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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E6CB8 it is the complementary color #C19347. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E6CB8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E6CB8 shade: #436CB3, #547EC6, #6590D9, #76A2EC and #87B4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E6CB8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E6CB8 shade: #3E6CB8, #2D5AA5, #1C4892, #0B367F and #00246C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E6CB8 shade: #3D6BB8, #3D4AB8, #513DB8, #723DB8 and #933DB8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E6CB8 shade: #3D6BB8, #3D4AB8 and #3D3DB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E6CB8 shade matches the following richer shades: #3D6BB8, #2966CB, #1662DF and #025DF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E6CB8 shade: #3D6BB8, #5170A4, #657590, #797A7C and #8C7F68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E6CB8 shade: #3DADB8, #3D8DB8, #3D6CB8, #3D4BB8 and #503DB8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E6CB8 shade: #29477A, #335999, #3D6BB8, #5781C7 and #7698D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E6CB8 shade: #3E6CB8, #A13DB8 and #9DB83D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E6CB8 shade: #3E6CB8, #B83D6C and #6CB83D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E6CB8 shade: #3E6CB8, #A13DB8, #B8893D and #54B83D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E6CB8 shade: #3E6CB8, #B83DA9, #B8893D and #3DB84B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 41 / 0 / 28

HEX #3E6CB8

RGB 62 108 184

HSL 217.38, 0.5%, 0.48%

LAB 45.92, 9.18, -44.86

 

Complementary color

CMYK 0 / 24 / 63 / 24

HEX #C19347

RGB 193 147 71

HSL 37.38, 0.5%, 0.52%

LAB 63.88, 9.08, 46.03

 

CMYK 63 / 40 / 0 / 30

HEX #436CB3

RGB 67 108 179

HSL 218.04, 0.46%, 0.48%

LAB 45.87, 8.32, -42.02

 

CMYK 58 / 36 / 0 / 22

HEX #547EC6

RGB 84 126 198

HSL 217.89, 0.5%, 0.55%

LAB 52.82, 7.11, -41.9

 

CMYK 53 / 34 / 0 / 15

HEX #6590D9

RGB 101 144 217

HSL 217.76, 0.6%, 0.62%

LAB 59.64, 6.13, -41.82

 

CMYK 50 / 31 / 0 / 7

HEX #76A2EC

RGB 118 162 236

HSL 217.63, 0.76%, 0.69%

LAB 66.33, 5.33, -41.77

 

CMYK 47 / 29 / 0 / 0

HEX #87B4FF

RGB 135 180 255

HSL 217.5, 1%, 0.76%

LAB 72.9, 4.66, -41.75

 

CMYK 66 / 41 / 0 / 28

HEX #3E6CB8

RGB 62 108 184

HSL 217.38, 0.5%, 0.48%

LAB 45.92, 9.18, -44.86

 

CMYK 73 / 45 / 0 / 35

HEX #2D5AA5

RGB 45 90 165

HSL 217.5, 0.57%, 0.41%

LAB 38.88, 10.98, -44.99

 

CMYK 81 / 51 / 0 / 43

HEX #1C4892

RGB 28 72 146

HSL 217.63, 0.68%, 0.34%

LAB 31.71, 13.34, -45.1

 

CMYK 91 / 57 / 0 / 50

HEX #0B367F

RGB 11 54 127

HSL 217.76, 0.84%, 0.27%

LAB 24.46, 16.5, -45.1

 

CMYK 100 / 67 / 0 / 58

HEX #00246C

RGB 0 36 108

HSL 220, 1%, 0.21%

LAB 17.2, 20.63, -44.81

 

CMYK 67 / 42 / 0 / 28

HEX #3D6BB8

RGB 61 107 184

HSL 217.56, 0.5%, 0.48%

LAB 45.59, 9.64, -45.39

 

CMYK 67 / 60 / 0 / 28

HEX #3D4AB8

RGB 61 74 184

HSL 233.66, 0.5%, 0.48%

LAB 36.65, 30.84, -59.8

 

