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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E66F0 it is the complementary color #C1990F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E66F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E66F0 shade: #4366EB, #5478FE, #658AFF, #769CFF and #87AEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E66F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E66F0 shade: #3E66F0, #2D54DD, #1C42CA, #0B30B7 and #001EA4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E66F0 shade: #3C64F0, #443CF0, #753CF0, #A53CF0 and #D63CF0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E66F0 shade: #3C64F0 and #3C3CF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E66F0 shade matches the following richer shades: #3C64F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E66F0 shade: #3C64F0, #4D6EDF, #5E77CE, #6F80BD and #808AAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E66F0 shade: #3CC6F0, #3C96F0, #3C66F0, #423CF0 and #723CF0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E66F0 shade: #0F39CB, #1646ED, #3C64F0, #6283F3 and #89A1F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E66F0 shade: #3E66F0, #EA3CF0 and #AEF03C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E66F0 shade: #3E66F0, #F03C66 and #66F03C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E66F0 shade: #3E66F0, #EA3CF0, #F0C63C and #42F03C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E66F0 shade: #3E66F0, #F03CC0, #F0C63C and #3CF06C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 58 / 0 / 6

HEX #3E66F0

RGB 62 102 240

HSL 226.52, 0.86%, 0.59%

LAB 48.03, 33.16, -73.4

 

Complementary color

CMYK 0 / 21 / 92 / 24

HEX #C1990F

RGB 193 153 15

HSL 46.52, 0.86%, 0.41%

LAB 65.08, 3.58, 66.87

 

CMYK 71 / 57 / 0 / 8

HEX #4366EB

RGB 67 102 235

HSL 227.5, 0.81%, 0.59%

LAB 47.87, 31.97, -70.84

 

CMYK 67 / 53 / 0 / 0

HEX #5478FE

RGB 84 120 254

HSL 227.29, 0.99%, 0.66%

LAB 54.53, 29.74, -70.59

 

CMYK 60 / 46 / 0 / 0

HEX #658AFF

RGB 101 138 255

HSL 225.58, 1%, 0.7%

LAB 60.04, 21.91, -62.22

 

CMYK 54 / 39 / 0 / 0

HEX #769CFF

RGB 118 156 255

HSL 223.36, 1%, 0.73%

LAB 65.63, 14.57, -53.25

 

CMYK 47 / 32 / 0 / 0

HEX #87AEFF

RGB 135 174 255

HSL 220.5, 1%, 0.76%

LAB 71.31, 8.02, -44.23

 

CMYK 74 / 58 / 0 / 6

HEX #3E66F0

RGB 62 102 240

HSL 226.52, 0.86%, 0.59%

LAB 48.03, 33.16, -73.4

 

CMYK 80 / 62 / 0 / 13

HEX #2D54DD

RGB 45 84 221

HSL 226.7, 0.72%, 0.52%

LAB 41.4, 35.95, -73.5

 

CMYK 86 / 67 / 0 / 21

HEX #1C42CA

RGB 28 66 202

HSL 226.9, 0.76%, 0.45%

LAB 34.82, 39.15, -73.39

 

CMYK 94 / 74 / 0 / 28

HEX #0B30B7

RGB 11 48 183

HSL 227.09, 0.89%, 0.38%

LAB 28.39, 42.66, -72.84

 

CMYK 100 / 82 / 0 / 36

HEX #001EA4

RGB 0 30 164

HSL 229.02, 1%, 0.32%

LAB 22.33, 45.99, -71.48

 

CMYK 75 / 58 / 0 / 6

HEX #3C64F0

RGB 60 100 240

HSL 226.67, 0.86%, 0.59%

LAB 47.45, 34.19, -74.34

 

CMYK 72 / 75 / 0 / 6

HEX #443CF0

RGB 68 60 240

HSL 242.67, 0.86%, 0.59%

LAB 39.16, 58.28, -87.94

 

CMYK 51 / 75 / 0 / 6

HEX #753CF0

RGB 117 60 240

HSL 259, 0.86%, 0.59%

LAB 43.22, 63.73, -81.11

 

CMYK 31 / 75 / 0 / 6

HEX #A53CF0

RGB 165 60 240

HSL 275, 0.86%, 0.59%

LAB 48.91, 71.14, -71.58

 

CMYK 11 / 75 / 0 / 6

HEX #D63CF0

RGB 214 60 240

HSL 291.33, 0.86%, 0.59%

LAB 55.91, 79.98, -59.93

 

CMYK 75 / 58 / 0 / 6

HEX #3C64F0

RGB 60 100 240

HSL 226.67, 0.86%, 0.59%

LAB 47.45, 34.19, -74.34

 

CMYK 75 / 75 / 0 / 6

HEX #3C3CF0

RGB 60 60 240

HSL 240, 0.86%, 0.59%

LAB 38.7, 57.65, -88.72

 

CMYK 75 / 58 / 0 / 6

HEX #3C64F0

RGB 60 100 240

HSL 226.67, 0.86%, 0.59%

LAB 47.45, 34.19, -74.34

 

CMYK 75 / 58 / 0 / 6

HEX #3C64F0

RGB 60 100 240

HSL 226.67, 0.86%, 0.59%

LAB 47.45, 34.19, -74.34

 

CMYK 65 / 51 / 0 / 13

HEX #4D6EDF

RGB 77 110 223

HSL 226.44, 0.7%, 0.59%

LAB 49.57, 24.18, -61.31

 

