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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E6A98 it is the complementary color #C19567. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E6A98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E6A98 shade: #436A93, #547CA6, #658EB9, #76A0CC and #87B2DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E6A98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E6A98 shade: #3E6A98, #2D5885, #1C4672, #0B345F and #00224C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E6A98 shade: #3E6A98, #3E5298, #433E98, #5B3E98 and #733E98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E6A98 shade: #3E6A98, #3E5298 and #3E3E98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E6A98 shade matches the following richer shades: #3E6A98, #2D6AA9, #1B69BB and #0A69CC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E6A98 shade: #3E6A98, #4F6A87, #616B75, #726B64 and #836C53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E6A98 shade: #3E9895, #3E8398, #3E6B98, #3E5398 and #413E98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E6A98 shade: #26415D, #32567B, #3E6A98, #4A7FB5 and #6893C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E6A98 shade: #3E6A98, #7D3E98 and #8F983E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E6A98 shade: #3E6A98, #983E6B and #6B983E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E6A98 shade: #3E6A98, #7D3E98, #986B3E and #59983E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E6A98 shade: #3E6A98, #983E98, #986B3E and #3E983E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 30 / 0 / 40

HEX #3E6A98

RGB 62 106 152

HSL 210.67, 0.42%, 0.42%

LAB 43.65, -0.78, -29.64

 

Complementary color

CMYK 0 / 23 / 47 / 24

HEX #C19567

RGB 193 149 103

HSL 30.67, 0.42%, 0.58%

LAB 64.81, 10.69, 30.58

 

CMYK 54 / 28 / 0 / 42

HEX #436A93

RGB 67 106 147

HSL 210.75, 0.37%, 0.42%

LAB 43.67, -1.32, -26.63

 

CMYK 49 / 25 / 0 / 35

HEX #547CA6

RGB 84 124 166

HSL 210.73, 0.33%, 0.49%

LAB 50.75, -1.93, -26.73

 

CMYK 45 / 23 / 0 / 27

HEX #658EB9

RGB 101 142 185

HSL 210.71, 0.38%, 0.56%

LAB 57.67, -2.41, -26.86

 

CMYK 42 / 22 / 0 / 20

HEX #76A0CC

RGB 118 160 204

HSL 210.7, 0.46%, 0.63%

LAB 64.45, -2.79, -27.01

 

CMYK 39 / 20 / 0 / 13

HEX #87B2DF

RGB 135 178 223

HSL 210.68, 0.58%, 0.7%

LAB 71.09, -3.11, -27.19

 

CMYK 59 / 30 / 0 / 40

HEX #3E6A98

RGB 62 106 152

HSL 210.67, 0.42%, 0.42%

LAB 43.65, -0.78, -29.64

 

CMYK 66 / 34 / 0 / 48

HEX #2D5885

RGB 45 88 133

HSL 210.68, 0.49%, 0.35%

LAB 36.42, 0.27, -29.59

 

CMYK 75 / 39 / 0 / 55

HEX #1C4672

RGB 28 70 114

HSL 210.7, 0.61%, 0.28%

LAB 29.01, 1.77, -29.55

 

CMYK 88 / 45 / 0 / 63

HEX #0B345F

RGB 11 52 95

HSL 210.71, 0.79%, 0.21%

LAB 21.41, 4.02, -29.47

 

CMYK 100 / 55 / 0 / 70

HEX #00224C

RGB 0 34 76

HSL 213.16, 1%, 0.15%

LAB 13.63, 7.44, -29.27

 

CMYK 59 / 30 / 0 / 40

HEX #3E6A98

RGB 62 106 152

HSL 210.67, 0.42%, 0.42%

LAB 43.65, -0.78, -29.64

 

CMYK 59 / 46 / 0 / 40

HEX #3E5298

RGB 62 82 152

HSL 226.67, 0.42%, 0.42%

LAB 36.6, 14.47, -40.8

 

