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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E7A04 it is the complementary color #C185FB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E7A04. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E7A04 shade: #437A00, #548C12, #659E25, #76B038 and #87C24B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E7A04. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E7A04 shade: #3E7A04, #2D6800, #1C5600, #0B4400 and #003200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E7A04 shade: #3E7B03, #5F7B03, #7B7703, #7B5703 and #7B3703

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E7A04 shade: #3E7B03, #1E7B03, #037B09, #037B29 and #037B4A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E7A04 shade matches the following richer shades: #3E7B03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E7A04 shade: #3E7B03, #3E710E, #3F6718, #3F5C22 and #3F522D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E7A04 shade: #7B7703, #5F7B03, #3F7B03, #1F7B03 and #037B07

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E7A04 shade: #162B01, #2A5302, #3E7B03, #53A305 and #67CB06

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E7A04 shade: #3E7A04, #037B57 and #7B036F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E7A04 shade: #3E7A04, #033F7B and #7B033F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E7A04 shade: #3E7A04, #037B57, #3F037B and #7B0327

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E7A04 shade: #3E7A04, #037B7B, #3F037B and #7B0303

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 97 / 52

HEX #3E7A04

RGB 62 122 4

HSL 90.51, 0.94%, 0.25%

LAB 45.57, -37.75, 49.09

 

Complementary color

CMYK 23 / 47 / 0 / 2

HEX #C185FB

RGB 193 133 251

HSL 270.51, 0.94%, 0.75%

LAB 65.81, 44.97, -50.41

 

CMYK 45 / 0 / 100 / 52

HEX #437A00

RGB 67 122 0

HSL 87.05, 1%, 0.24%

LAB 45.79, -36.14, 50.24

 

CMYK 40 / 0 / 87 / 45

HEX #548C12

RGB 84 140 18

HSL 87.54, 0.77%, 0.31%

LAB 52.6, -37.14, 52.51

 

CMYK 36 / 0 / 77 / 38

HEX #659E25

RGB 101 158 37

HSL 88.26, 0.62%, 0.38%

LAB 59.3, -37.82, 53.36

 

CMYK 33 / 0 / 68 / 31

HEX #76B038

RGB 118 176 56

HSL 89, 0.52%, 0.45%

LAB 65.89, -38.24, 53.17

 

CMYK 30 / 0 / 61 / 24

HEX #87C24B

RGB 135 194 75

HSL 89.75, 0.49%, 0.53%

LAB 72.39, -38.48, 52.46

 

CMYK 49 / 0 / 97 / 52

HEX #3E7A04

RGB 62 122 4

HSL 90.51, 0.94%, 0.25%

LAB 45.57, -37.75, 49.09

 

CMYK 57 / 0 / 100 / 59

HEX #2D6800

RGB 45 104 0

HSL 94.04, 1%, 0.2%

LAB 38.65, -36.13, 44.23

 

CMYK 67 / 0 / 100 / 66

HEX #1C5600

RGB 28 86 0

HSL 100.47, 1%, 0.17%

LAB 31.58, -34.03, 38.39

 

CMYK 84 / 0 / 100 / 73

HEX #0B4400

RGB 11 68 0

HSL 110.29, 1%, 0.13%

LAB 24.34, -31.27, 32.02

 

CMYK 100 / 0 / 100 / 80

HEX #003200

RGB 0 50 0

HSL 120, 1%, 0.1%

LAB 16.9, -27.33, 23.7

 

CMYK 50 / 0 / 98 / 52

HEX #3E7B03

RGB 62 123 3

HSL 90.5, 0.95%, 0.25%

LAB 45.9, -38.2, 49.58

 

CMYK 23 / 0 / 98 / 52

HEX #5F7B03

RGB 95 123 3

HSL 74, 0.95%, 0.25%

LAB 47.76, -25.26, 51.84

 

CMYK 0 / 3 / 98 / 52

HEX #7B7703

RGB 123 119 3

HSL 58, 0.95%, 0.25%

LAB 48.77, -10.31, 53.59

 

CMYK 0 / 29 / 98 / 52

HEX #7B5703

RGB 123 87 3

HSL 42, 0.95%, 0.25%

LAB 39.64, 8.15, 46.89

 

CMYK 0 / 55 / 98 / 52

HEX #7B3703

RGB 123 55 3

HSL 26, 0.95%, 0.25%

LAB 31.69, 26.88, 41.42

 

CMYK 50 / 0 / 98 / 52

HEX #3E7B03

RGB 62 123 3

HSL 90.5, 0.95%, 0.25%

LAB 45.9, -38.2, 49.58

 

CMYK 76 / 0 / 98 / 52

HEX #1E7B03

RGB 30 123 3

HSL 106.5, 0.95%, 0.25%

LAB 44.87, -46.63, 48.31

 

CMYK 98 / 0 / 93 / 52

HEX #037B09

RGB 3 123 9

HSL 123, 0.95%, 0.25%

LAB 44.53, -49.62, 46.6

 

CMYK 98 / 0 / 67 / 52

HEX #037B29

RGB 3 123 41

HSL 139, 0.95%, 0.25%

LAB 44.72, -47.09, 35.7

 

CMYK 98 / 0 / 40 / 52

HEX #037B4A

RGB 3 123 74

HSL 155.5, 0.95%, 0.25%

LAB 45.19, -41.43, 18.8

 

CMYK 50 / 0 / 98 / 52

HEX #3E7B03

RGB 62 123 3

HSL 90.5, 0.95%, 0.25%

LAB 45.9, -38.2, 49.58

 

