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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E3B2E it is the complementary color #C1C4D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E3B2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E3B2E shade: #433B29, #544D3C, #655F4F, #767162 and #878375

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E3B2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E3B2E shade: #3E3B2E, #2D291B, #1C1708 and #0B0500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E3B2E shade: #3E3B2E, #3E362E, #3E322E and #3E2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E3B2E shade: #3E3B2E, #3C3E2E, #383E2E, #343E2E and #2F3E2E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E3B2E shade matches the following richer shades: #3E3B2E, #464025, #4F451C, #584B14 and #60500B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E3B2E shade: #3E3B2E, #353536, #2C303F, #242A48 and #1B2550

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E3B2E shade: #3E322E, #3E362E, #3E3A2E, #3D3E2E and #383E2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E3B2E shade: #0E0D0A, #26241C, #3E3B2E, #55513F and #6D6851

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E3B2E shade: #3E3B2E, #2E3E2E and #342E3E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E3B2E shade: #3E3B2E, #2E3E3A and #3A2E3E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E3B2E shade: #3E3B2E, #2E3E2E, #2E313E and #3E2E3E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E3B2E shade: #3E3B2E, #2E3E32, #2E313E and #3E2E39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 26 / 76

HEX #3E3B2E

RGB 62 59 46

HSL 48.75, 0.15%, 0.21%

LAB 24.79, -1.29, 8.54

 

Complementary color

CMYK 8 / 6 / 0 / 18

HEX #C1C4D1

RGB 193 196 209

HSL 228.75, 0.15%, 0.79%

LAB 79.28, 1.46, -6.85

 

CMYK 0 / 12 / 39 / 74

HEX #433B29

RGB 67 59 41

HSL 41.54, 0.24%, 0.21%

LAB 25.2, 0.27, 12.45

 

CMYK 0 / 8 / 29 / 67

HEX #544D3C

RGB 84 77 60

HSL 42.5, 0.17%, 0.28%

LAB 32.96, -0.2, 11.16

 

CMYK 0 / 6 / 22 / 60

HEX #655F4F

RGB 101 95 79

HSL 43.64, 0.12%, 0.35%

LAB 40.44, -0.56, 10.03

 

CMYK 0 / 4 / 17 / 54

HEX #767162

RGB 118 113 98

HSL 45, 0.09%, 0.42%

LAB 47.68, -0.84, 9.02

 

CMYK 0 / 3 / 13 / 47

HEX #878375

RGB 135 131 117

HSL 46.67, 0.07%, 0.49%

LAB 54.73, -1.07, 8.1

 

CMYK 0 / 5 / 26 / 76

HEX #3E3B2E

RGB 62 59 46

HSL 48.75, 0.15%, 0.21%

LAB 24.79, -1.29, 8.54

 

CMYK 0 / 9 / 40 / 82

HEX #2D291B

RGB 45 41 27

HSL 46.67, 0.25%, 0.14%

LAB 16.62, -0.89, 9.87

 

CMYK 0 / 18 / 71 / 89

HEX #1C1708

RGB 28 23 8

HSL 45, 0.56%, 0.07%

LAB 7.92, -0.19, 8.58

 

CMYK 0 / 55 / 100 / 96

HEX #0B0500

RGB 11 5 0

HSL 27.27, 1%, 0.02%

LAB 1.62, 0.88, 2.45

 

CMYK 0 / 5 / 26 / 76

HEX #3E3B2E

RGB 62 59 46

HSL 48.75, 0.15%, 0.21%

LAB 24.79, -1.29, 8.54

 

CMYK 0 / 13 / 26 / 76

HEX #3E362E

RGB 62 54 46

HSL 30, 0.15%, 0.21%

LAB 23.2, 1.98, 6.33

 

CMYK 0 / 19 / 26 / 76

HEX #3E322E

RGB 62 50 46

HSL 15, 0.15%, 0.21%

LAB 21.95, 4.64, 4.56

 

