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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E4C8D it is the complementary color #C1B372. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E4C8D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E4C8D shade: #434C88, #545E9B, #6570AE, #7682C1 and #8794D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E4C8D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E4C8D shade: #3E4C8D, #2D3A7A, #1C2867, #0B1654 and #000441

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E4C8D shade: #3E4C8E, #463E8E, #5B3E8E, #703E8E and #863E8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E4C8D shade: #3E4C8E and #3E3E8E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E4C8D shade matches the following richer shades: #3E4C8E, #2E429E, #1D37AF and #0D2CBF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E4C8D shade: #3E4C8E, #4F577D, #5F626D, #706C5C and #80774C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E4C8D shade: #3E778E, #3E628E, #3E4D8E, #453E8E and #5A3E8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E4C8D shade: #252D54, #323D71, #3E4C8E, #4B5CAA and #6473BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E4C8D shade: #3E4C8D, #8E3E8C and #6D8E3E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E4C8D shade: #3E4C8D, #8E3E4D and #4D8E3E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E4C8D shade: #3E4C8D, #8E3E8C, #8E7F3E and #3E8E40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E4C8D shade: #3E4C8D, #8E3E75, #8E7F3E and #3E8E57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 46 / 0 / 45

HEX #3E4C8D

RGB 62 76 141

HSL 229.37, 0.39%, 0.4%

LAB 34.22, 14.57, -37.92

 

Complementary color

CMYK 0 / 7 / 41 / 24

HEX #C1B372

RGB 193 179 114

HSL 49.37, 0.39%, 0.6%

LAB 72.76, -4.31, 34.97

 

CMYK 51 / 44 / 0 / 47

HEX #434C88

RGB 67 76 136

HSL 232.17, 0.34%, 0.4%

LAB 34.27, 14.07, -34.76

 

CMYK 46 / 39 / 0 / 39

HEX #545E9B

RGB 84 94 155

HSL 231.55, 0.3%, 0.47%

LAB 41.62, 12.99, -34.53

 

CMYK 42 / 36 / 0 / 32

HEX #6570AE

RGB 101 112 174

HSL 230.96, 0.31%, 0.54%

LAB 48.77, 12.13, -34.39

 

CMYK 39 / 33 / 0 / 24

HEX #7682C1

RGB 118 130 193

HSL 230.4, 0.38%, 0.61%

LAB 55.75, 11.42, -34.3

 

CMYK 36 / 30 / 0 / 17

HEX #8794D4

RGB 135 148 212

HSL 229.87, 0.47%, 0.68%

LAB 62.58, 10.81, -34.27

 

CMYK 56 / 46 / 0 / 45

HEX #3E4C8D

RGB 62 76 141

HSL 229.37, 0.39%, 0.4%

LAB 34.22, 14.57, -37.92

 

CMYK 63 / 52 / 0 / 52

HEX #2D3A7A

RGB 45 58 122

HSL 229.87, 0.46%, 0.33%

LAB 26.7, 16.21, -38.24

 

CMYK 73 / 61 / 0 / 60

HEX #1C2867

RGB 28 40 103

HSL 230.4, 0.57%, 0.26%

LAB 18.99, 18.43, -38.58

 

CMYK 87 / 74 / 0 / 67

HEX #0B1654

RGB 11 22 84

HSL 230.96, 0.77%, 0.19%

LAB 11.17, 21.5, -38.73

 

CMYK 100 / 94 / 0 / 75

HEX #000441

RGB 0 4 65

HSL 236.31, 1%, 0.13%

LAB 4.23, 22.27, -36.92

 

CMYK 56 / 46 / 0 / 44

HEX #3E4C8E

RGB 62 76 142

HSL 229.5, 0.39%, 0.4%

LAB 34.29, 14.92, -38.43

 

CMYK 51 / 56 / 0 / 44

HEX #463E8E

RGB 70 62 142

HSL 246, 0.39%, 0.4%

LAB 31.11, 25.92, -43.49

 

