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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E69AB it is the complementary color #C19654. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E69AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E69AB shade: #4369A6, #547BB9, #658DCC, #769FDF and #87B1F2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E69AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E69AB shade: #3E69AB, #2D5798, #1C4585, #0B3372 and #00215F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E69AB shade: #3E69AC, #3E4BAC, #4E3EAC, #6B3EAC and #893EAC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E69AB shade: #3E69AC, #3E4BAC and #3E3EAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E69AB shade matches the following richer shades: #3E69AC, #2B65BF, #1861D2 and #055DE5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E69AB shade: #3E69AC, #516D99, #647186, #777573 and #8A7960

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E69AB shade: #3EA5AC, #3E87AC, #3E6AAC, #3E4CAC and #4C3EAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E69AB shade: #28446F, #33578E, #3E69AC, #527EC0 and #7194CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E69AB shade: #3E69AB, #963EAC and #96AC3E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E69AB shade: #3E69AB, #AC3E6A and #6AAC3E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E69AB shade: #3E69AB, #963EAC, #AC803E and #54AC3E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E69AB shade: #3E69AB, #AC3EA1, #AC803E and #3EAC49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 39 / 0 / 33

HEX #3E69AB

RGB 62 105 171

HSL 216.33, 0.47%, 0.46%

LAB 44.33, 6.44, -39.8

 

Complementary color

CMYK 0 / 22 / 56 / 24

HEX #C19654

RGB 193 150 84

HSL 36.33, 0.47%, 0.54%

LAB 64.8, 8.41, 40.59

 

CMYK 60 / 37 / 0 / 35

HEX #4369A6

RGB 67 105 166

HSL 216.97, 0.42%, 0.46%

LAB 44.3, 5.69, -36.88

 

CMYK 55 / 34 / 0 / 27

HEX #547BB9

RGB 84 123 185

HSL 216.83, 0.42%, 0.53%

LAB 51.33, 4.67, -36.81

 

CMYK 50 / 31 / 0 / 20

HEX #658DCC

RGB 101 141 204

HSL 216.7, 0.5%, 0.6%

LAB 58.2, 3.86, -36.77

 

CMYK 47 / 29 / 0 / 13

HEX #769FDF

RGB 118 159 223

HSL 216.57, 0.62%, 0.67%

LAB 64.94, 3.2, -36.77

 

CMYK 44 / 27 / 0 / 5

HEX #87B1F2

RGB 135 177 242

HSL 216.45, 0.8%, 0.74%

LAB 71.56, 2.64, -36.81

 

CMYK 64 / 39 / 0 / 33

HEX #3E69AB

RGB 62 105 171

HSL 216.33, 0.47%, 0.46%

LAB 44.33, 6.44, -39.8

 

CMYK 70 / 43 / 0 / 40

HEX #2D5798

RGB 45 87 152

HSL 216.45, 0.54%, 0.39%

LAB 37.19, 8.01, -39.91

 

CMYK 79 / 48 / 0 / 48

HEX #1C4585

RGB 28 69 133

HSL 216.57, 0.65%, 0.32%

LAB 29.9, 10.12, -40.01

 

CMYK 90 / 55 / 0 / 55

HEX #0B3372

RGB 11 51 114

HSL 216.7, 0.82%, 0.25%

LAB 22.49, 13.06, -40.04

 

CMYK 100 / 65 / 0 / 63

HEX #00215F

RGB 0 33 95

HSL 219.16, 1%, 0.19%

LAB 15.03, 17.09, -39.81

 

CMYK 64 / 39 / 0 / 33

HEX #3E69AC

RGB 62 105 172

HSL 216.55, 0.47%, 0.46%

LAB 44.38, 6.79, -40.3

 

CMYK 64 / 56 / 0 / 33

HEX #3E4BAC

RGB 62 75 172

HSL 232.91, 0.47%, 0.46%

LAB 36.05, 26.12, -53.67

 

