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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E335C it is the complementary color #C1CCA3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E335C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E335C shade: #433357, #54456A, #65577D, #766990 and #877BA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E335C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E335C shade: #3E335C, #2D2149, #1C0F36, #0B0023 and #000010

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E335C shade: #3E335C, #49335C, #54335C, #5C3359 and #5C334E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E335C shade: #3E335C and #33335C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E335C shade matches the following richer shades: #3E335C, #382768, #331C73, #2E107F and #28048A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E335C shade: #3E335C, #433E51, #494A45, #4E5539 and #53612E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E335C shade: #333E5C, #33335C, #3E335C, #49335C and #54335C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E335C shade: #1A1527, #2C2441, #3E335C, #504177 and #625091

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E335C shade: #3E335C, #5C3349 and #385C33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E335C shade: #3E335C, #5C3E33 and #335C3E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E335C shade: #3E335C, #5C3349, #515C33 and #335C46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E335C shade: #3E335C, #5C333C, #515C33 and #335C52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 45 / 0 / 64

HEX #3E335C

RGB 62 51 92

HSL 256.1, 0.29%, 0.28%

LAB 24.21, 15.3, -22.85

 

Complementary color

CMYK 5 / 0 / 20 / 20

HEX #C1CCA3

RGB 193 204 163

HSL 76.1, 0.29%, 0.72%

LAB 80.27, -10.82, 19.21

 

CMYK 23 / 41 / 0 / 66

HEX #433357

RGB 67 51 87

HSL 266.67, 0.26%, 0.27%

LAB 24.48, 15.57, -19.11

 

CMYK 21 / 35 / 0 / 58

HEX #54456A

RGB 84 69 106

HSL 264.32, 0.21%, 0.34%

LAB 32.22, 14.76, -19.19

 

CMYK 19 / 30 / 0 / 51

HEX #65577D

RGB 101 87 125

HSL 262.11, 0.18%, 0.42%

LAB 39.69, 14.08, -19.32

 

CMYK 18 / 27 / 0 / 44

HEX #766990

RGB 118 105 144

HSL 260, 0.16%, 0.49%

LAB 46.93, 13.49, -19.49

 

CMYK 17 / 25 / 0 / 36

HEX #877BA3

RGB 135 123 163

HSL 258, 0.18%, 0.56%

LAB 53.99, 12.98, -19.7

 

CMYK 33 / 45 / 0 / 64

HEX #3E335C

RGB 62 51 92

HSL 256.1, 0.29%, 0.28%

LAB 24.21, 15.3, -22.85

 

CMYK 38 / 55 / 0 / 71

HEX #2D2149

RGB 45 33 73

HSL 258, 0.38%, 0.21%

LAB 16.14, 16.42, -23.01

 

CMYK 48 / 72 / 0 / 79

HEX #1C0F36

RGB 28 15 54

HSL 260, 0.57%, 0.14%

LAB 7.72, 17.8, -23.21

 

CMYK 69 / 100 / 0 / 86

HEX #0B0023

RGB 11 0 35

HSL 258.86, 1%, 0.07%

LAB 1.74, 10.59, -18.44

 

CMYK 100 / 100 / 0 / 94

HEX #000010

RGB 0 0 16

HSL 240, 1%, 0.03%

LAB 0.34, 2.37, -6.46

 

CMYK 33 / 45 / 0 / 64

HEX #3E335C

RGB 62 51 92

HSL 256.1, 0.29%, 0.28%

LAB 24.21, 15.3, -22.85

 

CMYK 21 / 45 / 0 / 64

HEX #49335C

RGB 73 51 92

HSL 272.2, 0.29%, 0.28%

LAB 25.43, 18.97, -20.85

 

CMYK 9 / 45 / 0 / 64

HEX #54335C

RGB 84 51 92

HSL 288.29, 0.29%, 0.28%

LAB 26.81, 22.77, -18.6

 

CMYK 0 / 45 / 3 / 64

HEX #5C3359

RGB 92 51 89

HSL 304.39, 0.29%, 0.28%

LAB 27.75, 24.94, -15.1

 

CMYK 0 / 45 / 15 / 64

HEX #5C334E

RGB 92 51 78

HSL 320.49, 0.29%, 0.28%

LAB 27.28, 22.77, -8.6

 

CMYK 33 / 45 / 0 / 64

HEX #3E335C

RGB 62 51 92

HSL 256.1, 0.29%, 0.28%

LAB 24.21, 15.3, -22.85

 

CMYK 45 / 45 / 0 / 64

HEX #33335C

RGB 51 51 92

HSL 240, 0.29%, 0.28%

LAB 23.15, 11.88, -24.6

 

CMYK 33 / 45 / 0 / 64

HEX #3E335C

RGB 62 51 92

HSL 256.1, 0.29%, 0.28%

LAB 24.21, 15.3, -22.85

 

CMYK 46 / 63 / 0 / 59

HEX #382768

RGB 56 39 104

HSL 255.69, 0.45%, 0.28%

LAB 21.17, 25.28, -35.58

 

CMYK 56 / 76 / 0 / 55

HEX #331C73

RGB 51 28 115

HSL 255.86, 0.61%, 0.28%

LAB 19.11, 34.45, -46.09

 

CMYK 64 / 87 / 0 / 50

HEX #2E107F

RGB 46 16 127

HSL 256.22, 0.78%, 0.28%

LAB 17.84, 43.23, -55.88

 

CMYK 71 / 97 / 0 / 46

HEX #28048A

RGB 40 4 138

HSL 256.12, 0.94%, 0.28%

LAB 17.33, 49.78, -63.7

 

