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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E58C0BF it is the complementary color #C1A73FBF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E58C0BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E58C0BF shade: #4358BBBF, #546ACEBF, #657CE1BF, #768EF4BF and #87A0FFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E58C0BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E58C0BF shade: #3E58C0BF, #2D46ADBF, #1C349ABF, #0B2287BF and #001074BF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E58C0BF shade: #3E58C1, #483EC1, #6B3EC1, #8E3EC1 and #B13EC1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E58C0BF shade: #3E58C1 and #3E3EC1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E58C0BF shade matches the following richer shades: #3E58C1, #2A4CD5, #1540EA and #0133FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E58C0BF shade: #3E58C1, #5365AC, #687197, #7C7E83 and #918A6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E58C0BF shade: #3E9EC1, #3E7BC1, #3E58C1, #473EC1 and #6A3EC1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E58C0BF shade: #2A3C82, #344AA1, #3E58C1, #5E73CB and #7D8ED5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E58C0BF shade: #3E58C0, #C13EC1 and #8DC13E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E58C0BF shade: #3E58C0, #C13E58 and #58C13E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E58C0BF shade: #3E58C0, #C13EC1, #C1A73E and #3EC13E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E58C0BF shade: #3E58C0, #C13E9A, #C1A73E and #3EC165

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 41 / 0 / 19

HEX #3E58C0BF

RGBA 62 88 192 0.75

HSLA 228, 0.51%, 0.5%, 0.75

LABA 40.91, 24.84, -57.56, 0.75

 

Complementary color

CMYK 0 / 10 / 51 / 18

HEX #C1A73FBF

RGBA 193 167 63 0.75

HSLA 48, 0.51%, 0.5%, 0.75

LABA 68.99, -2.23, 55.23, 0.75

 

CMYK 48 / 40 / 0 / 20

HEX #4358BBBF

RGBA 67 88 187 0.75

HSLA 229.5, 0.47%, 0.5%, 0.75

LABA 40.83, 23.87, -54.76, 0.75

 

CMYK 44 / 36 / 0 / 14

HEX #546ACEBF

RGBA 84 106 206 0.75

HSLA 229.18, 0.55%, 0.57%, 0.75

LABA 47.81, 22.09, -54.45, 0.75

 

CMYK 41 / 34 / 0 / 9

HEX #657CE1BF

RGBA 101 124 225 0.75

HSLA 228.87, 0.67%, 0.64%, 0.75

LABA 54.68, 20.62, -54.16, 0.75

 

CMYK 39 / 31 / 0 / 3

HEX #768EF4BF

RGBA 118 142 244 0.75

HSLA 228.57, 0.85%, 0.71%, 0.75

LABA 61.42, 19.39, -53.91, 0.75

 

CMYK 35 / 28 / 0 / 0

HEX #87A0FFBF

RGBA 135 160 255 0.75

HSLA 227.5, 1%, 0.76%, 0.75

LABA 67.66, 15.99, -49.98, 0.75

 

CMYK 51 / 41 / 0 / 19

HEX #3E58C0BF

RGBA 62 88 192 0.75

HSLA 228, 0.51%, 0.5%, 0.75

LABA 40.91, 24.84, -57.56, 0.75

 

CMYK 55 / 45 / 0 / 24

HEX #2D46ADBF

RGBA 45 70 173 0.75

HSLA 228.28, 0.59%, 0.43%, 0.75

LABA 33.89, 27.25, -57.82, 0.75

 

CMYK 61 / 50 / 0 / 30

HEX #1C349ABF

RGBA 28 52 154 0.75

HSLA 228.57, 0.69%, 0.36%, 0.75

LABA 26.84, 30.19, -57.92, 0.75

 

CMYK 69 / 56 / 0 / 35

HEX #0B2287BF

RGBA 11 34 135 0.75

HSLA 228.87, 0.85%, 0.29%, 0.75

LABA 19.9, 33.63, -57.6, 0.75

 

CMYK 75 / 65 / 0 / 41

HEX #001074BF

RGBA 0 16 116 0.75

HSLA 231.72, 1%, 0.23%, 0.75

LABA 13.42, 36.92, -56.25, 0.75

 

