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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E4A40 it is the complementary color #C1B5BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E4A40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E4A40 shade: #434A3B, #545C4E, #656E61, #768074 and #879287

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E4A40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E4A40 shade: #3E4A40, #2D382D, #1C261A, #0B1407 and #000200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E4A40 shade: #3E4B40, #3F4B3E, #434B3E, #464B3E and #494B3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E4A40 shade: #3E4B40, #3E4B44, #3E4B47, #3E4B4A and #3E484B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E4A40 shade matches the following richer shades: #3E4B40, #335639, #286131, #1D6C2A and #127723

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E4A40 shade: #3E4B40, #493F48, #54344F, #602956 and #6B1E5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E4A40 shade: #434B3E, #3F4B3E, #3E4B40, #3E4B44 and #3E4B47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E4A40 shade: #191E19, #2B342D, #3E4B40, #516154 and #647867

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E4A40 shade: #3E4A40, #3E464B and #4B3E41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E4A40 shade: #3E4A40, #403E4B and #4B403E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E4A40 shade: #3E4A40, #3E464B, #4B3E48 and #4B433E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E4A40 shade: #3E4A40, #3E424B, #4B3E48 and #4B463E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 14 / 71

HEX #3E4A40

RGB 62 74 64

HSL 130, 0.09%, 0.27%

LAB 30.14, -7.12, 4.37

 

Complementary color

CMYK 0 / 6 / 1 / 24

HEX #C1B5BF

RGB 193 181 191

HSL 310, 0.09%, 0.73%

LAB 74.92, 6.07, -3.54

 

CMYK 9 / 0 / 20 / 71

HEX #434A3B

RGB 67 74 59

HSL 88, 0.11%, 0.26%

LAB 30.42, -6.06, 8.02

 

CMYK 9 / 0 / 15 / 64

HEX #545C4E

RGB 84 92 78

HSL 94.29, 0.08%, 0.33%

LAB 38, -6.07, 7

 

CMYK 8 / 0 / 12 / 57

HEX #656E61

RGB 101 110 97

HSL 101.54, 0.06%, 0.41%

LAB 45.33, -6.09, 6.09

 

CMYK 8 / 0 / 9 / 50

HEX #768074

RGB 118 128 116

HSL 110, 0.05%, 0.48%

LAB 52.45, -6.12, 5.25

 

CMYK 8 / 0 / 8 / 43

HEX #879287

RGB 135 146 135

HSL 120, 0.05%, 0.55%

LAB 59.4, -6.15, 4.46

 

CMYK 16 / 0 / 14 / 71

HEX #3E4A40

RGB 62 74 64

HSL 130, 0.09%, 0.27%

LAB 30.14, -7.12, 4.37

 

CMYK 20 / 0 / 20 / 78

HEX #2D382D

RGB 45 56 45

HSL 120, 0.11%, 0.2%

LAB 22.22, -7.24, 5.37

 

CMYK 26 / 0 / 32 / 85

HEX #1C261A

RGB 28 38 26

HSL 110, 0.19%, 0.13%

LAB 13.87, -7.42, 6.56

 

CMYK 45 / 0 / 65 / 92

HEX #0B1407

RGB 11 20 7

HSL 101.54, 0.48%, 0.05%

LAB 5.3, -5.38, 4.97

 

CMYK 100 / 0 / 100 / 99

HEX #000200

RGB 0 2 0

HSL 120, 1%, 0%

LAB 0.39, -0.8, 0.57

 

CMYK 17 / 0 / 15 / 71

HEX #3E4B40

RGB 62 75 64

HSL 129.23, 0.09%, 0.27%

LAB 30.46, -7.73, 4.84

 

CMYK 16 / 0 / 17 / 71

HEX #3F4B3E

RGB 63 75 62

HSL 115.38, 0.09%, 0.27%

LAB 30.49, -7.75, 6.16

 

CMYK 11 / 0 / 17 / 71

HEX #434B3E

RGB 67 75 62

HSL 96.92, 0.09%, 0.27%

LAB 30.81, -6.07, 6.67

 