CMYK 33 / 45 / 0 / 64

HEX #3E335C

RGB 62 51 92

HSL 256.1, 0.29%, 0.28%

LAB 24.21, 15.3, -22.85

 

CMYK 17 / 23 / 0 / 68

HEX #433E51

RGB 67 62 81

HSL 255.79, 0.13%, 0.28%

LAB 27.39, 6.64, -10.68

 

CMYK 1 / 0 / 7 / 71

HEX #494A45

RGB 73 74 69

HSL 72, 0.03%, 0.28%

LAB 31.22, -1.48, 2.84

 

CMYK 8 / 0 / 33 / 67

HEX #4E5539

RGB 78 85 57

HSL 75, 0.2%, 0.28%

LAB 34.83, -8.22, 15.45

 

CMYK 14 / 0 / 53 / 62

HEX #53612E

RGB 83 97 46

HSL 76.47, 0.36%, 0.28%

LAB 38.87, -14.38, 27.09

 

CMYK 45 / 33 / 0 / 64

HEX #333E5C

RGB 51 62 92

HSL 223.9, 0.29%, 0.28%

LAB 26.51, 4.36, -19.32

 

CMYK 45 / 45 / 0 / 64

HEX #33335C

RGB 51 51 92

HSL 240, 0.29%, 0.28%

LAB 23.15, 11.88, -24.6

 

CMYK 33 / 45 / 0 / 64

HEX #3E335C

RGB 62 51 92

HSL 256.1, 0.29%, 0.28%

LAB 24.21, 15.3, -22.85

 

CMYK 21 / 45 / 0 / 64

HEX #49335C

RGB 73 51 92

HSL 272.2, 0.29%, 0.28%

LAB 25.43, 18.97, -20.85

 

CMYK 9 / 45 / 0 / 64

HEX #54335C

RGB 84 51 92

HSL 288.29, 0.29%, 0.28%

LAB 26.81, 22.77, -18.6

 

CMYK 33 / 46 / 0 / 85

HEX #1A1527

RGB 26 21 39

HSL 256.67, 0.3%, 0.12%

LAB 8.15, 7.63, -11.46

 

CMYK 32 / 45 / 0 / 75

HEX #2C2441

RGB 44 36 65

HSL 256.55, 0.29%, 0.2%

LAB 16.4, 11.46, -17.09

 

CMYK 33 / 45 / 0 / 64

HEX #3E335C

RGB 62 51 92

HSL 256.1, 0.29%, 0.28%

LAB 24.21, 15.3, -22.85

 

CMYK 33 / 45 / 0 / 53

HEX #504177

RGB 80 65 119

HSL 256.67, 0.29%, 0.36%

LAB 31.39, 19.58, -28.71

 

CMYK 32 / 45 / 0 / 43

HEX #625091

RGB 98 80 145

HSL 256.62, 0.29%, 0.44%

LAB 38.51, 22.75, -33.35

 

CMYK 33 / 45 / 0 / 64

HEX #3E335C

RGB 62 51 92

HSL 256.1, 0.29%, 0.28%

LAB 24.21, 15.3, -22.85

 

CMYK 0 / 45 / 21 / 64

HEX #5C3349

RGB 92 51 73

HSL 327.8, 0.29%, 0.28%

LAB 27.09, 21.86, -5.58

 

CMYK 39 / 0 / 45 / 64

HEX #385C33

RGB 56 92 51

HSL 112.68, 0.29%, 0.28%

LAB 35.47, -22.14, 19.6

 

CMYK 33 / 45 / 0 / 64

HEX #3E335C

RGB 62 51 92

HSL 256.1, 0.29%, 0.28%

LAB 24.21, 15.3, -22.85

 

CMYK 0 / 33 / 45 / 64

HEX #5C3E33

RGB 92 62 51

HSL 16.1, 0.29%, 0.28%

LAB 29.31, 11.59, 12.04

 

CMYK 45 / 0 / 33 / 64

HEX #335C3E

RGB 51 92 62

HSL 136.1, 0.29%, 0.28%

LAB 35.41, -21.83, 12.88

 

CMYK 33 / 45 / 0 / 64

HEX #3E335C

RGB 62 51 92

HSL 256.1, 0.29%, 0.28%

LAB 24.21, 15.3, -22.85

 

CMYK 0 / 45 / 21 / 64

HEX #5C3349

RGB 92 51 73

HSL 327.8, 0.29%, 0.28%

LAB 27.09, 21.86, -5.58

 

CMYK 12 / 0 / 45 / 64

HEX #515C33

RGB 81 92 51

HSL 76.1, 0.29%, 0.28%

LAB 37.19, -11.83, 22.15

 

CMYK 45 / 0 / 24 / 64

HEX #335C46

RGB 51 92 70

HSL 147.8, 0.29%, 0.28%

LAB 35.6, -20.07, 8.23

 

CMYK 33 / 45 / 0 / 64

HEX #3E335C

RGB 62 51 92

HSL 256.1, 0.29%, 0.28%

LAB 24.21, 15.3, -22.85

 

CMYK 0 / 45 / 35 / 64

HEX #5C333C

RGB 92 51 60

HSL 346.83, 0.29%, 0.28%

LAB 26.65, 19.73, 2.41

 

CMYK 12 / 0 / 45 / 64

HEX #515C33

RGB 81 92 51

HSL 76.1, 0.29%, 0.28%

LAB 37.19, -11.83, 22.15

 

CMYK 45 / 0 / 11 / 64

HEX #335C52

RGB 51 92 82

HSL 165.37, 0.29%, 0.28%

LAB 35.92, -17.1, 1.25

 

Description

Color code: HEX #3E335C | qconv.com Color code: HEX #3E335C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 51 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 51 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 45 magenta, none yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 45% 0% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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