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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E4258 it is the complementary color #C1BDA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E4258. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E4258 shade: #434253, #545466, #656679, #76788C and #878A9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E4258. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E4258 shade: #3E4258, #2D3045, #1C1E32, #0B0C1F and #00000C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E4258 shade: #3D4157, #403D57, #473D57, #4E3D57 and #553D57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E4258 shade: #3D4157 and #3D3D57

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E4258 shade matches the following richer shades: #3D4157, #313962, #25316E, #19287A and #0E2086

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E4258 shade: #3D4157, #494A4B, #55523F, #615A33 and #6D6227

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E4258 shade: #3D4F57, #3D4857, #3D4257, #403D57 and #473D57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E4258 shade: #1B1D26, #2C2F3E, #3D4157, #4F536F and #606687

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E4258 shade: #3E4258, #573D56 and #4C573D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E4258 shade: #3E4258, #573D42 and #42573D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E4258 shade: #3E4258, #573D56, #57523D and #3D573E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E4258 shade: #3E4258, #573D4E, #57523D and #3D5746

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 25 / 0 / 65

HEX #3E4258

RGB 62 66 88

HSL 230.77, 0.17%, 0.29%

LAB 28.45, 4.09, -13.66

 

Complementary color

CMYK 0 / 2 / 13 / 24

HEX #C1BDA7

RGB 193 189 167

HSL 50.77, 0.17%, 0.71%

LAB 76.39, -2.38, 11.62

 

CMYK 19 / 20 / 0 / 67

HEX #434253

RGB 67 66 83

HSL 243.53, 0.11%, 0.29%

LAB 28.68, 4.54, -10.02

 

CMYK 18 / 18 / 0 / 60

HEX #545466

RGB 84 84 102

HSL 240, 0.1%, 0.36%

LAB 36.34, 4.18, -10.36

 

CMYK 17 / 16 / 0 / 53

HEX #656679

RGB 101 102 121

HSL 237, 0.09%, 0.44%

LAB 43.73, 3.88, -10.73

 

CMYK 16 / 14 / 0 / 45

HEX #76788C

RGB 118 120 140

HSL 234.55, 0.09%, 0.51%

LAB 50.89, 3.61, -11.11

 

CMYK 15 / 13 / 0 / 38

HEX #878A9F

RGB 135 138 159

HSL 232.5, 0.11%, 0.58%

LAB 57.88, 3.36, -11.5

 

CMYK 30 / 25 / 0 / 65

HEX #3E4258

RGB 62 66 88

HSL 230.77, 0.17%, 0.29%

LAB 28.45, 4.09, -13.66

 

CMYK 35 / 30 / 0 / 73

HEX #2D3045

RGB 45 48 69

HSL 232.5, 0.21%, 0.22%

LAB 20.45, 4.58, -13.52

 

CMYK 44 / 40 / 0 / 80

HEX #1C1E32

RGB 28 30 50

HSL 234.55, 0.28%, 0.15%

LAB 12, 5.27, -13.51

 

CMYK 65 / 61 / 0 / 88

HEX #0B0C1F

RGB 11 12 31

HSL 237, 0.48%, 0.08%

LAB 3.91, 4.31, -11.99

 

CMYK 100 / 100 / 0 / 95

HEX #00000C

RGB 0 0 12

HSL 240, 1%, 0.02%

LAB 0.24, 1.68, -4.58

 

CMYK 30 / 25 / 0 / 66

HEX #3D4157

RGB 61 65 87

HSL 230.77, 0.18%, 0.29%

LAB 28.01, 4.11, -13.69

 

CMYK 26 / 30 / 0 / 66

HEX #403D57

RGB 64 61 87

HSL 246.92, 0.18%, 0.29%

LAB 27.06, 7.82, -15.12

 

CMYK 18 / 30 / 0 / 66

HEX #473D57

RGB 71 61 87

HSL 263.08, 0.18%, 0.29%

LAB 27.75, 10.37, -14

 

CMYK 10 / 30 / 0 / 66

HEX #4E3D57

RGB 78 61 87

HSL 279.23, 0.18%, 0.29%

LAB 28.5, 12.99, -12.79

 

CMYK 2 / 30 / 0 / 66

HEX #553D57

RGB 85 61 87

HSL 295.38, 0.18%, 0.29%

LAB 29.3, 15.65, -11.49

 

CMYK 30 / 25 / 0 / 66

HEX #3D4157

RGB 61 65 87

HSL 230.77, 0.18%, 0.29%

LAB 28.01, 4.11, -13.69

 

CMYK 30 / 30 / 0 / 66

HEX #3D3D57

RGB 61 61 87

HSL 240, 0.18%, 0.29%

LAB 26.79, 6.77, -15.57

 

CMYK 30 / 25 / 0 / 66

HEX #3D4157

RGB 61 65 87

HSL 230.77, 0.18%, 0.29%

LAB 28.01, 4.11, -13.69

 

CMYK 50 / 42 / 0 / 62

HEX #313962

RGB 49 57 98

HSL 230.2, 0.33%, 0.29%

LAB 25.14, 9.19, -25.37

 

CMYK 66 / 55 / 0 / 57

HEX #25316E

RGB 37 49 110

HSL 230.14, 0.5%, 0.29%

LAB 22.71, 16.36, -37.06

 

CMYK 80 / 67 / 0 / 52

HEX #19287A

RGB 25 40 122

HSL 230.72, 0.66%, 0.29%

LAB 20.55, 25.6, -48.28

 

CMYK 90 / 76 / 0 / 47

HEX #0E2086

RGB 14 32 134

HSL 231, 0.81%, 0.29%

LAB 19.42, 34.67, -57.76

 