CMYK 0 / 26 / 26 / 76

HEX #3E2E2E

RGB 62 46 46

HSL 0, 0.15%, 0.21%

LAB 20.73, 7.33, 2.82

 

CMYK 0 / 5 / 26 / 76

HEX #3E3B2E

RGB 62 59 46

HSL 48.75, 0.15%, 0.21%

LAB 24.79, -1.29, 8.54

 

CMYK 3 / 0 / 26 / 76

HEX #3C3E2E

RGB 60 62 46

HSL 67.5, 0.15%, 0.21%

LAB 25.57, -4.13, 9.58

 

CMYK 10 / 0 / 26 / 76

HEX #383E2E

RGB 56 62 46

HSL 82.5, 0.15%, 0.21%

LAB 25.21, -5.96, 9.03

 

CMYK 16 / 0 / 26 / 76

HEX #343E2E

RGB 52 62 46

HSL 97.5, 0.15%, 0.21%

LAB 24.87, -7.74, 8.5

 

CMYK 24 / 0 / 26 / 76

HEX #2F3E2E

RGB 47 62 46

HSL 116.25, 0.15%, 0.21%

LAB 24.47, -9.89, 7.89

 

CMYK 0 / 5 / 26 / 76

HEX #3E3B2E

RGB 62 59 46

HSL 48.75, 0.15%, 0.21%

LAB 24.79, -1.29, 8.54

 

CMYK 0 / 9 / 47 / 73

HEX #464025

RGB 70 64 37

HSL 49.09, 0.31%, 0.21%

LAB 27.02, -2.02, 17.43

 

CMYK 0 / 13 / 65 / 69

HEX #4F451C

RGB 79 69 28

HSL 48.24, 0.48%, 0.21%

LAB 29.42, -1.65, 25.86

 

CMYK 0 / 15 / 77 / 65

HEX #584B14

RGB 88 75 20

HSL 48.53, 0.63%, 0.21%

LAB 32.16, -1.39, 33.13

 

CMYK 0 / 17 / 89 / 62

HEX #60500B

RGB 96 80 11

HSL 48.71, 0.79%, 0.21%

LAB 34.49, -0.81, 39.11

 

CMYK 0 / 5 / 26 / 76

HEX #3E3B2E

RGB 62 59 46

HSL 48.75, 0.15%, 0.21%

LAB 24.79, -1.29, 8.54

 

CMYK 2 / 2 / 0 / 79

HEX #353536

RGB 53 53 54

HSL 240, 0.01%, 0.21%

LAB 22.19, 0.23, -0.63

 

CMYK 30 / 24 / 0 / 75

HEX #2C303F

RGB 44 48 63

HSL 227.37, 0.18%, 0.21%

LAB 20.08, 2.39, -10.01

 

CMYK 50 / 42 / 0 / 72

HEX #242A48

RGB 36 42 72

HSL 230, 0.33%, 0.21%

LAB 17.91, 6.86, -19.57

 

CMYK 66 / 54 / 0 / 69

HEX #1B2550

RGB 27 37 80

HSL 228.68, 0.5%, 0.21%

LAB 16.18, 11.19, -27.81

 

CMYK 0 / 19 / 26 / 76

HEX #3E322E

RGB 62 50 46

HSL 15, 0.15%, 0.21%

LAB 21.95, 4.64, 4.56

 

CMYK 0 / 13 / 26 / 76

HEX #3E362E

RGB 62 54 46

HSL 30, 0.15%, 0.21%

LAB 23.2, 1.98, 6.33

 

CMYK 0 / 6 / 26 / 76

HEX #3E3A2E

RGB 62 58 46

HSL 45, 0.15%, 0.21%

LAB 24.47, -0.64, 8.1

 

CMYK 2 / 0 / 26 / 76

HEX #3D3E2E

RGB 61 62 46

HSL 63.75, 0.15%, 0.21%

LAB 25.67, -3.67, 9.73

 

CMYK 10 / 0 / 26 / 76

HEX #383E2E

RGB 56 62 46

HSL 82.5, 0.15%, 0.21%

LAB 25.21, -5.96, 9.03

 