CMYK 50 / 0 / 98 / 52

HEX #3E7B03

RGB 62 123 3

HSL 90.5, 0.95%, 0.25%

LAB 45.9, -38.2, 49.58

 

CMYK 45 / 0 / 88 / 56

HEX #3E710E

RGB 62 113 14

HSL 90.91, 0.78%, 0.25%

LAB 42.56, -33.56, 44.28

 

CMYK 39 / 0 / 77 / 60

HEX #3F6718

RGB 63 103 24

HSL 90.38, 0.62%, 0.25%

LAB 39.28, -28.05, 37.86

 

CMYK 32 / 0 / 63 / 64

HEX #3F5C22

RGB 63 92 34

HSL 90, 0.46%, 0.25%

LAB 35.65, -21.72, 29.38

 

CMYK 23 / 0 / 45 / 68

HEX #3F522D

RGB 63 82 45

HSL 90.81, 0.29%, 0.25%

LAB 32.44, -14.91, 19.35

 

CMYK 0 / 3 / 98 / 52

HEX #7B7703

RGB 123 119 3

HSL 58, 0.95%, 0.25%

LAB 48.77, -10.31, 53.59

 

CMYK 23 / 0 / 98 / 52

HEX #5F7B03

RGB 95 123 3

HSL 74, 0.95%, 0.25%

LAB 47.76, -25.26, 51.84

 

CMYK 49 / 0 / 98 / 52

HEX #3F7B03

RGB 63 123 3

HSL 90, 0.95%, 0.25%

LAB 45.95, -37.86, 49.63

 

CMYK 75 / 0 / 98 / 52

HEX #1F7B03

RGB 31 123 3

HSL 106, 0.95%, 0.25%

LAB 44.89, -46.45, 48.34

 

CMYK 98 / 0 / 94 / 52

HEX #037B07

RGB 3 123 7

HSL 122, 0.95%, 0.25%

LAB 44.52, -49.7, 47.01

 

CMYK 49 / 0 / 98 / 83

HEX #162B01

RGB 22 43 1

HSL 90, 0.95%, 0.09%

LAB 14.96, -17, 21.03

 

CMYK 49 / 0 / 98 / 67

HEX #2A5302

RGB 42 83 2

HSL 90.37, 0.95%, 0.17%

LAB 31.07, -28.14, 37.49

 

CMYK 50 / 0 / 98 / 52

HEX #3E7B03

RGB 62 123 3

HSL 90.5, 0.95%, 0.25%

LAB 45.9, -38.2, 49.58

 

CMYK 49 / 0 / 97 / 36

HEX #53A305

RGB 83 163 5

HSL 90.38, 0.94%, 0.33%

LAB 59.93, -47.28, 60.87

 

CMYK 49 / 0 / 97 / 20

HEX #67CB06

RGB 103 203 6

HSL 90.46, 0.94%, 0.41%

LAB 73.29, -56.26, 71.77

 

CMYK 49 / 0 / 97 / 52

HEX #3E7A04

RGB 62 122 4

HSL 90.51, 0.94%, 0.25%

LAB 45.57, -37.75, 49.09

 

CMYK 98 / 0 / 29 / 52

HEX #037B57

RGB 3 123 87

HSL 162, 0.95%, 0.25%

LAB 45.46, -38.37, 11.64

 

CMYK 0 / 98 / 10 / 52

HEX #7B036F

RGB 123 3 111

HSL 306, 0.95%, 0.25%

LAB 27.91, 54.91, -28.73

 

CMYK 49 / 0 / 97 / 52

HEX #3E7A04

RGB 62 122 4

HSL 90.51, 0.94%, 0.25%

LAB 45.57, -37.75, 49.09

 

CMYK 98 / 49 / 0 / 52

HEX #033F7B

RGB 3 63 123

HSL 210, 0.95%, 0.25%

LAB 26.75, 7.84, -38.88

 

CMYK 0 / 98 / 49 / 52

HEX #7B033F

RGB 123 3 63

HSL 330, 0.95%, 0.25%

LAB 25.67, 49.12, -0.34

 

CMYK 49 / 0 / 97 / 52

HEX #3E7A04

RGB 62 122 4

HSL 90.51, 0.94%, 0.25%

LAB 45.57, -37.75, 49.09

 

CMYK 98 / 0 / 29 / 52

HEX #037B57

RGB 3 123 87

HSL 162, 0.95%, 0.25%

LAB 45.46, -38.37, 11.64

 

CMYK 49 / 98 / 0 / 52

HEX #3F037B

RGB 63 3 123

HSL 270, 0.95%, 0.25%

LAB 18.15, 48.02, -52.75

 

CMYK 0 / 98 / 68 / 52

HEX #7B0327

RGB 123 3 39

HSL 342, 0.95%, 0.25%

LAB 25.02, 47.36, 15.27

 

CMYK 49 / 0 / 97 / 52

HEX #3E7A04

RGB 62 122 4

HSL 90.51, 0.94%, 0.25%

LAB 45.57, -37.75, 49.09

 

CMYK 98 / 0 / 0 / 52

HEX #037B7B

RGB 3 123 123

HSL 180, 0.95%, 0.25%

LAB 46.47, -27.85, -8.2

 

CMYK 49 / 98 / 0 / 52

HEX #3F037B

RGB 63 3 123

HSL 270, 0.95%, 0.25%

LAB 18.15, 48.02, -52.75

 

CMYK 0 / 98 / 98 / 52

HEX #7B0303

RGB 123 3 3

HSL 0, 0.95%, 0.25%

LAB 24.58, 46.16, 35.53

 

Description

Color code: HEX #3E7A04 | qconv.com Color code: HEX #3E7A04 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 122 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 122 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 97 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 97% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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