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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E3D4D it is the complementary color #C1C2B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E3D4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E3D4D shade: #433D48, #544F5B, #65616E, #767381 and #878594

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E3D4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E3D4D shade: #3E3D4D, #2D2B3A, #1C1927, #0B0714 and #000001

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E3D4D shade: #3E3D4D, #423D4D, #473D4D, #4B3D4D and #4D3D4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E3D4D shade: #3E3D4D and #3D3D4D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E3D4D shade matches the following richer shades: #3E3D4D, #343158, #2A2663, #201B6F and #17107A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E3D4D shade: #3E3D4D, #474842, #515337, #5B5E2C and #656921

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E3D4D shade: #3D454D, #3D404D, #3D3D4D, #423D4D and #463D4D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E3D4D shade: #19181F, #2B2A36, #3E3D4D, #504F64 and #63617B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E3D4D shade: #3E3D4D, #4D3D49 and #424D3D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E3D4D shade: #3E3D4D, #4D3D3D and #3D4D3D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E3D4D shade: #3E3D4D, #4D3D49, #4C4D3D and #3D4D41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E3D4D shade: #3E3D4D, #4D3D44, #4C4D3D and #3D4D46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 21 / 0 / 70

HEX #3E3D4D

RGB 62 61 77

HSL 243.75, 0.12%, 0.27%

LAB 26.44, 4.35, -9.54

 

Complementary color

CMYK 1 / 0 / 8 / 24

HEX #C1C2B2

RGB 193 194 178

HSL 63.75, 0.12%, 0.73%

LAB 77.95, -3.19, 7.92

 

CMYK 7 / 15 / 0 / 72

HEX #433D48

RGB 67 61 72

HSL 272.73, 0.08%, 0.26%

LAB 26.73, 5.06, -5.77

 

CMYK 8 / 13 / 0 / 64

HEX #544F5B

RGB 84 79 91

HSL 265, 0.07%, 0.33%

LAB 34.46, 4.68, -6.28

 

CMYK 8 / 12 / 0 / 57

HEX #65616E

RGB 101 97 110

HSL 258.46, 0.06%, 0.41%

LAB 41.91, 4.36, -6.78

 

CMYK 9 / 11 / 0 / 49

HEX #767381

RGB 118 115 129

HSL 252.86, 0.06%, 0.48%

LAB 49.13, 4.07, -7.27

 

CMYK 9 / 10 / 0 / 42

HEX #878594

RGB 135 133 148

HSL 248, 0.07%, 0.55%

LAB 56.15, 3.82, -7.75

 

CMYK 19 / 21 / 0 / 70

HEX #3E3D4D

RGB 62 61 77

HSL 243.75, 0.12%, 0.27%

LAB 26.44, 4.35, -9.54

 

CMYK 22 / 26 / 0 / 77

HEX #2D2B3A

RGB 45 43 58

HSL 248, 0.15%, 0.2%

LAB 18.33, 4.79, -9.24

 

CMYK 28 / 36 / 0 / 85

HEX #1C1927

RGB 28 25 39

HSL 252.86, 0.22%, 0.13%

LAB 9.71, 5.38, -9.02

 

CMYK 45 / 65 / 0 / 92

HEX #0B0714

RGB 11 7 20

HSL 258.46, 0.48%, 0.05%

LAB 2.47, 3.29, -5.7

 

CMYK 100 / 100 / 0 / 100

HEX #000001

RGB 0 0 1

HSL 240, 1%, 0%

LAB 0.02, 0.14, -0.38

 

CMYK 19 / 21 / 0 / 70

HEX #3E3D4D

RGB 62 61 77

HSL 243.75, 0.12%, 0.27%

LAB 26.44, 4.35, -9.54

 

CMYK 14 / 21 / 0 / 70

HEX #423D4D

RGB 66 61 77

HSL 258.75, 0.12%, 0.27%

LAB 26.82, 5.89, -8.93

 