CMYK 0 / 7 / 29 / 95

HEX #0E0D0A

RGB 14 13 10

HSL 45, 0.17%, 0.05%

LAB 3.64, -0.14, 1.34

 

CMYK 0 / 5 / 26 / 85

HEX #26241C

RGB 38 36 28

HSL 48, 0.15%, 0.13%

LAB 14.16, -0.8, 5.69

 

CMYK 0 / 5 / 26 / 76

HEX #3E3B2E

RGB 62 59 46

HSL 48.75, 0.15%, 0.21%

LAB 24.79, -1.29, 8.54

 

CMYK 0 / 5 / 26 / 67

HEX #55513F

RGB 85 81 63

HSL 49.09, 0.15%, 0.29%

LAB 34.34, -1.73, 11.2

 

CMYK 0 / 5 / 26 / 57

HEX #6D6851

RGB 109 104 81

HSL 49.29, 0.15%, 0.37%

LAB 43.87, -2.14, 13.69

 

CMYK 0 / 5 / 26 / 76

HEX #3E3B2E

RGB 62 59 46

HSL 48.75, 0.15%, 0.21%

LAB 24.79, -1.29, 8.54

 

CMYK 26 / 0 / 26 / 76

HEX #2E3E2E

RGB 46 62 46

HSL 120, 0.15%, 0.21%

LAB 24.4, -10.31, 7.78

 

CMYK 16 / 26 / 0 / 76

HEX #342E3E

RGB 52 46 62

HSL 262.5, 0.15%, 0.21%

LAB 20.17, 6.59, -9.12

 

CMYK 0 / 5 / 26 / 76

HEX #3E3B2E

RGB 62 59 46

HSL 48.75, 0.15%, 0.21%

LAB 24.79, -1.29, 8.54

 

CMYK 26 / 0 / 6 / 76

HEX #2E3E3A

RGB 46 62 58

HSL 165, 0.15%, 0.21%

LAB 24.74, -7.48, 0.34

 

CMYK 6 / 26 / 0 / 76

HEX #3A2E3E

RGB 58 46 62

HSL 285, 0.15%, 0.21%

LAB 20.83, 9.02, -8.05

 

CMYK 0 / 5 / 26 / 76

HEX #3E3B2E

RGB 62 59 46

HSL 48.75, 0.15%, 0.21%

LAB 24.79, -1.29, 8.54

 

CMYK 26 / 0 / 26 / 76

HEX #2E3E2E

RGB 46 62 46

HSL 120, 0.15%, 0.21%

LAB 24.4, -10.31, 7.78

 

CMYK 26 / 21 / 0 / 76

HEX #2E313E

RGB 46 49 62

HSL 228.75, 0.15%, 0.21%

LAB 20.54, 2.16, -8.61

 

CMYK 0 / 26 / 0 / 76

HEX #3E2E3E

RGB 62 46 62

HSL 300, 0.15%, 0.21%

LAB 21.3, 10.67, -7.29

 

CMYK 0 / 5 / 26 / 76

HEX #3E3B2E

RGB 62 59 46

HSL 48.75, 0.15%, 0.21%

LAB 24.79, -1.29, 8.54

 

CMYK 26 / 0 / 19 / 76

HEX #2E3E32

RGB 46 62 50

HSL 135, 0.15%, 0.21%

LAB 24.5, -9.43, 5.29

 

CMYK 26 / 21 / 0 / 76

HEX #2E313E

RGB 46 49 62

HSL 228.75, 0.15%, 0.21%

LAB 20.54, 2.16, -8.61

 

CMYK 0 / 26 / 8 / 76

HEX #3E2E39

RGB 62 46 57

HSL 318.75, 0.15%, 0.21%

LAB 21.11, 9.54, -4.17

 

Description

Color code: HEX #3E3B2E | qconv.com Color code: HEX #3E3B2E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 59 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 59 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 26 yellow and 76 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 26% 76% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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