CMYK 68 / 54 / 0 / 24

HEX #3E58C1

RGB 62 88 193

HSL 228.09, 0.51%, 0.5%

LAB 40.98, 25.2, -58.03

 

CMYK 63 / 68 / 0 / 24

HEX #483EC1

RGB 72 62 193

HSL 244.58, 0.51%, 0.5%

LAB 35.35, 42.86, -67.18

 

CMYK 45 / 68 / 0 / 24

HEX #6B3EC1

RGB 107 62 193

HSL 260.61, 0.51%, 0.5%

LAB 38.59, 48.67, -61.76

 

CMYK 26 / 68 / 0 / 24

HEX #8E3EC1

RGB 142 62 193

HSL 276.64, 0.51%, 0.5%

LAB 42.83, 55.73, -54.68

 

CMYK 8 / 68 / 0 / 24

HEX #B13EC1

RGB 177 62 193

HSL 292.67, 0.51%, 0.5%

LAB 47.81, 63.42, -46.43

 

CMYK 68 / 54 / 0 / 24

HEX #3E58C1

RGB 62 88 193

HSL 228.09, 0.51%, 0.5%

LAB 40.98, 25.2, -58.03

 

CMYK 68 / 68 / 0 / 24

HEX #3E3EC1

RGB 62 62 193

HSL 240, 0.51%, 0.5%

LAB 34.64, 41.53, -68.37

 

CMYK 68 / 54 / 0 / 24

HEX #3E58C1

RGB 62 88 193

HSL 228.09, 0.51%, 0.5%

LAB 40.98, 25.2, -58.03

 

CMYK 80 / 64 / 0 / 16

HEX #2A4CD5

RGB 42 76 213

HSL 228.07, 0.67%, 0.5%

LAB 38.66, 37.84, -73.42

 

CMYK 91 / 73 / 0 / 8

HEX #1540EA

RGB 21 64 234

HSL 227.89, 0.84%, 0.5%

LAB 37.42, 51.42, -87.48

 

CMYK 100 / 80 / 0 / 0

HEX #0133FE

RGB 1 51 254

HSL 228.14, 0.99%, 0.5%

LAB 36.99, 64.41, -99.49

 

CMYK 68 / 54 / 0 / 24

HEX #3E58C1

RGB 62 88 193

HSL 228.09, 0.51%, 0.5%

LAB 40.98, 25.2, -58.03

 

CMYK 52 / 41 / 0 / 33

HEX #5365AC

RGB 83 101 172

HSL 227.87, 0.35%, 0.5%

LAB 44.41, 13.76, -40.18

 

CMYK 31 / 25 / 0 / 41

HEX #687197

RGB 104 113 151

HSL 228.51, 0.18%, 0.5%

LAB 48.24, 5.9, -21.72

 

CMYK 5 / 4 / 0 / 49

HEX #7C7E83

RGB 124 126 131

HSL 222.86, 0.03%, 0.5%

LAB 52.78, 0.28, -2.98

 

CMYK 0 / 5 / 24 / 43

HEX #918A6E

RGB 145 138 110

HSL 48, 0.14%, 0.5%

LAB 57.39, -2.15, 15.96

 

CMYK 68 / 18 / 0 / 24

HEX #3E9EC1

RGB 62 158 193

HSL 196.03, 0.51%, 0.5%

LAB 61.07, -16.88, -26.26

 

CMYK 68 / 36 / 0 / 24

HEX #3E7BC1

RGB 62 123 193

HSL 212.06, 0.51%, 0.5%

LAB 50.73, 3.13, -42.41

 

CMYK 68 / 54 / 0 / 24

HEX #3E58C1

RGB 62 88 193

HSL 228.09, 0.51%, 0.5%

LAB 40.98, 25.2, -58.03

 

CMYK 63 / 68 / 0 / 24

HEX #473EC1

RGB 71 62 193

HSL 244.12, 0.51%, 0.5%

LAB 35.27, 42.72, -67.31

 

