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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E6CC3 it is the complementary color #C1933C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E6CC3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E6CC3 shade: #436CBE, #547ED1, #6590E4, #76A2F7 and #87B4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E6CC3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E6CC3 shade: #3E6CC3, #2D5AB0, #1C489D, #0B368A and #002477

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E6CC3 shade: #3C6BC3, #3C46C3, #563CC3, #7B3CC3 and #9F3CC3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E6CC3 shade: #3C6BC3, #3C46C3 and #3C3CC3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E6CC3 shade matches the following richer shades: #3C6BC3, #2764D8 and #135EEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E6CC3 shade: #3C6BC3, #5171AE, #65779A, #7A7E85 and #8E8471

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E6CC3 shade: #3CB3C3, #3C8FC3, #3C6BC3, #3C47C3 and #553CC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E6CC3 shade: #294884, #3259A4, #3C6BC3, #5B83CD and #7B9BD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E6CC3 shade: #3E6CC3, #AF3CC3 and #A1C33C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E6CC3 shade: #3E6CC3, #C33C6B and #6BC33C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E6CC3 shade: #3E6CC3, #AF3CC3, #C3943C and #50C33C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E6CC3 shade: #3E6CC3, #C33CAF, #C3943C and #3CC350

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 45 / 0 / 24

HEX #3E6CC3

RGB 62 108 195

HSL 219.25, 0.53%, 0.5%

LAB 46.56, 13.14, -50.2

 

Complementary color

CMYK 0 / 24 / 69 / 24

HEX #C1933C

RGB 193 147 60

HSL 39.25, 0.53%, 0.5%

LAB 63.78, 8.4, 51.07

 

CMYK 65 / 43 / 0 / 25

HEX #436CBE

RGB 67 108 190

HSL 220, 0.49%, 0.5%

LAB 46.49, 12.19, -47.41

 

CMYK 60 / 40 / 0 / 18

HEX #547ED1

RGB 84 126 209

HSL 219.84, 0.58%, 0.57%

LAB 53.4, 10.76, -47.24

 

CMYK 56 / 37 / 0 / 11

HEX #6590E4

RGB 101 144 228

HSL 219.69, 0.7%, 0.65%

LAB 60.17, 9.6, -47.1

 

CMYK 52 / 34 / 0 / 3

HEX #76A2F7

RGB 118 162 247

HSL 219.53, 0.89%, 0.72%

LAB 66.83, 8.65, -46.99

 

CMYK 47 / 29 / 0 / 0

HEX #87B4FF

RGB 135 180 255

HSL 217.5, 1%, 0.76%

LAB 72.9, 4.66, -41.75

 

CMYK 68 / 45 / 0 / 24

HEX #3E6CC3

RGB 62 108 195

HSL 219.25, 0.53%, 0.5%

LAB 46.56, 13.14, -50.2

 

CMYK 74 / 49 / 0 / 31

HEX #2D5AB0

RGB 45 90 176

HSL 219.39, 0.59%, 0.43%

LAB 39.59, 15.17, -50.36

 

CMYK 82 / 54 / 0 / 38

HEX #1C489D

RGB 28 72 157

HSL 219.53, 0.7%, 0.36%

LAB 32.52, 17.78, -50.48

 

CMYK 92 / 61 / 0 / 46

HEX #0B368A

RGB 11 54 138

HSL 219.69, 0.85%, 0.29%

LAB 25.4, 21.15, -50.45

 

CMYK 100 / 70 / 0 / 53

HEX #002477

RGB 0 36 119

HSL 221.85, 1%, 0.23%

LAB 18.34, 25.34, -50.04

 

CMYK 69 / 45 / 0 / 24

HEX #3C6BC3

RGB 60 107 195

HSL 219.11, 0.53%, 0.5%

LAB 46.2, 13.46, -50.79

 

