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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E6BCB it is the complementary color #C19434. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E6BCB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E6BCB shade: #436BC6, #547DD9, #658FEC, #76A1FF and #87B3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E6BCB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E6BCB shade: #3E6BCB, #2D59B8, #1C47A5, #0B3592 and #00237F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E6BCB shade: #3E6BCC, #3E45CC, #5D3ECC, #833ECC and #A93ECC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E6BCB shade: #3E6BCC, #3E45CC and #3E3ECC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E6BCB shade matches the following richer shades: #3E6BCC, #2A64DF and #165DF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E6BCB shade: #3E6BCC, #5172B8, #6579A4, #798090 and #8D887C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E6BCB shade: #3EB9CC, #3E93CC, #3E6DCC, #3E47CC and #5A3ECC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E6BCB shade: #264890, #2F58B1, #3E6BCC, #5E84D4 and #7F9DDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E6BCB shade: #3E6BCB, #B93ECC and #A6CC3E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E6BCB shade: #3E6BCB, #CC3E6D and #6DCC3E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E6BCB shade: #3E6BCB, #B93ECC, #CC9C3E and #51CC3E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E6BCB shade: #3E6BCB, #CC3EB4, #CC9C3E and #3ECC55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 47 / 0 / 20

HEX #3E6BCB

RGB 62 107 203

HSL 220.85, 0.58%, 0.52%

LAB 46.78, 16.66, -54.45

 

Complementary color

CMYK 0 / 23 / 73 / 24

HEX #C19434

RGB 193 148 52

HSL 40.85, 0.58%, 0.48%

LAB 63.97, 7.44, 54.73

 

CMYK 66 / 46 / 0 / 22

HEX #436BC6

RGB 67 107 198

HSL 221.68, 0.53%, 0.52%

LAB 46.69, 15.65, -51.71

 

CMYK 61 / 42 / 0 / 15

HEX #547DD9

RGB 84 125 217

HSL 221.5, 0.64%, 0.59%

LAB 53.56, 14.06, -51.5

 

CMYK 57 / 39 / 0 / 7

HEX #658FEC

RGB 101 143 236

HSL 221.33, 0.78%, 0.66%

LAB 60.31, 12.76, -51.32

 

CMYK 54 / 37 / 0 / 0

HEX #76A1FF

RGB 118 161 255

HSL 221.17, 1%, 0.73%

LAB 66.95, 11.67, -51.17

 

CMYK 47 / 30 / 0 / 0

HEX #87B3FF

RGB 135 179 255

HSL 218, 1%, 0.76%

LAB 72.64, 5.22, -42.16

 

CMYK 69 / 47 / 0 / 20

HEX #3E6BCB

RGB 62 107 203

HSL 220.85, 0.58%, 0.52%

LAB 46.78, 16.66, -54.45

 

CMYK 76 / 52 / 0 / 28

HEX #2D59B8

RGB 45 89 184

HSL 221.01, 0.61%, 0.45%

LAB 39.85, 18.87, -54.64

 

CMYK 83 / 57 / 0 / 35

HEX #1C47A5

RGB 28 71 165

HSL 221.17, 0.71%, 0.38%

LAB 32.85, 21.66, -54.75

 

CMYK 92 / 64 / 0 / 43

HEX #0B3592

RGB 11 53 146

HSL 221.33, 0.86%, 0.31%

LAB 25.84, 25.16, -54.67

 

CMYK 100 / 72 / 0 / 50

HEX #00237F

RGB 0 35 127

HSL 223.46, 1%, 0.25%

LAB 18.95, 29.33, -54.14

 

CMYK 70 / 48 / 0 / 20

HEX #3E6BCC

RGB 62 107 204

HSL 220.99, 0.58%, 0.52%

LAB 46.84, 17.02, -54.92

 

CMYK 70 / 66 / 0 / 20

HEX #3E45CC

RGB 62 69 204

HSL 237.04, 0.58%, 0.52%

LAB 37.19, 41.02, -70.6

 