CMYK 56 / 59 / 0 / 40

HEX #433E98

RGB 67 62 152

HSL 243.33, 0.42%, 0.42%

LAB 31.59, 28.56, -48.85

 

CMYK 40 / 59 / 0 / 40

HEX #5B3E98

RGB 91 62 152

HSL 259.33, 0.42%, 0.42%

LAB 33.85, 33.89, -45.08

 

CMYK 24 / 59 / 0 / 40

HEX #733E98

RGB 115 62 152

HSL 275.33, 0.42%, 0.42%

LAB 36.66, 39.93, -40.42

 

CMYK 59 / 30 / 0 / 40

HEX #3E6A98

RGB 62 106 152

HSL 210.67, 0.42%, 0.42%

LAB 43.65, -0.78, -29.64

 

CMYK 59 / 46 / 0 / 40

HEX #3E5298

RGB 62 82 152

HSL 226.67, 0.42%, 0.42%

LAB 36.6, 14.47, -40.8

 

CMYK 59 / 59 / 0 / 40

HEX #3E3E98

RGB 62 62 152

HSL 240, 0.42%, 0.42%

LAB 31.2, 27.59, -49.5

 

CMYK 59 / 30 / 0 / 40

HEX #3E6A98

RGB 62 106 152

HSL 210.67, 0.42%, 0.42%

LAB 43.65, -0.78, -29.64

 

CMYK 73 / 37 / 0 / 34

HEX #2D6AA9

RGB 45 106 169

HSL 210.48, 0.58%, 0.42%

LAB 43.84, 2.27, -39.44

 

CMYK 86 / 44 / 0 / 27

HEX #1B69BB

RGB 27 105 187

HSL 210.75, 0.75%, 0.42%

LAB 44.12, 7.85, -49.54

 

CMYK 95 / 49 / 0 / 20

HEX #0A69CC

RGB 10 105 204

HSL 210.62, 0.91%, 0.42%

LAB 44.98, 13.67, -57.99

 

CMYK 59 / 30 / 0 / 40

HEX #3E6A98

RGB 62 106 152

HSL 210.67, 0.42%, 0.42%

LAB 43.65, -0.78, -29.64

 

CMYK 41 / 21 / 0 / 47

HEX #4F6A87

RGB 79 106 135

HSL 211.07, 0.26%, 0.42%

LAB 43.83, -1.92, -19.15

 

CMYK 17 / 9 / 0 / 54

HEX #616B75

RGB 97 107 117

HSL 210, 0.09%, 0.42%

LAB 44.72, -1.5, -6.86

 

CMYK 0 / 6 / 12 / 55

HEX #726B64

RGB 114 107 100

HSL 30, 0.07%, 0.42%

LAB 45.65, 1.41, 4.9

 

CMYK 0 / 18 / 37 / 49

HEX #836C53

RGB 131 108 83

HSL 31.25, 0.22%, 0.42%

LAB 47.2, 5.27, 17.41

 

CMYK 59 / 0 / 2 / 40

HEX #3E9895

RGB 62 152 149

HSL 178, 0.42%, 0.42%

LAB 57.7, -27.2, -6.45

 

CMYK 59 / 14 / 0 / 40

HEX #3E8398

RGB 62 131 152

HSL 194, 0.42%, 0.42%

LAB 51.29, -15.31, -17.83

 

CMYK 59 / 30 / 0 / 40

HEX #3E6B98

RGB 62 107 152

HSL 210, 0.42%, 0.42%

LAB 43.95, -1.39, -29.17

 

CMYK 59 / 45 / 0 / 40

HEX #3E5398

RGB 62 83 152

HSL 226, 0.42%, 0.42%

LAB 36.89, 13.82, -40.34

 

CMYK 57 / 59 / 0 / 40

HEX #413E98

RGB 65 62 152

HSL 242, 0.42%, 0.42%

LAB 31.43, 28.17, -49.11

 

