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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E2DFB it is the complementary color #C1D204. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E2DFB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E2DFB shade: #432DF6, #543FFF, #6551FF, #7663FF and #8775FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E2DFB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E2DFB shade: #3E2DFB, #2D1BE8, #1C09D5, #0B00C2 and #0000AF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E2DFB shade: #3E2DFB, #762DFB, #AD2DFB, #E42DFB and #FB2DDA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E2DFB shade: #3E2DFB and #2D2DFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E2DFB shade matches the following richer shades: #3E2DFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E2DFB shade: #3E2DFB, #4D3EE9, #5B50D8, #6961C7 and #7872B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E2DFB shade: #2D8DFB, #2D56FB, #3B2DFB, #722DFB and #A82DFB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E2DFB shade: #1504D1, #1905F9, #3E2DFB, #6356FC and #887EFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E2DFB shade: #3E2DFB, #FB2DC4 and #72FB2D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E2DFB shade: #3E2DFB, #FB3B2D and #2DFB3B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E2DFB shade: #3E2DFB, #FB2DC4, #EDFB2D and #2DFB64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E2DFB shade: #3E2DFB, #FB2D86, #EDFB2D and #2DFBA2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 82 / 0 / 2

HEX #3E2DFB

RGB 62 45 251

HSL 244.95, 0.96%, 0.58%

LAB 37.6, 68.02, -96.73

 

Complementary color

CMYK 8 / 0 / 98 / 18

HEX #C1D204

RGB 193 210 4

HSL 64.95, 0.96%, 0.42%

LAB 80.43, -25.76, 79.69

 

CMYK 73 / 82 / 0 / 4

HEX #432DF6

RGB 67 45 246

HSL 246.57, 0.92%, 0.57%

LAB 37.34, 66.91, -94.34

 

CMYK 67 / 75 / 0 / 0

HEX #543FFF

RGB 84 63 255

HSL 246.56, 1%, 0.62%

LAB 42.25, 62.69, -91.23

 

CMYK 60 / 68 / 0 / 0

HEX #6551FF

RGB 101 81 255

HSL 246.9, 1%, 0.66%

LAB 46.81, 55.35, -83.68

 

CMYK 54 / 61 / 0 / 0

HEX #7663FF

RGB 118 99 255

HSL 247.31, 1%, 0.69%

LAB 51.83, 47.99, -75.42

 

CMYK 47 / 54 / 0 / 0

HEX #8775FF

RGB 135 117 255

HSL 247.83, 1%, 0.73%

LAB 57.17, 40.96, -66.71

 

CMYK 75 / 82 / 0 / 2

HEX #3E2DFB

RGB 62 45 251

HSL 244.95, 0.96%, 0.58%

LAB 37.6, 68.02, -96.73

 

CMYK 81 / 88 / 0 / 9

HEX #2D1BE8

RGB 45 27 232

HSL 245.27, 0.82%, 0.51%

LAB 32.19, 68.61, -95.02

 

CMYK 87 / 96 / 0 / 16

HEX #1C09D5

RGB 28 9 213

HSL 245.59, 0.92%, 0.44%

LAB 27.43, 67.68, -92.05

 

CMYK 94 / 100 / 0 / 24

HEX #0B00C2

RGB 11 0 194

HSL 243.4, 1%, 0.38%

LAB 23.56, 64.55, -87.4

 

CMYK 100 / 100 / 0 / 31

HEX #0000AF

RGB 0 0 175

HSL 240, 1%, 0.34%

LAB 20.42, 59.72, -81.33

 

CMYK 75 / 82 / 0 / 2

HEX #3E2DFB

RGB 62 45 251

HSL 244.95, 0.96%, 0.58%

LAB 37.6, 68.02, -96.73

 

CMYK 53 / 82 / 0 / 2

HEX #762DFB

RGB 118 45 251

HSL 261.26, 0.96%, 0.58%

LAB 42.3, 72.55, -88.81

 

CMYK 31 / 82 / 0 / 2

HEX #AD2DFB

RGB 173 45 251

HSL 277.28, 0.96%, 0.58%

LAB 49.16, 79.5, -77.28

 

CMYK 9 / 82 / 0 / 2

HEX #E42DFB

RGB 228 45 251

HSL 293.3, 0.96%, 0.58%

LAB 57.4, 88.17, -63.55

 

CMYK 0 / 82 / 13 / 2

HEX #FB2DDA

RGB 251 45 218

HSL 309.61, 0.96%, 0.58%

LAB 59.39, 87.57, -41.66

 

CMYK 75 / 82 / 0 / 2

HEX #3E2DFB

RGB 62 45 251

HSL 244.95, 0.96%, 0.58%

LAB 37.6, 68.02, -96.73

 

CMYK 82 / 82 / 0 / 2

HEX #2D2DFB

RGB 45 45 251

HSL 240, 0.96%, 0.58%

LAB 36.74, 67.22, -98.18

 

CMYK 75 / 82 / 0 / 2

HEX #3E2DFB

RGB 62 45 251

HSL 244.95, 0.96%, 0.58%

LAB 37.6, 68.02, -96.73

 

CMYK 75 / 82 / 0 / 2

HEX #3E2DFB

RGB 62 45 251

HSL 244.95, 0.96%, 0.58%

LAB 37.6, 68.02, -96.73

 

CMYK 67 / 73 / 0 / 9

HEX #4D3EE9

RGB 77 62 233

HSL 245.26, 0.8%, 0.58%

LAB 39.42, 55.96, -83.53

 