CMYK 54 / 70 / 0 / 20

HEX #5D3ECC

RGB 93 62 204

HSL 253.1, 0.58%, 0.52%

LAB 38.08, 49.37, -69.05

 

CMYK 36 / 70 / 0 / 20

HEX #833ECC

RGB 131 62 204

HSL 269.15, 0.58%, 0.52%

LAB 42.2, 56.05, -62.16

 

CMYK 17 / 70 / 0 / 20

HEX #A93ECC

RGB 169 62 204

HSL 285.21, 0.58%, 0.52%

LAB 47.29, 63.75, -53.69

 

CMYK 70 / 48 / 0 / 20

HEX #3E6BCC

RGB 62 107 204

HSL 220.99, 0.58%, 0.52%

LAB 46.84, 17.02, -54.92

 

CMYK 70 / 66 / 0 / 20

HEX #3E45CC

RGB 62 69 204

HSL 237.04, 0.58%, 0.52%

LAB 37.19, 41.02, -70.6

 

CMYK 70 / 70 / 0 / 20

HEX #3E3ECC

RGB 62 62 204

HSL 240, 0.58%, 0.52%

LAB 35.65, 45.19, -73.13

 

CMYK 70 / 48 / 0 / 20

HEX #3E6BCC

RGB 62 107 204

HSL 220.99, 0.58%, 0.52%

LAB 46.84, 17.02, -54.92

 

CMYK 81 / 55 / 0 / 13

HEX #2A64DF

RGB 42 100 223

HSL 220.77, 0.74%, 0.52%

LAB 45.54, 26.21, -67.89

 

CMYK 91 / 62 / 0 / 5

HEX #165DF3

RGB 22 93 243

HSL 220.72, 0.9%, 0.52%

LAB 44.9, 36.98, -80.24

 

CMYK 70 / 48 / 0 / 20

HEX #3E6BCC

RGB 62 107 204

HSL 220.99, 0.58%, 0.52%

LAB 46.84, 17.02, -54.92

 

CMYK 56 / 38 / 0 / 28

HEX #5172B8

RGB 81 114 184

HSL 220.78, 0.42%, 0.52%

LAB 48.57, 9.16, -40.6

 

CMYK 38 / 26 / 0 / 36

HEX #6579A4

RGB 101 121 164

HSL 220.95, 0.26%, 0.52%

LAB 50.83, 3.81, -25.36

 

CMYK 16 / 11 / 0 / 44

HEX #798090

RGB 121 128 144

HSL 221.74, 0.09%, 0.52%

LAB 53.51, 0.91, -9.5

 

CMYK 0 / 4 / 12 / 45

HEX #8D887C

RGB 141 136 124

HSL 42.35, 0.07%, 0.52%

LAB 56.81, -0.33, 7.1

 

CMYK 70 / 9 / 0 / 20

HEX #3EB9CC

RGB 62 185 204

HSL 188.03, 0.58%, 0.52%

LAB 69.53, -27.34, -19.43

 

CMYK 70 / 28 / 0 / 20

HEX #3E93CC

RGB 62 147 204

HSL 204.08, 0.58%, 0.52%

LAB 58.27, -7.14, -36.78

 

CMYK 70 / 47 / 0 / 20

HEX #3E6DCC

RGB 62 109 204

HSL 220.14, 0.58%, 0.52%

LAB 47.39, 15.76, -54.04

 

CMYK 70 / 65 / 0 / 20

HEX #3E47CC

RGB 62 71 204

HSL 236.2, 0.58%, 0.52%

LAB 37.64, 39.81, -69.86

 

CMYK 56 / 70 / 0 / 20

HEX #5A3ECC

RGB 90 62 204

HSL 251.83, 0.58%, 0.52%

LAB 37.8, 48.9, -69.51

 