CMYK 55 / 64 / 0 / 33

HEX #4E3EAC

RGB 78 62 172

HSL 248.73, 0.47%, 0.46%

LAB 34.07, 37.15, -56.83

 

CMYK 38 / 64 / 0 / 33

HEX #6B3EAC

RGB 107 62 172

HSL 264.55, 0.47%, 0.46%

LAB 37.02, 43.05, -51.91

 

CMYK 20 / 64 / 0 / 33

HEX #893EAC

RGB 137 62 172

HSL 280.91, 0.47%, 0.46%

LAB 40.8, 49.98, -45.62

 

CMYK 64 / 39 / 0 / 33

HEX #3E69AC

RGB 62 105 172

HSL 216.55, 0.47%, 0.46%

LAB 44.38, 6.79, -40.3

 

CMYK 64 / 56 / 0 / 33

HEX #3E4BAC

RGB 62 75 172

HSL 232.91, 0.47%, 0.46%

LAB 36.05, 26.12, -53.67

 

CMYK 64 / 64 / 0 / 33

HEX #3E3EAC

RGB 62 62 172

HSL 240, 0.47%, 0.46%

LAB 32.81, 34.44, -58.95

 

CMYK 64 / 39 / 0 / 33

HEX #3E69AC

RGB 62 105 172

HSL 216.55, 0.47%, 0.46%

LAB 44.38, 6.79, -40.3

 

CMYK 77 / 47 / 0 / 25

HEX #2B65BF

RGB 43 101 191

HSL 216.49, 0.63%, 0.46%

LAB 43.63, 13.51, -52.64

 

CMYK 89 / 54 / 0 / 18

HEX #1861D2

RGB 24 97 210

HSL 216.45, 0.79%, 0.46%

LAB 43.36, 21.86, -64.06

 

CMYK 98 / 59 / 0 / 10

HEX #055DE5

RGB 5 93 229

HSL 216.43, 0.96%, 0.46%

LAB 43.53, 31.16, -74.6

 

CMYK 64 / 39 / 0 / 33

HEX #3E69AC

RGB 62 105 172

HSL 216.55, 0.47%, 0.46%

LAB 44.38, 6.79, -40.3

 

CMYK 47 / 29 / 0 / 40

HEX #516D99

RGB 81 109 153

HSL 216.67, 0.31%, 0.46%

LAB 45.62, 2.26, -27.1

 

CMYK 25 / 16 / 0 / 47

HEX #647186

RGB 100 113 134

HSL 217.06, 0.15%, 0.46%

LAB 47.29, 0.16, -13.14

 

CMYK 0 / 2 / 3 / 53

HEX #777573

RGB 119 117 115

HSL 30, 0.02%, 0.46%

LAB 49.35, 0.37, 1.36

 

CMYK 0 / 12 / 30 / 46

HEX #8A7960

RGB 138 121 96

HSL 35.71, 0.18%, 0.46%

LAB 51.75, 2.52, 16.13

 

CMYK 64 / 4 / 0 / 33

HEX #3EA5AC

RGB 62 165 172

HSL 183.82, 0.47%, 0.46%

LAB 62.43, -27.01, -12.4

 

CMYK 64 / 22 / 0 / 33

HEX #3E87AC

RGB 62 135 172

HSL 200.18, 0.47%, 0.46%

LAB 53.31, -11.1, -26.31

 

CMYK 64 / 38 / 0 / 33

HEX #3E6AAC

RGB 62 106 172

HSL 216, 0.47%, 0.46%

LAB 44.68, 6.17, -39.84

 

CMYK 64 / 56 / 0 / 33

HEX #3E4CAC

RGB 62 76 172

HSL 232.36, 0.47%, 0.46%

LAB 36.31, 25.47, -53.24

 

CMYK 56 / 64 / 0 / 33

HEX #4C3EAC

RGB 76 62 172

HSL 247.64, 0.47%, 0.46%

LAB 33.9, 36.78, -57.12

 

