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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E5A0E it is the complementary color #C1A5F1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E5A0E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E5A0E shade: #435A09, #546C1C, #657E2F, #769042 and #87A255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E5A0E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E5A0E shade: #3E5A0E, #2D4800, #1C3600, #0B2400 and #001200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E5A0E shade: #3D580E, #51580E, #584C0E, #58370E and #58230E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E5A0E shade: #3D580E, #29580E, #15580E, #0E581B and #0E582F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E5A0E shade matches the following richer shades: #3D580E and #3F6006

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E5A0E shade: #3D580E, #3B5016, #38481E, #363F27 and #34372F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E5A0E shade: #584C0E, #51580E, #3D580E, #29580E and #15580E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E5A0E shade: #0C1103, #243508, #3D580E, #557C13 and #6EA019

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E5A0E shade: #3E5A0E, #0E5838 and #560E58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E5A0E shade: #3E5A0E, #0E3D58 and #580E3D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E5A0E shade: #3E5A0E, #0E5838, #290E58 and #580E2E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E5A0E shade: #3E5A0E, #0E584E, #290E58 and #580E18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 84 / 65

HEX #3E5A0E

RGB 62 90 14

HSL 82.11, 0.73%, 0.2%

LAB 34.74, -22.74, 37.21

 

Complementary color

CMYK 20 / 32 / 0 / 5

HEX #C1A5F1

RGB 193 165 241

HSL 262.11, 0.73%, 0.8%

LAB 72.63, 25.15, -34.28

 

CMYK 26 / 0 / 90 / 65

HEX #435A09

RGB 67 90 9

HSL 77.04, 0.82%, 0.19%

LAB 35.05, -20.75, 39.17

 

CMYK 22 / 0 / 74 / 58

HEX #546C1C

RGB 84 108 28

HSL 78, 0.59%, 0.27%

LAB 42.3, -21.48, 39.69

 

CMYK 20 / 0 / 63 / 51

HEX #657E2F

RGB 101 126 47

HSL 78.99, 0.46%, 0.34%

LAB 49.37, -21.91, 39.04

 

CMYK 18 / 0 / 54 / 44

HEX #769042

RGB 118 144 66

HSL 80, 0.37%, 0.41%

LAB 56.28, -22.16, 37.98

 

CMYK 17 / 0 / 48 / 36

HEX #87A255

RGB 135 162 85

HSL 81.04, 0.31%, 0.48%

LAB 63.05, -22.3, 36.79

 

CMYK 31 / 0 / 84 / 65

HEX #3E5A0E

RGB 62 90 14

HSL 82.11, 0.73%, 0.2%

LAB 34.74, -22.74, 37.21

 

CMYK 38 / 0 / 100 / 72

HEX #2D4800

RGB 45 72 0

HSL 82.5, 1%, 0.14%

LAB 27.28, -21.8, 35.26

 

CMYK 48 / 0 / 100 / 79

HEX #1C3600

RGB 28 54 0

HSL 88.89, 1%, 0.11%

LAB 19.58, -20.13, 27.15

 

CMYK 69 / 0 / 100 / 86

HEX #0B2400

RGB 11 36 0

HSL 101.67, 1%, 0.07%

LAB 11.5, -18.09, 16.73

 

CMYK 100 / 0 / 100 / 93

HEX #001200

RGB 0 18 0

HSL 120, 1%, 0.04%

LAB 3.91, -7.98, 5.71

 

CMYK 31 / 0 / 84 / 65

HEX #3D580E

RGB 61 88 14

HSL 81.89, 0.73%, 0.2%

LAB 33.99, -22.15, 36.49

 

CMYK 8 / 0 / 84 / 65

HEX #51580E

RGB 81 88 14

HSL 65.68, 0.73%, 0.2%

LAB 35.52, -12.86, 38.45

 

CMYK 0 / 14 / 84 / 65

HEX #584C0E

RGB 88 76 14

HSL 50.27, 0.73%, 0.2%

LAB 32.43, -2.31, 35.9

 

CMYK 0 / 38 / 84 / 65

HEX #58370E

RGB 88 55 14

HSL 33.24, 0.73%, 0.2%

LAB 26.27, 10.84, 30.16

 

CMYK 0 / 60 / 84 / 65

HEX #58230E

RGB 88 35 14

HSL 17.03, 0.73%, 0.2%

LAB 21.24, 23.07, 25.09

 

CMYK 31 / 0 / 84 / 65

HEX #3D580E

RGB 61 88 14

HSL 81.89, 0.73%, 0.2%

LAB 33.99, -22.15, 36.49

 

CMYK 53 / 0 / 84 / 65

HEX #29580E

RGB 41 88 14

HSL 98.11, 0.73%, 0.2%

LAB 32.88, -30.04, 35.05

 

CMYK 76 / 0 / 84 / 65

HEX #15580E

RGB 21 88 14

HSL 114.32, 0.73%, 0.2%

LAB 32.19, -35.59, 34.15

 

CMYK 84 / 0 / 69 / 65

HEX #0E581B

RGB 14 88 27

HSL 130.54, 0.73%, 0.2%

LAB 32.15, -35.55, 28.43

 

CMYK 84 / 0 / 47 / 65

HEX #0E582F

RGB 14 88 47

HSL 146.76, 0.73%, 0.2%

LAB 32.43, -32.21, 17.72

 

CMYK 31 / 0 / 84 / 65

HEX #3D580E

RGB 61 88 14

HSL 81.89, 0.73%, 0.2%

LAB 33.99, -22.15, 36.49

 

CMYK 34 / 0 / 94 / 62

HEX #3F6006

RGB 63 96 6

HSL 82, 0.88%, 0.2%

LAB 36.81, -25.65, 41.43

 