CMYK 7 / 0 / 17 / 71

HEX #464B3E

RGB 70 75 62

HSL 83.08, 0.09%, 0.27%

LAB 31.07, -4.79, 7.07

 

CMYK 3 / 0 / 17 / 71

HEX #494B3E

RGB 73 75 62

HSL 69.23, 0.09%, 0.27%

LAB 31.34, -3.5, 7.48

 

CMYK 17 / 0 / 15 / 71

HEX #3E4B40

RGB 62 75 64

HSL 129.23, 0.09%, 0.27%

LAB 30.46, -7.73, 4.84

 

CMYK 17 / 0 / 9 / 71

HEX #3E4B44

RGB 62 75 68

HSL 147.69, 0.09%, 0.27%

LAB 30.58, -6.83, 2.44

 

CMYK 17 / 0 / 5 / 71

HEX #3E4B47

RGB 62 75 71

HSL 161.54, 0.09%, 0.27%

LAB 30.67, -6.13, 0.64

 

CMYK 17 / 0 / 1 / 71

HEX #3E4B4A

RGB 62 75 74

HSL 175.38, 0.09%, 0.27%

LAB 30.76, -5.4, -1.14

 

CMYK 17 / 4 / 0 / 71

HEX #3E484B

RGB 62 72 75

HSL 193.85, 0.09%, 0.27%

LAB 29.83, -3.28, -3.16

 

CMYK 17 / 0 / 15 / 71

HEX #3E4B40

RGB 62 75 64

HSL 129.23, 0.09%, 0.27%

LAB 30.46, -7.73, 4.84

 

CMYK 41 / 0 / 34 / 66

HEX #335639

RGB 51 86 57

HSL 130.29, 0.26%, 0.27%

LAB 33.25, -19.71, 13

 

CMYK 59 / 0 / 49 / 62

HEX #286131

RGB 40 97 49

HSL 129.47, 0.42%, 0.27%

LAB 36.41, -30.14, 21.8

 

CMYK 73 / 0 / 61 / 58

HEX #1D6C2A

RGB 29 108 42

HSL 129.87, 0.58%, 0.27%

LAB 39.84, -38.47, 29.72

 

CMYK 85 / 0 / 71 / 53

HEX #127723

RGB 18 119 35

HSL 130.1, 0.74%, 0.27%

LAB 43.42, -45.07, 37.05

 

CMYK 17 / 0 / 15 / 71

HEX #3E4B40

RGB 62 75 64

HSL 129.23, 0.09%, 0.27%

LAB 30.46, -7.73, 4.84

 

CMYK 0 / 14 / 1 / 71

HEX #493F48

RGB 73 63 72

HSL 306, 0.07%, 0.27%

LAB 27.95, 6.21, -3.88

 

CMYK 0 / 38 / 6 / 67

HEX #54344F

RGB 84 52 79

HSL 309.38, 0.24%, 0.27%

LAB 26.46, 19.27, -10.6

 

CMYK 0 / 57 / 10 / 62

HEX #602956

RGB 96 41 86

HSL 310.91, 0.4%, 0.27%

LAB 25.99, 31.49, -15.79

 

CMYK 0 / 72 / 12 / 58

HEX #6B1E5E

RGB 107 30 94

HSL 310.13, 0.56%, 0.27%

LAB 26.34, 41.52, -20.37

 

CMYK 11 / 0 / 17 / 71

HEX #434B3E

RGB 67 75 62

HSL 96.92, 0.09%, 0.27%

LAB 30.81, -6.07, 6.67

 

CMYK 16 / 0 / 17 / 71

HEX #3F4B3E

RGB 63 75 62

HSL 115.38, 0.09%, 0.27%

LAB 30.49, -7.75, 6.16

 

CMYK 17 / 0 / 15 / 71

HEX #3E4B40

RGB 62 75 64

HSL 129.23, 0.09%, 0.27%

LAB 30.46, -7.73, 4.84

 

CMYK 17 / 0 / 9 / 71

HEX #3E4B44

RGB 62 75 68

HSL 147.69, 0.09%, 0.27%

LAB 30.58, -6.83, 2.44

 