CMYK 36 / 56 / 0 / 44

HEX #5B3E8E

RGB 91 62 142

HSL 261.75, 0.39%, 0.4%

LAB 33.18, 31.07, -40.05

 

CMYK 21 / 56 / 0 / 44

HEX #703E8E

RGB 112 62 142

HSL 277.5, 0.39%, 0.4%

LAB 35.68, 36.74, -35.92

 

CMYK 6 / 56 / 0 / 44

HEX #863E8E

RGB 134 62 142

HSL 294, 0.39%, 0.4%

LAB 38.67, 42.93, -31

 

CMYK 56 / 46 / 0 / 44

HEX #3E4C8E

RGB 62 76 142

HSL 229.5, 0.39%, 0.4%

LAB 34.29, 14.92, -38.43

 

CMYK 56 / 56 / 0 / 44

HEX #3E3E8E

RGB 62 62 142

HSL 240, 0.39%, 0.4%

LAB 30.45, 24.16, -44.59

 

CMYK 56 / 46 / 0 / 44

HEX #3E4C8E

RGB 62 76 142

HSL 229.5, 0.39%, 0.4%

LAB 34.29, 14.92, -38.43

 

CMYK 71 / 58 / 0 / 38

HEX #2E429E

RGB 46 66 158

HSL 229.29, 0.55%, 0.4%

LAB 31.68, 24.43, -52.4

 

CMYK 83 / 69 / 0 / 31

HEX #1D37AF

RGB 29 55 175

HSL 229.32, 0.72%, 0.4%

LAB 29.64, 36.24, -66.01

 

CMYK 93 / 77 / 0 / 25

HEX #0D2CBF

RGB 13 44 191

HSL 229.55, 0.87%, 0.4%

LAB 28.51, 47.85, -77.39

 

CMYK 56 / 46 / 0 / 44

HEX #3E4C8E

RGB 62 76 142

HSL 229.5, 0.39%, 0.4%

LAB 34.29, 14.92, -38.43

 

CMYK 37 / 30 / 0 / 51

HEX #4F577D

RGB 79 87 125

HSL 229.57, 0.23%, 0.4%

LAB 37.77, 6.88, -22.44

 

CMYK 13 / 10 / 0 / 57

HEX #5F626D

RGB 95 98 109

HSL 227.14, 0.07%, 0.4%

LAB 41.65, 1.29, -6.62

 

CMYK 0 / 4 / 18 / 56

HEX #706C5C

RGB 112 108 92

HSL 48, 0.1%, 0.4%

LAB 45.56, -1.42, 9.52

 

CMYK 0 / 7 / 41 / 50

HEX #80774C

RGB 128 119 76

HSL 49.62, 0.25%, 0.4%

LAB 49.86, -3.27, 24.9

 

CMYK 56 / 16 / 0 / 44

HEX #3E778E

RGB 62 119 142

HSL 197.25, 0.39%, 0.4%

LAB 47.2, -11.75, -18.23

 

CMYK 56 / 31 / 0 / 44

HEX #3E628E

RGB 62 98 142

HSL 213, 0.39%, 0.4%

LAB 40.76, 0.76, -28.2

 

CMYK 56 / 46 / 0 / 44

HEX #3E4D8E

RGB 62 77 142

HSL 228.75, 0.39%, 0.4%

LAB 34.57, 14.26, -37.98

 

CMYK 51 / 56 / 0 / 44

HEX #453E8E

RGB 69 62 142

HSL 245.25, 0.39%, 0.4%

LAB 31.03, 25.69, -43.63

 

CMYK 37 / 56 / 0 / 44

HEX #5A3E8E

RGB 90 62 142

HSL 261, 0.39%, 0.4%

LAB 33.07, 30.81, -40.23

 