CMYK 31 / 0 / 84 / 65

HEX #3D580E

RGB 61 88 14

HSL 81.89, 0.73%, 0.2%

LAB 33.99, -22.15, 36.49

 

CMYK 26 / 0 / 73 / 69

HEX #3B5016

RGB 59 80 22

HSL 81.72, 0.57%, 0.2%

LAB 31.17, -18.3, 30.35

 

CMYK 22 / 0 / 58 / 72

HEX #38481E

RGB 56 72 30

HSL 82.86, 0.41%, 0.2%

LAB 28.3, -14.42, 22.89

 

CMYK 14 / 0 / 38 / 75

HEX #363F27

RGB 54 63 39

HSL 82.5, 0.24%, 0.2%

LAB 25.22, -8.74, 13.53

 

CMYK 5 / 0 / 15 / 78

HEX #34372F

RGB 52 55 47

HSL 82.5, 0.08%, 0.2%

LAB 22.54, -3.08, 4.58

 

CMYK 0 / 14 / 84 / 65

HEX #584C0E

RGB 88 76 14

HSL 50.27, 0.73%, 0.2%

LAB 32.43, -2.31, 35.9

 

CMYK 8 / 0 / 84 / 65

HEX #51580E

RGB 81 88 14

HSL 65.68, 0.73%, 0.2%

LAB 35.52, -12.86, 38.45

 

CMYK 31 / 0 / 84 / 65

HEX #3D580E

RGB 61 88 14

HSL 81.89, 0.73%, 0.2%

LAB 33.99, -22.15, 36.49

 

CMYK 53 / 0 / 84 / 65

HEX #29580E

RGB 41 88 14

HSL 98.11, 0.73%, 0.2%

LAB 32.88, -30.04, 35.05

 

CMYK 76 / 0 / 84 / 65

HEX #15580E

RGB 21 88 14

HSL 114.32, 0.73%, 0.2%

LAB 32.19, -35.59, 34.15

 

CMYK 29 / 0 / 82 / 93

HEX #0C1103

RGB 12 17 3

HSL 81.43, 0.7%, 0.04%

LAB 4.39, -3.81, 5.27

 

CMYK 32 / 0 / 85 / 79

HEX #243508

RGB 36 53 8

HSL 82.67, 0.74%, 0.12%

LAB 19.8, -15.24, 24.27

 

CMYK 31 / 0 / 84 / 65

HEX #3D580E

RGB 61 88 14

HSL 81.89, 0.73%, 0.2%

LAB 33.99, -22.15, 36.49

 

CMYK 31 / 0 / 85 / 51

HEX #557C13

RGB 85 124 19

HSL 82.29, 0.73%, 0.28%

LAB 47.49, -29.46, 47.76

 

CMYK 31 / 0 / 84 / 37

HEX #6EA019

RGB 110 160 25

HSL 82.22, 0.73%, 0.36%

LAB 60.36, -35.89, 58.11

 

CMYK 31 / 0 / 84 / 65

HEX #3E5A0E

RGB 62 90 14

HSL 82.11, 0.73%, 0.2%

LAB 34.74, -22.74, 37.21

 

CMYK 84 / 0 / 36 / 65

HEX #0E5838

RGB 14 88 56

HSL 154.05, 0.73%, 0.2%

LAB 32.61, -30.2, 12.52

 

CMYK 2 / 84 / 0 / 65

HEX #560E58

RGB 86 14 88

HSL 298.38, 0.73%, 0.2%

LAB 20.03, 41.04, -26.6

 

CMYK 31 / 0 / 84 / 65

HEX #3E5A0E

RGB 62 90 14

HSL 82.11, 0.73%, 0.2%

LAB 34.74, -22.74, 37.21

 

CMYK 84 / 31 / 0 / 65

HEX #0E3D58

RGB 14 61 88

HSL 201.89, 0.73%, 0.2%

LAB 24.11, -4.81, -20.59

 

CMYK 0 / 84 / 31 / 65

HEX #580E3D

RGB 88 14 61

HSL 321.89, 0.73%, 0.2%

LAB 18.91, 37.17, -9.85

 

CMYK 31 / 0 / 84 / 65

HEX #3E5A0E

RGB 62 90 14

HSL 82.11, 0.73%, 0.2%

LAB 34.74, -22.74, 37.21

 

CMYK 84 / 0 / 36 / 65

HEX #0E5838

RGB 14 88 56

HSL 154.05, 0.73%, 0.2%

LAB 32.61, -30.2, 12.52

 

CMYK 53 / 84 / 0 / 65

HEX #290E58

RGB 41 14 88

HSL 261.89, 0.73%, 0.2%

LAB 12.54, 31.99, -39.09

 

CMYK 0 / 84 / 48 / 65

HEX #580E2E

RGB 88 14 46

HSL 334.05, 0.73%, 0.2%

LAB 18.3, 35.33, -0.15

 

CMYK 31 / 0 / 84 / 65

HEX #3E5A0E

RGB 62 90 14

HSL 82.11, 0.73%, 0.2%

LAB 34.74, -22.74, 37.21

 

CMYK 84 / 0 / 11 / 65

HEX #0E584E

RGB 14 88 78

HSL 171.89, 0.73%, 0.2%

LAB 33.18, -24.08, -0.38

 

CMYK 53 / 84 / 0 / 65

HEX #290E58

RGB 41 14 88

HSL 261.89, 0.73%, 0.2%

LAB 12.54, 31.99, -39.09

 

CMYK 0 / 84 / 73 / 65

HEX #580E18

RGB 88 14 24

HSL 351.89, 0.73%, 0.2%

LAB 17.71, 33.49, 14.77

 

Description

Color code: HEX #3E5A0E | qconv.com Color code: HEX #3E5A0E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 90 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 90 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 84 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 84% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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