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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E303D it is the complementary color #C1CFC2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E303D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E303D shade: #433038, #54424B, #65545E, #766671 and #877884

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E303D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E303D shade: #3E303D, #2D1E2A, #1C0C17, #0B0004 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E303D shade: #3F313E, #3F313A, #3F3136, #3F3133 and #3F3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E303D shade: #3F313E, #3D313F, #39313F, #35313F and #31313F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E303D shade matches the following richer shades: #3F313E, #482846, #521F4E, #5B1656 and #640C5D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E303D shade: #3F313E, #363A37, #2D432F, #244C27 and #1B551F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E303D shade: #39313F, #3C313F, #3F313E, #3F313B and #3F3137

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E303D shade: #110D10, #281F27, #3F313E, #574355 and #6E556C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E303D shade: #3E303D, #3F3531 and #313F3B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E303D shade: #3E303D, #3E3F31 and #313E3F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E303D shade: #3E303D, #3F3531, #313F32 and #313C3F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E303D shade: #3E303D, #3F3931, #313F32 and #31373F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 2 / 76

HEX #3E303D

RGB 62 48 61

HSL 304.29, 0.13%, 0.22%

LAB 21.85, 9.09, -5.78

 

Complementary color

CMYK 7 / 0 / 6 / 19

HEX #C1CFC2

RGB 193 207 194

HSL 124.29, 0.13%, 0.78%

LAB 81.76, -7.16, 4.82

 

CMYK 0 / 28 / 16 / 74

HEX #433038

RGB 67 48 56

HSL 334.74, 0.17%, 0.23%

LAB 22.28, 10.16, -1.69

 

CMYK 0 / 21 / 11 / 67

HEX #54424B

RGB 84 66 75

HSL 330, 0.12%, 0.29%

LAB 30.13, 9.48, -2.48

 

CMYK 0 / 17 / 7 / 60

HEX #65545E

RGB 101 84 94

HSL 324.71, 0.09%, 0.36%

LAB 37.69, 8.93, -3.18

 

CMYK 0 / 14 / 4 / 54

HEX #766671

RGB 118 102 113

HSL 318.75, 0.07%, 0.43%

LAB 45.01, 8.46, -3.82

 

CMYK 0 / 11 / 2 / 47

HEX #877884

RGB 135 120 132

HSL 312, 0.06%, 0.5%

LAB 52.12, 8.05, -4.43

 

CMYK 0 / 23 / 2 / 76

HEX #3E303D

RGB 62 48 61

HSL 304.29, 0.13%, 0.22%

LAB 21.85, 9.09, -5.78

 

CMYK 0 / 33 / 7 / 82

HEX #2D1E2A

RGB 45 30 42

HSL 312, 0.2%, 0.15%

LAB 13.55, 9.83, -5.17

 

CMYK 0 / 57 / 18 / 89

HEX #1C0C17

RGB 28 12 23

HSL 318.75, 0.4%, 0.08%

LAB 5.16, 9.08, -3.69

 

CMYK 0 / 100 / 64 / 96

HEX #0B0004

RGB 11 0 4

HSL 338.18, 1%, 0.02%

LAB 0.72, 3.44, -0.5

 

CMYK 0 / 22 / 2 / 75

HEX #3F313E

RGB 63 49 62

HSL 304.29, 0.13%, 0.22%

LAB 22.31, 9.06, -5.77

 

CMYK 0 / 22 / 8 / 75

HEX #3F313A

RGB 63 49 58

HSL 321.43, 0.13%, 0.22%

LAB 22.16, 8.17, -3.28

 

CMYK 0 / 22 / 14 / 75

HEX #3F3136

RGB 63 49 54

HSL 338.57, 0.13%, 0.22%

LAB 22.02, 7.32, -0.77

 

CMYK 0 / 22 / 19 / 75

HEX #3F3133

RGB 63 49 51

HSL 351.43, 0.13%, 0.22%

LAB 21.92, 6.72, 1.13

 

