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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E798E it is the complementary color #C18671. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E798E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E798E shade: #437989, #548B9C, #659DAF, #76AFC2 and #87C1D5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E798E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E798E shade: #3E798E, #2D677B, #1C5568, #0B4355 and #003142

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E798E shade: #3E798E, #3E638E, #3E4E8E, #443E8E and #593E8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E798E shade: #3E798E, #3E638E, #3E4E8E and #3E3E8E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E798E shade matches the following richer shades: #3E798E, #2E819E, #1D89AF and #0D90BF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E798E shade: #3E798E, #4F717D, #5F696D, #70615C and #805A4C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E798E shade: #3E8E77, #3E8E8C, #3E7A8E, #3E658E and #3E4F8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E798E shade: #254854, #326071, #3E798E, #4B91AA and #64A4BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E798E shade: #3E798E, #623E8E and #8E823E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E798E shade: #3E798E, #8E3E7A and #7A8E3E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E798E shade: #3E798E, #623E8E, #8E523E and #6A8E3E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E798E shade: #3E798E, #7A3E8E, #8E523E and #528E3E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 15 / 0 / 44

HEX #3E798E

RGB 62 121 142

HSL 195.75, 0.39%, 0.4%

LAB 47.82, -12.88, -17.28

 

Complementary color

CMYK 0 / 31 / 41 / 24

HEX #C18671

RGB 193 134 113

HSL 15.75, 0.39%, 0.6%

LAB 61.29, 20.03, 20.4

 

CMYK 51 / 12 / 0 / 46

HEX #437989

RGB 67 121 137

HSL 193.71, 0.34%, 0.4%

LAB 47.85, -13.25, -14.26

 

CMYK 46 / 11 / 0 / 39

HEX #548B9C

RGB 84 139 156

HSL 194.17, 0.3%, 0.47%

LAB 54.81, -13.45, -14.71

 

CMYK 42 / 10 / 0 / 31

HEX #659DAF

RGB 101 157 175

HSL 194.59, 0.32%, 0.54%

LAB 61.63, -13.58, -15.14

 

CMYK 39 / 10 / 0 / 24

HEX #76AFC2

RGB 118 175 194

HSL 195, 0.38%, 0.61%

LAB 68.32, -13.67, -15.56

 

CMYK 37 / 9 / 0 / 16

HEX #87C1D5

RGB 135 193 213

HSL 195.38, 0.48%, 0.68%

LAB 74.88, -13.73, -15.97

 

CMYK 56 / 15 / 0 / 44

HEX #3E798E

RGB 62 121 142

HSL 195.75, 0.39%, 0.4%

LAB 47.82, -12.88, -17.28

 

CMYK 63 / 16 / 0 / 52

HEX #2D677B

RGB 45 103 123

HSL 195.38, 0.46%, 0.33%

LAB 40.72, -12.37, -16.83

 

CMYK 73 / 18 / 0 / 59

HEX #1C5568

RGB 28 85 104

HSL 195, 0.58%, 0.26%

LAB 33.44, -11.56, -16.33

 

CMYK 87 / 21 / 0 / 67

HEX #0B4355

RGB 11 67 85

HSL 194.59, 0.77%, 0.19%

LAB 25.98, -10.23, -15.72

 

CMYK 100 / 26 / 0 / 74

HEX #003142

RGB 0 49 66

HSL 195.45, 1%, 0.13%

LAB 18.32, -8.04, -14.96

 

CMYK 56 / 15 / 0 / 44

HEX #3E798E

RGB 62 121 142

HSL 195.75, 0.39%, 0.4%

LAB 47.82, -12.88, -17.28

 

CMYK 56 / 30 / 0 / 44

HEX #3E638E

RGB 62 99 142

HSL 212.25, 0.39%, 0.4%

LAB 41.06, 0.14, -27.72

 

CMYK 56 / 45 / 0 / 44

HEX #3E4E8E

RGB 62 78 142

HSL 228, 0.39%, 0.4%

LAB 34.85, 13.6, -37.52

 

