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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E62A8 it is the complementary color #C19D57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E62A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E62A8 shade: #4362A3, #5474B6, #6586C9, #7698DC and #87AAEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E62A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E62A8 shade: #3E62A8, #2D5095, #1C3E82, #0B2C6F and #001A5C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E62A8 shade: #3E62A8, #3E45A8, #533EA8, #703EA8 and #8C3EA8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E62A8 shade: #3E62A8, #3E45A8 and #3E3EA8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E62A8 shade matches the following richer shades: #3E62A8, #2B5CBA, #1956CD and #0650DF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E62A8 shade: #3E62A8, #516895, #636E82, #767470 and #887A5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E62A8 shade: #3E9BA8, #3E7FA8, #3E63A8, #3E47A8 and #513EA8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E62A8 shade: #283F6B, #335089, #3E62A8, #5076BE and #6E8DCA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E62A8 shade: #3E62A8, #983EA8 and #8DA83E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E62A8 shade: #3E62A8, #A83E63 and #63A83E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E62A8 shade: #3E62A8, #983EA8, #A8833E and #4EA83E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E62A8 shade: #3E62A8, #A83E98, #A8833E and #3EA84E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 42 / 0 / 34

HEX #3E62A8

RGB 62 98 168

HSL 219.62, 0.46%, 0.45%

LAB 42.13, 9.8, -41.52

 

Complementary color

CMYK 0 / 19 / 55 / 24

HEX #C19D57

RGB 193 157 87

HSL 39.62, 0.46%, 0.55%

LAB 66.63, 4.84, 41.26

 

CMYK 59 / 40 / 0 / 36

HEX #4362A3

RGB 67 98 163

HSL 220.63, 0.42%, 0.45%

LAB 42.11, 9.05, -38.58

 

CMYK 54 / 36 / 0 / 29

HEX #5474B6

RGB 84 116 182

HSL 220.41, 0.4%, 0.52%

LAB 49.2, 7.94, -38.44

 

CMYK 50 / 33 / 0 / 21

HEX #6586C9

RGB 101 134 201

HSL 220.2, 0.48%, 0.59%

LAB 56.12, 7.06, -38.34

 

CMYK 46 / 31 / 0 / 14

HEX #7698DC

RGB 118 152 220

HSL 220, 0.59%, 0.66%

LAB 62.91, 6.33, -38.29

 

CMYK 44 / 29 / 0 / 6

HEX #87AAEF

RGB 135 170 239

HSL 219.81, 0.76%, 0.73%

LAB 69.56, 5.72, -38.28

 

CMYK 63 / 42 / 0 / 34

HEX #3E62A8

RGB 62 98 168

HSL 219.62, 0.46%, 0.45%

LAB 42.13, 9.8, -41.52

 

CMYK 70 / 46 / 0 / 42

HEX #2D5095

RGB 45 80 149

HSL 219.81, 0.54%, 0.38%

LAB 34.93, 11.48, -41.71

 

CMYK 78 / 52 / 0 / 49

HEX #1C3E82

RGB 28 62 130

HSL 220, 0.65%, 0.31%

LAB 27.58, 13.75, -41.88

 

CMYK 90 / 60 / 0 / 56

HEX #0B2C6F

RGB 11 44 111

HSL 220.2, 0.82%, 0.24%

LAB 20.12, 16.86, -41.96

 

CMYK 100 / 72 / 0 / 64

HEX #001A5C

RGB 0 26 92

HSL 223.04, 1%, 0.18%

LAB 12.68, 21.02, -41.67

 

CMYK 63 / 42 / 0 / 34

HEX #3E62A8

RGB 62 98 168

HSL 219.62, 0.46%, 0.45%

LAB 42.13, 9.8, -41.52

 

CMYK 63 / 59 / 0 / 34

HEX #3E45A8

RGB 62 69 168

HSL 236.04, 0.46%, 0.45%

LAB 34.21, 28.6, -54.28

 

