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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E588E it is the complementary color #C1A771. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E588E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E588E shade: #435889, #546A9C, #657CAF, #768EC2 and #87A0D5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E588E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E588E shade: #3E588E, #2D467B, #1C3468, #0B2255 and #001042

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E588E shade: #3E588E, #3E438E, #4F3E8E, #653E8E and #7A3E8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E588E shade: #3E588E, #3E438E and #3E3E8E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E588E shade matches the following richer shades: #3E588E, #2E529E, #1D4DAF and #0D47BF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E588E shade: #3E588E, #4F5E7D, #5F646D, #70695C and #806F4C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E588E shade: #3E838E, #3E6E8E, #3E598E, #3E448E and #4E3E8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E588E shade: #253454, #324671, #3E588E, #4B6AAA and #6480BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E588E shade: #3E588E, #833E8E and #798E3E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E588E shade: #3E588E, #8E3E59 and #598E3E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E588E shade: #3E588E, #833E8E, #8E733E and #498E3E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E588E shade: #3E588E, #8E3E81, #8E733E and #3E8E4B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 38 / 0 / 44

HEX #3E588E

RGB 62 88 142

HSL 220.5, 0.39%, 0.4%

LAB 37.76, 7.09, -32.9

 

Complementary color

CMYK 0 / 13 / 41 / 24

HEX #C1A771

RGB 193 167 113

HSL 40.5, 0.39%, 0.6%

LAB 69.59, 1.97, 31.41

 

CMYK 51 / 36 / 0 / 46

HEX #435889

RGB 67 88 137

HSL 222, 0.34%, 0.4%

LAB 37.8, 6.62, -29.78

 

CMYK 46 / 32 / 0 / 39

HEX #546A9C

RGB 84 106 156

HSL 221.67, 0.3%, 0.47%

LAB 45.07, 5.82, -29.71

 

CMYK 42 / 29 / 0 / 31

HEX #657CAF

RGB 101 124 175

HSL 221.35, 0.32%, 0.54%

LAB 52.15, 5.19, -29.69

 

CMYK 39 / 27 / 0 / 24

HEX #768EC2

RGB 118 142 194

HSL 221.05, 0.38%, 0.61%

LAB 59.06, 4.67, -29.72

 

CMYK 37 / 25 / 0 / 16

HEX #87A0D5

RGB 135 160 213

HSL 220.77, 0.48%, 0.68%

LAB 65.82, 4.23, -29.8

 

CMYK 56 / 38 / 0 / 44

HEX #3E588E

RGB 62 88 142

HSL 220.5, 0.39%, 0.4%

LAB 37.76, 7.09, -32.9

 

CMYK 63 / 43 / 0 / 52

HEX #2D467B

RGB 45 70 123

HSL 220.77, 0.46%, 0.33%

LAB 30.32, 8.38, -33.07

 

CMYK 73 / 50 / 0 / 59

HEX #1C3468

RGB 28 52 104

HSL 221.05, 0.58%, 0.26%

LAB 22.66, 10.2, -33.29

 

CMYK 87 / 60 / 0 / 67

HEX #0B2255

RGB 11 34 85

HSL 221.35, 0.77%, 0.19%

LAB 14.8, 12.92, -33.48

 

CMYK 100 / 76 / 0 / 74

HEX #001042

RGB 0 16 66

HSL 225.45, 1%, 0.13%

LAB 6.9, 16.69, -33.26

 

CMYK 56 / 38 / 0 / 44

HEX #3E588E

RGB 62 88 142

HSL 220.5, 0.39%, 0.4%

LAB 37.76, 7.09, -32.9

 

CMYK 56 / 53 / 0 / 44

HEX #3E438E

RGB 62 67 142

HSL 236.25, 0.39%, 0.4%

LAB 31.79, 20.87, -42.44

 

CMYK 44 / 56 / 0 / 44

HEX #4F3E8E

RGB 79 62 142

HSL 252.75, 0.39%, 0.4%

LAB 31.94, 28.04, -42.11

 

CMYK 29 / 56 / 0 / 44

HEX #653E8E

RGB 101 62 142

HSL 269.25, 0.39%, 0.4%

LAB 34.32, 33.72, -38.16

 

CMYK 14 / 56 / 0 / 44

HEX #7A3E8E

RGB 122 62 142

HSL 285, 0.39%, 0.4%

LAB 37, 39.54, -33.75

 

CMYK 56 / 38 / 0 / 44

HEX #3E588E

RGB 62 88 142

HSL 220.5, 0.39%, 0.4%

LAB 37.76, 7.09, -32.9

 

CMYK 56 / 53 / 0 / 44

HEX #3E438E

RGB 62 67 142

HSL 236.25, 0.39%, 0.4%

LAB 31.79, 20.87, -42.44

 

CMYK 56 / 56 / 0 / 44

HEX #3E3E8E

RGB 62 62 142

HSL 240, 0.39%, 0.4%

LAB 30.45, 24.16, -44.59

 

CMYK 56 / 38 / 0 / 44

HEX #3E588E

RGB 62 88 142

HSL 220.5, 0.39%, 0.4%

LAB 37.76, 7.09, -32.9

 

CMYK 71 / 48 / 0 / 38

HEX #2E529E

RGB 46 82 158

HSL 220.71, 0.55%, 0.4%

LAB 36.15, 13.73, -45.19

 

CMYK 83 / 56 / 0 / 31

HEX #1D4DAF

RGB 29 77 175

HSL 220.27, 0.72%, 0.4%

LAB 35.33, 21.66, -56.69

 

CMYK 93 / 63 / 0 / 25

HEX #0D47BF

RGB 13 71 191

HSL 220.45, 0.87%, 0.4%

LAB 34.71, 31.02, -67.16

 

