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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E6D15 it is the complementary color #C192EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E6D15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E6D15 shade: #436D10, #547F23, #659136, #76A349 and #87B55C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E6D15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E6D15 shade: #3E6D15, #2D5B02, #1C4900, #0B3700 and #002500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E6D15 shade: #3C6B14, #546B14, #6B6A14, #6B5314 and #6B3B14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E6D15 shade: #3C6B14, #256B14, #146B1A, #146B32 and #146B49

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E6D15 shade matches the following richer shades: #3C6B14 and #3C750A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E6D15 shade: #3C6B14, #3D601E, #3E5629, #3E4C33 and #3F413D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E6D15 shade: #6B6B14, #536B14, #3C6B14, #256B14 and #146B1A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E6D15 shade: #152507, #29480D, #3C6B14, #508D1B and #64B021

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E6D15 shade: #3E6D15, #146B53 and #6B145F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E6D15 shade: #3E6D15, #143C6B and #6B143C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E6D15 shade: #3E6D15, #146B53, #42146B and #6B142B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E6D15 shade: #3E6D15, #14686B, #42146B and #6B1714

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 81 / 57

HEX #3E6D15

RGB 62 109 21

HSL 92.05, 0.68%, 0.25%

LAB 41.24, -31.41, 40.89

 

Complementary color

CMYK 18 / 38 / 0 / 8

HEX #C192EA

RGB 193 146 234

HSL 272.05, 0.68%, 0.75%

LAB 67.9, 34.1, -37.8

 

CMYK 39 / 0 / 85 / 57

HEX #436D10

RGB 67 109 16

HSL 87.1, 0.74%, 0.25%

LAB 41.48, -29.77, 42.85

 

CMYK 34 / 0 / 72 / 50

HEX #547F23

RGB 84 127 35

HSL 88.04, 0.57%, 0.32%

LAB 48.49, -30.33, 43.09

 

CMYK 30 / 0 / 63 / 43

HEX #659136

RGB 101 145 54

HSL 89.01, 0.46%, 0.39%

LAB 55.36, -30.62, 42.42

 

CMYK 28 / 0 / 55 / 36

HEX #76A349

RGB 118 163 73

HSL 90, 0.38%, 0.46%

LAB 62.11, -30.74, 41.38

 

CMYK 25 / 0 / 49 / 29

HEX #87B55C

RGB 135 181 92

HSL 91.01, 0.38%, 0.54%

LAB 68.73, -30.76, 40.22

 

CMYK 43 / 0 / 81 / 57

HEX #3E6D15

RGB 62 109 21

HSL 92.05, 0.68%, 0.25%

LAB 41.24, -31.41, 40.89

 

CMYK 51 / 0 / 98 / 64

HEX #2D5B02

RGB 45 91 2

HSL 91.01, 0.96%, 0.18%

LAB 34.08, -30.59, 39.99

 

CMYK 62 / 0 / 100 / 71

HEX #1C4900

RGB 28 73 0

HSL 96.99, 1%, 0.14%

LAB 26.77, -28.8, 34.47

 

CMYK 80 / 0 / 100 / 78

HEX #0B3700

RGB 11 55 0

HSL 108, 1%, 0.11%

LAB 19.24, -26.36, 26.56

 

CMYK 100 / 0 / 100 / 85

HEX #002500

RGB 0 37 0

HSL 120, 1%, 0.07%

LAB 11.44, -22.19, 16.56

 

CMYK 44 / 0 / 81 / 58

HEX #3C6B14

RGB 60 107 20

HSL 92.41, 0.69%, 0.25%

LAB 40.45, -31.31, 40.45

 

CMYK 21 / 0 / 81 / 58

HEX #546B14

RGB 84 107 20

HSL 75.86, 0.69%, 0.25%

LAB 41.92, -21.44, 42.36

 

CMYK 0 / 1 / 81 / 58

HEX #6B6A14

RGB 107 106 20

HSL 59.31, 0.69%, 0.25%

LAB 43.48, -10.22, 44.48

 

CMYK 0 / 22 / 81 / 58

HEX #6B5314

RGB 107 83 20

HSL 43.45, 0.69%, 0.25%

LAB 36.67, 3.22, 38.23

 

CMYK 0 / 45 / 81 / 58

HEX #6B3B14

RGB 107 59 20

HSL 26.9, 0.69%, 0.25%

LAB 30.17, 17.85, 31.98

 

CMYK 44 / 0 / 81 / 58

HEX #3C6B14

RGB 60 107 20

HSL 92.41, 0.69%, 0.25%

LAB 40.45, -31.31, 40.45

 

CMYK 65 / 0 / 81 / 58

HEX #256B14

RGB 37 107 20

HSL 108.28, 0.69%, 0.25%

LAB 39.51, -38.58, 39.22

 

CMYK 81 / 0 / 76 / 58

HEX #146B1A

RGB 20 107 26

HSL 124.14, 0.69%, 0.25%

LAB 39.14, -41.57, 36.4

 

CMYK 81 / 0 / 53 / 58

HEX #146B32

RGB 20 107 50

HSL 140.69, 0.69%, 0.25%

LAB 39.4, -38.38, 24.88

 

CMYK 81 / 0 / 32 / 58

HEX #146B49

RGB 20 107 73

HSL 156.55, 0.69%, 0.25%

LAB 39.82, -33.57, 12.14

 

CMYK 44 / 0 / 81 / 58

HEX #3C6B14

RGB 60 107 20

HSL 92.41, 0.69%, 0.25%

LAB 40.45, -31.31, 40.45

 

CMYK 49 / 0 / 91 / 54

HEX #3C750A

RGB 60 117 10

HSL 91.96, 0.84%, 0.25%

LAB 43.81, -36.14, 46.3

 

