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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E72C0 it is the complementary color #C18D3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E72C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E72C0 shade: #4372BB, #5484CE, #6596E1, #76A8F4 and #87BAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E72C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E72C0 shade: #3E72C0, #2D60AD, #1C4E9A, #0B3C87 and #002A74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E72C0 shade: #3E72C1, #3E4FC1, #513EC1, #743EC1 and #973EC1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E72C0 shade: #3E72C1, #3E4FC1 and #3E3EC1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E72C0 shade matches the following richer shades: #3E72C1, #2A6ED5, #156AEA and #0166FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E72C0 shade: #3E72C1, #5377AC, #687B97, #7C7F83 and #91836E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E72C0 shade: #3EB8C1, #3E95C1, #3E72C1, #3E50C1 and #503EC1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E72C0 shade: #2A4D82, #3460A1, #3E72C1, #5E89CB and #7DA0D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E72C0 shade: #3E72C0, #A73EC1 and #A7C13E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E72C0 shade: #3E72C0, #C13E72 and #72C13E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E72C0 shade: #3E72C0, #A73EC1, #C18D3E and #58C13E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E72C0 shade: #3E72C0, #C13EB4, #C18D3E and #3EC14B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 41 / 0 / 25

HEX #3E72C0

RGB 62 114 192

HSL 216, 0.51%, 0.5%

LAB 48.09, 8.3, -46.03

 

Complementary color

CMYK 0 / 27 / 67 / 24

HEX #C18D3F

RGB 193 141 63

HSL 36, 0.51%, 0.5%

LAB 62.29, 11.86, 48.1

 

CMYK 64 / 39 / 0 / 27

HEX #4372BB

RGB 67 114 187

HSL 216.5, 0.47%, 0.5%

LAB 48.03, 7.39, -43.23

 

CMYK 59 / 36 / 0 / 19

HEX #5484CE

RGB 84 132 206

HSL 216.39, 0.55%, 0.57%

LAB 54.91, 6.14, -43.14

 

CMYK 55 / 33 / 0 / 12

HEX #6596E1

RGB 101 150 225

HSL 216.29, 0.67%, 0.64%

LAB 61.67, 5.14, -43.08

 

CMYK 52 / 31 / 0 / 4

HEX #76A8F4

RGB 118 168 244

HSL 216.19, 0.85%, 0.71%

LAB 68.31, 4.32, -43.04

 

CMYK 47 / 27 / 0 / 0

HEX #87BAFF

RGB 135 186 255

HSL 214.5, 1%, 0.76%

LAB 74.5, 1.33, -39.25

 

CMYK 68 / 41 / 0 / 25

HEX #3E72C0

RGB 62 114 192

HSL 216, 0.51%, 0.5%

LAB 48.09, 8.3, -46.03

 

CMYK 74 / 45 / 0 / 32

HEX #2D60AD

RGB 45 96 173

HSL 216.09, 0.59%, 0.43%

LAB 41.12, 10.13, -46.13

 

CMYK 82 / 49 / 0 / 40

HEX #1C4E9A

RGB 28 78 154

HSL 216.19, 0.69%, 0.36%

LAB 34.04, 12.5, -46.2

 

CMYK 92 / 56 / 0 / 47

HEX #0B3C87

RGB 11 60 135

HSL 216.29, 0.85%, 0.29%

LAB 26.88, 15.64, -46.16

 

CMYK 100 / 64 / 0 / 55

HEX #002A74

RGB 0 42 116

HSL 218.28, 1%, 0.23%

LAB 19.71, 19.72, -45.87

 

CMYK 68 / 41 / 0 / 24

HEX #3E72C1

RGB 62 114 193

HSL 216.18, 0.51%, 0.5%

LAB 48.15, 8.66, -46.52

 

CMYK 68 / 59 / 0 / 24

HEX #3E4FC1

RGB 62 79 193

HSL 232.21, 0.51%, 0.5%

LAB 38.67, 30.97, -61.79

 