CMYK 51 / 63 / 0 / 34

HEX #533EA8

RGB 83 62 168

HSL 251.89, 0.46%, 0.45%

LAB 34.21, 36.86, -54.19

 

CMYK 33 / 63 / 0 / 34

HEX #703EA8

RGB 112 62 168

HSL 268.3, 0.46%, 0.45%

LAB 37.33, 43.14, -48.99

 

CMYK 17 / 63 / 0 / 34

HEX #8C3EA8

RGB 140 62 168

HSL 284.15, 0.46%, 0.45%

LAB 40.97, 49.85, -42.95

 

CMYK 63 / 42 / 0 / 34

HEX #3E62A8

RGB 62 98 168

HSL 219.62, 0.46%, 0.45%

LAB 42.13, 9.8, -41.52

 

CMYK 63 / 59 / 0 / 34

HEX #3E45A8

RGB 62 69 168

HSL 236.04, 0.46%, 0.45%

LAB 34.21, 28.6, -54.28

 

CMYK 63 / 63 / 0 / 34

HEX #3E3EA8

RGB 62 62 168

HSL 240, 0.46%, 0.45%

LAB 32.47, 33.07, -57.1

 

CMYK 63 / 42 / 0 / 34

HEX #3E62A8

RGB 62 98 168

HSL 219.62, 0.46%, 0.45%

LAB 42.13, 9.8, -41.52

 

CMYK 77 / 51 / 0 / 27

HEX #2B5CBA

RGB 43 92 186

HSL 219.44, 0.62%, 0.45%

LAB 40.76, 17.43, -54.35

 

CMYK 88 / 58 / 0 / 20

HEX #1956CD

RGB 25 86 205

HSL 219.67, 0.78%, 0.45%

LAB 40.03, 27.17, -66.59

 

CMYK 97 / 64 / 0 / 13

HEX #0650DF

RGB 6 80 223

HSL 219.54, 0.95%, 0.45%

LAB 39.75, 37.26, -77.38

 

CMYK 63 / 42 / 0 / 34

HEX #3E62A8

RGB 62 98 168

HSL 219.62, 0.46%, 0.45%

LAB 42.13, 9.8, -41.52

 

CMYK 46 / 30 / 0 / 42

HEX #516895

RGB 81 104 149

HSL 219.71, 0.3%, 0.45%

LAB 43.97, 4.09, -27.28

 

CMYK 24 / 15 / 0 / 49

HEX #636E82

RGB 99 110 130

HSL 218.71, 0.14%, 0.45%

LAB 46.2, 0.6, -12.42

 

CMYK 0 / 2 / 5 / 54

HEX #767470

RGB 118 116 112

HSL 40, 0.03%, 0.45%

LAB 48.9, -0.02, 2.47

 

CMYK 0 / 10 / 32 / 47

HEX #887A5D

RGB 136 122 93

HSL 40.47, 0.19%, 0.45%

LAB 51.77, 0.68, 17.87

 

CMYK 63 / 8 / 0 / 34

HEX #3E9BA8

RGB 62 155 168

HSL 187.36, 0.46%, 0.45%

LAB 59.25, -23.14, -14.95

 

CMYK 63 / 24 / 0 / 34

HEX #3E7FA8

RGB 62 127 168

HSL 203.21, 0.46%, 0.45%

LAB 50.72, -7.86, -28.01

 

CMYK 63 / 41 / 0 / 34

HEX #3E63A8

RGB 62 99 168

HSL 219.06, 0.46%, 0.45%

LAB 42.42, 9.16, -41.06

 

CMYK 63 / 58 / 0 / 34

HEX #3E47A8

RGB 62 71 168

HSL 234.91, 0.46%, 0.45%

LAB 34.72, 27.31, -53.45

 

CMYK 52 / 63 / 0 / 34

HEX #513EA8

RGB 81 62 168

HSL 250.75, 0.46%, 0.45%

LAB 34.03, 36.47, -54.5

 