CMYK 59 / 30 / 0 / 64

HEX #26415D

RGB 38 65 93

HSL 210.55, 0.42%, 0.26%

LAB 26.69, -0.92, -19.75

 

CMYK 59 / 30 / 0 / 52

HEX #32567B

RGB 50 86 123

HSL 210.41, 0.42%, 0.34%

LAB 35.53, -0.99, -24.85

 

CMYK 59 / 30 / 0 / 40

HEX #3E6A98

RGB 62 106 152

HSL 210.67, 0.42%, 0.42%

LAB 43.65, -0.78, -29.64

 

CMYK 59 / 30 / 0 / 29

HEX #4A7FB5

RGB 74 127 181

HSL 210.28, 0.42%, 0.5%

LAB 51.8, -1.17, -33.8

 

CMYK 46 / 24 / 0 / 24

HEX #6893C1

RGB 104 147 193

HSL 211.01, 0.42%, 0.58%

LAB 59.58, -2.17, -28.42

 

CMYK 59 / 30 / 0 / 40

HEX #3E6A98

RGB 62 106 152

HSL 210.67, 0.42%, 0.42%

LAB 43.65, -0.78, -29.64

 

CMYK 18 / 59 / 0 / 40

HEX #7D3E98

RGB 125 62 152

HSL 282, 0.42%, 0.42%

LAB 37.97, 42.56, -38.25

 

CMYK 6 / 0 / 59 / 40

HEX #8F983E

RGB 143 152 62

HSL 66, 0.42%, 0.42%

LAB 60.47, -16.11, 45.2

 

CMYK 59 / 30 / 0 / 40

HEX #3E6A98

RGB 62 106 152

HSL 210.67, 0.42%, 0.42%

LAB 43.65, -0.78, -29.64

 

CMYK 0 / 59 / 30 / 40

HEX #983E6B

RGB 152 62 107

HSL 330, 0.42%, 0.42%

LAB 39.89, 42.61, -7.29

 

CMYK 30 / 0 / 59 / 40

HEX #6B983E

RGB 107 152 62

HSL 90, 0.42%, 0.42%

LAB 57.97, -30.85, 41.71

 

CMYK 59 / 30 / 0 / 40

HEX #3E6A98

RGB 62 106 152

HSL 210.67, 0.42%, 0.42%

LAB 43.65, -0.78, -29.64

 

CMYK 18 / 59 / 0 / 40

HEX #7D3E98

RGB 125 62 152

HSL 282, 0.42%, 0.42%

LAB 37.97, 42.56, -38.25

 

CMYK 0 / 30 / 59 / 40

HEX #986B3E

RGB 152 107 62

HSL 30, 0.42%, 0.42%

LAB 48.93, 12.87, 32.07

 

CMYK 41 / 0 / 59 / 40

HEX #59983E

RGB 89 152 62

HSL 102, 0.42%, 0.42%

LAB 57.01, -37.36, 40.35

 

CMYK 59 / 30 / 0 / 40

HEX #3E6A98

RGB 62 106 152

HSL 210.67, 0.42%, 0.42%

LAB 43.65, -0.78, -29.64

 

CMYK 0 / 59 / 0 / 40

HEX #983E98

RGB 152 62 152

HSL 300, 0.42%, 0.42%

LAB 41.83, 49.82, -31.91

 

CMYK 0 / 30 / 59 / 40

HEX #986B3E

RGB 152 107 62

HSL 30, 0.42%, 0.42%

LAB 48.93, 12.87, 32.07

 

CMYK 59 / 0 / 59 / 40

HEX #3E983E

RGB 62 152 62

HSL 120, 0.42%, 0.42%

LAB 55.92, -45.39, 38.8

 

Description

Color code: HEX #3E6A98 | qconv.com Color code: HEX #3E6A98 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 106 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 106 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 30 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 30% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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