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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E5C78 it is the complementary color #C1A387. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E5C78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E5C78 shade: #435C73, #546E86, #658099, #7692AC and #87A4BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E5C78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E5C78 shade: #3E5C78, #2D4A65, #1C3852, #0B263F and #00142C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E5C78 shade: #3E5C79, #3E4C79, #3F3E79, #4F3E79 and #5F3E79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E5C78 shade: #3E5C79, #3E4C79 and #3E3E79

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E5C78 shade matches the following richer shades: #3E5C79, #2F5D88, #205D96, #115EA5 and #035EB4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E5C78 shade: #3E5C79, #4D5C6A, #5C5B5B, #6A5B4C and #795A3D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E5C78 shade: #3E7975, #3E6D79, #3E5D79, #3E4E79 and #3E3E79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E5C78 shade: #223342, #30475D, #3E5C79, #4C7194 and #5E86AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E5C78 shade: #3E5C78, #653E79 and #75793E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E5C78 shade: #3E5C78, #793E5D and #5D793E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E5C78 shade: #3E5C78, #653E79, #79593E and #52793E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E5C78 shade: #3E5C78, #773E79, #79593E and #40793E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 23 / 0 / 53

HEX #3E5C78

RGB 62 92 120

HSL 208.97, 0.32%, 0.36%

LAB 37.9, -2.74, -19.26

 

Complementary color

CMYK 0 / 16 / 30 / 24

HEX #C1A387

RGB 193 163 135

HSL 28.97, 0.32%, 0.64%

LAB 68.95, 6.83, 18.65

 

CMYK 42 / 20 / 0 / 55

HEX #435C73

RGB 67 92 115

HSL 208.75, 0.26%, 0.36%

LAB 38, -2.86, -16.02

 

CMYK 37 / 18 / 0 / 47

HEX #546E86

RGB 84 110 134

HSL 208.8, 0.23%, 0.43%

LAB 45.3, -3.12, -16.27

 

CMYK 34 / 16 / 0 / 40

HEX #658099

RGB 101 128 153

HSL 208.85, 0.2%, 0.5%

LAB 52.4, -3.33, -16.54

 

CMYK 31 / 15 / 0 / 33

HEX #7692AC

RGB 118 146 172

HSL 208.89, 0.25%, 0.57%

LAB 59.33, -3.51, -16.84

 

CMYK 29 / 14 / 0 / 25

HEX #87A4BF

RGB 135 164 191

HSL 208.93, 0.3%, 0.64%

LAB 66.11, -3.66, -17.15

 

CMYK 48 / 23 / 0 / 53

HEX #3E5C78

RGB 62 92 120

HSL 208.97, 0.32%, 0.36%

LAB 37.9, -2.74, -19.26

 

CMYK 55 / 27 / 0 / 60

HEX #2D4A65

RGB 45 74 101

HSL 208.93, 0.38%, 0.29%

LAB 30.39, -2.2, -19.1

 

CMYK 66 / 32 / 0 / 68

HEX #1C3852

RGB 28 56 82

HSL 208.89, 0.49%, 0.22%

LAB 22.6, -1.37, -18.97

 

CMYK 83 / 40 / 0 / 75

HEX #0B263F

RGB 11 38 63

HSL 208.85, 0.7%, 0.15%

LAB 14.49, 0.05, -18.87

 

CMYK 100 / 55 / 0 / 83

HEX #00142C

RGB 0 20 44

HSL 212.73, 1%, 0.09%

LAB 6.16, 2.31, -18.46

 

CMYK 49 / 24 / 0 / 53

HEX #3E5C79

RGB 62 92 121

HSL 209.49, 0.32%, 0.36%

LAB 37.95, -2.42, -19.8

 

CMYK 49 / 37 / 0 / 53

HEX #3E4C79

RGB 62 76 121

HSL 225.76, 0.32%, 0.36%

LAB 33.08, 7.78, -27.39

 

