8F8D, #3D7A8F, #3D658F and #3D4F8F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E7A8F shade: #244855, #316172, #3D7A8F, #4A92AC and #63A5BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E7A8F shade: #3E7A8F, #623D8F and #8F833D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E7A8F shade: #3E7A8F, #8F3D7A and #7A8F3D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E7A8F shade: #3E7A8F, #623D8F, #8F523D and #6A8F3D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E7A8F shade: #3E7A8F, #7A3D8F, #8F523D and #528F3D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 15 / 0 / 44

HEX #3E7A8F

RGB 62 122 143

HSL 195.56, 0.4%, 0.4%

LAB 48.17, -13.13, -17.33

 

Complementary color

CMYK 0 / 31 / 42 / 24

HEX #C18570

RGB 193 133 112

HSL 15.56, 0.4%, 0.6%

LAB 61.03, 20.47, 20.61

 

CMYK 51 / 12 / 0 / 46

HEX #437A8A

RGB 67 122 138

HSL 193.52, 0.35%, 0.4%

LAB 48.19, -13.51, -14.33

 

CMYK 46 / 11 / 0 / 38

HEX #548C9D

RGB 84 140 157

HSL 193.97, 0.3%, 0.47%

LAB 55.15, -13.71, -14.78

 

CMYK 43 / 10 / 0 / 31

HEX #659EB0

RGB 101 158 176

HSL 194.4, 0.32%, 0.54%

LAB 61.96, -13.85, -15.21

 

CMYK 39 / 10 / 0 / 24

HEX #76B0C3

RGB 118 176 195

HSL 194.81, 0.39%, 0.61%

LAB 68.64, -13.94, -15.64

 

CMYK 37 / 9 / 0 / 16

HEX #87C2D6

RGB 135 194 214

HSL 195.19, 0.49%, 0.68%

LAB 75.2, -14, -16.05

 

CMYK 57 / 15 / 0 / 44

HEX #3E7A8F

RGB 62 122 143

HSL 195.56, 0.4%, 0.4%

LAB 48.17, -13.13, -17.33

 

CMYK 64 / 16 / 0 / 51

HEX #2D687C

RGB 45 104 124

HSL 195.19, 0.47%, 0.33%

LAB 41.08, -12.61, -16.88

 

CMYK 73 / 18 / 0 / 59

HEX #1C5669

RGB 28 86 105

HSL 194.81, 0.58%, 0.26%

LAB 33.82, -11.79, -16.37

 

CMYK 87 / 21 / 0 / 66

HEX #0B4456

RGB 11 68 86

HSL 194.4, 0.77%, 0.19%

LAB 26.38, -10.45, -15.76

 

CMYK 100 / 25 / 0 / 74

HEX #003243

RGB 0 50 67

HSL 195.22, 1%, 0.13%

LAB 18.74, -8.26, -14.98

 

CMYK 57 / 15 / 0 / 44

HEX #3D7A8F

RGB 61 122 143

HSL 195.37, 0.4%, 0.4%

LAB 48.13, -13.35, -17.4

 

CMYK 57 / 30 / 0 / 44

HEX #3D648F

RGB 61 100 143

HSL 211.46, 0.4%, 0.4%

LAB 41.36, -0.37, -27.86

 

CMYK 57 / 45 / 0 / 44

HEX #3D4E8F

RGB 61 78 143

HSL 227.56, 0.4%, 0.4%

LAB 34.85, 13.72, -38.14

 

CMYK 53 / 57 / 0 / 44

HEX #433D8F

RGB 67 61 143

HSL 244.39, 0.4%, 0.4%

LAB 30.67, 26.22, -44.82

 

CMYK 38 / 57 / 0 / 44

HEX #593D8F

RGB 89 61 143

HSL 260.49, 0.4%, 0.4%

LAB 32.8, 31.44, -41.29

 

CMYK 57 / 15 / 0 / 44

HEX #3D7A8F

RGB 61 122 143

HSL 195.37, 0.4%, 0.4%

LAB 48.13, -13.35, -17.4

 

CMYK 57 / 30 / 0 / 44

HEX #3D648F

RGB 61 100 143

HSL 211.46, 0.4%, 0.4%

LAB 41.36, -0.37, -27.86

 

CMYK 57 / 45 / 0 / 44

HEX #3D4E8F

RGB 61 78 143

HSL 227.56, 0.4%, 0.4%

LAB 34.85, 13.72, -38.14

 

CMYK 57 / 57 / 0 / 44

HEX #3D3D8F

RGB 61 61 143

HSL 240, 0.4%, 0.4%

LAB 30.19, 24.96, -45.63

 

CMYK 57 / 15 / 0 / 44

HEX #3D7A8F

RGB 61 122 143

HSL 195.37, 0.4%, 0.4%

LAB 48.13, -13.35, -17.4

 

CMYK 72 / 18 / 0 / 38

HEX #2D829F

RGB 45 130 159

HSL 195.26, 0.56%, 0.4%

LAB 50.72, -15.45, -22.84

 

CMYK 84 / 22 / 0 / 31

HEX #1C8AB0

RGB 28 138 176

HSL 195.41, 0.73%, 0.4%

LAB 53.56, -15.88, -28.3

 

CMYK 94 / 24 / 0 / 25

HEX #0C91C0

RGB 12 145 192

HSL 195.67, 0.88%, 0.4%

LAB 56.22, -14.95, -33.28

 

CMYK 57 / 15 / 0 / 44

HEX #3D7A8F

RGB 61 122 143

HSL 195.37, 0.4%, 0.4%

LAB 48.13, -13.35, -17.4

 

