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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E4CB7 it is the complementary color #C1B348. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E4CB7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E4CB7 shade: #434CB2, #545EC5, #6570D8, #7682EB and #8794FE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E4CB7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E4CB7 shade: #3E4CB7, #2D3AA4, #1C2891, #0B167E and #00046B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E4CB7 shade: #3E4CB6, #513EB6, #713EB6, #923EB6 and #B23EB6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E4CB7 shade: #3E4CB6 and #3E3EB6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E4CB7 shade matches the following richer shades: #3E4CB6, #2B3DCA, #172EDE and #031FF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E4CB7 shade: #3E4CB6, #525CA3, #666B8F, #7A7A7B and #8E8967

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E4CB7 shade: #3E8CB6, #3E6CB6, #3E4CB6, #503EB6 and #703EB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E4CB7 shade: #293379, #343F98, #3E4CB6, #5865C6 and #7781D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E4CB7 shade: #3E4CB7, #B63EAC and #7CB63E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E4CB7 shade: #3E4CB7, #B63E4C and #4CB63E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E4CB7 shade: #3E4CB7, #B63EAC, #B6A83E and #3EB648

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E4CB7 shade: #3E4CB7, #B63E88, #B6A83E and #3EB66C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 58 / 0 / 28

HEX #3E4CB7

RGB 62 76 183

HSL 233.06, 0.49%, 0.48%

LAB 37.14, 29.36, -58.42

 

Complementary color

CMYK 0 / 7 / 63 / 24

HEX #C1B348

RGB 193 179 72

HSL 53.06, 0.49%, 0.52%

LAB 72.26, -7.99, 54.81

 

CMYK 62 / 57 / 0 / 30

HEX #434CB2

RGB 67 76 178

HSL 235.14, 0.45%, 0.48%

LAB 37.07, 28.43, -55.56

 

CMYK 57 / 52 / 0 / 23

HEX #545EC5

RGB 84 94 197

HSL 234.69, 0.49%, 0.55%

LAB 44.12, 26.59, -55.22

 

CMYK 53 / 48 / 0 / 15

HEX #6570D8

RGB 101 112 216

HSL 234.26, 0.6%, 0.62%

LAB 51.05, 25.05, -54.89

 

CMYK 50 / 45 / 0 / 8

HEX #7682EB

RGB 118 130 235

HSL 233.85, 0.75%, 0.69%

LAB 57.86, 23.76, -54.6

 

CMYK 47 / 42 / 0 / 0

HEX #8794FE

RGB 135 148 254

HSL 233.45, 0.98%, 0.76%

LAB 64.55, 22.65, -54.35

 

CMYK 66 / 58 / 0 / 28

HEX #3E4CB7

RGB 62 76 183

HSL 233.06, 0.49%, 0.48%

LAB 37.14, 29.36, -58.42

 

CMYK 73 / 65 / 0 / 36

HEX #2D3AA4

RGB 45 58 164

HSL 233.45, 0.57%, 0.41%

LAB 30.07, 31.79, -58.66

 

CMYK 81 / 72 / 0 / 43

HEX #1C2891

RGB 28 40 145

HSL 233.85, 0.68%, 0.34%

LAB 23.03, 34.64, -58.65

 

CMYK 91 / 83 / 0 / 51

HEX #0B167E

RGB 11 22 126

HSL 234.26, 0.84%, 0.27%

LAB 16.26, 37.58, -57.94

 

CMYK 100 / 96 / 0 / 58

HEX #00046B

RGB 0 4 107

HSL 237.76, 1%, 0.21%

LAB 10.17, 39.7, -55.8

 

CMYK 66 / 58 / 0 / 29

HEX #3E4CB6

RGB 62 76 182

HSL 233, 0.49%, 0.48%

LAB 37.06, 29, -57.95

 

CMYK 55 / 66 / 0 / 29

HEX #513EB6

RGB 81 62 182

HSL 249.5, 0.49%, 0.48%

LAB 35.15, 40.8, -61.01

 

CMYK 38 / 66 / 0 / 29

HEX #713EB6

RGB 113 62 182

HSL 265.5, 0.49%, 0.48%

LAB 38.43, 46.95, -55.51

 

CMYK 20 / 66 / 0 / 29

HEX #923EB6

RGB 146 62 182

HSL 282, 0.49%, 0.48%

LAB 42.66, 54.23, -48.48

 

CMYK 2 / 66 / 0 / 29

HEX #B23EB6

RGB 178 62 182

HSL 298, 0.49%, 0.48%

LAB 47.35, 61.71, -40.73

 

CMYK 66 / 58 / 0 / 29

HEX #3E4CB6

RGB 62 76 182

HSL 233, 0.49%, 0.48%

LAB 37.06, 29, -57.95

 

CMYK 66 / 66 / 0 / 29

HEX #3E3EB6

RGB 62 62 182

HSL 240, 0.49%, 0.48%

LAB 33.66, 37.83, -63.49

 

CMYK 66 / 58 / 0 / 29

HEX #3E4CB6

RGB 62 76 182

HSL 233, 0.49%, 0.48%

LAB 37.06, 29, -57.95

 

CMYK 79 / 70 / 0 / 21

HEX #2B3DCA

RGB 43 61 202

HSL 233.21, 0.65%, 0.48%

LAB 34.22, 43.27, -74.35

 

CMYK 90 / 79 / 0 / 13

HEX #172EDE

RGB 23 46 222

HSL 233.07, 0.81%, 0.48%

LAB 32.72, 57.25, -88.42

 

CMYK 99 / 87 / 0 / 5

HEX #031FF2

RGB 3 31 242

HSL 232.97, 0.98%, 0.48%

LAB 32.72, 69.22, -99.83

 