CMYK 52 / 56 / 0 / 44

HEX #443E8E

RGB 68 62 142

HSL 244.5, 0.39%, 0.4%

LAB 30.94, 25.46, -43.77

 

CMYK 37 / 56 / 0 / 44

HEX #593E8E

RGB 89 62 142

HSL 260.25, 0.39%, 0.4%

LAB 32.97, 30.55, -40.41

 

CMYK 56 / 15 / 0 / 44

HEX #3E798E

RGB 62 121 142

HSL 195.75, 0.39%, 0.4%

LAB 47.82, -12.88, -17.28

 

CMYK 56 / 30 / 0 / 44

HEX #3E638E

RGB 62 99 142

HSL 212.25, 0.39%, 0.4%

LAB 41.06, 0.14, -27.72

 

CMYK 56 / 45 / 0 / 44

HEX #3E4E8E

RGB 62 78 142

HSL 228, 0.39%, 0.4%

LAB 34.85, 13.6, -37.52

 

CMYK 56 / 56 / 0 / 44

HEX #3E3E8E

RGB 62 62 142

HSL 240, 0.39%, 0.4%

LAB 30.45, 24.16, -44.59

 

CMYK 56 / 15 / 0 / 44

HEX #3E798E

RGB 62 121 142

HSL 195.75, 0.39%, 0.4%

LAB 47.82, -12.88, -17.28

 

CMYK 71 / 18 / 0 / 38

HEX #2E819E

RGB 46 129 158

HSL 195.54, 0.55%, 0.4%

LAB 50.39, -15.09, -22.75

 

CMYK 83 / 22 / 0 / 31

HEX #1D89AF

RGB 29 137 175

HSL 195.62, 0.72%, 0.4%

LAB 53.22, -15.6, -28.24

 

CMYK 93 / 25 / 0 / 25

HEX #0D90BF

RGB 13 144 191

HSL 195.84, 0.87%, 0.4%

LAB 55.88, -14.72, -33.25

 

CMYK 56 / 15 / 0 / 44

HEX #3E798E

RGB 62 121 142

HSL 195.75, 0.39%, 0.4%

LAB 47.82, -12.88, -17.28

 

CMYK 37 / 10 / 0 / 51

HEX #4F717D

RGB 79 113 125

HSL 195.65, 0.23%, 0.4%

LAB 45.57, -8.89, -10.51

 

CMYK 13 / 4 / 0 / 57

HEX #5F696D

RGB 95 105 109

HSL 197.14, 0.07%, 0.4%

LAB 43.71, -2.9, -3.55

 

CMYK 0 / 13 / 18 / 56

HEX #70615C

RGB 112 97 92

HSL 15, 0.1%, 0.4%

LAB 42.41, 5.11, 5.06

 

CMYK 0 / 30 / 41 / 50

HEX #805A4C

RGB 128 90 76

HSL 16.15, 0.25%, 0.4%

LAB 41.88, 13.7, 14.3

 

CMYK 56 / 0 / 16 / 44

HEX #3E8E77

RGB 62 142 119

HSL 162.75, 0.39%, 0.4%

LAB 53.71, -30.33, 4.91

 

CMYK 56 / 0 / 1 / 44

HEX #3E8E8C

RGB 62 142 140

HSL 178.5, 0.39%, 0.4%

LAB 54.31, -24.72, -6.34

 

CMYK 56 / 14 / 0 / 44

HEX #3E7A8E

RGB 62 122 142

HSL 195, 0.39%, 0.4%

LAB 48.13, -13.44, -16.8

 

CMYK 56 / 29 / 0 / 44

HEX #3E658E

RGB 62 101 142

HSL 210.75, 0.39%, 0.4%

LAB 41.66, -1.09, -26.78

 