CMYK 74 / 50 / 0 / 44

HEX #264890

RGB 38 72 144

HSL 220.75, 0.58%, 0.36%

LAB 31.94, 13.83, -43.48

 

CMYK 73 / 50 / 0 / 31

HEX #2F58B1

RGB 47 88 177

HSL 221.08, 0.58%, 0.44%

LAB 39.17, 17.13, -51.62

 

CMYK 70 / 48 / 0 / 20

HEX #3E6BCC

RGB 62 107 204

HSL 220.99, 0.58%, 0.52%

LAB 46.84, 17.02, -54.92

 

CMYK 56 / 38 / 0 / 17

HEX #5E84D4

RGB 94 132 212

HSL 220.68, 0.58%, 0.6%

LAB 55.72, 10.15, -45.21

 

CMYK 43 / 29 / 0 / 13

HEX #7F9DDD

RGB 127 157 221

HSL 220.85, 0.58%, 0.68%

LAB 64.84, 6, -35.79

 

CMYK 69 / 47 / 0 / 20

HEX #3E6BCB

RGB 62 107 203

HSL 220.85, 0.58%, 0.52%

LAB 46.78, 16.66, -54.45

 

CMYK 9 / 70 / 0 / 20

HEX #B93ECC

RGB 185 62 204

HSL 291.97, 0.58%, 0.52%

LAB 49.64, 67.17, -49.79

 

CMYK 19 / 0 / 70 / 20

HEX #A6CC3E

RGB 166 204 62

HSL 76.06, 0.58%, 0.52%

LAB 77.07, -32.19, 63.22

 

CMYK 69 / 47 / 0 / 20

HEX #3E6BCB

RGB 62 107 203

HSL 220.85, 0.58%, 0.52%

LAB 46.78, 16.66, -54.45

 

CMYK 0 / 70 / 47 / 20

HEX #CC3E6D

RGB 204 62 109

HSL 340.14, 0.58%, 0.52%

LAB 48.74, 59.02, 5.49

 

CMYK 47 / 0 / 70 / 20

HEX #6DCC3E

RGB 109 204 62

HSL 100.14, 0.58%, 0.52%

LAB 74.05, -52.44, 59.18

 

CMYK 69 / 47 / 0 / 20

HEX #3E6BCB

RGB 62 107 203

HSL 220.85, 0.58%, 0.52%

LAB 46.78, 16.66, -54.45

 

CMYK 9 / 70 / 0 / 20

HEX #B93ECC

RGB 185 62 204

HSL 291.97, 0.58%, 0.52%

LAB 49.64, 67.17, -49.79

 

CMYK 0 / 24 / 70 / 20

HEX #CC9C3E

RGB 204 156 62

HSL 39.72, 0.58%, 0.52%

LAB 67.25, 8.41, 54.19

 

CMYK 60 / 0 / 70 / 20

HEX #51CC3E

RGB 81 204 62

HSL 111.97, 0.58%, 0.52%

LAB 73.08, -59.98, 57.87

 

CMYK 69 / 47 / 0 / 20

HEX #3E6BCB

RGB 62 107 203

HSL 220.85, 0.58%, 0.52%

LAB 46.78, 16.66, -54.45

 

CMYK 0 / 70 / 12 / 20

HEX #CC3EB4

RGB 204 62 180

HSL 310.14, 0.58%, 0.52%

LAB 51.36, 67.58, -32.98

 

CMYK 0 / 24 / 70 / 20

HEX #CC9C3E

RGB 204 156 62

HSL 39.72, 0.58%, 0.52%

LAB 67.25, 8.41, 54.19

 

CMYK 70 / 0 / 58 / 20

HEX #3ECC55

RGB 62 204 85

HSL 129.72, 0.58%, 0.52%

LAB 72.8, -61.48, 47.73

 

Description

Color code: HEX #3E6BCB | qconv.com Color code: HEX #3E6BCB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 107 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 107 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 47 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 47% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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