CMYK 30 / 25 / 0 / 66

HEX #3D4157

RGB 61 65 87

HSL 230.77, 0.18%, 0.29%

LAB 28.01, 4.11, -13.69

 

CMYK 3 / 1 / 0 / 71

HEX #494A4B

RGB 73 74 75

HSL 210, 0.01%, 0.29%

LAB 31.4, -0.19, -0.74

 

CMYK 0 / 4 / 26 / 67

HEX #55523F

RGB 85 82 63

HSL 51.82, 0.15%, 0.29%

LAB 34.65, -2.34, 11.62

 

CMYK 0 / 7 / 47 / 62

HEX #615A33

RGB 97 90 51

HSL 50.87, 0.31%, 0.29%

LAB 38.01, -3.36, 23.48

 

CMYK 0 / 10 / 64 / 57

HEX #6D6227

RGB 109 98 39

HSL 50.57, 0.47%, 0.29%

LAB 41.43, -3.57, 34.35

 

CMYK 30 / 9 / 0 / 66

HEX #3D4F57

RGB 61 79 87

HSL 198.46, 0.18%, 0.29%

LAB 32.42, -4.85, -7

 

CMYK 30 / 17 / 0 / 66

HEX #3D4857

RGB 61 72 87

HSL 214.62, 0.18%, 0.29%

LAB 30.19, -0.44, -10.35

 

CMYK 30 / 24 / 0 / 66

HEX #3D4257

RGB 61 66 87

HSL 228.46, 0.18%, 0.29%

LAB 28.32, 3.45, -13.21

 

CMYK 26 / 30 / 0 / 66

HEX #403D57

RGB 64 61 87

HSL 246.92, 0.18%, 0.29%

LAB 27.06, 7.82, -15.12

 

CMYK 18 / 30 / 0 / 66

HEX #473D57

RGB 71 61 87

HSL 263.08, 0.18%, 0.29%

LAB 27.75, 10.37, -14

 

CMYK 29 / 24 / 0 / 85

HEX #1B1D26

RGB 27 29 38

HSL 229.09, 0.17%, 0.13%

LAB 10.93, 1.65, -6.42

 

CMYK 29 / 24 / 0 / 76

HEX #2C2F3E

RGB 44 47 62

HSL 230, 0.17%, 0.21%

LAB 19.71, 2.78, -9.9

 

CMYK 30 / 25 / 0 / 66

HEX #3D4157

RGB 61 65 87

HSL 230.77, 0.18%, 0.29%

LAB 28.01, 4.11, -13.69

 

CMYK 29 / 25 / 0 / 56

HEX #4F536F

RGB 79 83 111

HSL 232.5, 0.17%, 0.37%

LAB 35.98, 5.42, -16.56

 

CMYK 29 / 24 / 0 / 47

HEX #606687

RGB 96 102 135

HSL 230.77, 0.17%, 0.45%

LAB 43.86, 5.73, -19

 

CMYK 30 / 25 / 0 / 65

HEX #3E4258

RGB 62 66 88

HSL 230.77, 0.17%, 0.29%

LAB 28.45, 4.09, -13.66

 

CMYK 0 / 30 / 1 / 66

HEX #573D56

RGB 87 61 86

HSL 302.31, 0.18%, 0.29%

LAB 29.5, 16.2, -10.52

 

CMYK 13 / 0 / 30 / 66

HEX #4C573D

RGB 76 87 61

HSL 85.38, 0.18%, 0.29%

LAB 35.38, -9.6, 13.72

 

CMYK 30 / 25 / 0 / 65

HEX #3E4258

RGB 62 66 88

HSL 230.77, 0.17%, 0.29%

LAB 28.45, 4.09, -13.66

 

CMYK 0 / 30 / 24 / 66

HEX #573D42

RGB 87 61 66

HSL 348.46, 0.18%, 0.29%

LAB 28.79, 12.27, 1.46

 

CMYK 24 / 0 / 30 / 66

HEX #42573D

RGB 66 87 61

HSL 108.46, 0.18%, 0.29%

LAB 34.62, -13.76, 12.57

 

CMYK 30 / 25 / 0 / 65

HEX #3E4258

RGB 62 66 88

HSL 230.77, 0.17%, 0.29%

LAB 28.45, 4.09, -13.66

 

CMYK 0 / 30 / 1 / 66

HEX #573D56

RGB 87 61 86

HSL 302.31, 0.18%, 0.29%

LAB 29.5, 16.2, -10.52

 

CMYK 0 / 6 / 30 / 66

HEX #57523D

RGB 87 82 61

HSL 48.46, 0.18%, 0.29%

LAB 34.8, -1.77, 13.09

 

CMYK 30 / 0 / 29 / 66

HEX #3D573E

RGB 61 87 62

HSL 122.31, 0.18%, 0.29%

LAB 34.31, -15.54, 11.46

 

CMYK 30 / 25 / 0 / 65

HEX #3E4258

RGB 62 66 88

HSL 230.77, 0.17%, 0.29%

LAB 28.45, 4.09, -13.66

 

CMYK 0 / 30 / 10 / 66

HEX #573D4E

RGB 87 61 78

HSL 320.77, 0.18%, 0.29%

LAB 29.19, 14.53, -5.78

 

CMYK 0 / 6 / 30 / 66

HEX #57523D

RGB 87 82 61

HSL 48.46, 0.18%, 0.29%

LAB 34.8, -1.77, 13.09

 

CMYK 30 / 0 / 20 / 66

HEX #3D5746

RGB 61 87 70

HSL 140.77, 0.18%, 0.29%

LAB 34.5, -13.85, 6.77

 

Description

Color code: HEX #3E4258 | qconv.com Color code: HEX #3E4258 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 66 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 66 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 25 magenta, none yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 25% 0% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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