CMYK 17 / 0 / 5 / 71

HEX #3E4B47

RGB 62 75 71

HSL 161.54, 0.09%, 0.27%

LAB 30.67, -6.13, 0.64

 

CMYK 17 / 0 / 17 / 88

HEX #191E19

RGB 25 30 25

HSL 120, 0.09%, 0.11%

LAB 10.6, -3.62, 2.65

 

CMYK 17 / 0 / 13 / 80

HEX #2B342D

RGB 43 52 45

HSL 133.33, 0.09%, 0.19%

LAB 20.67, -5.54, 3.15

 

CMYK 17 / 0 / 15 / 71

HEX #3E4B40

RGB 62 75 64

HSL 129.23, 0.09%, 0.27%

LAB 30.46, -7.73, 4.84

 

CMYK 16 / 0 / 13 / 62

HEX #516154

RGB 81 97 84

HSL 131.25, 0.09%, 0.35%

LAB 39.48, -8.99, 5.38

 

CMYK 17 / 0 / 14 / 53

HEX #647867

RGB 100 120 103

HSL 129, 0.09%, 0.43%

LAB 48.41, -10.97, 6.91

 

CMYK 16 / 0 / 14 / 71

HEX #3E4A40

RGB 62 74 64

HSL 130, 0.09%, 0.27%

LAB 30.14, -7.12, 4.37

 

CMYK 17 / 7 / 0 / 71

HEX #3E464B

RGB 62 70 75

HSL 203.08, 0.09%, 0.27%

LAB 29.19, -2.02, -4.11

 

CMYK 0 / 17 / 13 / 71

HEX #4B3E41

RGB 75 62 65

HSL 346.15, 0.09%, 0.27%

LAB 27.64, 6.23, 0.27

 

CMYK 16 / 0 / 14 / 71

HEX #3E4A40

RGB 62 74 64

HSL 130, 0.09%, 0.27%

LAB 30.14, -7.12, 4.37

 

CMYK 15 / 17 / 0 / 71

HEX #403E4B

RGB 64 62 75

HSL 249.23, 0.09%, 0.27%

LAB 26.86, 3.94, -7.58

 

CMYK 0 / 15 / 17 / 71

HEX #4B403E

RGB 75 64 62

HSL 9.23, 0.09%, 0.27%

LAB 28.14, 4.34, 2.97

 

CMYK 16 / 0 / 14 / 71

HEX #3E4A40

RGB 62 74 64

HSL 130, 0.09%, 0.27%

LAB 30.14, -7.12, 4.37

 

CMYK 17 / 7 / 0 / 71

HEX #3E464B

RGB 62 70 75

HSL 203.08, 0.09%, 0.27%

LAB 29.19, -2.02, -4.11

 

CMYK 0 / 17 / 4 / 71

HEX #4B3E48

RGB 75 62 72

HSL 313.85, 0.09%, 0.27%

LAB 27.87, 7.69, -3.98

 

CMYK 0 / 11 / 17 / 71

HEX #4B433E

RGB 75 67 62

HSL 23.08, 0.09%, 0.27%

LAB 29.05, 2.42, 4.27

 

CMYK 16 / 0 / 14 / 71

HEX #3E4A40

RGB 62 74 64

HSL 130, 0.09%, 0.27%

LAB 30.14, -7.12, 4.37

 

CMYK 17 / 12 / 0 / 71

HEX #3E424B

RGB 62 66 75

HSL 221.54, 0.09%, 0.27%

LAB 27.92, 0.55, -6

 

CMYK 0 / 17 / 4 / 71

HEX #4B3E48

RGB 75 62 72

HSL 313.85, 0.09%, 0.27%

LAB 27.87, 7.69, -3.98

 

CMYK 0 / 7 / 17 / 71

HEX #4B463E

RGB 75 70 62

HSL 36.92, 0.09%, 0.27%

LAB 29.97, 0.51, 5.58

 

Description

Color code: HEX #3E4A40 | qconv.com Color code: HEX #3E4A40 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 74 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 74 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 14 yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 14% 71% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

23% - Fragua Innovación. P...
Link: http://www.fraguainnovacion.es

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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