CMYK 56 / 67 / 0 / 28

HEX #513DB8

RGB 81 61 184

HSL 249.76, 0.5%, 0.48%

LAB 35.1, 42, -62.27

 

CMYK 38 / 67 / 0 / 28

HEX #723DB8

RGB 114 61 184

HSL 265.85, 0.5%, 0.48%

LAB 38.51, 48.19, -56.57

 

CMYK 20 / 67 / 0 / 28

HEX #933DB8

RGB 147 61 184

HSL 281.95, 0.5%, 0.48%

LAB 42.77, 55.33, -49.49

 

CMYK 67 / 42 / 0 / 28

HEX #3D6BB8

RGB 61 107 184

HSL 217.56, 0.5%, 0.48%

LAB 45.59, 9.64, -45.39

 

CMYK 67 / 60 / 0 / 28

HEX #3D4AB8

RGB 61 74 184

HSL 233.66, 0.5%, 0.48%

LAB 36.65, 30.84, -59.8

 

CMYK 67 / 67 / 0 / 28

HEX #3D3DB8

RGB 61 61 184

HSL 240, 0.5%, 0.48%

LAB 33.54, 38.98, -64.88

 

CMYK 67 / 42 / 0 / 28

HEX #3D6BB8

RGB 61 107 184

HSL 217.56, 0.5%, 0.48%

LAB 45.59, 9.64, -45.39

 

CMYK 80 / 50 / 0 / 20

HEX #2966CB

RGB 41 102 203

HSL 217.41, 0.66%, 0.48%

LAB 44.64, 17.23, -57.94

 

CMYK 90 / 56 / 0 / 13

HEX #1662DF

RGB 22 98 223

HSL 217.31, 0.82%, 0.48%

LAB 44.57, 26.17, -69.5

 

CMYK 99 / 62 / 0 / 5

HEX #025DF3

RGB 2 93 243

HSL 217.34, 0.98%, 0.48%

LAB 44.68, 36.43, -80.61

 

CMYK 67 / 42 / 0 / 28

HEX #3D6BB8

RGB 61 107 184

HSL 217.56, 0.5%, 0.48%

LAB 45.59, 9.64, -45.39

 

CMYK 51 / 32 / 0 / 36

HEX #5170A4

RGB 81 112 164

HSL 217.59, 0.34%, 0.48%

LAB 47, 3.89, -31.42

 

CMYK 30 / 19 / 0 / 44

HEX #657590

RGB 101 117 144

HSL 217.67, 0.18%, 0.48%

LAB 48.89, 0.71, -16.63

 

CMYK 2 / 2 / 0 / 51

HEX #797A7C

RGB 121 122 124

HSL 220, 0.01%, 0.48%

LAB 51.2, 0.03, -1.23

 

CMYK 0 / 9 / 26 / 45

HEX #8C7F68

RGB 140 127 104

HSL 38.33, 0.15%, 0.48%

LAB 53.76, 1.1, 14.32

 

CMYK 67 / 6 / 0 / 28

HEX #3DADB8

RGB 61 173 184

HSL 185.37, 0.5%, 0.48%

LAB 65.23, -27.57, -14.89

 

CMYK 67 / 23 / 0 / 28

HEX #3D8DB8

RGB 61 141 184

HSL 200.98, 0.5%, 0.48%

LAB 55.59, -10.67, -29.66

 

CMYK 67 / 41 / 0 / 28

HEX #3D6CB8

RGB 61 108 184

HSL 217.07, 0.5%, 0.48%

LAB 45.88, 9.01, -44.93

 

CMYK 67 / 59 / 0 / 28

HEX #3D4BB8

RGB 61 75 184

HSL 233.17, 0.5%, 0.48%

LAB 36.9, 30.2, -59.39

 

CMYK 57 / 67 / 0 / 28

HEX #503DB8

RGB 80 61 184

HSL 249.27, 0.5%, 0.48%

LAB 35.01, 41.83, -62.42

 