CMYK 63 / 41 / 0 / 58

HEX #283F6B

RGB 40 63 107

HSL 219.4, 0.46%, 0.29%

LAB 26.93, 6.07, -28.38

 

CMYK 63 / 42 / 0 / 46

HEX #335089

RGB 51 80 137

HSL 219.77, 0.46%, 0.37%

LAB 34.49, 8.12, -35.08

 

CMYK 63 / 42 / 0 / 34

HEX #3E62A8

RGB 62 98 168

HSL 219.62, 0.46%, 0.45%

LAB 42.13, 9.8, -41.52

 

CMYK 58 / 38 / 0 / 25

HEX #5076BE

RGB 80 118 190

HSL 219.27, 0.46%, 0.53%

LAB 49.95, 8.48, -41.87

 

CMYK 46 / 30 / 0 / 21

HEX #6E8DCA

RGB 110 141 202

HSL 219.78, 0.46%, 0.61%

LAB 58.63, 5.44, -34.95

 

CMYK 63 / 42 / 0 / 34

HEX #3E62A8

RGB 62 98 168

HSL 219.62, 0.46%, 0.45%

LAB 42.13, 9.8, -41.52

 

CMYK 10 / 63 / 0 / 34

HEX #983EA8

RGB 152 62 168

HSL 290.94, 0.46%, 0.45%

LAB 42.68, 52.83, -40.12

 

CMYK 16 / 0 / 63 / 34

HEX #8DA83E

RGB 141 168 62

HSL 75.28, 0.46%, 0.45%

LAB 64.98, -25.05, 50.1

 

CMYK 63 / 42 / 0 / 34

HEX #3E62A8

RGB 62 98 168

HSL 219.62, 0.46%, 0.45%

LAB 42.13, 9.8, -41.52

 

CMYK 0 / 63 / 41 / 34

HEX #A83E63

RGB 168 62 99

HSL 339.06, 0.46%, 0.45%

LAB 42.26, 46.87, 1.5

 

CMYK 41 / 0 / 63 / 34

HEX #63A83E

RGB 99 168 62

HSL 99.06, 0.46%, 0.45%

LAB 62.51, -40.93, 46.7

 

CMYK 63 / 42 / 0 / 34

HEX #3E62A8

RGB 62 98 168

HSL 219.62, 0.46%, 0.45%

LAB 42.13, 9.8, -41.52

 

CMYK 10 / 63 / 0 / 34

HEX #983EA8

RGB 152 62 168

HSL 290.94, 0.46%, 0.45%

LAB 42.68, 52.83, -40.12

 

CMYK 0 / 22 / 63 / 34

HEX #A8833E

RGB 168 131 62

HSL 39.06, 0.46%, 0.45%

LAB 56.98, 6.35, 41.93

 

CMYK 54 / 0 / 63 / 34

HEX #4EA83E

RGB 78 168 62

HSL 110.94, 0.46%, 0.45%

LAB 61.63, -47.41, 45.47

 

CMYK 63 / 42 / 0 / 34

HEX #3E62A8

RGB 62 98 168

HSL 219.62, 0.46%, 0.45%

LAB 42.13, 9.8, -41.52

 

CMYK 0 / 63 / 10 / 34

HEX #A83E98

RGB 168 62 152

HSL 309.06, 0.46%, 0.45%

LAB 44.29, 54.14, -27.88

 

CMYK 0 / 22 / 63 / 34

HEX #A8833E

RGB 168 131 62

HSL 39.06, 0.46%, 0.45%

LAB 56.98, 6.35, 41.93

 

CMYK 63 / 0 / 54 / 34

HEX #3EA84E

RGB 62 168 78

HSL 129.06, 0.46%, 0.45%

LAB 61.29, -49.43, 37.36

 

Description

Color code: HEX #3E62A8 | qconv.com Color code: HEX #3E62A8 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 98 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 98 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 42 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 42% 0% 34% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

98% - DOTAVISION - Analysi...
Link: http://dotavision.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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