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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E4D6E it is the complementary color #C1B291. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E4D6E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E4D6E shade: #434D69, #545F7C, #65718F, #7683A2 and #8795B5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E4D6E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E4D6E shade: #3E4D6E, #2D3B5B, #1C2948, #0B1735 and #000522

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E4D6E shade: #3E4D6E, #3E406E, #493E6E, #563E6E and #633E6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E4D6E shade: #3E4D6E, #3E406E and #3E3E6E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E4D6E shade matches the following richer shades: #3E4D6E, #30487D, #22438B, #143D99 and #0638A7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E4D6E shade: #3E4D6E, #4C5260, #5A5852, #685D44 and #766236

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E4D6E shade: #3E676E, #3E5A6E, #3E4D6E, #3E406E and #483E6E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E4D6E shade: #20283A, #2F3B54, #3E4D6E, #4D6089 and #5C72A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E4D6E shade: #3E4D6E, #693E6E and #616E3E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E4D6E shade: #3E4D6E, #6E3E4D and #4D6E3E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E4D6E shade: #3E4D6E, #693E6E, #6E5F3E and #446E3E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E4D6E shade: #3E4D6E, #6E3E66, #6E5F3E and #3E6E47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 30 / 0 / 57

HEX #3E4D6E

RGB 62 77 110

HSL 221.25, 0.28%, 0.34%

LAB 32.83, 3.57, -20.91

 

Complementary color

CMYK 0 / 8 / 25 / 24

HEX #C1B291

RGB 193 178 145

HSL 41.25, 0.28%, 0.66%

LAB 73.04, 0.12, 18.83

 

CMYK 36 / 27 / 0 / 59

HEX #434D69

RGB 67 77 105

HSL 224.21, 0.22%, 0.34%

LAB 32.96, 3.58, -17.52

 

CMYK 32 / 23 / 0 / 51

HEX #545F7C

RGB 84 95 124

HSL 223.5, 0.19%, 0.41%

LAB 40.45, 3.16, -17.66

 

CMYK 29 / 21 / 0 / 44

HEX #65718F

RGB 101 113 143

HSL 222.86, 0.17%, 0.48%

LAB 47.7, 2.82, -17.85

 

CMYK 27 / 19 / 0 / 36

HEX #7683A2

RGB 118 131 162

HSL 222.27, 0.19%, 0.55%

LAB 54.75, 2.53, -18.07

 

CMYK 25 / 18 / 0 / 29

HEX #8795B5

RGB 135 149 181

HSL 221.74, 0.24%, 0.62%

LAB 61.64, 2.27, -18.32

 

CMYK 44 / 30 / 0 / 57

HEX #3E4D6E

RGB 62 77 110

HSL 221.25, 0.28%, 0.34%

LAB 32.83, 3.57, -20.91

 

CMYK 51 / 35 / 0 / 64

HEX #2D3B5B

RGB 45 59 91

HSL 221.74, 0.34%, 0.27%

LAB 25.08, 4.28, -20.93

 

CMYK 61 / 43 / 0 / 72

HEX #1C2948

RGB 28 41 72

HSL 222.27, 0.44%, 0.2%

LAB 16.99, 5.32, -21.07

 

CMYK 79 / 57 / 0 / 79

HEX #0B1735

RGB 11 23 53

HSL 222.86, 0.66%, 0.13%

LAB 8.49, 7.09, -21.32

 

CMYK 100 / 85 / 0 / 87

HEX #000522

RGB 0 5 34

HSL 231.18, 1%, 0.07%

LAB 2.02, 5.33, -17.28

 

CMYK 44 / 30 / 0 / 57

HEX #3E4D6E

RGB 62 77 110

HSL 221.25, 0.28%, 0.34%

LAB 32.83, 3.57, -20.91

 

CMYK 44 / 42 / 0 / 57

HEX #3E406E

RGB 62 64 110

HSL 237.5, 0.28%, 0.34%

LAB 28.95, 12.14, -26.99

 