CMYK 66 / 42 / 0 / 52

HEX #29477A

RGB 41 71 122

HSL 217.78, 0.5%, 0.32%

LAB 30.36, 6.52, -32.4

 

CMYK 67 / 42 / 0 / 40

HEX #335999

RGB 51 89 153

HSL 217.65, 0.5%, 0.4%

LAB 38.11, 8.11, -39.03

 

CMYK 67 / 42 / 0 / 28

HEX #3D6BB8

RGB 61 107 184

HSL 217.56, 0.5%, 0.48%

LAB 45.59, 9.64, -45.39

 

CMYK 56 / 35 / 0 / 22

HEX #5781C7

RGB 87 129 199

HSL 217.5, 0.5%, 0.56%

LAB 53.87, 6.26, -40.81

 

CMYK 44 / 27 / 0 / 18

HEX #7698D1

RGB 118 152 209

HSL 217.58, 0.5%, 0.64%

LAB 62.43, 3.15, -32.91

 

CMYK 66 / 41 / 0 / 28

HEX #3E6CB8

RGB 62 108 184

HSL 217.38, 0.5%, 0.48%

LAB 45.92, 9.18, -44.86

 

CMYK 13 / 67 / 0 / 28

HEX #A13DB8

RGB 161 61 184

HSL 288.78, 0.5%, 0.48%

LAB 44.77, 58.51, -46.17

 

CMYK 15 / 0 / 67 / 28

HEX #9DB83D

RGB 157 184 61

HSL 73.17, 0.5%, 0.48%

LAB 70.72, -26.38, 56.94

 

CMYK 66 / 41 / 0 / 28

HEX #3E6CB8

RGB 62 108 184

HSL 217.38, 0.5%, 0.48%

LAB 45.92, 9.18, -44.86

 

CMYK 0 / 67 / 41 / 28

HEX #B83D6C

RGB 184 61 108

HSL 337.07, 0.5%, 0.48%

LAB 45.1, 53.31, 0.38

 

CMYK 41 / 0 / 67 / 28

HEX #6CB83D

RGB 108 184 61

HSL 97.07, 0.5%, 0.48%

LAB 67.88, -44.78, 53.08

 

CMYK 66 / 41 / 0 / 28

HEX #3E6CB8

RGB 62 108 184

HSL 217.38, 0.5%, 0.48%

LAB 45.92, 9.18, -44.86

 

CMYK 13 / 67 / 0 / 28

HEX #A13DB8

RGB 161 61 184

HSL 288.78, 0.5%, 0.48%

LAB 44.77, 58.51, -46.17

 

CMYK 0 / 26 / 67 / 28

HEX #B8893D

RGB 184 137 61

HSL 37.07, 0.5%, 0.48%

LAB 60.27, 10.01, 46.55

 

CMYK 54 / 0 / 67 / 28

HEX #54B83D

RGB 84 184 61

HSL 108.78, 0.5%, 0.48%

LAB 66.9, -52.03, 51.75

 

CMYK 66 / 41 / 0 / 28

HEX #3E6CB8

RGB 62 108 184

HSL 217.38, 0.5%, 0.48%

LAB 45.92, 9.18, -44.86

 

CMYK 0 / 67 / 8 / 28

HEX #B83DA9

RGB 184 61 169

HSL 307.32, 0.5%, 0.48%

LAB 47.49, 61.4, -32.81

 

CMYK 0 / 26 / 67 / 28

HEX #B8893D

RGB 184 137 61

HSL 37.07, 0.5%, 0.48%

LAB 60.27, 10.01, 46.55

 

CMYK 67 / 0 / 59 / 28

HEX #3DB84B

RGB 61 184 75

HSL 126.83, 0.5%, 0.48%

LAB 66.35, -55.92, 44.81

 

Description

Color code: HEX #3E6CB8 | qconv.com Color code: HEX #3E6CB8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 108 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 108 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 41 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 41% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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