CMYK 69 / 64 / 0 / 24

HEX #3C46C3

RGB 60 70 195

HSL 235.56, 0.53%, 0.5%

LAB 36.52, 37.07, -66.47

 

CMYK 56 / 69 / 0 / 24

HEX #563CC3

RGB 86 60 195

HSL 251.56, 0.53%, 0.5%

LAB 36.27, 46.7, -66.79

 

CMYK 37 / 69 / 0 / 24

HEX #7B3CC3

RGB 123 60 195

HSL 268, 0.53%, 0.5%

LAB 40.22, 53.25, -60.19

 

CMYK 18 / 69 / 0 / 24

HEX #9F3CC3

RGB 159 60 195

HSL 284, 0.53%, 0.5%

LAB 45, 60.65, -52.23

 

CMYK 69 / 45 / 0 / 24

HEX #3C6BC3

RGB 60 107 195

HSL 219.11, 0.53%, 0.5%

LAB 46.2, 13.46, -50.79

 

CMYK 69 / 64 / 0 / 24

HEX #3C46C3

RGB 60 70 195

HSL 235.56, 0.53%, 0.5%

LAB 36.52, 37.07, -66.47

 

CMYK 69 / 69 / 0 / 24

HEX #3C3CC3

RGB 60 60 195

HSL 240, 0.53%, 0.5%

LAB 34.26, 43.15, -70.18

 

CMYK 69 / 45 / 0 / 24

HEX #3C6BC3

RGB 60 107 195

HSL 219.11, 0.53%, 0.5%

LAB 46.2, 13.46, -50.79

 

CMYK 82 / 54 / 0 / 15

HEX #2764D8

RGB 39 100 216

HSL 219.32, 0.69%, 0.5%

LAB 44.95, 23.3, -64.89

 

CMYK 92 / 60 / 0 / 7

HEX #135EEC

RGB 19 94 236

HSL 219.26, 0.85%, 0.5%

LAB 44.52, 33.59, -76.93

 

CMYK 69 / 45 / 0 / 24

HEX #3C6BC3

RGB 60 107 195

HSL 219.11, 0.53%, 0.5%

LAB 46.2, 13.46, -50.79

 

CMYK 53 / 35 / 0 / 32

HEX #5171AE

RGB 81 113 174

HSL 219.35, 0.36%, 0.5%

LAB 47.77, 6.49, -36.05

 

CMYK 34 / 23 / 0 / 40

HEX #65779A

RGB 101 119 154

HSL 219.62, 0.21%, 0.5%

LAB 49.85, 2.21, -21.03

 

CMYK 8 / 5 / 0 / 48

HEX #7A7E85

RGB 122 126 133

HSL 218.18, 0.04%, 0.5%

LAB 52.68, -0.02, -4.31

 

CMYK 0 / 7 / 20 / 44

HEX #8E8471

RGB 142 132 113

HSL 39.31, 0.11%, 0.5%

LAB 55.53, 0.47, 11.62

 

CMYK 69 / 8 / 0 / 24

HEX #3CB3C3

RGB 60 179 195

HSL 187.11, 0.53%, 0.5%

LAB 67.38, -27.37, -17.74

 

CMYK 69 / 27 / 0 / 24

HEX #3C8FC3

RGB 60 143 195

HSL 203.11, 0.53%, 0.5%

LAB 56.63, -8.24, -34.28

 

CMYK 69 / 45 / 0 / 24

HEX #3C6BC3

RGB 60 107 195

HSL 219.11, 0.53%, 0.5%

LAB 46.2, 13.46, -50.79

 

CMYK 69 / 64 / 0 / 24

HEX #3C47C3

RGB 60 71 195

HSL 235.11, 0.53%, 0.5%

LAB 36.76, 36.45, -66.08

 

CMYK 56 / 69 / 0 / 24

HEX #553CC3

RGB 85 60 195

HSL 251.11, 0.53%, 0.5%

LAB 36.18, 46.55, -66.95

 

