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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E582E it is the complementary color #C1A7D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E582E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E582E shade: #435829, #546A3C, #657C4F, #768E62 and #87A075

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E582E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E582E shade: #3E582E, #2D461B, #1C3408, #0B2200 and #001000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E582E shade: #3D562D, #48562D, #53562D, #564F2D and #56432D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E582E shade: #3D562D, #32562D, #2D5634, #2D563F and #2D564A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E582E shade matches the following richer shades: #3D562D, #3A6123, #386C18, #35770D and #338102

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E582E shade: #3D562D, #3F4C38, #424143, #45364D and #472B58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E582E shade: #53562D, #48562D, #3D562D, #32562D and #2D5633

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E582E shade: #172011, #2A3B1F, #3D562D, #50713B and #638C4A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E582E shade: #3E582E, #2D564F and #562D4D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E582E shade: #3E582E, #2D3D56 and #562D3D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E582E shade: #3E582E, #2D564F, #472D56 and #562D35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E582E shade: #3E582E, #2D5256, #472D56 and #56322D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 48 / 65

HEX #3E582E

RGB 62 88 46

HSL 97.14, 0.31%, 0.26%

LAB 34.4, -18.48, 21.23

 

Complementary color

CMYK 8 / 20 / 0 / 18

HEX #C1A7D1

RGB 193 167 209

HSL 277.14, 0.31%, 0.74%

LAB 71.95, 17.21, -17.83

 

CMYK 24 / 0 / 53 / 65

HEX #435829

RGB 67 88 41

HSL 86.81, 0.36%, 0.25%

LAB 34.67, -17.07, 24.5

 

CMYK 21 / 0 / 43 / 58

HEX #546A3C

RGB 84 106 60

HSL 88.7, 0.28%, 0.33%

LAB 42.03, -17.07, 23.17

 

CMYK 19 / 0 / 36 / 51

HEX #657C4F

RGB 101 124 79

HSL 90.67, 0.22%, 0.4%

LAB 49.19, -17.01, 21.9

 

CMYK 17 / 0 / 31 / 44

HEX #768E62

RGB 118 142 98

HSL 92.73, 0.18%, 0.47%

LAB 56.17, -16.93, 20.71

 

CMYK 16 / 0 / 27 / 37

HEX #87A075

RGB 135 160 117

HSL 94.88, 0.18%, 0.54%

LAB 62.99, -16.85, 19.61

 

CMYK 30 / 0 / 48 / 65

HEX #3E582E

RGB 62 88 46

HSL 97.14, 0.31%, 0.26%

LAB 34.4, -18.48, 21.23

 

CMYK 36 / 0 / 61 / 73

HEX #2D461B

RGB 45 70 27

HSL 94.88, 0.44%, 0.19%

LAB 26.78, -18.54, 22.61

 

CMYK 46 / 0 / 85 / 80

HEX #1C3408

RGB 28 52 8

HSL 92.73, 0.73%, 0.12%

LAB 18.89, -18.33, 23.09

 

CMYK 68 / 0 / 100 / 87

HEX #0B2200

RGB 11 34 0

HSL 100.59, 1%, 0.07%

LAB 10.67, -16.9, 15.58

 

CMYK 100 / 0 / 100 / 94

HEX #001000

RGB 0 16 0

HSL 120, 1%, 0.03%

LAB 3.35, -6.84, 4.89

 

CMYK 29 / 0 / 48 / 66

HEX #3D562D

RGB 61 86 45

HSL 96.59, 0.31%, 0.26%

LAB 33.64, -17.96, 20.85

 

CMYK 16 / 0 / 48 / 66

HEX #48562D

RGB 72 86 45

HSL 80.49, 0.31%, 0.26%

LAB 34.44, -13.23, 22.02

 

CMYK 3 / 0 / 48 / 66

HEX #53562D

RGB 83 86 45

HSL 64.39, 0.31%, 0.26%

LAB 35.37, -8.22, 23.38

 