CMYK 45 / 68 / 0 / 24

HEX #6A3EC1

RGB 106 62 193

HSL 260.15, 0.51%, 0.5%

LAB 38.48, 48.49, -61.94

 

CMYK 68 / 54 / 0 / 49

HEX #2A3C82

RGB 42 60 130

HSL 227.73, 0.51%, 0.34%

LAB 27.67, 17.28, -41.71

 

CMYK 68 / 54 / 0 / 37

HEX #344AA1

RGB 52 74 161

HSL 227.89, 0.51%, 0.42%

LAB 34.4, 21.13, -49.8

 

CMYK 68 / 54 / 0 / 24

HEX #3E58C1

RGB 62 88 193

HSL 228.09, 0.51%, 0.5%

LAB 40.98, 25.2, -58.03

 

CMYK 54 / 43 / 0 / 20

HEX #5E73CB

RGB 94 115 203

HSL 228.44, 0.51%, 0.58%

LAB 50.63, 17.57, -48.19

 

CMYK 41 / 33 / 0 / 16

HEX #7D8ED5

RGB 125 142 213

HSL 228.41, 0.51%, 0.66%

LAB 60.35, 11.88, -38.37

 

CMYK 68 / 54 / 0 / 25

HEX #3E58C0

RGB 62 88 192

HSL 228, 0.51%, 0.5%

LAB 40.91, 24.84, -57.56

 

CMYK 0 / 68 / 0 / 24

HEX #C13EC1

RGB 193 62 193

HSL 300, 0.51%, 0.5%

LAB 50.25, 67.04, -42.39

 

CMYK 27 / 0 / 68 / 24

HEX #8DC13E

RGB 141 193 62

HSL 83.82, 0.51%, 0.5%

LAB 72.33, -36.84, 57.89

 

CMYK 68 / 54 / 0 / 25

HEX #3E58C0

RGB 62 88 192

HSL 228, 0.51%, 0.5%

LAB 40.91, 24.84, -57.56

 

CMYK 0 / 68 / 54 / 24

HEX #C13E58

RGB 193 62 88

HSL 348.09, 0.51%, 0.5%

LAB 46.29, 53.87, 14.6

 

CMYK 54 / 0 / 68 / 24

HEX #58C13E

RGB 88 193 62

HSL 108.09, 0.51%, 0.5%

LAB 69.87, -54.25, 54.55

 

CMYK 68 / 54 / 0 / 25

HEX #3E58C0

RGB 62 88 192

HSL 228, 0.51%, 0.5%

LAB 40.91, 24.84, -57.56

 

CMYK 0 / 68 / 0 / 24

HEX #C13EC1

RGB 193 62 193

HSL 300, 0.51%, 0.5%

LAB 50.25, 67.04, -42.39

 

CMYK 0 / 13 / 68 / 24

HEX #C1A73E

RGB 193 167 62

HSL 48.09, 0.51%, 0.5%

LAB 68.98, -2.28, 55.65

 

CMYK 68 / 0 / 68 / 24

HEX #3EC13E

RGB 62 193 62

HSL 120, 0.51%, 0.5%

LAB 69.12, -60.25, 53.53

 

CMYK 68 / 54 / 0 / 25

HEX #3E58C0

RGB 62 88 192

HSL 228, 0.51%, 0.5%

LAB 40.91, 24.84, -57.56

 

CMYK 0 / 68 / 20 / 24

HEX #C13E9A

RGB 193 62 154

HSL 317.86, 0.51%, 0.5%

LAB 48.41, 61.1, -22.37

 

CMYK 0 / 13 / 68 / 24

HEX #C1A73E

RGB 193 167 62

HSL 48.09, 0.51%, 0.5%

LAB 68.98, -2.28, 55.65

 

CMYK 68 / 0 / 48 / 24

HEX #3EC165

RGB 62 193 101

HSL 137.86, 0.51%, 0.5%

LAB 69.54, -55.32, 36.08

 

Description

Color code: HEX #3E58C0BF | qconv.com Color code: HEX #3E58C0BF | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 88 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 88 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 41 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 41% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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