CMYK 38 / 10 / 0 / 51

HEX #4E727E

RGB 78 114 126

HSL 195, 0.24%, 0.4%

LAB 45.85, -9.49, -10.69

 

CMYK 15 / 4 / 0 / 57

HEX #5E6A6E

RGB 94 106 110

HSL 195, 0.08%, 0.4%

LAB 43.96, -3.63, -3.79

 

CMYK 0 / 12 / 16 / 56

HEX #6F625D

RGB 111 98 93

HSL 16.67, 0.09%, 0.4%

LAB 42.62, 4.27, 4.74

 

CMYK 0 / 29 / 39 / 50

HEX #7F5A4D

RGB 127 90 77

HSL 15.6, 0.25%, 0.4%

LAB 41.78, 13.4, 13.54

 

CMYK 57 / 0 / 16 / 44

HEX #3D8F78

RGB 61 143 120

HSL 163.17, 0.4%, 0.4%

LAB 54.02, -30.79, 4.77

 

CMYK 57 / 0 / 1 / 44

HEX #3D8F8D

RGB 61 143 141

HSL 178.54, 0.4%, 0.4%

LAB 54.62, -25.15, -6.45

 

CMYK 57 / 15 / 0 / 44

HEX #3D7A8F

RGB 61 122 143

HSL 195.37, 0.4%, 0.4%

LAB 48.13, -13.35, -17.4

 

CMYK 57 / 29 / 0 / 44

HEX #3D658F

RGB 61 101 143

HSL 210.73, 0.4%, 0.4%

LAB 41.66, -0.98, -27.39

 

CMYK 57 / 45 / 0 / 44

HEX #3D4F8F

RGB 61 79 143

HSL 226.83, 0.4%, 0.4%

LAB 35.14, 13.06, -37.68

 

CMYK 58 / 15 / 0 / 67

HEX #244855

RGB 36 72 85

HSL 195.92, 0.4%, 0.24%

LAB 28.55, -8.72, -11.71

 

CMYK 57 / 15 / 0 / 55

HEX #316172

RGB 49 97 114

HSL 195.69, 0.4%, 0.32%

LAB 38.58, -10.98, -14.59

 

CMYK 57 / 15 / 0 / 44

HEX #3D7A8F

RGB 61 122 143

HSL 195.37, 0.4%, 0.4%

LAB 48.13, -13.35, -17.4

 

CMYK 57 / 15 / 0 / 33

HEX #4A92AC

RGB 74 146 172

HSL 195.92, 0.4%, 0.48%

LAB 57.07, -14.85, -20.49

 

CMYK 47 / 12 / 0 / 26

HEX #63A5BC

RGB 99 165 188

HSL 195.51, 0.4%, 0.56%

LAB 64.32, -14.78, -18.38

 

CMYK 57 / 15 / 0 / 44

HEX #3E7A8F

RGB 62 122 143

HSL 195.56, 0.4%, 0.4%

LAB 48.17, -13.13, -17.33

 

CMYK 31 / 57 / 0 / 44

HEX #623D8F

RGB 98 61 143

HSL 267.07, 0.4%, 0.4%

LAB 33.81, 33.77, -39.62

 

CMYK 0 / 8 / 57 / 44

HEX #8F833D

RGB 143 131 61

HSL 51.22, 0.4%, 0.4%

LAB 54.46, -4.89, 38.88

 

CMYK 57 / 15 / 0 / 44

HEX #3E7A8F

RGB 62 122 143

HSL 195.56, 0.4%, 0.4%

LAB 48.17, -13.13, -17.33

 

CMYK 0 / 57 / 15 / 44

HEX #8F3D7A

RGB 143 61 122

HSL 315.37, 0.4%, 0.4%

LAB 38.87, 42.48, -18.3

 

CMYK 15 / 0 / 57 / 44

HEX #7A8F3D

RGB 122 143 61

HSL 75.37, 0.4%, 0.4%

LAB 56.21, -20.48, 40.43

 

CMYK 57 / 15 / 0 / 44

HEX #3E7A8F

RGB 62 122 143

HSL 195.56, 0.4%, 0.4%

LAB 48.17, -13.13, -17.33

 

CMYK 31 / 57 / 0 / 44

HEX #623D8F

RGB 98 61 143

HSL 267.07, 0.4%, 0.4%

LAB 33.81, 33.77, -39.62

 

CMYK 0 / 43 / 57 / 44

HEX #8F523D

RGB 143 82 61

HSL 15.37, 0.4%, 0.4%

LAB 41.55, 23.26, 23.24

 

CMYK 26 / 0 / 57 / 44

HEX #6A8F3D

RGB 106 143 61

HSL 87.07, 0.4%, 0.4%

LAB 55.12, -27.02, 38.9

 

CMYK 57 / 15 / 0 / 44

HEX #3E7A8F

RGB 62 122 143

HSL 195.56, 0.4%, 0.4%

LAB 48.17, -13.13, -17.33

 

CMYK 15 / 57 / 0 / 44

HEX #7A3D8F

RGB 122 61 143

HSL 284.63, 0.4%, 0.4%

LAB 36.85, 40.29, -34.59

 

CMYK 0 / 43 / 57 / 44

HEX #8F523D

RGB 143 82 61

HSL 15.37, 0.4%, 0.4%

LAB 41.55, 23.26, 23.24

 

CMYK 43 / 0 / 57 / 44

HEX #528F3D

RGB 82 143 61

HSL 104.63, 0.4%, 0.4%

LAB 53.79, -35.85, 37

 

Description

Color code: HEX #3E7A8F | qconv.com Color code: HEX #3E7A8F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 122 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 122 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 15 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 15% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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