CMYK 58 / 63 / 0 / 15

HEX #5B50D8

RGB 91 80 216

HSL 244.85, 0.64%, 0.58%

LAB 42.64, 42.52, -68.52

 

CMYK 47 / 51 / 0 / 22

HEX #6961C7

RGB 105 97 199

HSL 244.71, 0.48%, 0.58%

LAB 46.55, 29.81, -52.39

 

CMYK 34 / 37 / 0 / 29

HEX #7872B5

RGB 120 114 181

HSL 245.37, 0.31%, 0.58%

LAB 51.11, 18.21, -34.68

 

CMYK 82 / 44 / 0 / 2

HEX #2D8DFB

RGB 45 141 251

HSL 212.04, 0.96%, 0.58%

LAB 58.58, 11.32, -62.48

 

CMYK 82 / 66 / 0 / 2

HEX #2D56FB

RGB 45 86 251

HSL 228.06, 0.96%, 0.58%

LAB 44.49, 45.44, -85.37

 

CMYK 76 / 82 / 0 / 2

HEX #3B2DFB

RGB 59 45 251

HSL 244.08, 0.96%, 0.58%

LAB 37.43, 67.86, -97.02

 

CMYK 55 / 82 / 0 / 2

HEX #722DFB

RGB 114 45 251

HSL 260.1, 0.96%, 0.58%

LAB 41.87, 72.13, -89.52

 

CMYK 33 / 82 / 0 / 2

HEX #A82DFB

RGB 168 45 251

HSL 275.83, 0.96%, 0.58%

LAB 48.47, 78.78, -78.44

 

CMYK 90 / 98 / 0 / 18

HEX #1504D1

RGB 21 4 209

HSL 244.98, 0.96%, 0.42%

LAB 26.3, 67.53, -91.61

 

CMYK 90 / 98 / 0 / 2

HEX #1905F9

RGB 25 5 249

HSL 244.92, 0.96%, 0.5%

LAB 32.16, 77.17, -104.72

 

CMYK 75 / 82 / 0 / 2

HEX #3E2DFB

RGB 62 45 251

HSL 244.95, 0.96%, 0.58%

LAB 37.6, 68.02, -96.73

 

CMYK 61 / 66 / 0 / 1

HEX #6356FC

RGB 99 86 252

HSL 244.7, 0.97%, 0.66%

LAB 47.41, 51.43, -81.02

 

CMYK 46 / 50 / 0 / 1

HEX #887EFC

RGB 136 126 252

HSL 244.76, 0.95%, 0.74%

LAB 59.14, 35.11, -61.88

 

CMYK 75 / 82 / 0 / 2

HEX #3E2DFB

RGB 62 45 251

HSL 244.95, 0.96%, 0.58%

LAB 37.6, 68.02, -96.73

 

CMYK 0 / 82 / 22 / 2

HEX #FB2DC4

RGB 251 45 196

HSL 316.02, 0.96%, 0.58%

LAB 58.39, 84.83, -30.68

 

CMYK 55 / 0 / 82 / 2

HEX #72FB2D

RGB 114 251 45

HSL 99.9, 0.96%, 0.58%

LAB 88.33, -69.15, 78.18

 

CMYK 75 / 82 / 0 / 2

HEX #3E2DFB

RGB 62 45 251

HSL 244.95, 0.96%, 0.58%

LAB 37.6, 68.02, -96.73

 

CMYK 0 / 76 / 82 / 2

HEX #FB3B2D

RGB 251 59 45

HSL 4.08, 0.96%, 0.58%

LAB 55.91, 70.32, 52.96

 

CMYK 82 / 0 / 76 / 2

HEX #2DFB3B

RGB 45 251 59

HSL 124.08, 0.96%, 0.58%

LAB 86.93, -80.68, 72.58

 

CMYK 75 / 82 / 0 / 2

HEX #3E2DFB

RGB 62 45 251

HSL 244.95, 0.96%, 0.58%

LAB 37.6, 68.02, -96.73

 

CMYK 0 / 82 / 22 / 2

HEX #FB2DC4

RGB 251 45 196

HSL 316.02, 0.96%, 0.58%

LAB 58.39, 84.83, -30.68

 

CMYK 6 / 0 / 82 / 2

HEX #EDFB2D

RGB 237 251 45

HSL 64.08, 0.96%, 0.58%

LAB 94.82, -26.35, 86.35

 

CMYK 82 / 0 / 60 / 2

HEX #2DFB64

RGB 45 251 100

HSL 136.02, 0.96%, 0.58%

LAB 87.23, -77, 57.74

 

CMYK 75 / 82 / 0 / 2

HEX #3E2DFB

RGB 62 45 251

HSL 244.95, 0.96%, 0.58%

LAB 37.6, 68.02, -96.73

 

CMYK 0 / 82 / 47 / 2

HEX #FB2D86

RGB 251 45 134

HSL 334.08, 0.96%, 0.58%

LAB 56.19, 78.59, 2.28

 

CMYK 6 / 0 / 82 / 2

HEX #EDFB2D

RGB 237 251 45

HSL 64.08, 0.96%, 0.58%

LAB 94.82, -26.35, 86.35

 

CMYK 82 / 0 / 35 / 2

HEX #2DFBA2

RGB 45 251 162

HSL 154.08, 0.96%, 0.58%

LAB 88.05, -67.33, 29.44

 

Description

Color code: HEX #3E2DFB | qconv.com Color code: HEX #3E2DFB | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 45 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 45 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 82 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 82% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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