CMYK 58 / 68 / 0 / 24

HEX #513EC1

RGB 81 62 193

HSL 248.7, 0.51%, 0.5%

LAB 36.07, 44.2, -65.97

 

CMYK 40 / 68 / 0 / 24

HEX #743EC1

RGB 116 62 193

HSL 264.73, 0.51%, 0.5%

LAB 39.59, 50.4, -60.07

 

CMYK 22 / 68 / 0 / 24

HEX #973EC1

RGB 151 62 193

HSL 280.76, 0.51%, 0.5%

LAB 44.05, 57.67, -52.65

 

CMYK 68 / 41 / 0 / 24

HEX #3E72C1

RGB 62 114 193

HSL 216.18, 0.51%, 0.5%

LAB 48.15, 8.66, -46.52

 

CMYK 68 / 59 / 0 / 24

HEX #3E4FC1

RGB 62 79 193

HSL 232.21, 0.51%, 0.5%

LAB 38.67, 30.97, -61.79

 

CMYK 68 / 68 / 0 / 24

HEX #3E3EC1

RGB 62 62 193

HSL 240, 0.51%, 0.5%

LAB 34.64, 41.53, -68.37

 

CMYK 68 / 41 / 0 / 24

HEX #3E72C1

RGB 62 114 193

HSL 216.18, 0.51%, 0.5%

LAB 48.15, 8.66, -46.52

 

CMYK 80 / 48 / 0 / 16

HEX #2A6ED5

RGB 42 110 213

HSL 216.14, 0.67%, 0.5%

LAB 47.56, 16.03, -58.95

 

CMYK 91 / 55 / 0 / 8

HEX #156AEA

RGB 21 106 234

HSL 216.06, 0.84%, 0.5%

LAB 47.51, 25.22, -70.93

 

CMYK 100 / 60 / 0 / 0

HEX #0166FE

RGB 1 102 254

HSL 216.05, 0.99%, 0.5%

LAB 47.84, 34.85, -81.58

 

CMYK 68 / 41 / 0 / 24

HEX #3E72C1

RGB 62 114 193

HSL 216.18, 0.51%, 0.5%

LAB 48.15, 8.66, -46.52

 

CMYK 52 / 31 / 0 / 33

HEX #5377AC

RGB 83 119 172

HSL 215.73, 0.35%, 0.5%

LAB 49.51, 2.68, -32.15

 

CMYK 31 / 19 / 0 / 41

HEX #687B97

RGB 104 123 151

HSL 215.74, 0.18%, 0.5%

LAB 51.09, -0.04, -17.37

 

CMYK 5 / 3 / 0 / 49

HEX #7C7F83

RGB 124 127 131

HSL 214.29, 0.03%, 0.5%

LAB 53.06, -0.29, -2.56

 

CMYK 0 / 10 / 24 / 43

HEX #91836E

RGB 145 131 110

HSL 36, 0.14%, 0.5%

LAB 55.46, 1.78, 13.29

 

CMYK 68 / 5 / 0 / 24

HEX #3EB8C1

RGB 62 184 193

HSL 184.12, 0.51%, 0.5%

LAB 68.86, -30.14, -14.39

 

CMYK 68 / 23 / 0 / 24

HEX #3E95C1

RGB 62 149 193

HSL 200.15, 0.51%, 0.5%

LAB 58.39, -11.97, -30.41

 

CMYK 68 / 41 / 0 / 24

HEX #3E72C1

RGB 62 114 193

HSL 216.18, 0.51%, 0.5%

LAB 48.15, 8.66, -46.52

 

CMYK 68 / 59 / 0 / 24

HEX #3E50C1

RGB 62 80 193

HSL 231.76, 0.51%, 0.5%

LAB 38.92, 30.33, -61.38

 

CMYK 59 / 68 / 0 / 24

HEX #503EC1

RGB 80 62 193

HSL 248.24, 0.51%, 0.5%

LAB 35.99, 44.04, -66.11

 