CMYK 56 / 38 / 0 / 44

HEX #3E588E

RGB 62 88 142

HSL 220.5, 0.39%, 0.4%

LAB 37.76, 7.09, -32.9

 

CMYK 37 / 25 / 0 / 51

HEX #4F5E7D

RGB 79 94 125

HSL 220.43, 0.23%, 0.4%

LAB 39.83, 2.49, -19.26

 

CMYK 13 / 8 / 0 / 57

HEX #5F646D

RGB 95 100 109

HSL 218.57, 0.07%, 0.4%

LAB 42.23, 0.08, -5.74

 

CMYK 0 / 6 / 18 / 56

HEX #70695C

RGB 112 105 92

HSL 39, 0.1%, 0.4%

LAB 44.69, 0.35, 8.3

 

CMYK 0 / 13 / 41 / 50

HEX #806F4C

RGB 128 111 76

HSL 40.38, 0.25%, 0.4%

LAB 47.6, 1.32, 21.95

 

CMYK 56 / 8 / 0 / 44

HEX #3E838E

RGB 62 131 142

HSL 188.25, 0.39%, 0.4%

LAB 50.93, -18.38, -12.55

 

CMYK 56 / 23 / 0 / 44

HEX #3E6E8E

RGB 62 110 142

HSL 204, 0.39%, 0.4%

LAB 44.42, -6.52, -22.5

 

CMYK 56 / 37 / 0 / 44

HEX #3E598E

RGB 62 89 142

HSL 219.75, 0.39%, 0.4%

LAB 38.06, 6.45, -32.43

 

CMYK 56 / 52 / 0 / 44

HEX #3E448E

RGB 62 68 142

HSL 235.5, 0.39%, 0.4%

LAB 32.06, 20.21, -42

 

CMYK 45 / 56 / 0 / 44

HEX #4E3E8E

RGB 78 62 142

HSL 252, 0.39%, 0.4%

LAB 31.85, 27.79, -42.27

 

CMYK 56 / 38 / 0 / 67

HEX #253454

RGB 37 52 84

HSL 220.85, 0.39%, 0.24%

LAB 21.91, 4.39, -21.35

 

CMYK 56 / 38 / 0 / 56

HEX #324671

RGB 50 70 113

HSL 220.95, 0.39%, 0.32%

LAB 30.04, 5.89, -27.23

 

CMYK 56 / 38 / 0 / 44

HEX #3E588E

RGB 62 88 142

HSL 220.5, 0.39%, 0.4%

LAB 37.76, 7.09, -32.9

 

CMYK 56 / 38 / 0 / 33

HEX #4B6AAA

RGB 75 106 170

HSL 220.42, 0.39%, 0.48%

LAB 45.23, 8.14, -37.75

 

CMYK 47 / 32 / 0 / 27

HEX #6480BB

RGB 100 128 187

HSL 220.69, 0.39%, 0.56%

LAB 53.75, 6.11, -34.1

 

CMYK 56 / 38 / 0 / 44

HEX #3E588E

RGB 62 88 142

HSL 220.5, 0.39%, 0.4%

LAB 37.76, 7.09, -32.9

 

CMYK 8 / 56 / 0 / 44

HEX #833E8E

RGB 131 62 142

HSL 291.75, 0.39%, 0.4%

LAB 38.24, 42.08, -31.7

 

CMYK 15 / 0 / 56 / 44

HEX #798E3E

RGB 121 142 62

HSL 75.75, 0.39%, 0.4%

LAB 55.85, -20.29, 39.51

 

CMYK 56 / 38 / 0 / 44

HEX #3E588E

RGB 62 88 142

HSL 220.5, 0.39%, 0.4%

LAB 37.76, 7.09, -32.9

 

CMYK 0 / 56 / 37 / 44

HEX #8E3E59

RGB 142 62 89

HSL 339.75, 0.39%, 0.4%

LAB 37.69, 36.84, 0.59

 

CMYK 37 / 0 / 56 / 44

HEX #598E3E

RGB 89 142 62

HSL 99.75, 0.39%, 0.4%

LAB 53.83, -32.85, 36.65

 

CMYK 56 / 38 / 0 / 44

HEX #3E588E

RGB 62 88 142

HSL 220.5, 0.39%, 0.4%

LAB 37.76, 7.09, -32.9

 

CMYK 8 / 56 / 0 / 44

HEX #833E8E

RGB 131 62 142

HSL 291.75, 0.39%, 0.4%

LAB 38.24, 42.08, -31.7

 

CMYK 0 / 19 / 56 / 44

HEX #8E733E

RGB 142 115 62

HSL 39.75, 0.39%, 0.4%

LAB 49.93, 3.78, 33

 

CMYK 49 / 0 / 56 / 44

HEX #498E3E

RGB 73 142 62

HSL 111.75, 0.39%, 0.4%

LAB 53.07, -38.2, 35.56

 

CMYK 56 / 38 / 0 / 44

HEX #3E588E

RGB 62 88 142

HSL 220.5, 0.39%, 0.4%

LAB 37.76, 7.09, -32.9

 

CMYK 0 / 56 / 9 / 44

HEX #8E3E81

RGB 142 62 129

HSL 309.75, 0.39%, 0.4%

LAB 39.21, 42.86, -22.1

 

CMYK 0 / 19 / 56 / 44

HEX #8E733E

RGB 142 115 62

HSL 39.75, 0.39%, 0.4%

LAB 49.93, 3.78, 33

 

CMYK 56 / 0 / 47 / 44

HEX #3E8E4B

RGB 62 142 75

HSL 129.75, 0.39%, 0.4%

LAB 52.82, -39.47, 28.4

 

Description

Color code: HEX #3E588E | qconv.com Color code: HEX #3E588E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 88 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 88 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 38 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 38% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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