CMYK 54 / 42 / 0 / 19

HEX #5E77CE

RGB 94 119 206

HSL 226.61, 0.53%, 0.59%

LAB 51.87, 16.08, -47.93

 

CMYK 41 / 32 / 0 / 26

HEX #6F80BD

RGB 111 128 189

HSL 226.92, 0.37%, 0.59%

LAB 54.55, 9.57, -33.94

 

CMYK 26 / 20 / 0 / 33

HEX #808AAC

RGB 128 138 172

HSL 226.36, 0.21%, 0.59%

LAB 57.79, 4.14, -19.11

 

CMYK 75 / 18 / 0 / 6

HEX #3CC6F0

RGB 60 198 240

HSL 194, 0.86%, 0.59%

LAB 74.6, -22.86, -31.25

 

CMYK 75 / 38 / 0 / 6

HEX #3C96F0

RGB 60 150 240

HSL 210, 0.86%, 0.59%

LAB 60.84, 3.45, -52.78

 

CMYK 75 / 58 / 0 / 6

HEX #3C66F0

RGB 60 102 240

HSL 226, 0.86%, 0.59%

LAB 47.95, 32.94, -73.53

 

CMYK 73 / 75 / 0 / 6

HEX #423CF0

RGB 66 60 240

HSL 242, 0.86%, 0.59%

LAB 39.04, 58.12, -88.15

 

CMYK 53 / 75 / 0 / 6

HEX #723CF0

RGB 114 60 240

HSL 258, 0.86%, 0.59%

LAB 42.91, 63.33, -81.63

 

CMYK 93 / 72 / 0 / 20

HEX #0F39CB

RGB 15 57 203

HSL 226.6, 0.86%, 0.43%

LAB 32.57, 44.51, -77.7

 

CMYK 91 / 70 / 0 / 7

HEX #1646ED

RGB 22 70 237

HSL 226.6, 0.86%, 0.51%

LAB 39.01, 48.99, -86.55

 

CMYK 75 / 58 / 0 / 6

HEX #3C64F0

RGB 60 100 240

HSL 226.67, 0.86%, 0.59%

LAB 47.45, 34.19, -74.34

 

CMYK 60 / 46 / 0 / 5

HEX #6283F3

RGB 98 131 243

HSL 226.34, 0.86%, 0.67%

LAB 57.37, 21.65, -59.89

 

CMYK 44 / 35 / 0 / 4

HEX #89A1F6

RGB 137 161 246

HSL 226.79, 0.86%, 0.75%

LAB 67.62, 13.3, -45.13

 

CMYK 74 / 58 / 0 / 6

HEX #3E66F0

RGB 62 102 240

HSL 226.52, 0.86%, 0.59%

LAB 48.03, 33.16, -73.4

 

CMYK 3 / 75 / 0 / 6

HEX #EA3CF0

RGB 234 60 240

HSL 298, 0.86%, 0.59%

LAB 58.99, 83.8, -54.83

 

CMYK 28 / 0 / 75 / 6

HEX #AEF03C

RGB 174 240 60

HSL 82, 0.86%, 0.59%

LAB 87.8, -45.31, 74.54

 

CMYK 74 / 58 / 0 / 6

HEX #3E66F0

RGB 62 102 240

HSL 226.52, 0.86%, 0.59%

LAB 48.03, 33.16, -73.4

 

CMYK 0 / 75 / 58 / 6

HEX #F03C66

RGB 240 60 102

HSL 346, 0.86%, 0.59%

LAB 54.78, 69.45, 19.09

 

CMYK 58 / 0 / 75 / 6

HEX #66F03C

RGB 102 240 60

HSL 106, 0.86%, 0.59%

LAB 84.73, -67.59, 70.51

 

CMYK 74 / 58 / 0 / 6

HEX #3E66F0

RGB 62 102 240

HSL 226.52, 0.86%, 0.59%

LAB 48.03, 33.16, -73.4

 

CMYK 3 / 75 / 0 / 6

HEX #EA3CF0

RGB 234 60 240

HSL 298, 0.86%, 0.59%

LAB 58.99, 83.8, -54.83

 

CMYK 0 / 18 / 75 / 6

HEX #F0C63C

RGB 240 198 60

HSL 46, 0.86%, 0.59%

LAB 81.42, 1.58, 70.23

 

CMYK 73 / 0 / 75 / 6

HEX #42F03C

RGB 66 240 60

HSL 118, 0.86%, 0.59%

LAB 83.86, -74.74, 69.38

 

CMYK 74 / 58 / 0 / 6

HEX #3E66F0

RGB 62 102 240

HSL 226.52, 0.86%, 0.59%

LAB 48.03, 33.16, -73.4

 

CMYK 0 / 75 / 20 / 6

HEX #F03CC0

RGB 240 60 192

HSL 316, 0.86%, 0.59%

LAB 57.62, 78.25, -29.72

 

CMYK 0 / 18 / 75 / 6

HEX #F0C63C

RGB 240 198 60

HSL 46, 0.86%, 0.59%

LAB 81.42, 1.58, 70.23

 

CMYK 75 / 0 / 55 / 6

HEX #3CF06C

RGB 60 240 108

HSL 136, 0.86%, 0.59%

LAB 84.15, -70.84, 50.66

 

Description

Color code: HEX #3E66F0 | qconv.com Color code: HEX #3E66F0 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 102 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 102 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 58 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 58% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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