CMYK 34 / 44 / 0 / 57

HEX #493E6E

RGB 73 62 110

HSL 253.75, 0.28%, 0.34%

LAB 29.38, 16.78, -26.24

 

CMYK 22 / 44 / 0 / 57

HEX #563E6E

RGB 86 62 110

HSL 270, 0.28%, 0.34%

LAB 30.76, 20.95, -23.98

 

CMYK 10 / 44 / 0 / 57

HEX #633E6E

RGB 99 62 110

HSL 286.25, 0.28%, 0.34%

LAB 32.31, 25.28, -21.44

 

CMYK 44 / 30 / 0 / 57

HEX #3E4D6E

RGB 62 77 110

HSL 221.25, 0.28%, 0.34%

LAB 32.83, 3.57, -20.91

 

CMYK 44 / 42 / 0 / 57

HEX #3E406E

RGB 62 64 110

HSL 237.5, 0.28%, 0.34%

LAB 28.95, 12.14, -26.99

 

CMYK 44 / 44 / 0 / 57

HEX #3E3E6E

RGB 62 62 110

HSL 240, 0.28%, 0.34%

LAB 28.37, 13.48, -27.91

 

CMYK 44 / 30 / 0 / 57

HEX #3E4D6E

RGB 62 77 110

HSL 221.25, 0.28%, 0.34%

LAB 32.83, 3.57, -20.91

 

CMYK 62 / 42 / 0 / 51

HEX #30487D

RGB 48 72 125

HSL 221.3, 0.45%, 0.34%

LAB 31.22, 8.41, -32.89

 

CMYK 76 / 52 / 0 / 45

HEX #22438B

RGB 34 67 139

HSL 221.14, 0.61%, 0.34%

LAB 29.96, 14.71, -43.62

 

CMYK 87 / 60 / 0 / 40

HEX #143D99

RGB 20 61 153

HSL 221.5, 0.77%, 0.34%

LAB 28.87, 23.02, -54

 

CMYK 96 / 66 / 0 / 35

HEX #0638A7

RGB 6 56 167

HSL 221.37, 0.93%, 0.34%

LAB 28.53, 31.34, -63.05

 

CMYK 44 / 30 / 0 / 57

HEX #3E4D6E

RGB 62 77 110

HSL 221.25, 0.28%, 0.34%

LAB 32.83, 3.57, -20.91

 

CMYK 21 / 15 / 0 / 62

HEX #4C5260

RGB 76 82 96

HSL 222, 0.12%, 0.34%

LAB 34.83, 1, -8.94

 

CMYK 0 / 2 / 9 / 65

HEX #5A5852

RGB 90 88 82

HSL 45, 0.05%, 0.34%

LAB 37.41, -0.41, 3.76

 

CMYK 0 / 11 / 35 / 59

HEX #685D44

RGB 104 93 68

HSL 41.67, 0.21%, 0.34%

LAB 39.9, 0.24, 16

 

CMYK 0 / 17 / 54 / 54

HEX #766236

RGB 118 98 54

HSL 41.25, 0.37%, 0.34%

LAB 42.54, 1.97, 27.85

 

CMYK 44 / 6 / 0 / 57

HEX #3E676E

RGB 62 103 110

HSL 188.75, 0.28%, 0.34%

LAB 40.98, -12.33, -8.46

 

CMYK 44 / 18 / 0 / 57

HEX #3E5A6E

RGB 62 90 110

HSL 205, 0.28%, 0.34%

LAB 36.86, -4.62, -14.69

 

CMYK 44 / 30 / 0 / 57

HEX #3E4D6E

RGB 62 77 110

HSL 221.25, 0.28%, 0.34%

LAB 32.83, 3.57, -20.91

 

CMYK 44 / 42 / 0 / 57

HEX #3E406E

RGB 62 64 110

HSL 237.5, 0.28%, 0.34%

LAB 28.95, 12.14, -26.99

 

CMYK 35 / 44 / 0 / 57

HEX #483E6E

RGB 72 62 110

HSL 252.5, 0.28%, 0.34%

LAB 29.28, 16.47, -26.4

 