CMYK 0 / 22 / 22 / 75

HEX #3F3131

RGB 63 49 49

HSL 0, 0.13%, 0.22%

LAB 21.85, 6.33, 2.4

 

CMYK 0 / 22 / 2 / 75

HEX #3F313E

RGB 63 49 62

HSL 304.29, 0.13%, 0.22%

LAB 22.31, 9.06, -5.77

 

CMYK 3 / 22 / 0 / 75

HEX #3D313F

RGB 61 49 63

HSL 291.43, 0.13%, 0.22%

LAB 22.12, 8.46, -6.76

 

CMYK 10 / 22 / 0 / 75

HEX #39313F

RGB 57 49 63

HSL 274.29, 0.13%, 0.22%

LAB 21.67, 6.81, -7.47

 

CMYK 16 / 22 / 0 / 75

HEX #35313F

RGB 53 49 63

HSL 257.14, 0.13%, 0.22%

LAB 21.25, 5.19, -8.14

 

CMYK 22 / 22 / 0 / 75

HEX #31313F

RGB 49 49 63

HSL 240, 0.13%, 0.22%

LAB 20.86, 3.61, -8.78

 

CMYK 0 / 22 / 2 / 75

HEX #3F313E

RGB 63 49 62

HSL 304.29, 0.13%, 0.22%

LAB 22.31, 9.06, -5.77

 

CMYK 0 / 44 / 3 / 72

HEX #482846

RGB 72 40 70

HSL 303.75, 0.29%, 0.22%

LAB 21.35, 20.39, -12.55

 

CMYK 0 / 62 / 5 / 68

HEX #521F4E

RGB 82 31 78

HSL 304.71, 0.45%, 0.22%

LAB 21.3, 30.8, -17.92

 

CMYK 0 / 76 / 5 / 64

HEX #5B1656

RGB 91 22 86

HSL 304.35, 0.61%, 0.22%

LAB 21.84, 39.06, -22.35

 

CMYK 0 / 88 / 7 / 61

HEX #640C5D

RGB 100 12 93

HSL 304.77, 0.79%, 0.22%

LAB 22.87, 45.6, -25.26

 

CMYK 0 / 22 / 2 / 75

HEX #3F313E

RGB 63 49 62

HSL 304.29, 0.13%, 0.22%

LAB 22.31, 9.06, -5.77

 

CMYK 7 / 0 / 5 / 77

HEX #363A37

RGB 54 58 55

HSL 135, 0.04%, 0.22%

LAB 23.95, -2.4, 1.27

 

CMYK 33 / 0 / 30 / 74

HEX #2D432F

RGB 45 67 47

HSL 125.45, 0.2%, 0.22%

LAB 26.09, -13.47, 9.46

 

CMYK 53 / 0 / 49 / 70

HEX #244C27

RGB 36 76 39

HSL 124.5, 0.36%, 0.22%

LAB 28.62, -23.19, 17.73

 

CMYK 68 / 0 / 64 / 67

HEX #1B551F

RGB 27 85 31

HSL 124.14, 0.52%, 0.22%

LAB 31.41, -31.21, 25.62

 

CMYK 10 / 22 / 0 / 75

HEX #39313F

RGB 57 49 63

HSL 274.29, 0.13%, 0.22%

LAB 21.67, 6.81, -7.47

 

CMYK 5 / 22 / 0 / 75

HEX #3C313F

RGB 60 49 63

HSL 287.14, 0.13%, 0.22%

LAB 22, 8.04, -6.94

 

CMYK 0 / 22 / 2 / 75

HEX #3F313E

RGB 63 49 62

HSL 304.29, 0.13%, 0.22%

LAB 22.31, 9.06, -5.77

 

CMYK 0 / 22 / 6 / 75

HEX #3F313B

RGB 63 49 59

HSL 317.14, 0.13%, 0.22%

LAB 22.19, 8.39, -3.9

 