CMYK 48 / 49 / 0 / 53

HEX #3F3E79

RGB 63 62 121

HSL 241.02, 0.32%, 0.36%

LAB 29.11, 17.34, -33.67

 

CMYK 35 / 49 / 0 / 53

HEX #4F3E79

RGB 79 62 121

HSL 257.29, 0.32%, 0.36%

LAB 30.61, 21.79, -31.2

 

CMYK 21 / 49 / 0 / 53

HEX #5F3E79

RGB 95 62 121

HSL 273.56, 0.32%, 0.36%

LAB 32.39, 26.63, -28.27

 

CMYK 49 / 24 / 0 / 53

HEX #3E5C79

RGB 62 92 121

HSL 209.49, 0.32%, 0.36%

LAB 37.95, -2.42, -19.8

 

CMYK 49 / 37 / 0 / 53

HEX #3E4C79

RGB 62 76 121

HSL 225.76, 0.32%, 0.36%

LAB 33.08, 7.78, -27.39

 

CMYK 49 / 49 / 0 / 53

HEX #3E3E79

RGB 62 62 121

HSL 240, 0.32%, 0.36%

LAB 29.03, 17.08, -33.81

 

CMYK 49 / 24 / 0 / 53

HEX #3E5C79

RGB 62 92 121

HSL 209.49, 0.32%, 0.36%

LAB 37.95, -2.42, -19.8

 

CMYK 65 / 32 / 0 / 47

HEX #2F5D88

RGB 47 93 136

HSL 208.99, 0.49%, 0.36%

LAB 38.22, -1.41, -28.6

 

CMYK 79 / 38 / 0 / 41

HEX #205D96

RGB 32 93 150

HSL 208.98, 0.65%, 0.36%

LAB 38.44, 1.5, -36.74

 

CMYK 90 / 43 / 0 / 35

HEX #115EA5

RGB 17 94 165

HSL 208.78, 0.81%, 0.36%

LAB 39.31, 5.44, -44.34

 

CMYK 98 / 48 / 0 / 29

HEX #035EB4

RGB 3 94 180

HSL 209.15, 0.97%, 0.36%

LAB 40.11, 10.89, -51.91

 

CMYK 49 / 24 / 0 / 53

HEX #3E5C79

RGB 62 92 121

HSL 209.49, 0.32%, 0.36%

LAB 37.95, -2.42, -19.8

 

CMYK 27 / 13 / 0 / 58

HEX #4D5C6A

RGB 77 92 106

HSL 208.97, 0.16%, 0.36%

LAB 38.33, -2.22, -9.9

 

CMYK 0 / 1 / 1 / 64

HEX #5C5B5B

RGB 92 91 91

HSL 0, 0.01%, 0.36%

LAB 38.75, 0.4, 0.14

 

CMYK 0 / 14 / 28 / 58

HEX #6A5B4C

RGB 106 91 76

HSL 30, 0.16%, 0.36%

LAB 39.7, 3.52, 10.9

 

CMYK 0 / 26 / 50 / 53

HEX #795A3D

RGB 121 90 61

HSL 29, 0.33%, 0.36%

LAB 40.76, 8.83, 21.65

 

CMYK 49 / 0 / 3 / 53

HEX #3E7975

RGB 62 121 117

HSL 175.93, 0.32%, 0.36%

LAB 46.95, -20.27, -3.77

 

CMYK 49 / 10 / 0 / 53

HEX #3E6D79

RGB 62 109 121

HSL 192.2, 0.32%, 0.36%

LAB 43.27, -12.52, -11.66

 

CMYK 49 / 23 / 0 / 53

HEX #3E5D79

RGB 62 93 121

HSL 208.47, 0.32%, 0.36%

LAB 38.26, -3.04, -19.32

 

CMYK 49 / 36 / 0 / 53

HEX #3E4E79

RGB 62 78 121

HSL 223.73, 0.32%, 0.36%

LAB 33.68, 6.47, -26.46

 