CMYK 64 / 39 / 0 / 56

HEX #28446F

RGB 40 68 111

HSL 216.34, 0.47%, 0.3%

LAB 28.73, 4.18, -28.07

 

CMYK 64 / 39 / 0 / 44

HEX #33578E

RGB 51 87 142

HSL 216.26, 0.47%, 0.38%

LAB 36.88, 5.37, -34.34

 

CMYK 64 / 39 / 0 / 33

HEX #3E69AC

RGB 62 105 172

HSL 216.55, 0.47%, 0.46%

LAB 44.38, 6.79, -40.3

 

CMYK 57 / 34 / 0 / 25

HEX #527EC0

RGB 82 126 192

HSL 216, 0.47%, 0.54%

LAB 52.42, 4.71, -39.11

 

CMYK 44 / 27 / 0 / 20

HEX #7194CB

RGB 113 148 203

HSL 216.67, 0.46%, 0.62%

LAB 60.78, 2.44, -32.14

 

CMYK 64 / 39 / 0 / 33

HEX #3E69AB

RGB 62 105 171

HSL 216.33, 0.47%, 0.46%

LAB 44.33, 6.44, -39.8

 

CMYK 13 / 64 / 0 / 33

HEX #963EAC

RGB 150 62 172

HSL 288, 0.47%, 0.46%

LAB 42.62, 53.12, -42.61

 

CMYK 13 / 0 / 64 / 33

HEX #96AC3E

RGB 150 172 62

HSL 72, 0.47%, 0.46%

LAB 66.78, -23.31, 52.23

 

CMYK 64 / 39 / 0 / 33

HEX #3E69AB

RGB 62 105 171

HSL 216.33, 0.47%, 0.46%

LAB 44.33, 6.44, -39.8

 

CMYK 0 / 64 / 38 / 33

HEX #AC3E6A

RGB 172 62 106

HSL 336, 0.47%, 0.46%

LAB 43.15, 48.94, -1.48

 

CMYK 38 / 0 / 64 / 33

HEX #6AAC3E

RGB 106 172 62

HSL 96, 0.47%, 0.46%

LAB 64.09, -40.27, 48.54

 

CMYK 64 / 39 / 0 / 33

HEX #3E69AB

RGB 62 105 171

HSL 216.33, 0.47%, 0.46%

LAB 44.33, 6.44, -39.8

 

CMYK 13 / 64 / 0 / 33

HEX #963EAC

RGB 150 62 172

HSL 288, 0.47%, 0.46%

LAB 42.62, 53.12, -42.61

 

CMYK 0 / 26 / 64 / 33

HEX #AC803E

RGB 172 128 62

HSL 36, 0.47%, 0.46%

LAB 56.64, 9.8, 41.66

 

CMYK 51 / 0 / 64 / 33

HEX #54AC3E

RGB 84 172 62

HSL 108, 0.47%, 0.46%

LAB 63.13, -47.28, 47.2

 

CMYK 64 / 39 / 0 / 33

HEX #3E69AB

RGB 62 105 171

HSL 216.33, 0.47%, 0.46%

LAB 44.33, 6.44, -39.8

 

CMYK 0 / 64 / 6 / 33

HEX #AC3EA1

RGB 172 62 161

HSL 306, 0.47%, 0.46%

LAB 45.34, 56.67, -31.56

 

CMYK 0 / 26 / 64 / 33

HEX #AC803E

RGB 172 128 62

HSL 36, 0.47%, 0.46%

LAB 56.64, 9.8, 41.66

 

CMYK 64 / 0 / 58 / 33

HEX #3EAC49

RGB 62 172 73

HSL 126, 0.47%, 0.46%

LAB 62.52, -51.61, 41.27

 

Description

Color code: HEX #3E69AB | qconv.com Color code: HEX #3E69AB | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 105 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 105 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 39 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 39% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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