CMYK 0 / 8 / 48 / 66

HEX #564F2D

RGB 86 79 45

HSL 49.76, 0.31%, 0.26%

LAB 33.48, -2.62, 21.08

 

CMYK 0 / 22 / 48 / 66

HEX #56432D

RGB 86 67 45

HSL 32.2, 0.31%, 0.26%

LAB 29.87, 4.84, 16.46

 

CMYK 29 / 0 / 48 / 66

HEX #3D562D

RGB 61 86 45

HSL 96.59, 0.31%, 0.26%

LAB 33.64, -17.96, 20.85

 

CMYK 42 / 0 / 48 / 66

HEX #32562D

RGB 50 86 45

HSL 112.68, 0.31%, 0.26%

LAB 32.97, -22.28, 19.85

 

CMYK 48 / 0 / 40 / 66

HEX #2D5634

RGB 45 86 52

HSL 130.24, 0.31%, 0.26%

LAB 32.84, -22.78, 15.44

 

CMYK 48 / 0 / 27 / 66

HEX #2D563F

RGB 45 86 63

HSL 146.34, 0.31%, 0.26%

LAB 33.08, -20.43, 9

 

CMYK 48 / 0 / 14 / 66

HEX #2D564A

RGB 45 86 74

HSL 162.44, 0.31%, 0.26%

LAB 33.37, -17.7, 2.52

 

CMYK 29 / 0 / 48 / 66

HEX #3D562D

RGB 61 86 45

HSL 96.59, 0.31%, 0.26%

LAB 33.64, -17.96, 20.85

 

CMYK 40 / 0 / 64 / 62

HEX #3A6123

RGB 58 97 35

HSL 97.74, 0.47%, 0.26%

LAB 37.06, -26.11, 30.39

 

CMYK 48 / 0 / 78 / 58

HEX #386C18

RGB 56 108 24

HSL 97.14, 0.64%, 0.26%

LAB 40.62, -32.92, 39.08

 

CMYK 55 / 0 / 89 / 53

HEX #35770D

RGB 53 119 13

HSL 97.36, 0.8%, 0.26%

LAB 44.2, -39.13, 45.84

 

CMYK 60 / 0 / 98 / 49

HEX #338102

RGB 51 129 2

HSL 96.85, 0.97%, 0.26%

LAB 47.51, -43.94, 50.9

 

CMYK 29 / 0 / 48 / 66

HEX #3D562D

RGB 61 86 45

HSL 96.59, 0.31%, 0.26%

LAB 33.64, -17.96, 20.85

 

CMYK 17 / 0 / 26 / 70

HEX #3F4C38

RGB 63 76 56

HSL 99, 0.15%, 0.26%

LAB 30.67, -9.55, 10.22

 

CMYK 1 / 3 / 0 / 74

HEX #424143

RGB 66 65 67

HSL 270, 0.02%, 0.26%

LAB 27.69, 0.87, -1.07

 

CMYK 10 / 30 / 0 / 70

HEX #45364D

RGB 69 54 77

HSL 279.13, 0.18%, 0.26%

LAB 25.07, 11.71, -11.56

 

CMYK 19 / 51 / 0 / 65

HEX #472B58

RGB 71 43 88

HSL 277.33, 0.34%, 0.26%

LAB 22.9, 22.42, -22.2

 

CMYK 3 / 0 / 48 / 66

HEX #53562D

RGB 83 86 45

HSL 64.39, 0.31%, 0.26%

LAB 35.37, -8.22, 23.38

 

CMYK 16 / 0 / 48 / 66

HEX #48562D

RGB 72 86 45

HSL 80.49, 0.31%, 0.26%

LAB 34.44, -13.23, 22.02

 

CMYK 29 / 0 / 48 / 66

HEX #3D562D

RGB 61 86 45

HSL 96.59, 0.31%, 0.26%

LAB 33.64, -17.96, 20.85

 

CMYK 42 / 0 / 48 / 66

HEX #32562D

RGB 50 86 45

HSL 112.68, 0.31%, 0.26%

LAB 32.97, -22.28, 19.85

 