CMYK 66 / 58 / 0 / 29

HEX #3E4CB6

RGB 62 76 182

HSL 233, 0.49%, 0.48%

LAB 37.06, 29, -57.95

 

CMYK 50 / 44 / 0 / 36

HEX #525CA3

RGB 82 92 163

HSL 232.59, 0.33%, 0.48%

LAB 41.36, 16.29, -39.72

 

CMYK 29 / 25 / 0 / 44

HEX #666B8F

RGB 102 107 143

HSL 232.68, 0.17%, 0.48%

LAB 46.07, 6.75, -20.34

 

CMYK 1 / 1 / 0 / 52

HEX #7A7A7B

RGB 122 122 123

HSL 240, 0%, 0.48%

LAB 51.25, 0.2, -0.55

 

CMYK 0 / 4 / 27 / 44

HEX #8E8967

RGB 142 137 103

HSL 52.31, 0.16%, 0.48%

LAB 56.7, -3.85, 18.95

 

CMYK 66 / 23 / 0 / 29

HEX #3E8CB6

RGB 62 140 182

HSL 201, 0.49%, 0.48%

LAB 55.23, -10.6, -29.06

 

CMYK 66 / 41 / 0 / 29

HEX #3E6CB6

RGB 62 108 182

HSL 217, 0.49%, 0.48%

LAB 45.81, 8.47, -43.88

 

CMYK 66 / 58 / 0 / 29

HEX #3E4CB6

RGB 62 76 182

HSL 233, 0.49%, 0.48%

LAB 37.06, 29, -57.95

 

CMYK 56 / 66 / 0 / 29

HEX #503EB6

RGB 80 62 182

HSL 249, 0.49%, 0.48%

LAB 35.06, 40.63, -61.15

 

CMYK 38 / 66 / 0 / 29

HEX #703EB6

RGB 112 62 182

HSL 265, 0.49%, 0.48%

LAB 38.32, 46.74, -55.71

 

CMYK 66 / 58 / 0 / 53

HEX #293379

RGB 41 51 121

HSL 232.5, 0.49%, 0.32%

LAB 24.38, 19.9, -41.37

 

CMYK 66 / 59 / 0 / 40

HEX #343F98

RGB 52 63 152

HSL 233.4, 0.49%, 0.4%

LAB 30.76, 25.15, -50.24

 

CMYK 66 / 58 / 0 / 29

HEX #3E4CB6

RGB 62 76 182

HSL 233, 0.49%, 0.48%

LAB 37.06, 29, -57.95

 

CMYK 56 / 49 / 0 / 22

HEX #5865C6

RGB 88 101 198

HSL 232.91, 0.49%, 0.56%

LAB 46.26, 23.34, -52.34

 

CMYK 43 / 38 / 0 / 18

HEX #7781D0

RGB 119 129 208

HSL 233.26, 0.49%, 0.64%

LAB 56.26, 16.56, -42

 

CMYK 66 / 58 / 0 / 28

HEX #3E4CB7

RGB 62 76 183

HSL 233.06, 0.49%, 0.48%

LAB 37.14, 29.36, -58.42

 

CMYK 0 / 66 / 5 / 29

HEX #B63EAC

RGB 182 62 172

HSL 305, 0.49%, 0.48%

LAB 47.45, 60.99, -34.65

 

CMYK 32 / 0 / 66 / 29

HEX #7CB63E

RGB 124 182 62

HSL 89, 0.49%, 0.48%

LAB 68.09, -38.24, 53.13

 

CMYK 66 / 58 / 0 / 28

HEX #3E4CB7

RGB 62 76 183

HSL 233.06, 0.49%, 0.48%

LAB 37.14, 29.36, -58.42

 

CMYK 0 / 66 / 58 / 29

HEX #B63E4C

RGB 182 62 76

HSL 353, 0.49%, 0.48%

LAB 44.11, 49.39, 18.67

 

CMYK 58 / 0 / 66 / 29

HEX #4CB63E

RGB 76 182 62

HSL 113, 0.49%, 0.48%

LAB 66.01, -53.27, 50.29

 

CMYK 66 / 58 / 0 / 28

HEX #3E4CB7

RGB 62 76 183

HSL 233.06, 0.49%, 0.48%

LAB 37.14, 29.36, -58.42

 

CMYK 0 / 66 / 5 / 29

HEX #B63EAC

RGB 182 62 172

HSL 305, 0.49%, 0.48%

LAB 47.45, 60.99, -34.65

 

CMYK 0 / 8 / 66 / 29

HEX #B6A83E

RGB 182 168 62

HSL 53, 0.49%, 0.48%

LAB 68.24, -7.6, 54.56

 

CMYK 66 / 0 / 60 / 29

HEX #3EB648

RGB 62 182 72

HSL 125, 0.49%, 0.48%

LAB 65.71, -55.37, 45.45

 

CMYK 66 / 58 / 0 / 28

HEX #3E4CB7

RGB 62 76 183

HSL 233.06, 0.49%, 0.48%

LAB 37.14, 29.36, -58.42

 

CMYK 0 / 66 / 25 / 29

HEX #B63E88

RGB 182 62 136

HSL 323, 0.49%, 0.48%

LAB 45.86, 55.65, -15.61

 

CMYK 0 / 8 / 66 / 29

HEX #B6A83E

RGB 182 168 62

HSL 53, 0.49%, 0.48%

LAB 68.24, -7.6, 54.56

 

CMYK 66 / 0 / 41 / 29

HEX #3EB66C

RGB 62 182 108

HSL 143, 0.49%, 0.48%

LAB 66.18, -49.96, 28.15

 

Description

Color code: HEX #3E4CB7 | qconv.com Color code: HEX #3E4CB7 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 76 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 76 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 58 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 58% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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