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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E367ACE it is the complementary color #C1C985CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E367ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E367ACE shade: #433675CE, #544888CE, #655A9BCE, #766CAECE and #877EC1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E367ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E367ACE shade: #3E367ACE, #2D2467CE, #1C1254CE, #0B0041CE and #00002ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E367ACE shade: #3F367C, #51367C, #64367C, #77367C and #7C366E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E367ACE shade: #3F367C and #36367C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E367ACE shade matches the following richer shades: #3F367C, #34288A, #291A99 and #1E0BA7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E367ACE shade: #3F367C, #4A456E, #55535F, #606251 and #6B7042

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E367ACE shade: #36537C, #36417C, #3F367C, #51367C and #64367C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E367ACE shade: #221D43, #302A5F, #3F367C, #4D4399 and #5D52B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E367ACE shade: #3E367A, #7C3666 and #4A7C36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E367ACE shade: #3E367A, #7C3F36 and #367C3F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E367ACE shade: #3E367A, #7C3666, #747C36 and #367C4C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E367ACE shade: #3E367A, #7C3651, #747C36 and #367C61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 45 / 0 / 42

HEX #3E367ACE

RGBA 62 54 122 0.81

HSLA 247.06, 0.39%, 0.35%, 0.81

LABA 26.93, 22.73, -37.81, 0.81

 

Complementary color

CMYK 3 / 0 / 27 / 17

HEX #C1C985CE

RGBA 193 201 133 0.81

HSLA 67.06, 0.39%, 0.65%, 0.81

LABA 78.93, -13.47, 33.12, 0.81

 

CMYK 35 / 44 / 0 / 44

HEX #433675CE

RGBA 67 54 117 0.81

HSLA 252.38, 0.37%, 0.34%, 0.81

LABA 27.06, 22.41, -34.4, 0.81

 

CMYK 31 / 38 / 0 / 38

HEX #544888CE

RGBA 84 72 136 0.81

HSLA 251.25, 0.31%, 0.41%, 0.81

LABA 34.59, 21.2, -34.16, 0.81

 

CMYK 28 / 34 / 0 / 32

HEX #655A9BCE

RGBA 101 90 155 0.81

HSLA 250.15, 0.27%, 0.48%, 0.81

LABA 41.92, 20.2, -33.98, 0.81

 

CMYK 26 / 31 / 0 / 26

HEX #766CAECE

RGBA 118 108 174 0.81

HSLA 249.09, 0.29%, 0.55%, 0.81

LABA 49.05, 19.35, -33.86, 0.81

 

CMYK 24 / 28 / 0 / 20

HEX #877EC1CE

RGBA 135 126 193 0.81

HSLA 248.06, 0.35%, 0.63%, 0.81

LABA 56.01, 18.61, -33.8, 0.81

 

CMYK 40 / 45 / 0 / 42

HEX #3E367ACE

RGBA 62 54 122 0.81

HSLA 247.06, 0.39%, 0.35%, 0.81

LABA 26.93, 22.73, -37.81, 0.81

 

CMYK 46 / 53 / 0 / 48

HEX #2D2467CE

RGBA 45 36 103 0.81

HSLA 248.06, 0.48%, 0.27%, 0.81

LABA 19.22, 24.41, -38.14, 0.81

 

CMYK 54 / 64 / 0 / 54

HEX #1C1254CE

RGBA 28 18 84 0.81

HSLA 249.09, 0.65%, 0.2%, 0.81

LABA 11.41, 26.37, -38.29, 0.81

 

CMYK 67 / 81 / 0 / 60

HEX #0B0041CE

RGBA 11 0 65 0.81

HSLA 250.15, 1%, 0.13%, 0.81

LABA 4.09, 26.23, -37.13, 0.81

 

CMYK 81 / 81 / 0 / 66

HEX #00002ECE

RGBA 0 0 46 0.81

HSLA 240, 1%, 0.09%, 0.81

LABA 1.78, 12.52, -26.91, 0.81

 