CMYK 49 / 49 / 0 / 53

HEX #3E3E79

RGB 62 62 121

HSL 240, 0.32%, 0.36%

LAB 29.03, 17.08, -33.81

 

CMYK 48 / 23 / 0 / 74

HEX #223342

RGB 34 51 66

HSL 208.13, 0.32%, 0.2%

LAB 20.44, -2.17, -11.56

 

CMYK 48 / 24 / 0 / 64

HEX #30475D

RGB 48 71 93

HSL 209.33, 0.32%, 0.28%

LAB 29.22, -2.14, -15.77

 

CMYK 49 / 24 / 0 / 53

HEX #3E5C79

RGB 62 92 121

HSL 209.49, 0.32%, 0.36%

LAB 37.95, -2.42, -19.8

 

CMYK 49 / 24 / 0 / 42

HEX #4C7194

RGB 76 113 148

HSL 209.17, 0.32%, 0.44%

LAB 46.29, -2.99, -23.11

 

CMYK 45 / 22 / 0 / 33

HEX #5E86AC

RGB 94 134 172

HSL 209.23, 0.32%, 0.52%

LAB 54.46, -3.42, -24.42

 

CMYK 48 / 23 / 0 / 53

HEX #3E5C78

RGB 62 92 120

HSL 208.97, 0.32%, 0.36%

LAB 37.9, -2.74, -19.26

 

CMYK 17 / 49 / 0 / 53

HEX #653E79

RGB 101 62 121

HSL 279.66, 0.32%, 0.36%

LAB 33.12, 28.5, -27.07

 

CMYK 3 / 0 / 49 / 53

HEX #75793E

RGB 117 121 62

HSL 64.07, 0.32%, 0.36%

LAB 49.26, -10.83, 31.63

 

CMYK 48 / 23 / 0 / 53

HEX #3E5C78

RGB 62 92 120

HSL 208.97, 0.32%, 0.36%

LAB 37.9, -2.74, -19.26

 

CMYK 0 / 49 / 23 / 53

HEX #793E5D

RGB 121 62 93

HSL 328.47, 0.32%, 0.36%

LAB 34.6, 29.79, -6.88

 

CMYK 23 / 0 / 49 / 53

HEX #5D793E

RGB 93 121 62

HSL 88.47, 0.32%, 0.36%

LAB 47.43, -21.04, 28.98

 

CMYK 48 / 23 / 0 / 53

HEX #3E5C78

RGB 62 92 120

HSL 208.97, 0.32%, 0.36%

LAB 37.9, -2.74, -19.26

 

CMYK 17 / 49 / 0 / 53

HEX #653E79

RGB 101 62 121

HSL 279.66, 0.32%, 0.36%

LAB 33.12, 28.5, -27.07

 

CMYK 0 / 26 / 49 / 53

HEX #79593E

RGB 121 89 62

HSL 27.46, 0.32%, 0.36%

LAB 40.5, 9.54, 20.73

 

CMYK 32 / 0 / 49 / 53

HEX #52793E

RGB 82 121 62

HSL 99.66, 0.32%, 0.36%

LAB 46.73, -25.37, 27.96

 

CMYK 48 / 23 / 0 / 53

HEX #3E5C78

RGB 62 92 120

HSL 208.97, 0.32%, 0.36%

LAB 37.9, -2.74, -19.26

 

CMYK 2 / 49 / 0 / 53

HEX #773E79

RGB 119 62 121

HSL 297.97, 0.32%, 0.36%

LAB 35.49, 34.21, -23.18

 

CMYK 0 / 26 / 49 / 53

HEX #79593E

RGB 121 89 62

HSL 27.46, 0.32%, 0.36%

LAB 40.5, 9.54, 20.73

 

CMYK 47 / 0 / 49 / 53

HEX #40793E

RGB 64 121 62

HSL 117.97, 0.32%, 0.36%

LAB 45.79, -31.7, 26.58

 

Description

Color code: HEX #3E5C78 | qconv.com Color code: HEX #3E5C78 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 92 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 92 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 23 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 23% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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