CMYK 0 / 22 / 13 / 75

HEX #3F3137

RGB 63 49 55

HSL 334.29, 0.13%, 0.22%

LAB 22.05, 7.53, -1.4

 

CMYK 0 / 24 / 6 / 93

HEX #110D10

RGB 17 13 16

HSL 315, 0.13%, 0.06%

LAB 4.01, 1.89, -0.96

 

CMYK 0 / 23 / 2 / 84

HEX #281F27

RGB 40 31 39

HSL 306.67, 0.13%, 0.14%

LAB 13.09, 6.16, -3.75

 

CMYK 0 / 22 / 2 / 75

HEX #3F313E

RGB 63 49 62

HSL 304.29, 0.13%, 0.22%

LAB 22.31, 9.06, -5.77

 

CMYK 0 / 23 / 2 / 66

HEX #574355

RGB 87 67 85

HSL 306, 0.13%, 0.3%

LAB 31.11, 12.15, -7.45

 

CMYK 0 / 23 / 2 / 57

HEX #6E556C

RGB 110 85 108

HSL 304.8, 0.13%, 0.38%

LAB 39.4, 14.69, -9.21

 

CMYK 0 / 23 / 2 / 76

HEX #3E303D

RGB 62 48 61

HSL 304.29, 0.13%, 0.22%

LAB 21.85, 9.09, -5.78

 

CMYK 0 / 16 / 22 / 75

HEX #3F3531

RGB 63 53 49

HSL 17.14, 0.13%, 0.22%

LAB 23.08, 3.66, 4.16

 

CMYK 22 / 0 / 6 / 75

HEX #313F3B

RGB 49 63 59

HSL 162.86, 0.13%, 0.22%

LAB 25.33, -6.69, 0.57

 

CMYK 0 / 23 / 2 / 76

HEX #3E303D

RGB 62 48 61

HSL 304.29, 0.13%, 0.22%

LAB 21.85, 9.09, -5.78

 

CMYK 2 / 0 / 22 / 75

HEX #3E3F31

RGB 62 63 49

HSL 64.29, 0.13%, 0.22%

LAB 26.16, -3.31, 8.47

 

CMYK 22 / 2 / 0 / 75

HEX #313E3F

RGB 49 62 63

HSL 184.29, 0.13%, 0.22%

LAB 25.13, -5.02, -2.38

 

CMYK 0 / 23 / 2 / 76

HEX #3E303D

RGB 62 48 61

HSL 304.29, 0.13%, 0.22%

LAB 21.85, 9.09, -5.78

 

CMYK 0 / 16 / 22 / 75

HEX #3F3531

RGB 63 53 49

HSL 17.14, 0.13%, 0.22%

LAB 23.08, 3.66, 4.16

 

CMYK 22 / 0 / 21 / 75

HEX #313F32

RGB 49 63 50

HSL 124.29, 0.13%, 0.22%

LAB 25.07, -8.8, 6.13

 

CMYK 22 / 5 / 0 / 75

HEX #313C3F

RGB 49 60 63

HSL 192.86, 0.13%, 0.22%

LAB 24.46, -3.74, -3.37

 

CMYK 0 / 23 / 2 / 76

HEX #3E303D

RGB 62 48 61

HSL 304.29, 0.13%, 0.22%

LAB 21.85, 9.09, -5.78

 

CMYK 0 / 10 / 22 / 75

HEX #3F3931

RGB 63 57 49

HSL 34.29, 0.13%, 0.22%

LAB 24.34, 1.02, 5.94

 

CMYK 22 / 0 / 21 / 75

HEX #313F32

RGB 49 63 50

HSL 124.29, 0.13%, 0.22%

LAB 25.07, -8.8, 6.13

 

CMYK 22 / 13 / 0 / 75

HEX #31373F

RGB 49 55 63

HSL 214.29, 0.13%, 0.22%

LAB 22.81, -0.45, -5.84

 

Description

Color code: HEX #3E303D | qconv.com Color code: HEX #3E303D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 48 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 48 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 2 yellow and 76 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 2% 76% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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