CMYK 49 / 56 / 0 / 51

HEX #3F367C

RGB 63 54 124

HSL 247.71, 0.39%, 0.35%

LAB 27.16, 23.63, -38.69

 

CMYK 35 / 56 / 0 / 51

HEX #51367C

RGB 81 54 124

HSL 263.14, 0.39%, 0.35%

LAB 29.01, 28.26, -35.62

 

CMYK 19 / 56 / 0 / 51

HEX #64367C

RGB 100 54 124

HSL 279.43, 0.39%, 0.35%

LAB 31.35, 33.59, -31.75

 

CMYK 4 / 56 / 0 / 51

HEX #77367C

RGB 119 54 124

HSL 295.71, 0.39%, 0.35%

LAB 34.02, 39.13, -27.37

 

CMYK 0 / 56 / 11 / 51

HEX #7C366E

RGB 124 54 110

HSL 312, 0.39%, 0.35%

LAB 34.09, 38.02, -18.41

 

CMYK 49 / 56 / 0 / 51

HEX #3F367C

RGB 63 54 124

HSL 247.71, 0.39%, 0.35%

LAB 27.16, 23.63, -38.69

 

CMYK 56 / 56 / 0 / 51

HEX #36367C

RGB 54 54 124

HSL 240, 0.39%, 0.35%

LAB 26.38, 21.56, -39.98

 

CMYK 49 / 56 / 0 / 51

HEX #3F367C

RGB 63 54 124

HSL 247.71, 0.39%, 0.35%

LAB 27.16, 23.63, -38.69

 

CMYK 62 / 71 / 0 / 46

HEX #34288A

RGB 52 40 138

HSL 247.35, 0.55%, 0.35%

LAB 23.94, 35.02, -52.74

 

CMYK 73 / 83 / 0 / 40

HEX #291A99

RGB 41 26 153

HSL 247.09, 0.71%, 0.35%

LAB 21.98, 46.21, -65.3

 

CMYK 82 / 93 / 0 / 35

HEX #1E0BA7

RGB 30 11 167

HSL 247.31, 0.88%, 0.35%

LAB 21.23, 55.23, -75.12

 

CMYK 49 / 56 / 0 / 51

HEX #3F367C

RGB 63 54 124

HSL 247.71, 0.39%, 0.35%

LAB 27.16, 23.63, -38.69

 

CMYK 33 / 37 / 0 / 57

HEX #4A456E

RGB 74 69 110

HSL 247.32, 0.23%, 0.35%

LAB 31.43, 12.51, -23.01

 

CMYK 11 / 13 / 0 / 63

HEX #55535F

RGB 85 83 95

HSL 250, 0.07%, 0.35%

LAB 35.88, 3.49, -6.67

 

CMYK 2 / 0 / 17 / 62

HEX #606251

RGB 96 98 81

HSL 67.06, 0.09%, 0.35%

LAB 40.92, -4.1, 9.43

 

CMYK 4 / 0 / 41 / 56

HEX #6B7042

RGB 107 112 66

HSL 66.52, 0.26%, 0.35%

LAB 45.78, -9.74, 24.92

 

CMYK 56 / 33 / 0 / 51

HEX #36537C

RGB 54 83 124

HSL 215.14, 0.39%, 0.35%

LAB 34.85, 2.2, -26.5

 

CMYK 56 / 48 / 0 / 51

HEX #36417C

RGB 54 65 124

HSL 230.57, 0.39%, 0.35%

LAB 29.46, 14.12, -35.04

 

CMYK 49 / 56 / 0 / 51

HEX #3F367C

RGB 63 54 124

HSL 247.71, 0.39%, 0.35%

LAB 27.16, 23.63, -38.69

 

CMYK 35 / 56 / 0 / 51

HEX #51367C

RGB 81 54 124

HSL 263.14, 0.39%, 0.35%

LAB 29.01, 28.26, -35.62

 