CMYK 8 / 21 / 0 / 70

HEX #473D4D

RGB 71 61 77

HSL 277.5, 0.12%, 0.27%

LAB 27.33, 7.86, -8.11

 

CMYK 3 / 21 / 0 / 70

HEX #4B3D4D

RGB 75 61 77

HSL 292.5, 0.12%, 0.27%

LAB 27.76, 9.46, -7.42

 

CMYK 0 / 21 / 3 / 70

HEX #4D3D4B

RGB 77 61 75

HSL 307.5, 0.12%, 0.27%

LAB 27.91, 9.82, -5.87

 

CMYK 19 / 21 / 0 / 70

HEX #3E3D4D

RGB 62 61 77

HSL 243.75, 0.12%, 0.27%

LAB 26.44, 4.35, -9.54

 

CMYK 21 / 21 / 0 / 70

HEX #3D3D4D

RGB 61 61 77

HSL 240, 0.12%, 0.27%

LAB 26.35, 3.97, -9.69

 

CMYK 19 / 21 / 0 / 70

HEX #3E3D4D

RGB 62 61 77

HSL 243.75, 0.12%, 0.27%

LAB 26.44, 4.35, -9.54

 

CMYK 41 / 44 / 0 / 65

HEX #343158

RGB 52 49 88

HSL 244.62, 0.28%, 0.27%

LAB 22.41, 12.26, -23.12

 

CMYK 58 / 62 / 0 / 61

HEX #2A2663

RGB 42 38 99

HSL 243.93, 0.45%, 0.27%

LAB 19.14, 21, -35.67

 

CMYK 71 / 76 / 0 / 56

HEX #201B6F

RGB 32 27 111

HSL 243.57, 0.61%, 0.27%

LAB 16.69, 30.9, -47.54

 

CMYK 81 / 87 / 0 / 52

HEX #17107A

RGB 23 16 122

HSL 243.96, 0.77%, 0.27%

LAB 15.26, 39.9, -57.02

 

CMYK 19 / 21 / 0 / 70

HEX #3E3D4D

RGB 62 61 77

HSL 243.75, 0.12%, 0.27%

LAB 26.44, 4.35, -9.54

 

CMYK 1 / 0 / 8 / 72

HEX #474842

RGB 71 72 66

HSL 70, 0.04%, 0.27%

LAB 30.32, -1.7, 3.45

 

CMYK 2 / 0 / 34 / 67

HEX #515337

RGB 81 83 55

HSL 64.29, 0.2%, 0.27%

LAB 34.42, -6, 16.18

 

CMYK 3 / 0 / 53 / 63

HEX #5B5E2C

RGB 91 94 44

HSL 63.6, 0.36%, 0.27%

LAB 38.57, -9.27, 27.99

 

CMYK 4 / 0 / 69 / 59

HEX #656921

RGB 101 105 33

HSL 63.33, 0.52%, 0.27%

LAB 42.73, -11.78, 38.4

 

CMYK 21 / 10 / 0 / 70

HEX #3D454D

RGB 61 69 77

HSL 210, 0.12%, 0.27%

LAB 28.86, -1.25, -5.91

 

CMYK 21 / 17 / 0 / 70

HEX #3D404D

RGB 61 64 77

HSL 228.75, 0.12%, 0.27%

LAB 27.28, 1.99, -8.28

 

CMYK 21 / 21 / 0 / 70

HEX #3D3D4D

RGB 61 61 77

HSL 240, 0.12%, 0.27%

LAB 26.35, 3.97, -9.69

 

CMYK 14 / 21 / 0 / 70

HEX #423D4D

RGB 66 61 77

HSL 258.75, 0.12%, 0.27%

LAB 26.82, 5.89, -8.93

 

CMYK 9 / 21 / 0 / 70

HEX #463D4D

RGB 70 61 77

HSL 273.75, 0.12%, 0.27%

LAB 27.23, 7.46, -8.28

 