CMYK 56 / 46 / 0 / 67

HEX #252D54

RGB 37 45 84

HSL 229.79, 0.39%, 0.24%

LAB 19.68, 9.35, -24.87

 

CMYK 56 / 46 / 0 / 56

HEX #323D71

RGB 50 61 113

HSL 229.52, 0.39%, 0.32%

LAB 27.32, 11.98, -31.54

 

CMYK 56 / 46 / 0 / 44

HEX #3E4C8E

RGB 62 76 142

HSL 229.5, 0.39%, 0.4%

LAB 34.29, 14.92, -38.43

 

CMYK 56 / 46 / 0 / 33

HEX #4B5CAA

RGB 75 92 170

HSL 229.26, 0.39%, 0.48%

LAB 41.3, 16.98, -43.99

 

CMYK 47 / 39 / 0 / 27

HEX #6473BB

RGB 100 115 187

HSL 229.66, 0.39%, 0.56%

LAB 50.17, 13.95, -39.73

 

CMYK 56 / 46 / 0 / 45

HEX #3E4C8D

RGB 62 76 141

HSL 229.37, 0.39%, 0.4%

LAB 34.22, 14.57, -37.92

 

CMYK 0 / 56 / 1 / 44

HEX #8E3E8C

RGB 142 62 140

HSL 301.5, 0.39%, 0.4%

LAB 39.73, 44.83, -28.03

 

CMYK 23 / 0 / 56 / 44

HEX #6D8E3E

RGB 109 142 62

HSL 84.75, 0.39%, 0.4%

LAB 55.02, -25.22, 38.33

 

CMYK 56 / 46 / 0 / 45

HEX #3E4C8D

RGB 62 76 141

HSL 229.37, 0.39%, 0.4%

LAB 34.22, 14.57, -37.92

 

CMYK 0 / 56 / 46 / 44

HEX #8E3E4D

RGB 142 62 77

HSL 348.75, 0.39%, 0.4%

LAB 37.36, 35.43, 7.71

 

CMYK 46 / 0 / 56 / 44

HEX #4D8E3E

RGB 77 142 62

HSL 108.75, 0.39%, 0.4%

LAB 53.25, -36.93, 35.81

 

CMYK 56 / 46 / 0 / 45

HEX #3E4C8D

RGB 62 76 141

HSL 229.37, 0.39%, 0.4%

LAB 34.22, 14.57, -37.92

 

CMYK 0 / 56 / 1 / 44

HEX #8E3E8C

RGB 142 62 140

HSL 301.5, 0.39%, 0.4%

LAB 39.73, 44.83, -28.03

 

CMYK 0 / 11 / 56 / 44

HEX #8E7F3E

RGB 142 127 62

HSL 48.75, 0.39%, 0.4%

LAB 53.25, -3.03, 36.94

 

CMYK 56 / 0 / 55 / 44

HEX #3E8E40

RGB 62 142 64

HSL 121.5, 0.39%, 0.4%

LAB 52.66, -41.12, 33.96

 

CMYK 56 / 46 / 0 / 45

HEX #3E4C8D

RGB 62 76 141

HSL 229.37, 0.39%, 0.4%

LAB 34.22, 14.57, -37.92

 

CMYK 0 / 56 / 18 / 44

HEX #8E3E75

RGB 142 62 117

HSL 318.75, 0.39%, 0.4%

LAB 38.69, 40.85, -15.48

 

CMYK 0 / 11 / 56 / 44

HEX #8E7F3E

RGB 142 127 62

HSL 48.75, 0.39%, 0.4%

LAB 53.25, -3.03, 36.94

 

CMYK 56 / 0 / 39 / 44

HEX #3E8E57

RGB 62 142 87

HSL 138.75, 0.39%, 0.4%

LAB 53.01, -37.37, 22.11

 

Description

Color code: HEX #3E4C8D | qconv.com Color code: HEX #3E4C8D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 76 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 76 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 46 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 46% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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