CMYK 68 / 41 / 0 / 49

HEX #2A4D82

RGB 42 77 130

HSL 216.14, 0.51%, 0.34%

LAB 32.73, 5.74, -33.61

 

CMYK 68 / 40 / 0 / 37

HEX #3460A1

RGB 52 96 161

HSL 215.78, 0.51%, 0.42%

LAB 40.69, 6.72, -39.71

 

CMYK 68 / 41 / 0 / 24

HEX #3E72C1

RGB 62 114 193

HSL 216.18, 0.51%, 0.5%

LAB 48.15, 8.66, -46.52

 

CMYK 54 / 33 / 0 / 20

HEX #5E89CB

RGB 94 137 203

HSL 216.33, 0.51%, 0.58%

LAB 56.67, 4.3, -38.65

 

CMYK 41 / 25 / 0 / 16

HEX #7DA0D5

RGB 125 160 213

HSL 216.14, 0.51%, 0.66%

LAB 65.2, 1.54, -30.8

 

CMYK 68 / 41 / 0 / 25

HEX #3E72C0

RGB 62 114 192

HSL 216, 0.51%, 0.5%

LAB 48.09, 8.3, -46.03

 

CMYK 13 / 68 / 0 / 24

HEX #A73EC1

RGB 167 62 193

HSL 288.09, 0.51%, 0.5%

LAB 46.33, 61.19, -48.88

 

CMYK 13 / 0 / 68 / 24

HEX #A7C13E

RGB 167 193 62

HSL 71.91, 0.51%, 0.5%

LAB 74, -26.58, 60.14

 

CMYK 68 / 41 / 0 / 25

HEX #3E72C0

RGB 62 114 192

HSL 216, 0.51%, 0.5%

LAB 48.09, 8.3, -46.03

 

CMYK 0 / 68 / 41 / 24

HEX #C13E72

RGB 193 62 114

HSL 336.18, 0.51%, 0.5%

LAB 46.97, 56.25, -0.37

 

CMYK 41 / 0 / 68 / 24

HEX #72C13E

RGB 114 193 62

HSL 96.18, 0.51%, 0.5%

LAB 70.92, -46.45, 55.98

 

CMYK 68 / 41 / 0 / 25

HEX #3E72C0

RGB 62 114 192

HSL 216, 0.51%, 0.5%

LAB 48.09, 8.3, -46.03

 

CMYK 13 / 68 / 0 / 24

HEX #A73EC1

RGB 167 62 193

HSL 288.09, 0.51%, 0.5%

LAB 46.33, 61.19, -48.88

 

CMYK 0 / 27 / 68 / 24

HEX #C18D3E

RGB 193 141 62

HSL 36.18, 0.51%, 0.5%

LAB 62.28, 11.8, 48.56

 

CMYK 54 / 0 / 68 / 24

HEX #58C13E

RGB 88 193 62

HSL 108.09, 0.51%, 0.5%

LAB 69.87, -54.25, 54.55

 

CMYK 68 / 41 / 0 / 25

HEX #3E72C0

RGB 62 114 192

HSL 216, 0.51%, 0.5%

LAB 48.09, 8.3, -46.03

 

CMYK 0 / 68 / 7 / 24

HEX #C13EB4

RGB 193 62 180

HSL 305.95, 0.51%, 0.5%

LAB 49.59, 64.95, -35.87

 

CMYK 0 / 27 / 68 / 24

HEX #C18D3E

RGB 193 141 62

HSL 36.18, 0.51%, 0.5%

LAB 62.28, 11.8, 48.56

 

CMYK 68 / 0 / 61 / 24

HEX #3EC14B

RGB 62 193 75

HSL 125.95, 0.51%, 0.5%

LAB 69.24, -58.89, 48.13

 

Description

Color code: HEX #3E72C0 | qconv.com Color code: HEX #3E72C0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 114 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 114 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 41 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 41% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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