CMYK 48 / 0 / 41 / 66

HEX #2D5633

RGB 45 86 51

HSL 128.78, 0.31%, 0.26%

LAB 32.82, -22.97, 16.02

 

CMYK 28 / 0 / 47 / 87

HEX #172011

RGB 23 32 17

HSL 96, 0.31%, 0.1%

LAB 10.96, -7.72, 8.58

 

CMYK 29 / 0 / 47 / 77

HEX #2A3B1F

RGB 42 59 31

HSL 96.43, 0.31%, 0.18%

LAB 22.72, -13.1, 15.17

 

CMYK 29 / 0 / 48 / 66

HEX #3D562D

RGB 61 86 45

HSL 96.59, 0.31%, 0.26%

LAB 33.64, -17.96, 20.85

 

CMYK 29 / 0 / 48 / 56

HEX #50713B

RGB 80 113 59

HSL 96.67, 0.31%, 0.34%

LAB 43.99, -22.51, 26.16

 

CMYK 29 / 0 / 47 / 45

HEX #638C4A

RGB 99 140 74

HSL 97.27, 0.31%, 0.42%

LAB 53.92, -26.71, 30.7

 

CMYK 30 / 0 / 48 / 65

HEX #3E582E

RGB 62 88 46

HSL 97.14, 0.31%, 0.26%

LAB 34.4, -18.48, 21.23

 

CMYK 48 / 0 / 8 / 66

HEX #2D564F

RGB 45 86 79

HSL 169.76, 0.31%, 0.26%

LAB 33.52, -16.34, -0.41

 

CMYK 0 / 48 / 10 / 66

HEX #562D4D

RGB 86 45 77

HSL 313.17, 0.31%, 0.26%

LAB 24.92, 23.96, -11.59

 

CMYK 30 / 0 / 48 / 65

HEX #3E582E

RGB 62 88 46

HSL 97.14, 0.31%, 0.26%

LAB 34.4, -18.48, 21.23

 

CMYK 48 / 29 / 0 / 66

HEX #2D3D56

RGB 45 61 86

HSL 216.59, 0.31%, 0.26%

LAB 25.46, 1.22, -17.07

 

CMYK 0 / 48 / 29 / 66

HEX #562D3D

RGB 86 45 61

HSL 336.59, 0.31%, 0.26%

LAB 24.3, 21.08, -1.8

 

CMYK 30 / 0 / 48 / 65

HEX #3E582E

RGB 62 88 46

HSL 97.14, 0.31%, 0.26%

LAB 34.4, -18.48, 21.23

 

CMYK 48 / 0 / 8 / 66

HEX #2D564F

RGB 45 86 79

HSL 169.76, 0.31%, 0.26%

LAB 33.52, -16.34, -0.41

 

CMYK 17 / 48 / 0 / 66

HEX #472D56

RGB 71 45 86

HSL 278.05, 0.31%, 0.26%

LAB 23.3, 20.62, -20.26

 

CMYK 0 / 48 / 38 / 66

HEX #562D35

RGB 86 45 53

HSL 348.29, 0.31%, 0.26%

LAB 24.04, 19.86, 3.24

 

CMYK 30 / 0 / 48 / 65

HEX #3E582E

RGB 62 88 46

HSL 97.14, 0.31%, 0.26%

LAB 34.4, -18.48, 21.23

 

CMYK 48 / 5 / 0 / 66

HEX #2D5256

RGB 45 82 86

HSL 185.85, 0.31%, 0.26%

LAB 32.4, -12.01, -6.49

 

CMYK 17 / 48 / 0 / 66

HEX #472D56

RGB 71 45 86

HSL 278.05, 0.31%, 0.26%

LAB 23.3, 20.62, -20.26

 

CMYK 0 / 42 / 48 / 66

HEX #56322D

RGB 86 50 45

HSL 7.32, 0.31%, 0.26%

LAB 25.1, 15.66, 10.1

 

Description

Color code: HEX #3E582E | qconv.com Color code: HEX #3E582E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 88 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 88 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 48 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 48% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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