CMYK 19 / 56 / 0 / 51

HEX #64367C

RGB 100 54 124

HSL 279.43, 0.39%, 0.35%

LAB 31.35, 33.59, -31.75

 

CMYK 49 / 57 / 0 / 74

HEX #221D43

RGB 34 29 67

HSL 247.89, 0.4%, 0.19%

LAB 13.38, 13.95, -23.34

 

CMYK 49 / 56 / 0 / 63

HEX #302A5F

RGB 48 42 95

HSL 246.79, 0.39%, 0.27%

LAB 20.48, 18.29, -30.84

 

CMYK 49 / 56 / 0 / 51

HEX #3F367C

RGB 63 54 124

HSL 247.71, 0.39%, 0.35%

LAB 27.16, 23.63, -38.69

 

CMYK 50 / 56 / 0 / 40

HEX #4D4399

RGB 77 67 153

HSL 246.98, 0.39%, 0.43%

LAB 33.76, 27.84, -45.91

 

CMYK 48 / 54 / 0 / 30

HEX #5D52B3

RGB 93 82 179

HSL 246.8, 0.39%, 0.51%

LAB 40.6, 30.19, -50.35

 

CMYK 49 / 56 / 0 / 52

HEX #3E367A

RGB 62 54 122

HSL 247.06, 0.39%, 0.35%

LAB 26.93, 22.73, -37.81

 

CMYK 0 / 56 / 18 / 51

HEX #7C3666

RGB 124 54 102

HSL 318.86, 0.39%, 0.35%

LAB 33.74, 36.65, -13.87

 

CMYK 40 / 0 / 56 / 51

HEX #4A7C36

RGB 74 124 54

HSL 102.86, 0.39%, 0.35%

LAB 47.15, -30.81, 32.61

 

CMYK 49 / 56 / 0 / 52

HEX #3E367A

RGB 62 54 122

HSL 247.06, 0.39%, 0.35%

LAB 26.93, 22.73, -37.81

 

CMYK 0 / 49 / 56 / 51

HEX #7C3F36

RGB 124 63 54

HSL 7.71, 0.39%, 0.35%

LAB 34.2, 25.45, 17.47

 

CMYK 56 / 0 / 49 / 51

HEX #367C3F

RGB 54 124 63

HSL 127.71, 0.39%, 0.35%

LAB 46.39, -35.86, 26.7

 

CMYK 49 / 56 / 0 / 52

HEX #3E367A

RGB 62 54 122

HSL 247.06, 0.39%, 0.35%

LAB 26.93, 22.73, -37.81

 

CMYK 0 / 56 / 18 / 51

HEX #7C3666

RGB 124 54 102

HSL 318.86, 0.39%, 0.35%

LAB 33.74, 36.65, -13.87

 

CMYK 6 / 0 / 56 / 51

HEX #747C36

RGB 116 124 54

HSL 66.86, 0.39%, 0.35%

LAB 49.97, -13.7, 36.61

 

CMYK 56 / 0 / 39 / 51

HEX #367C4C

RGB 54 124 76

HSL 138.86, 0.39%, 0.35%

LAB 46.61, -33.55, 19.73

 

CMYK 49 / 56 / 0 / 52

HEX #3E367A

RGB 62 54 122

HSL 247.06, 0.39%, 0.35%

LAB 26.93, 22.73, -37.81

 

CMYK 0 / 56 / 35 / 51

HEX #7C3651

RGB 124 54 81

HSL 336.86, 0.39%, 0.35%

LAB 32.96, 33.5, -1.57

 

CMYK 6 / 0 / 56 / 51

HEX #747C36

RGB 116 124 54

HSL 66.86, 0.39%, 0.35%

LAB 49.97, -13.7, 36.61

 

CMYK 56 / 0 / 22 / 51

HEX #367C61

RGB 54 124 97

HSL 156.86, 0.39%, 0.35%

LAB 47.06, -28.97, 8.17

 

Description

Color code: HEX #3E367ACE | qconv.com Color code: HEX #3E367ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 54 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 54 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 45 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 45% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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