CMYK 56 / 44 / 0 / 44

HEX #3E4F8E

RGB 62 79 142

HSL 227.25, 0.39%, 0.4%

LAB 35.14, 12.94, -37.07

 

CMYK 56 / 14 / 0 / 67

HEX #254854

RGB 37 72 84

HSL 195.32, 0.39%, 0.24%

LAB 28.56, -8.8, -11.05

 

CMYK 56 / 15 / 0 / 56

HEX #326071

RGB 50 96 113

HSL 196.19, 0.39%, 0.32%

LAB 38.26, -10.48, -14.46

 

CMYK 56 / 15 / 0 / 44

HEX #3E798E

RGB 62 121 142

HSL 195.75, 0.39%, 0.4%

LAB 47.82, -12.88, -17.28

 

CMYK 56 / 15 / 0 / 33

HEX #4B91AA

RGB 75 145 170

HSL 195.79, 0.39%, 0.48%

LAB 56.73, -14.71, -19.86

 

CMYK 47 / 12 / 0 / 27

HEX #64A4BB

RGB 100 164 187

HSL 195.86, 0.39%, 0.56%

LAB 64.04, -14.29, -18.24

 

CMYK 56 / 15 / 0 / 44

HEX #3E798E

RGB 62 121 142

HSL 195.75, 0.39%, 0.4%

LAB 47.82, -12.88, -17.28

 

CMYK 31 / 56 / 0 / 44

HEX #623E8E

RGB 98 62 142

HSL 267, 0.39%, 0.4%

LAB 33.97, 32.92, -38.74

 

CMYK 0 / 8 / 56 / 44

HEX #8E823E

RGB 142 130 62

HSL 51, 0.39%, 0.4%

LAB 54.09, -4.7, 37.93

 

CMYK 56 / 15 / 0 / 44

HEX #3E798E

RGB 62 121 142

HSL 195.75, 0.39%, 0.4%

LAB 47.82, -12.88, -17.28

 

CMYK 0 / 56 / 14 / 44

HEX #8E3E7A

RGB 142 62 122

HSL 315, 0.39%, 0.4%

LAB 38.9, 41.67, -18.26

 

CMYK 14 / 0 / 56 / 44

HEX #7A8E3E

RGB 122 142 62

HSL 75, 0.39%, 0.4%

LAB 55.92, -19.87, 39.61

 

CMYK 56 / 15 / 0 / 44

HEX #3E798E

RGB 62 121 142

HSL 195.75, 0.39%, 0.4%

LAB 47.82, -12.88, -17.28

 

CMYK 31 / 56 / 0 / 44

HEX #623E8E

RGB 98 62 142

HSL 267, 0.39%, 0.4%

LAB 33.97, 32.92, -38.74

 

CMYK 0 / 42 / 56 / 44

HEX #8E523E

RGB 142 82 62

HSL 15, 0.39%, 0.4%

LAB 41.43, 22.92, 22.46

 

CMYK 25 / 0 / 56 / 44

HEX #6A8E3E

RGB 106 142 62

HSL 87, 0.39%, 0.4%

LAB 54.82, -26.42, 38.06

 

CMYK 56 / 15 / 0 / 44

HEX #3E798E

RGB 62 121 142

HSL 195.75, 0.39%, 0.4%

LAB 47.82, -12.88, -17.28

 

CMYK 14 / 56 / 0 / 44

HEX #7A3E8E

RGB 122 62 142

HSL 285, 0.39%, 0.4%

LAB 37, 39.54, -33.75

 

CMYK 0 / 42 / 56 / 44

HEX #8E523E

RGB 142 82 62

HSL 15, 0.39%, 0.4%

LAB 41.43, 22.92, 22.46

 

CMYK 42 / 0 / 56 / 44

HEX #528E3E

RGB 82 142 62

HSL 105, 0.39%, 0.4%

LAB 53.48, -35.28, 36.14

 

Description

Color code: HEX #3E798E | qconv.com Color code: HEX #3E798E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 121 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 121 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 15 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 15% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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