CMYK 19 / 23 / 0 / 88

HEX #19181F

RGB 25 24 31

HSL 248.57, 0.13%, 0.11%

LAB 8.64, 2.41, -4.7

 

CMYK 20 / 22 / 0 / 79

HEX #2B2A36

RGB 43 42 54

HSL 245, 0.13%, 0.19%

LAB 17.63, 3.56, -7.55

 

CMYK 19 / 21 / 0 / 70

HEX #3E3D4D

RGB 62 61 77

HSL 243.75, 0.12%, 0.27%

LAB 26.44, 4.35, -9.54

 

CMYK 20 / 21 / 0 / 61

HEX #504F64

RGB 80 79 100

HSL 242.86, 0.12%, 0.35%

LAB 34.43, 5.38, -12.03

 

CMYK 20 / 21 / 0 / 52

HEX #63617B

RGB 99 97 123

HSL 244.62, 0.12%, 0.43%

LAB 42.2, 6.71, -14.26

 

CMYK 19 / 21 / 0 / 70

HEX #3E3D4D

RGB 62 61 77

HSL 243.75, 0.12%, 0.27%

LAB 26.44, 4.35, -9.54

 

CMYK 0 / 21 / 5 / 70

HEX #4D3D49

RGB 77 61 73

HSL 315, 0.12%, 0.27%

LAB 27.84, 9.39, -4.67

 

CMYK 14 / 0 / 21 / 70

HEX #424D3D

RGB 66 77 61

HSL 101.25, 0.12%, 0.27%

LAB 31.35, -7.91, 8.05

 

CMYK 19 / 21 / 0 / 70

HEX #3E3D4D

RGB 62 61 77

HSL 243.75, 0.12%, 0.27%

LAB 26.44, 4.35, -9.54

 

CMYK 0 / 21 / 21 / 70

HEX #4D3D3D

RGB 77 61 61

HSL 0, 0.12%, 0.27%

LAB 27.44, 6.98, 2.64

 

CMYK 21 / 0 / 21 / 70

HEX #3D4D3D

RGB 61 77 61

HSL 120, 0.12%, 0.27%

LAB 30.97, -9.98, 7.45

 

CMYK 19 / 21 / 0 / 70

HEX #3E3D4D

RGB 62 61 77

HSL 243.75, 0.12%, 0.27%

LAB 26.44, 4.35, -9.54

 

CMYK 0 / 21 / 5 / 70

HEX #4D3D49

RGB 77 61 73

HSL 315, 0.12%, 0.27%

LAB 27.84, 9.39, -4.67

 

CMYK 1 / 0 / 21 / 70

HEX #4C4D3D

RGB 76 77 61

HSL 63.75, 0.12%, 0.27%

LAB 32.22, -3.6, 9.38

 

CMYK 21 / 0 / 16 / 70

HEX #3D4D41

RGB 61 77 65

HSL 135, 0.12%, 0.27%

LAB 31.07, -9.12, 5.05

 

CMYK 19 / 21 / 0 / 70

HEX #3E3D4D

RGB 62 61 77

HSL 243.75, 0.12%, 0.27%

LAB 26.44, 4.35, -9.54

 

CMYK 0 / 21 / 12 / 70

HEX #4D3D44

RGB 77 61 68

HSL 333.75, 0.12%, 0.27%

LAB 27.66, 8.34, -1.64

 

CMYK 1 / 0 / 21 / 70

HEX #4C4D3D

RGB 76 77 61

HSL 63.75, 0.12%, 0.27%

LAB 32.22, -3.6, 9.38

 

CMYK 21 / 0 / 9 / 70

HEX #3D4D46

RGB 61 77 70

HSL 153.75, 0.12%, 0.27%

LAB 31.21, -7.98, 2.07

 

Description

Color code: HEX #3E3D4D | qconv.com Color code: HEX #3E3D4D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 61 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 61 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 21 magenta, none yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 21% 0% 70% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

62% - Mobstats - Making gr...
Link: http://mobstats.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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