CMYK 44 / 0 / 81 / 58

HEX #3C6B14

RGB 60 107 20

HSL 92.41, 0.69%, 0.25%

LAB 40.45, -31.31, 40.45

 

CMYK 36 / 0 / 69 / 62

HEX #3D601E

RGB 61 96 30

HSL 91.82, 0.52%, 0.25%

LAB 36.84, -24.96, 32.65

 

CMYK 28 / 0 / 52 / 66

HEX #3E5629

RGB 62 86 41

HSL 92, 0.35%, 0.25%

LAB 33.65, -18.12, 23.18

 

CMYK 18 / 0 / 33 / 70

HEX #3E4C33

RGB 62 76 51

HSL 93.6, 0.2%, 0.25%

LAB 30.48, -10.9, 13.09

 

CMYK 3 / 0 / 6 / 75

HEX #3F413D

RGB 63 65 61

HSL 90, 0.03%, 0.25%

LAB 27.23, -1.73, 2.14

 

CMYK 0 / 0 / 81 / 58

HEX #6B6B14

RGB 107 107 20

HSL 60, 0.69%, 0.25%

LAB 43.79, -10.78, 44.75

 

CMYK 22 / 0 / 81 / 58

HEX #536B14

RGB 83 107 20

HSL 76.55, 0.69%, 0.25%

LAB 41.85, -21.88, 42.27

 

CMYK 44 / 0 / 81 / 58

HEX #3C6B14

RGB 60 107 20

HSL 92.41, 0.69%, 0.25%

LAB 40.45, -31.31, 40.45

 

CMYK 65 / 0 / 81 / 58

HEX #256B14

RGB 37 107 20

HSL 108.28, 0.69%, 0.25%

LAB 39.51, -38.58, 39.22

 

CMYK 81 / 0 / 76 / 58

HEX #146B1A

RGB 20 107 26

HSL 124.14, 0.69%, 0.25%

LAB 39.14, -41.57, 36.4

 

CMYK 43 / 0 / 81 / 85

HEX #152507

RGB 21 37 7

HSL 92, 0.68%, 0.09%

LAB 12.59, -13.36, 15.47

 

CMYK 43 / 0 / 82 / 72

HEX #29480D

RGB 41 72 13

HSL 91.53, 0.69%, 0.17%

LAB 27.12, -22.66, 29.86

 

CMYK 44 / 0 / 81 / 58

HEX #3C6B14

RGB 60 107 20

HSL 92.41, 0.69%, 0.25%

LAB 40.45, -31.31, 40.45

 

CMYK 43 / 0 / 81 / 45

HEX #508D1B

RGB 80 141 27

HSL 92.11, 0.68%, 0.33%

LAB 52.77, -38.59, 50.08

 

CMYK 43 / 0 / 81 / 31

HEX #64B021

RGB 100 176 33

HSL 91.89, 0.68%, 0.41%

LAB 64.86, -45.99, 59.8

 

CMYK 43 / 0 / 81 / 57

HEX #3E6D15

RGB 62 109 21

HSL 92.05, 0.68%, 0.25%

LAB 41.24, -31.41, 40.89

 

CMYK 81 / 0 / 22 / 58

HEX #146B53

RGB 20 107 83

HSL 163.45, 0.69%, 0.25%

LAB 40.06, -31, 6.46

 

CMYK 0 / 81 / 11 / 58

HEX #6B145F

RGB 107 20 95

HSL 308.28, 0.69%, 0.25%

LAB 25.11, 45.32, -22.95

 

CMYK 43 / 0 / 81 / 57

HEX #3E6D15

RGB 62 109 21

HSL 92.05, 0.68%, 0.25%

LAB 41.24, -31.41, 40.89

 

CMYK 81 / 44 / 0 / 58

HEX #143C6B

RGB 20 60 107

HSL 212.41, 0.69%, 0.25%

LAB 25.08, 4.58, -31.37

 

CMYK 0 / 81 / 44 / 58

HEX #6B143C

RGB 107 20 60

HSL 332.41, 0.69%, 0.25%

LAB 23.51, 40.55, -1.84

 

CMYK 43 / 0 / 81 / 57

HEX #3E6D15

RGB 62 109 21

HSL 92.05, 0.68%, 0.25%

LAB 41.24, -31.41, 40.89

 

CMYK 81 / 0 / 22 / 58

HEX #146B53

RGB 20 107 83

HSL 163.45, 0.69%, 0.25%

LAB 40.06, -31, 6.46

 

CMYK 38 / 81 / 0 / 58

HEX #42146B

RGB 66 20 107

HSL 271.72, 0.69%, 0.25%

LAB 18.89, 38.84, -41.19

 

CMYK 0 / 81 / 60 / 58

HEX #6B142B

RGB 107 20 43

HSL 344.14, 0.69%, 0.25%

LAB 23, 38.95, 9.19

 

CMYK 43 / 0 / 81 / 57

HEX #3E6D15

RGB 62 109 21

HSL 92.05, 0.68%, 0.25%

LAB 41.24, -31.41, 40.89

 

CMYK 81 / 3 / 0 / 58

HEX #14686B

RGB 20 104 107

HSL 182.07, 0.69%, 0.25%

LAB 39.77, -22.24, -8.59

 

CMYK 38 / 81 / 0 / 58

HEX #42146B

RGB 66 20 107

HSL 271.72, 0.69%, 0.25%

LAB 18.89, 38.84, -41.19

 

CMYK 0 / 79 / 81 / 58

HEX #6B1714

RGB 107 23 20

HSL 2.07, 0.69%, 0.25%

LAB 22.96, 36.49, 24.59

 

Description

Color code: HEX #3E6D15 | qconv.com Color code: HEX #3E6D15 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 109 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 109 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 81 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 81% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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