CMYK 45 / 31 / 0 / 77

HEX #20283A

RGB 32 40 58

HSL 221.54, 0.29%, 0.18%

LAB 16.16, 2.1, -12.68

 

CMYK 44 / 30 / 0 / 67

HEX #2F3B54

RGB 47 59 84

HSL 220.54, 0.28%, 0.26%

LAB 24.87, 2.52, -16.67

 

CMYK 44 / 30 / 0 / 57

HEX #3E4D6E

RGB 62 77 110

HSL 221.25, 0.28%, 0.34%

LAB 32.83, 3.57, -20.91

 

CMYK 44 / 30 / 0 / 46

HEX #4D6089

RGB 77 96 137

HSL 221, 0.28%, 0.42%

LAB 40.82, 4.25, -25.02

 

CMYK 44 / 30 / 0 / 36

HEX #5C72A3

RGB 92 114 163

HSL 221.41, 0.28%, 0.5%

LAB 48.2, 5.21, -28.9

 

CMYK 44 / 30 / 0 / 57

HEX #3E4D6E

RGB 62 77 110

HSL 221.25, 0.28%, 0.34%

LAB 32.83, 3.57, -20.91

 

CMYK 5 / 44 / 0 / 57

HEX #693E6E

RGB 105 62 110

HSL 293.75, 0.28%, 0.34%

LAB 33.08, 27.31, -20.18

 

CMYK 12 / 0 / 44 / 57

HEX #616E3E

RGB 97 110 62

HSL 76.25, 0.28%, 0.34%

LAB 44.29, -13.48, 25.12

 

CMYK 44 / 30 / 0 / 57

HEX #3E4D6E

RGB 62 77 110

HSL 221.25, 0.28%, 0.34%

LAB 32.83, 3.57, -20.91

 

CMYK 0 / 44 / 30 / 57

HEX #6E3E4D

RGB 110 62 77

HSL 341.25, 0.28%, 0.34%

LAB 32.47, 23.05, 0.05

 

CMYK 30 / 0 / 44 / 57

HEX #4D6E3E

RGB 77 110 62

HSL 101.25, 0.28%, 0.34%

LAB 42.88, -21.7, 23.03

 

CMYK 44 / 30 / 0 / 57

HEX #3E4D6E

RGB 62 77 110

HSL 221.25, 0.28%, 0.34%

LAB 32.83, 3.57, -20.91

 

CMYK 5 / 44 / 0 / 57

HEX #693E6E

RGB 105 62 110

HSL 293.75, 0.28%, 0.34%

LAB 33.08, 27.31, -20.18

 

CMYK 0 / 14 / 44 / 57

HEX #6E5F3E

RGB 110 95 62

HSL 41.25, 0.28%, 0.34%

LAB 40.97, 0.95, 21.1

 

CMYK 38 / 0 / 44 / 57

HEX #446E3E

RGB 68 110 62

HSL 112.5, 0.28%, 0.34%

LAB 42.35, -25.07, 22.24

 

CMYK 44 / 30 / 0 / 57

HEX #3E4D6E

RGB 62 77 110

HSL 221.25, 0.28%, 0.34%

LAB 32.83, 3.57, -20.91

 

CMYK 0 / 44 / 7 / 57

HEX #6E3E66

RGB 110 62 102

HSL 310, 0.28%, 0.34%

LAB 33.39, 27.41, -14.58

 

CMYK 0 / 14 / 44 / 57

HEX #6E5F3E

RGB 110 95 62

HSL 41.25, 0.28%, 0.34%

LAB 40.97, 0.95, 21.1

 

CMYK 44 / 0 / 35 / 57

HEX #3E6E47

RGB 62 110 71

HSL 131.25, 0.28%, 0.34%

LAB 42.2, -25.54, 16.79

 

Description

Color code: HEX #3E4D6E | qconv.com Color code: HEX #3E4D6E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 77 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 77 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 30 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 30% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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