CMYK 69 / 45 / 0 / 48

HEX #294884

RGB 41 72 132

HSL 219.56, 0.53%, 0.34%

LAB 31.28, 9.67, -37.15

 

CMYK 70 / 46 / 0 / 36

HEX #3259A4

RGB 50 89 164

HSL 219.47, 0.53%, 0.42%

LAB 38.73, 12.02, -44.62

 

CMYK 69 / 45 / 0 / 24

HEX #3C6BC3

RGB 60 107 195

HSL 219.11, 0.53%, 0.5%

LAB 46.2, 13.46, -50.79

 

CMYK 56 / 36 / 0 / 20

HEX #5B83CD

RGB 91 131 205

HSL 218.95, 0.53%, 0.58%

LAB 54.93, 7.85, -42.52

 

CMYK 43 / 28 / 0 / 16

HEX #7B9BD6

RGB 123 155 214

HSL 218.9, 0.53%, 0.66%

LAB 63.76, 4.14, -33.61

 

CMYK 68 / 45 / 0 / 24

HEX #3E6CC3

RGB 62 108 195

HSL 219.25, 0.53%, 0.5%

LAB 46.56, 13.14, -50.2

 

CMYK 10 / 69 / 0 / 24

HEX #AF3CC3

RGB 175 60 195

HSL 291.11, 0.53%, 0.5%

LAB 47.35, 64.12, -48.34

 

CMYK 17 / 0 / 69 / 24

HEX #A1C33C

RGB 161 195 60

HSL 75.11, 0.53%, 0.5%

LAB 74.15, -30.09, 60.92

 

CMYK 68 / 45 / 0 / 24

HEX #3E6CC3

RGB 62 108 195

HSL 219.25, 0.53%, 0.5%

LAB 46.56, 13.14, -50.2

 

CMYK 0 / 69 / 45 / 24

HEX #C33C6B

RGB 195 60 107

HSL 339.11, 0.53%, 0.5%

LAB 46.84, 56.92, 3.76

 

CMYK 45 / 0 / 69 / 24

HEX #6BC33C

RGB 107 195 60

HSL 99.11, 0.53%, 0.5%

LAB 71.2, -49.66, 56.96

 

CMYK 68 / 45 / 0 / 24

HEX #3E6CC3

RGB 62 108 195

HSL 219.25, 0.53%, 0.5%

LAB 46.56, 13.14, -50.2

 

CMYK 10 / 69 / 0 / 24

HEX #AF3CC3

RGB 175 60 195

HSL 291.11, 0.53%, 0.5%

LAB 47.35, 64.12, -48.34

 

CMYK 0 / 24 / 69 / 24

HEX #C3943C

RGB 195 148 60

HSL 39.11, 0.53%, 0.5%

LAB 64.25, 8.73, 51.63

 

CMYK 59 / 0 / 69 / 24

HEX #50C33C

RGB 80 195 60

HSL 111.11, 0.53%, 0.5%

LAB 70.22, -57.2, 55.63

 

CMYK 68 / 45 / 0 / 24

HEX #3E6CC3

RGB 62 108 195

HSL 219.25, 0.53%, 0.5%

LAB 46.56, 13.14, -50.2

 

CMYK 0 / 69 / 10 / 24

HEX #C33CAF

RGB 195 60 175

HSL 308.89, 0.53%, 0.5%

LAB 49.41, 65.39, -33.2

 

CMYK 0 / 24 / 69 / 24

HEX #C3943C

RGB 195 148 60

HSL 39.11, 0.53%, 0.5%

LAB 64.25, 8.73, 51.63

 

CMYK 69 / 0 / 59 / 24

HEX #3CC350

RGB 60 195 80

HSL 128.89, 0.53%, 0.5%

LAB 69.87, -59.35, 46.59

 

Description

Color code: HEX #3E6CC3 | qconv.com Color code: HEX #3E6CC3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 108 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 108 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 45 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 45% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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